Catalogue of the Royal Picture Gallery in Dresden: With Notices Concerning the Aquistion and ...

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CATALOGUE

OF THE

ROYAL PICTURE GALLERY

IN

DRESDEN.

WITH NOTICES CONCERNING THE ACQUISITION AND SIGNATURES

OF THE PAINTINGS.

COMPOSED BY ROYAL AUTHORITY

BY

JULIUS HtJBNER.

TRANSLATKD FROM THE FOURTH ENLAROED EDITION BY

J. POND. *

- ^--^ .- ^ .«-

DRESDEN.

PRINTED BY B. G. TEUBNER.
1874.

I

LOAN STACK

ONTENTS.

Preface V

Cupola Saloon with the Tapestries 1

Byzantine School 2

Florentine School 3

Roman School 4

Ferrarese and Lombard Schools 23

Venetian School 35

Bolognese School 63

Genoese and Neapolitan Schools 77

Spanish School 84

French School .• . 92

Flemish School 102

Dutch School 159

Early Flemish and German Schools . 260

Pictures of native, for the most i)art still living Artists . 308
Collection of Pastil Pictures ; of the Paintings of Dietrich,

Canale and Canaletto 319

Collection of Miniatures 336

Index 341

406

%

PREFACE.

For the convenience of the constantly increasing
number of English and American visitors to the Gallery,
it has for some time been obvious that an English cata-
logue has become a necessity, and therefore the Chief
Direction of the Royal Collections has caused the present
translation to be made.

In the accomplishment of this object, the present
edition, consisting of a limited number of copies, does
not contain the Historical Introduction; it is, however,
reserved for the next edition.

The English catalogue has been enlarged by appen-
ding a list of Engravings after the most celebrated pain-
tings in the Gallery, which are for sale in the Vestibule.
They have been collected into one large Work in the
three volumes, each containing 51 sheets, the first of
which was commenced in 1756, and the last finished in
1870. They may be purchased either as an entire collec-
tion ; or in single volumes ; or in single numbers, each
containing 15 of the most desirable engravings selected
from each volume; or in a selection of 24 sheets from
the whole work. Single engravings and companion sheets

VI

may also be obtained. Those paintings which have been
engraved are designated in the catalogue with a star,
after which two numbers in brackets refer to the list
appended to the catalogue. v

By previously consulting the plan at the end of the
catalogue, the position of the pictures will easily be found.
The letters with which the large rooms with light from
above, and the figures with which the smaller cabinets
are designated are to be found under the number of each
picture ,in the catalogue, and also on the wainscoting of
the walls . of each room. The four walls of each hall, are
marked 1, 2, 3, 4 and those of the cabinets a, b, c, d.

/,

BBREVIATIONS
whicli frequently occur in the Catalogue.

h. =the height,

w. = the widtb of the paintings according to the

metrical system.

Old inven. 1722 = Old inventory from 1722 to 1728.

Inven. 8 vo. . = Inventory in octavo to 1747.

Palm. = Palmaroli

Mod. pnr. — Modena purchase of 100 pictures in 1745—46.

Cat. Guar. = Catalogue of Pietro Guarienti, former In-

spector of the Gallery. (Unfortunately an
incomplete manuscript.)

The Cupola Saloon.

'i/pi

Ihis saloon contains six pieces of Netherlands
Tapestry, some of which are without doubt from Cartoons
by Quintyn Messys (Matsys), who was born at Antwerp
about 1460, and died about 1531.

Above these, are six others belonging to the well
known series made after Cartoons by Raphael.

. Old Netherlands Tapestry.

Property of His Majesty. In 1853 they were again found in

the Briihl Palace.

' a. The Crucifixion. In composition, arrangement, draw-
ing and execution, the best of the whole series. 3,36 h.,
3,29 w.

^•^ b. Christ bearing the Cross. 3,44 h., 3,38 w.

(/"c. The Adoration of the Shepherds. 3,47 h., 3,36 w.

The Cartoon for this Tapestry is ascribed by M. Alfred
Michiels in the last edition of his Histoire de Vart flamande
to Henri met de Bles, which seems justified by the circum-
stance that the owl (the monogram of this artist) is twice
found in the border of the Tapestry mentioned under f.

d. The Ascension. 3,42 h., 3,33 w.

'^ e. Same subject by another hand and less beautiful. 2,96 h.,
2,88 w.

1

v/

f. The Last Supper, also by another hand, and both
probably by the same Master, as appears in the simi-
larity in the rich margin of flowers and birds. The
borders of the first four Tapestries are of rare beauty
in the arrangement and execution. 3,05 h., 2.84 w.

B. Tapestries after Cartoons by Raphael.

Purchased of Greneral-Field-Marshal Count Flamming in 1728
for 12,000 Thlr. ; in 1790 again found by the Hausmarshal

Freiherr von Racknitz.

g. A lame man healed by the Apostles Peter and John at
the gate of the temple called "Beautiful". Acts. ch. iii.
1. and following verses. 4,23 h. , 6,35 w.

h. Paul punishing Elymas the sorcerer with blindness.
Acts, ch. xiii, 6 to 12. 4,23 h., 3,03 w.

The right side representing Paul und Barnabas with several
other figures is wanting.

i. The sacrifice at Lystra, where Paul having healed a
lame man, he and Barnabas are about to be worshiped
as Jupiter and Mercury. Acts. ch. xiv, 8 to 18. 4,23 h.,
6,35 w.

k. The miraculous draught of fishes. Luke. ch. xv, 1 to 11.
,, 4,23 h., 5,00 w.

^ 1. Christ after his resurrection, saying to Peter : " Peed my
sheep". John ch. xxi, 15 to 24. 4,23 h. , 6,15 w.

^'' m.Paul preaching at Athens. Ads. ch. xvii, 22 and the
following verses. 4,23 h., 5,25 w.

v/,

v/

Byzantine School.

\ ' 1. The Resurrection. Painted on wood. Gold-ground.
- (32 a.) 0,22 h., 0,17 w.

; 2. The Transfiguration. Christ in the middle sur-
'(32 a.) rounded by a double, white cloud of a very

* . . ■

VI

peculiar form. On the right, Moses; on the left,
Elias. Gold-ground, 0,37 h., 0,28 w.

Above, in Greek letters "Metamorphosis", and the
initials of the names of the figures. Selected from the

V' reserved pictures in 1860.
3. ^ St. Gregory. Represented sitting on a throne,
(32 a.) holding a book in the left hand , the right raised,
imparting a blessing. The name in Greek letters
as in the last mentioned picture. Gold-ground.
0,14 h., 0,115 w.

Selected from the reserved pictures in 1861. These
three pictures were presented in 1672 by Gen. Chris-
topher von Degenfeldt to Johann Georg II. for the
^ Art Gallery.

\/^ 4. The Virgin and Child. Gold-ground. On wood,
(32 a.) 0,22 h., 0,17 w.

From Prof Steinla's Collection.

Florentine School.

Pisano (Giunta).

Bom about 1210.

Y y 5. The Virgin and Child sitting on a throne. Gold-

V (32 a.) ground. On wood, 0,205 h., 0,15 w.

Purchased in 1860 from the estate ot S. Woodbume,
Art-dealer in London. Price 1 guinea, 15 sh.

School of Giotto. ^ ^p^

6. The holy wora-en weeping over fehe body of Christ.
y^^2 a.) Half figures. Circular picture, on wood , 0,20 in

diameter.
Presented by Prof Steinla.

O^chool of Siena.

7. The Assumption ^of the Virgin. On wood, 0,45 h.,
(32 a.) 0^34 w. ^ iM^ J«IKa

8. A cross picture. On wood , 0,54 h., 0,43 w.
(32 a.)

1*

fVf.

9. The reverse of No. 8 and of the same size. On
(32 a.) wood.

From the time and in the style of Duccio di Buoninsegna.

(School of Siena.)
About 1300.

10. The Virgin and Child. Half Figure. In tempera,
(32a.) On wood, gold-ground, 0,26 h., 0,13 w.

From Rumohr's estate, 1846.

11. Two wing - pictures with the figures of Saints.
(32 a.) On wood, 0,53 h., 0,26 w.

From Prof. Steinla's Collection.

Lorenzetti (School of Siena.)

/ 12. The Virgin with a crown of gold , veil and richly
^ (32 a.) embroidered drapery. Half figure. Fragment on
wood. 0,35 h. , 0,285 w. , ^

From Prof Steinla's Collection. ^C':*

In the style of Lippo Memmi.

Born, 1300; died, at Florence, 1344.

13. The Virgin Mary with the Infant Christ standing
(82 a.) in her lap ; on both sides two holy women. Gold-
ground, in tempera. On wood, 0,44 h., 0,20 w.

From Eumohr's estate, 1846.

Tommaso di Stefano, named Giottino.

Born, 1324; died at Florence, 1356.

14. John the Baptist in prison, to whom two of his
(32 a.) disciples bring a message from Christ. Matth,

ch. xi. 2. Small altar within a pointed archj
in the upper part the bust of a Saint. On wood,
0,60 h., 0,36 w.

Purchased in 1860 from the estate of the picture-
dealer Woodbume in London. Price 7 guin.

o

Starnina (Gherardo di Jacopo).

/y^ Born at Florence, 1354; died about 1413.

15. The Archangel Michael with sword and globe in
(32 c.) his hands. On wood. Circular picture, 0,18 in
diameter.

/:,

w^

16. The Angel Raphael leading the young Tobias,
(32 c.) who holds the fish in his arms , the gall of which

the Angel carries in a little box in his right hand.

On wood. Companion picture to the former, and

same size.

Purchased in 1860 from Woodbume's estate for
16^2 guin. for both pictures.

School of Era Beato Giovanni da Fiesole.

Born at Mugello, 1387; died at Rome, 1465.

17. The Annunciation. In tempera, on gold-ground.
(32 c.) On wood, 0,28 h., 0,45 w.

1846 , from Rumohr's estate. Vide No. 75.

PoIIaiuolo (?) (Antonio).

Born, 1429; died at Florence, 1498.

18. The Annunciation. On wood, 1,37 h., 1,12 w.
(B3.)

Florentine School.

19. The birth of Christ, marked Antonius (?) Floren-
(32 c.) tinus MCCCXXXIII. On wood, 0,25 h., 1,13 w.

20. The children of Israel gathering manna. On wood,
(32 c.) 0,30 h. , 0,655 w.

Luca di Gilio, or Egidio Signorelli, called Luca da

Cortona.

Born at Cortona about 1441; died about 1521. Pupil
y of Pietro della Francesca.

^•^21. The Holy Family. The Virgin Mary regarding
(D 3.) the Infant Christ, who lies before her upon a stone.

which is covered by her mantle ; the young John
embraces the head of the Infant; Joseph sits at
the left hand. Two singing angels on a rocky
height above the principal group. Circular pic-
ture on wood. 1,66 h., 1,64 w.

Formerly in the possession of the Venerosi family
in Pisa. Purchased m 1860 from the estate of S. Wood-
burne, Art-dealer, in LoAdon. Price 540 guin.

Vannucci (Pietro), called Pietro Perugino.

Born at Citta della Pieve, 1446 ; died at Castello Fon-
tignano in December 1524.

V 22. St. Crispin. Half figure. Fragment on wood.
,(1 a.) 0,36 h., 0,25 w. ^ ^^^ ^ ( ,

From Prof. Steinla's Collection. ^

Umbrian School.

23. St. Rochus reclining in the foreground of a land-
(la.) scape; a little dog brings the Saint a piece of

bread. On wood 0,22 h., 0,305 w.

According to Rumohr, an early painting by Raphael
Sanzio t?). From Prof. Steinla's Collection.

Pinturicchio (Bernardo di Betto, called il).

Born at Perugia, 1454; died at Siena, 1513.

24. Portrait of a young man. Back-ground, a land-
(1 c.) scape. On wood, 0,505 h., 0,355 w.

Obtained through Naumann as, unknown original,
Raphael d'Urbin contrefait (?). Old inven, 1722.

Filipepi (Sandro), surnamed Botticelli.

Born at Florence, 1446 ; died, 1515.

25. 9t. John the Evangelist; nails and a crown of thorns
(1 b.) in his left hand. On wood, 0,47 h., 0,31 w.

26. John the Baptist. Half figure ; pendant to the f or-
(1 b.) mer. On wood, 0,475 h., 0,31 w.

26 a. A miracle performed by Zenobius, bishop of Flo-
(32 c.) rence. . A predella in four divisions. . A boy hav-

(^

/

ing fallen under the wheels of a cart, the agonized
mother confides him to the Saint who gives him
back to her restored to life. In the fourth division
the Saint is seen at the point of death in the act of
blessing the surrounding persons. On wood 0,66 h.,
1,82 w.

From the Collection of v. Quandt, 1868. Formerly
.belonged to Metzger in Florence. Price 2000 Thlr. ^. /w*. .

The same artist (?) V^t/^ f (P^ ^^ ^*^V^^ ^^^' ^^ ^

\/ 27. The Virgin with the Infant Jesuif* who has in his
(32 c.) hand a rose which an angel standing behind endea-
vours to reach. On wood, 0,81 h., 0,91 w.

Obtained in 1832 from the Art-dealer, George, in ex-
change for two small pictures by Poelenburg.

28. Galathea standing on a dolphin. On wood, 1,30 h.,
(32 c.) 0,54 w. .

Ohirlandajo (Domenico). ^^

Bom at Florence, 1449; died about 1498. ^ ^' ^'

29. The birth of Christ. The Infant lies at the feet of
(32 c.) Joseph on the mantle of the Virgin spread over the

hay; the mother kneels before him in adoration.
Circular- picture on wood, 0,78, in diameter iv {Ha^ ^^ ^^
From Prof. Steinla's Collection. School-pictureA*^ ^^ ^* ' -

Leonardo da Vinci.

Born at Vinci, 1452; died at Cloux nearAmboise
May 2. 1519.

30. The Virgin ; on her lap the Child, sitting on a red
(1 c.) cushion, and endeavouring to reach a grape which

Mary holds; at the left below, the infant John
adoring. In the back-ground on the right, an open
window with a view of cities and distant mountains ;
on the left, a bed. On wood, 0,38 h., 0,305 w.

An early picture of this artist (about 1470) of eiquisite
delicacy in the execution. Bought in 1860 from the
estate of S. Woodbume in London as a picture by
Lorenzo di Credi. Price 220 guin.

\ i?(chool of Leonardo da Vinci.

^ 31. Herodias with the head of John the Baptist. On
(B 1.) wood, 1,05 h., 0,63 w. * (III. 46).

Procured in 1748, by Placido Gialdi and P. Guarienti
from the Royal Gallery in Prague as an original of
Leonardo da Vinci. According to v, Quandt, by Marco
d'Oggione. Restored in 1838.

32. St. Magdalene. Half figure, life size. On wood,
(1 c.) 0,63 h , 0,48 w.

From Prof. Steinla's Collection. ^

Unknown.

33. The Virgin holding the Child, who stands on her
(32 a.) lap ; at her side, two angels with lilies. On wood,

0,73 h., 0,59 w.

Purchased by V. Rossi in 1741 as an original by
Leonardo da Vinci for Thlr. 300. Inven. 8vo. Restored
by Palmaroli in 1827. Spurious picture with a modern
signature: Leonardi Vincii OpU8.\

Credi (Lorenzo di).

Bom at Florence, 1453 ; died after 1536.

34. The Virgin and Child, who is being kissed by the
[(1 c.) infant John. On wood, 0,585 h., 0,475 w.

From Prof. Steinla's Collection.

Lippi (Filippino). (Son of Fra Filippo.)

Bom at Prato, 1460; died April 13. 1505.

I * 35. The Virgin with the Lafant Christ sitting at her
/ (1 a.) side and holding aa open book. On canvas, 0,48 h.,
0,375 w.

From Prof. Steinla's Collection. Transferred to canvas
by Schirmer in 1864.

OarbO (Eaffaelino del), also named B, Karli.

Bom at Florence about 1466; died, 1524.

9

36. The Virgin with the Infant in her arms ; at her side
(Ic.) St. Francis of Assisi and St. Jerome. Circular

picture on wood, 0,76 in diameter.
From Prof. Steinla's Collection.

Unknown. (According to Rumohr by Marco Palmezmno
da Forli),
liorn at Forli about 1490; died about 1540.

36 a. The Adoration of the Magi. On wood, 0,595 h.,
(32 a.) 0,435 w.

After Michel Angelo Buonarotti.

Born at Chiusi near Arezzo 1474; died at Rome 1564.

37. Leda and the Swan. On wood, 1,22 h., 1,83 w.
(B 1.)

Painted after a Cartoon by Michel Angelo by a Nether-
lands Master, perhaps by Rubens' own hand. From
the Collection of Countess Wrzowecz in Prague; pro-
cured through Leplat, June 15. 1723. Old inven.

From the School of Buonarotti.

Subject taken from the Last Judgment in the Sixtine
Chapel.

38. A man chained to a stake suffering death by fire.
(CI.) Inscription: FVMO PEREAT, QUI FUMUM

VENDIDIT. On canvas, 1,86 h., 0,97 w.

Procured by Placido Gialdi and P. Guarienti from the
Royal Gallery in Prague in 1748.

Copy after Michel Angelo and Sebastiano del Piombo,,

39. The scourging of Christ. On wood, 0,59 h., 0,43 w.
(2b)

From the Kunstkammer. Old inven. 1722.

Ditto after Michel Angelo (Giulio Clovio?).

40. The Holy Family. On copper, 0,195 h., 0,15 w.
(35 a.)

Procured by v. Heineken from Hamburg in 1740.

10

BigiO (Prancia).

Born at Florence, 1483; died there, 1624.

41 . David sees Bathseba in her bath, while Uriah sleeps
(lb.) on the balustrade of his house; on the other side
Uriah and David at table; Uriah dispatched with
the fatal letter. On wood, 0,85 h., 1,72 w.

Inscribed with the monogram of the master
and A. S. (Anno Salutis) MDXXIII.

Ubertino (Francesco), surnamed Bacchiacca.
Died at Florence, 1557.

42. Three claimants of a throne are caused by a king
(1 b.) to discharge arrows at the heart of their deceased
father; he who refuses to do so is acknowledged as
the real son (?). On wood, 0,85 h., 1 ,90 w.

According to Vasari, painted for Gio. Maria Benin tendi.
This and No. 41 purchased from the Collection of Mar-
chese Suares in Florence in 1750 for 1000 sequins.

Vaunucchi (Andrea), named Del Sarto.
\ J Born at Florence, 1488; died there, 1530.

V 43. The Betrothal of St. Catherine with the Infant
(D 4.) Christ ; at her side St Margaret.

Ww^ Designated with the monogram of the
yw^X master. On wood, 1,67 h., 1 ,24 w.

Purchased by Placido Gialdi and P. Guarienti from
the Royal Gallery in Prague in 1748. Restored by Palm.
in 1826.

44. The Sacrifice of Abraham. Marked as the preoe-
(D3.) ding. On wood, 2,12 h., 1,59 w. ^ (I. 8.)

Bought in Modena. Originally painted for Francis I.
of France.

11

45. The Virgin with the body of Christ on her lap.
(3 b.) On canvas, 0,25 h., 0,205 w.

From the Kunstkammer.

Attributed to the same artist,

4

46. The Holy Family. On canvas, 1,46 h., 2,0 w.
:(B2.) *(I. 7.)

Probably by Sassoferrato after a drawing by Baphael.
Spurious signature, AND's SARTVS. Mod. purchase,
as Pietro Vannuci, named Perugino.

47. Mary visitmg Elizabeth. On canvas, 0,60 h., 0,50 w.
(36 d.)

Purchased by Le Leu in Paris 1742, as Francesco
Vanni for 1600 Livres.

Copies after Andrea del Sarto.

48. St. Catherine kneeling. Life size. On canvas, 1,44 h.,
(B2.) 0,64 w.

49. St. Margaret. Pendant. On canvas, and same size
(B 2.) as the preceding.

Both taken from the reserved pictures in 1856. The
originals are in the cathedral at Pisa.

Bronzino (Angelo).

Bom at Florence about 1502; died, 1572. .

50. Moses breaks" the tables of the testimony. On wood,
(2 b.) 1,405 h., 1,0 w.

51. Half length portrait of Cosmo II., Duke of Florence
(ic.) (as Grand-Duke Cosmo I.), inscribed: COSMVS

MED. FLOR. ET SENARVM DVX II. On wood,
0,59 h., 0,435 w.

52. Half length portrait of the Duchess Eleonor his
(1 c.) consort, daughter of Don Pedro de Toledo, Mar-

chese di Villafranca, Viceroy of Naples. On wood,
0,39 h., 0,29 w.

12

Tasari (Giorgio), the Younger.

/Born at Arezzo, 1512 ; died at Florence, 1574.
53. The Virgin with the body of Christ on her lap ; in
(35 a.) the corners, the four Evangelists. On wood, 0^42 h.,
0,29 w.

Bought by Siegm. Striebel in Rome 1749 for 20 Scudi.

Unknown. (Florentine School.)

54. The Virgin with the Child and St. Vitus. In the
(2 a.) back-ground, another Saint and Joseph. On canvas,

1,345 h., 0,95 w.

Naldini (Battista).

Born at Florence, 1537; died, 1584.

55. The Adoration of the Shepherds. On wood, 0,83 h.,
(B3.) 0,65 w.

56., The Adoration of the Magi. On wood, 0,82 h.,
(B3.) 0,64 w.

Both purchased in Italy by V. Rossi 1741. Inven. 8vo.

Vanni (Francesco) da Siena.

Born in Siena, 1563; died Oct. 25. 1609.

57. The Holy Family. On canvas, 1,24 h., 1,05 w.
(C3.) *(I. ^5.)

Restored in 1826 by Palm, and Renner.

Furino (Francesco). (?)

Pupil of Matteo Rosselli about 1604.

58. St. Cecilia. Half length on canvas, 0,47 h., 0,365 w.
(3 c.)

From Prof. Steinla's Collection.

Ficherelli (Felice), surnamed Felice Biposo,

Bom at San Gimignano, 1605; died, 1660.

59. Lucretia and Tarquin. On canvas, 1,24 h., 1,91 w.

(37 a.)

Procured by Count Gotter as Giordano for 800Conv. fl.

13

Pignoni (Simone).

Bom at Florence, 1614; died, 1706.

^ 60. Justice. On canvas, 0,90 h., 0,76 w.
(38 a.) Marked with the initials S. P.

Dolci (Carlo).

Born at Florence, 1616 ; died, 1686.
Herodias with the head of John. On canvas, 0,98 h.,
0,82 w. * (I, 42.)

Painted for the Marchese Rinuccini, after a design hy
^^ Baldinucci.

*^r 62. St. Cecilia playing on an organ. On canvas, same
(B 1.) size as the preceding. ^ (I. 43.)

Painted for the Grand-Duke Cosmo III., who presented
it to the High- Treasurer of Poland. S. Baldinucci.
Both pictures bought in Paris by Rigaud from the Col-
lection of Prince Carignan in 1742 for 1600 Livres. They
were formerly in the Collection of M. Talard.

63. Christ blessing the bread and wine. On canvas
(B 1.) 0,89 h., 0,74 w. ^ (I. 41.)

From the Casa Rumieri in Venice. The copy of this
picture by Agnese Dolci, daughter of Carlo, in the
Gallery of the Louvre in Paris.

School of Dolci, probably Agnese DolcL

64. Head of the Virgin. On canvas 0,77 h*, 0,60 w.
(B 1.) Purchased in Hamburg in 1741 by Heineken as an

unknown artist.

Luti (Benedetto).

Born at Florence, 1666; died at Rome, 1724.

65. Head of Christ. Oval, on canvas 0,74 h., 0,61 w.
(B3.)

66. Head of the Virgin. On canvas, same form as the
(B 3.) preceding 0,73 h., 0,61 w.

Both purchased in Prague by Riedel 1742. Inven. 8vo.
Both subscribed on the back: '^Eques Benedictus Lutis
Pingebat". Anno 1722.

14

]ri

Roman SchooL

Santi^ Raphael (of Urbino).

Born at Urbino March 28. 1483 on Good Friday; died
^,^-at Rome on Good Friday April 6. 1520.

I" J^' The Virgin Mary with the Infant Christ in her arms

w^ (A.) borne up by clouds ; on her right, St. Sixtus in a

kneeling posture ; on her left, St. Barbara. Below,

two cherubs. In the back-ground between two

green curtains, a halo of angelic heads. This

picture is world renowned under the name

of "Madonna di San Sisto". On canvas, 2,66 h.,

1,96 w., ^ (III. 1.)

According to Vasari, painted for the High-altar of
the Benedictine convent of St. Sixtus in Piacenza, and
purchased by king Augustus III. in 1753 through G. C.
Giovannini for 20,000 ducats or 40,000 Roman scudi,
— about Thlr. 60.000. — Restored by Palm, in 1826.

After RaphaeFs design.

68. The Adoration of the Magi. Marked R. — 1564
(la.) On wood. 0,71 h., 0,59 w.

Purchased in 1741 from the Abbate Ric-ci in Venice
through V. Rossi for Thlr. 525. The well known com-
positions from the Tapestry, which belong to the period
1514 to 1516 and later.

Copy after Raphael^ by Dionysius Calyaert.

Born at Antwerp about 1565; died, 1619.

69. St. Cecilia listening to the song of angels ; at her
(D 2.) side St. Paul and Geminianus, Magdalen and St.

John the Evangelist. On canvas 2,34 h., 1,48 w.

From the Casa Ranuzzi in Bologna; bought by P.
Guarienti as an excellent copy by Dionysio Flamingo,

15

as Calvaert was called by the Italians. This picture,
with St. Francis by Guercino and Carita Romana by*
Pasinelli, costs 1650 ducats in gold.

70. Old copy of the "Madonna della Sedia". Circular
(B 1.) picture. On wood, 0,74 h., 0,73 w.

Restored by Palm.

Copy after Raphael.

71. The Adoration of the Shepherds. On wood, 0,82 h.,
(B2.) 1,18 w.

Purchased in Spain in 1744 by Louis Talon as an ori-
ginal.

Copy after the same Master.

72. Madonna known as "la belle jardiniere '^ On
(B3.) wood, 1,22 h., 0,82 w. Marked: RAPHA.LO. on

the border of the mantle.

Purchased by Gialdi and Guarienti in 1748 from the
Royal Gallery in Prague as a Raphael. The original
picture is in the Louvre in Paris.

Copy after Raphael by A. R. Mengs.

73. The prophet Isaiah. On canvas, 2,44 h., 1,53 w.
(Dl.)

School of Raphael.

74. The Holy Family. On wood, 0,72 h., 0,57 w.
(32 a.)

Mod. Purchase.

75. Odysseus discovers Achilles among the virgins in
(32c.) the house of Licomedes. (?) On wood, 0,265 h.,

0,58 w.

This picture and Nos. 10, 13, and 17, purchased from
Rumohr's estate in 1846 for Thlr. 155.

76. The Holy Family. Circular form. On wood, 0,84 h.,
(Bl.) 0,84 w.

Guarienti's catalogue No. 285, from Modena. (?)

16

Gimignauo (Vincenzo Tamagni da San). (?)
Died at Florence, 1530.

77. The Virgin and the Child, who kisses the infant
(1 c.) John. On wood, 0,525 h., 0,39 w. ^ (III. 28.)

This picture belongs rather to the School of Milan and
is entered in the manuscript inventory of 1809, as "artist
unknown". First mentioned in the catalogue of 1812
as by "Vincenzo da Gimignano". In the earlier French
catalogue correctly entered as, "maitre inconnu ita-
lien". ■

Caldara (Polidoro), surnamed da Caravaggio,

Born at Caravaggio about 1495; died, 1543.

78. Round copper shield, on which is painted in clare-
(32 b.) obscure a cavalry combat, 0.50 in diameter.

Marked with the initials C. F. Purchased in Rome
by Siegmund Striebel for 40 Scudi.

Penni (Giov. Francesco), surnamed il Fattore. (?)
Born at Florence, 1488; died at Naples, 1528.

79. The Archangel Michael. On canvas, 2,05 h., 1,23 w.
{^ 1) Mod. Pur. as Dosso Dossi; restored by Palm.

80. St. George. ^ On canvas, 2,08 h., 1,24 w.

{^ 1) Mod. Pur. as Garofalo; afterwards designated as Ra-
phael in Cat. Guarienti. Rest, by Palm.

Pippi (Giulio), known as Giulio Romano.

Born at Rome, 1492 ; died at Mantua, 1546.

81. Pan and the young Olympos. On wood, 2,47 h.,
(D 4.) 1,85 w.

Purchased by king Augustus II. in 1732 from Mr.
Zamboni in London as an original by Michel Angelo
for Louisd'or 300. Formerly in the Gallery in Mantua.

82. The Holy Family, called "Madonna della Catina".
(B2.) On wood, 1,62 h., 1,20 w. ^ (1.9.)

Mod. Pur. According to Vasari, painted for Duke
Frederick of Mantua, who presented it to Isabella
Buschetta.

17

Buonacorsl (Pietro), named Perino del Vaga.

Born in Florence, 160O; died in Rome 1547.

83. The Virgin with the Child. On wood, 0,43 h., 0,35 w.

(36 a.) From the Kunstkammer as Garavaggio. Old inven.
1722. Spoiled picture.

Bamenghi (Bartolomeo), sumamed BagnacavaUo.

Born at Bagnacavallo, 1484; died at Bologna, 1542.

84. The Virgin and Child, enthroned on clouds. Below,
(D2.) the Saints Geminianus, Peter, Paul and Antonius

of Padua. On wood, 2,51 h., 2,08 w.

Purchased for King Augustus III. by the painter C. C.
Giovannini in Bologna 1755, from the Convento dei
Pellegrini. The picture itself cost 300 gold -ducats,
but 400 more were expended- to purchase an old picture
of similar size , which , with some additions painted by
Giovannini, was to fill the old frame in the Convent.

Baroccio (Federigo).

Bom at Urbino, 1528; died there, 1612,

85. Hagar giving her son Ishmael water in the wilder-
(2 c.) ness. On canvas, 0,39 h., 0,285 w.

Obtained in Spain in 1774, through Louis Talon asGita-
nilla after Correggio. (?)

86. The Assumption of the Virgin. On canvas, 1,45 h.,
(36 a.) 1,12 w.

Signed F. B. Obtained in Rome in 1765 through Pietro
Bonini..

^^^^ /87. The Virgin with the Child, St. Francis and St. Do-
>/(B2.) minic. On canvas, 1,58 h., 1,25 w.
Marked 159qo .

88. St. Francis receiving the stigmata. On canvas,
(36b.) 0,65 h., 0,47 w.

89. Mary Magdalene at the Sepulchre. On canvas,
(34a.) 0,54 h , 0,43 w.

Obtained through Kindermann as Peruzzi. Old
inven. 1722.

2

, 18,

^ 90. The Burial of Christ. On canvas, 0,57 h., 0,36 w.
(36 b.) From the Gallery of Count Wallenstein in Dux.

Artist unknown.

91. The Holy Family. On canvas, 0,84 h , 1,12 w.

(32 a.) Obtained through Kindermann as Bened. Garofalo
Old inven. 1722.

92. St. Margaret. On canvas, 1,72 h., 1,26 w.

(D 4.)

Cesari (Giuseppe), named tZ Cavalier e d'Arpino.
Born at Arpino, 1560 or 1568; died 1640.

93. A battle of the Romans. On canvas, 2,60 h., 4,23 w.
(D 3.) Obtained through V. Rossi. Inven. 8vo.

Feti (Domenico), pupil of Civoli.

Born in Rome, 1589 ; died in)Venice 1624.

V 94. David with Goliath's head and sword. On canvas,
(C2.) 1,60 h., 1,12 w. * (1.26.)

95. S. Agnes tortured. On wood, 0,58^h., 0,44 w.
(C2.)

96. The prodigal son returning to his father. On wood,
(C 1.) 0,60 h., 0,45 w.

9^. The parable of the piece of silver, lost and again
2.) found. On wood, 0,56 h., 0,45 w. ^ (II. 29.)

98, The parable of the lost sheep. On] wood, 0,61 h.,
jfCl.) 0,46 w.

\ 99. The parable of- the blind leading the blind.
(C 1.) On wood, 0,56 h., 0,73 w.

100. The parable of the labourers in the vineyard.
(C 2.) On wood, 0,60 h., 0,45 w. ^ (II. 30.)

19

101 . The parable of the marriage* supper to which the
(C 1.) maimed and the halt are bidden. On wood, 0,61 h.,

0,46 w.

102. The Good Samaritan. On wood, 0,70 h., 0,84 w.
(0 3.)

1 03. The parable of the servants, in which the Lord for
(C 1.) gives one who afterwards had no compassion on

his fellow servant. On wood, 0,62 h., 0,46 w.

104. The young Tobias drawing the fish from the water
(0 3.) On wood, 0,66 h., 0,82 w.

All|the above pictures bought by Riedel in Prague 1742.

Same Artist. (?)

\y 105. St. Sebastian. On canvas, 1,89 h., 1,08 w.

(C 3.) jn Guarienti's catalogue No. 164, mentioned as *'Do-
menico Fetis" from Modena. More probably belonging
to the Venetian School.

106. The four Evangelists in a hall supported by
(25b.) columns; above them the Holy Ghost in the shape

of a dove. On wood, 1,75 h., 1,30 w.

Marked 1567. From the Kunstkammer, as Baldassare
Peruzzi. Old inven. 1722. Probably painted by a
Netherlands Artist resident in Italy, possibly Pieter
Aersten.

Berettini (Pietro), named Pietro da Cortona,

Bom at Cortona, 1596; died at Rome 1669.

107. Mercury warns Eneas to hasten his departure from
(37 d.) Carthage. On canvas, 2,54 h., 4,16 w.

Bought by Rossi in 1738. Inven. 8vo.

108. A Roman general speaking before the consuls.
(H 3.) On canvas, 0,99 h., 1,52 w.

Bought by Leplat in 1781. Inven. 8vo.

2*

20 (

iSome Jlr^M (?)

109. The raising of the Brazen Serpent. Sketch for a
(38 b.) ceiling. On canvas, 1,64 h., 0,89 w.

From the reserved pictures, 1856. Obtained through
Leplat, as in the style of Titian. Old inven. 1722.

1 10. An old man with long hair and beard. On canvas,
(H 1.) 0,72 h., 0,56 w.

Gerquozzi (Michel Angelo), called JDeUe Battaglie.
Bom in Rome, 1602; died there, 1660.

111. A battle-scene. On canvas, 0,60 h., 0,74 w.
(34 a.)

112. A general causing the dead to be buried. On cali-
(34 a.) vas, 0,74 h., 1,20 w.

From the reserved pictures, 1861.

Salvi (Giovanni Battista), named Sassoferrato.

1 Bom at Sassoferrato in the March of Ancona, July 11,

/ 1605; died at Rome Apr. 8. 1685.

V 1 13. The Virgin holding the sleeping Child in her arms,
(B2.) Surrounded by^small cherub heads. On canvas,
0,78 h., 0,99 w.""
In 1741, from Casa Grimani Calergi through V.Rossi.

\ 114. The Virgin praying. On canvas 0,50 h., 0,39 w.
(B2.)

^ ; 115. The Virgin bending over the Infant Christ sleeping
'"J (B2.) in her arms. On canvas, 0,47 h., 0,39 w.

Braudi (Giacinto).

Bom at Poli, 1623; died in Rome, 1691.

116. Daedalus attaching wings to Icarus. On canvas,
(37 a.) 1,74 h., 1,40 w.

117.' Moses with the tables of the testimony. On canvas,
(38a.) 1,0 h., 0,76 w.

«< Jf^. tst* '^S'lP^-rr^-

»T^*^

21

Maratti (Carlo)-

Bom at Camerano, 1625; died in Eome, 1713.

v^^lS. The Virgin Mary with the Infant reposing on hay^

^ (B 2.) in the manger. Above, three jmall cherut heads.

On canvas, 0,99 h., 0,75 w. ^~ (I. 44.)

Purchased in 1747 by Rigaud in Paris for 2000 livres;
from the estate of Prince Polignac.

119. The Virgin with the sleeping Child. On canvas,
(B 2.) 0,46 h., 0,35 w. ^ (I. 45.)

120. The Virgin contemplating the Infant Christ, who
(B2.) lies before her; near her, the infant John. On can-
vas, 0,45 h., 0,36 w.

Same Artist, (?)

121. The Holy Family. On canvas, 1,51 h., 1,27 w.
(34 d.) Obtained 1724, through Leplat. Inven. 1722. A. 1565.

122. A young woman under an apple-tree, surrounded
(34 b.) by fruit. The fruit painted by

Carlo di Fiore, also called Distelhlum; bom at Mastricht,
1653; died at Eome, 1695. On canvas, 1,31 h.,
0,97 w.

Purchased in Borne, together with a companion pic-
ture, in 1749 by Siegm. Striebel for 45 Scudi.

School of Maratti.

123. A dead hare with game on a table; a cat enters
(38b.) through a window; a boy is inciting a dog to

follow her. On canvas, 1,35 h., 0,95 w.

Obtained in Italy in 1741 by Rossi as a picture by
Mr. Davidde; the figures by Maratta. Price 230 Thlr.
Inven. 8vo.

Berettoni (NicoloX

Bom at Montefeltro, 1637; died, 1682. Pupil of Carlo
Maratti and Simon Cantarini.

22

123a. The Nativity; entire figures. On the other side,
(22 a.) the Baptism of Christ. On copper, 0,73 h., 0,36 w.
From the reserved pictures 1861.

E/OSSi (Pasquale), surnamed Fasqualino.

Bom at Vicenza, 1641; died after 1718.

124. The Adoration of the Shepherds. On canvas, 0,26 h.,
(5 b.) 0,32 w.

125. John the Baptist preaching to the people. On canvas,
(1 a.) 0,485 h., 0,64 w.

Gabbiani (Antonio).

Born at Jf'lorence, 1652; died 1726.

126. Christ at the table of Simon the Pharisee. On
(34 b.) canvas, 0,95 h., 1 ,39 w.

Chiari (Giuseppe).

Bom at Rome, 1654; died there, 1727.

127. The Adoration of the Magi; signed: JOSEPH
(38d.) CLARVS PINGEBAT ANNO MDCCXIV. On

canvas, 2,45 h., 2,81 w.

Battoni (Pompejo (jirolamo).

Bom at Lucca, 1708; died at Rome, 1787,

128. John the Baptist. On canvas, 1,20 h., 1,86 w.
(B2.)

^ ^129. The penitent Magdalen. On canvas; same size as
\.-^(Bl.) the former. ^ttA^ f<^

Copied for Frederick II. of]Prus8ia by Dietericy in 1767.

130. The fine Arts: Painting, Sculpture and Architecture.
(Bl.) On panvas, 1,00 h., 0,74 w.

23

The Ferrarese and Lombard

Schools.

\^

Dossi (Dosso).

Born at Dosso in Ferrara about 1479; died after 1560

(Ferrarese School.)

131. Justice with the scales and fasces. On canvas,
(Dl.) 2,02 h., 1,05 w.

Mod. purchase, as an original in [the catalogue of
Modena.

132. Diana and Endymion. On canvas, 0,95 h., 1,54 w.
(32 c.) Mod. pur. as Parmegianino.

\/ • 133. One of the Hours with the chariot of Apollo. On
^ (32c.) canvas, 0,88 h., 1,55 w.

Mod. pur. as Garofalo.

134. Peace with the horn of plenty and war -torch rever-
(Dl.) sed. On canvas, 2,10 h, 1,12 w.

Mod. pur. as an original.

135. The holy fathers, Gregory, Augustine, Ambrose
(D3.) and Jerome. Above in a glory, God the Father,

blessing the Virgin. On wood, 3,59 h., 2,05 w.
* (11. 7.)

^ ^^ Mod. pur. as original.

■^ 136. A dream. On canvas, 0,80 h., 1,50 w.
(32 d.) Mod. pur. as Garofalo.

X/ 137. Judith with the head of Holofernes. On canvas,
h (38c.) 1,35 h., 1,05 w. Q^^^ /*^ ^'^^^

Mod. pur. as Parmegianino.

24

School of Dosso Dossi.

\ / 138. The same subject as No. 135, treated in a similar
'V (32 d.) manner. On canvas, 1,56 h., 1,18 w.

Procured by Leplat in 1725, as Ann. Carracci. Old
inven. 1722.

139. Christ as a child, teaching in the temple. On
(lb.) canvas, 0,67 h., 0,85 w.

Mod. pur. Restored by Palm, in 1826.

Tisio (Benvenuto), called Garofalo or Garofolo.

Born at Garofolo in Ferrara, 1481 ; died Sept. 6., 1559.
(Ferrarese School.)

140. Mars, Venus and Amor. On canvas, 1,30 h., 2,40 w.
P 1.) Mod. pur.

141. Neptune and Pallas. On canvas, 2,11 h., 1,38 w.

(Dl.) *(II. 17.)

Marked 1512 Nov. (The features of Neptune are said
to be those of Andrew Doria.) Mod. pur.

142. The marriage of Bacchus and Ariadne. Painted from

(B 1.) a drawing by Raphael. (See Vasari, Vita diGarofalo*

Ed. di Siena, pag. 331.) On canvas, 2,18 h., 3,13 w.
Mod. pur.

143. The Virgin handing the Child to St.Cecilia, who kneels

(2b.) before her; behind the latter, SS.Bernhardin, Anto-

nius and Gemininanus. On wood, 0,86 h., 0,66 w.
Mod. pur.

144. The Holy Family. On wood, 0,56 h., 0,41 w.
(la.) Mod. piur.

145. The Virgin kneeling in adoration before the sleep-
\/ (D2.) ing Infant; an angel shows her the crown of thorns

and sudarium. Above, a glory of angels with in-
struments of torture, and the inscription : ^'^M '

<ygM/g nm^'mnfm fr7/yf|yyo pArl^f,^cf'nrt Qu CanVOS,

2,43 h., 1,25 w.

Restored in 1856 by Schirmer. From the church of
the Padri scalzi in Ferrara. Cat. Guar. See Vasari, Vita
d. P. pag. 330.

25

146. The Virgin with the Child surrounded by angels
(D 3.) with musical instruments, Appears to the SS. Peter,

Bruno and George. On canvas, 2,81 h., 1,48 w.

Signed: BENVENV. GAROFALO MDXXX. DEI. (?)
According to Vasari originally painted for the church
S. Spirito at Ferrara. Purchased by Sigm. Striebel in
Rome 1749, for 300Scudi. Restored by Paunaroli in 1826.
Transferred from wood to canvas by Renner in 1838.

Same Artist, (?)

147. The Virgin with the Infant Jesus in her arms;
(1 a.) St. Catherine gives the Child a ring; Joseph stands

near. On wood, 0,69 h , 0,535 w.

Marked MDXXXVII. Mod. pur. as Garofalo.

Orandi (Ercole.)

Bom at Ferrara,|1491; died, 1531.
i(Perrarese School.)

148. Christ led away to be crucified* On wood, 0,35 h.,
(1 b.) 1,18 w.

149. Christ on the Mount of Olives, taken prisoner. The
(lb.) companion picture to No. 148; same size. On wood.

According to Vasari, the predella of the principal
altar of S. Giovanni in Monte at Bologna. Purchased
by Guarienti from the Sacristy of the above mentioned
church in 1750.

BorgOgnone (Ambrogio),

Flourished about 1500.

(Lombard School.)

rv^50. The Virgin Mary in white drapery adoring the
r (32b.) Infant Christ, who lies before her; above, God the

26

\J

Father surrounded by a glory of angels. In tem-
pera. On canvas, 1,48 h., 1,04 w.

Purchased in 1851, from the estate of the Art-dealer
Casp. Weiss for Thlr. 130.

Allegri (Antonio), surnamed Correggio.

Born at Correggio, near Modena,'in 1494; died there,
• March 5, 1534.

(Lombard School.)

151. The Virgin Mary with the Child enthroned, and
(Dl.) blessing St. Francis; behind him, St. Antony of

Padua. On the other side, John the Baptist and
St. Catherine. On wood, 2,94 h., 2,40 w. ^ (1. 1.)

Signed : A fjnPOTVcS ^^^*^^®^ ^^ ^^^™- ^° ^^^7.

(Bic.) DE

ALEGTiI5

152. The Virgin Mary with the Child, in a glory, sur-
(D 1.) rounded by angels, rests on clouds over the Saints

Sebastian, Geminianus and Rochus. On wood^
2,69 h , 1,59 w. ^ (I. 3.)

Formerly less carefully preserved, this picture has
been several times restored, first by Flaminio Torre,
then by Palmaroli and finally in 1858 by Schirmer.

V>153. St. Magdalen reading. On copper, 0,29 h., 0,39 w.
^ 2 c.) ^ (I. 4.)

This picture was stolen from the gallery by J. G.
Wogaz, Oct. 22. 1788.

^54. The Adoration 'of the Shepherds. World refidvSea^ , ' (^

ood, 2,59 h., l,88w. ^ (11. 1.)^ ^.. ^*

The Adoration 'of the
(D 1.) as *'La Notte". On wood

According to Pungileoni, painted for the High- Altar
in the Chapel of St.Prospero at Reggio, at the request of
Alberto Pratonero, who paid therefor 208 Lire di moneta
(about Thlr. 140 or 20 guineas) Oct. 14, 1522. According
to Wagen, the pictiure was not finished till 1528, and
the above mentioned sum was only a partial payment.
It was copied by Paris Nogari in 1745 for the Modena
Gallery. Restored by Palmaroli in 18 i 7 , and by Schir-
mer in 1858.

55. The Virgin with the Infant Christ on a throne ; on
(D 1.) her right, St. Geminianus and John the Baptist ; on
her left, SS. Peter the Marfcyr, and George. On
wood, 2,83 h., 1,88 w. ^ (I. 2.)

This picture was injured in packing, and by the
length of time during which it remained in the case at
Kdnigstein in 1769 ; it was afterwards restored by Hart-
mann and in 1858 by Schirmer.

156. Correggio's physician. On wood, 0^83 h., 0,695 w.
(2;c.) * (n. 2.)

1827 restored by Palmaroli; in 1857 by Schirmer.
Nos. 161 — 166, from the Mod. purchase.

School of Correggio.

• 157. St. Margaret. On wood, 0,685 h., 0,53 w.

(2c.) From the Gallery of the Due de Tallard in Paris 1756 ;
known as "LaLiseuse". Taken from the reserved pictures
in 1854. Restored by Schirmer.

158. Amor making his bow. On canvas, l,38h.. 0,67 w.

(D 1.) From the Grand-Duke of Florence. Old inven., 1722.
A. No. 30.

Old copies after Correggio.

159. The Virgin Mary with the Child; in the back-
(20.) ground Joseph at work. On wood, 0,36 h., 0,255 w.

Bv Kindermann. Old inven. 1722. The original is
in tne National Gallery in London.

28

160. The Betrothal of St. Catherine with the Infant
(Bl.) Christ. On canvas, 1,02 h., 1,01 w.

Mentioned in the old inven. as a copy. The original
is in the Louvre at Paris.

Carpi (Girolamo).

Died at Ferrara 1556.

, (Perrarese School.)

/161. Venus and Cupid on a shell drawn by swans. On
/(E2.) canvas, 2,65 h., 1,43 w.
Mod. purchase.

Mazzuoli (Francesco), named Parmegianino or Parmesano.
Born at Parma, 1503; died at Casal maggiore 1540.

(Lombard School.)

162. St. Sebastian and St. Francis before a throne, on
(C2.) which is seated the Virgin with the Child. On

wood, 1,68 h., 0,97 w. ^ (I. 5.)
Cat. Guarienti, dal General Braun No. 442.

163. The Virgin with the Child over the heads of St.
(B 4 ) Stephen, John the Baptist, and the donee, a priest.

On wood, 2,51 h., 1,60 w.
Mod. purchase.

164. The Madonna and Child whose left hand rests on.
(B2.) a globe, while the right hand holds up a rose;

hence known as the "Madonna della Rosa". On
wood, 1,14 h., 0,90 w. * (XL 3.)

Originally painted for Pietro Aretino, afterwarda
destined for Clemens VIL Purchased in 1752 by Crespi
from the prelate Dion. Zani in Rome for 5000 ScudL

165. The rape of Ganymede. On canvas, 0,81 h.,
(lb.) 1,465 w.

Mod. purchase.

29
School of Parmegianino.

166. The Virgin, with the Infant Jesus on her lap,
(2b.) sitting in a dark landscape; near her stands the

young John. On canvas, 0,47 h., 0,37 w.

Purchased by V. Rossi in 1741 from General Braun
(Browne?) for Thlr. 400. Cat. Guar.

Mazzuoli (Girolamo).

Born at Lazzaro near Parma; died after 1566.

(Lombard School.)

167. St. George kneeling before the Virgin and the
(B2.) Child, who puts a golden chain on him; on the

right, the young John. On canvas, 1,56 h., 1,33 w.
* (II. 4.)

Mod. puiphase. Copy of an altar-piece by A. AUegri
in Rio near Correggio.

168. An opportunity; an allegory. A youth standing
(D 4.) on a ball near a precipice, holds a knife in his

right hand. A female figure stands behind him.
On canvas, 2,11 h., 1,11 w.
Mod. purchase. Designated in Cat. Guar, as "Fortune".

Abbate (Nicolo deir).

Bom at Modena, 1512; died in France after 1570.
(Lombard School.)

169. The martyrdom of SS. Peter and Paul. On wood,

(I>1.) 3,67 h., 1,98 w. * (I. 6.)

Mod. purchase. Painted in 1547 for the church of
the Benedictines, S. Pietro, in Modena.

Scarsella (Hippolito), surnamed ScarseUino,]
Bom at Ferrara; died 1620.

(Perrarese School.)

170. The flight into Egypt. On canvas, 0,54 h., 0,79 w.
(l8i.) Restored by Palmaroli.

30

171. The Virgin with a sewing cushion on her lap, is
(la.) looking at the Child, who is assisting Joseph at his

work. On canvas, 0,54 h., 0,795 w.

Restored by Palm, in 1826. Both from the Collection
of the Abbatte Branchetta in Bologna.

172. The Madonna and Child, to whom St. Catherine
(D 4.) hands a palm ; before them kneels St. Carl Borro-

maeus. On canvas, 1,94 h., 2,16 w. ^ (II. 27.)
Mod. pur. Cat. Guarienti 118.

173. The Virgin with the Child on her lap; at her side,
(35a.) SS. Francis, Clara and Catherine of Siena, On

copper, 0,35 h., 0,28 w.

From Casa Ghislieri in Bologna. Cat. Guar. In the
inventory of 1754, mentioned as Mastelleta, (Giov. Andr.
Donducci).

Schidone (Bartolomeo).

Bom at Modena, 1560; died, 1616.]

(Lombard School.)

174. Repose during the flight to Egypt. On wood,
(35a.) 0,42 h., 0,53 w.

Amerighl (Michel Angelo), named da Caravaggio,

Born at Caravaggio, 1569; died at Porto Ercole, 1609.

.^ (Lombard School.)

1 75. St.JSebastian. On canvas, 1,25 h., 0,98 w. Vj^^
(F" 1.) Mod. pur. as Spagnoletto, perhaps more correctly.

V /1 76. A young foot -soldier cheated by two older com-
^*^ (F3.) panions at cards. On canvas, 0,94 h., 1,36 w.
* (XL 28.)

Obtained in 1748 from the Gallery in Prague byGialdi
aud Guarienti.

y

/

r77. A guard-ropm with 'foot -soldiers. Some playing
F 1.) cards, others looking on. On canvas, 1,68 h.,.
2,37 w.

^ if^ n-J

178. A gypsy fortune-teller and foot soldiers. On can-
(Fl.) vas, 1,37 h., 2,03 w.

Obtained in Prague 1748; taken from the reserved
pictures in 1860; restored by Schirmer.

179. A girl reading. On canvas. 0,74 h., 0,61 w.

(33 c.) From Prague in 1748; taken from the reserved pic-
tures in 1856.

Same Artist. (?)

180. Peter denying Christ. On canvas, 1,27 h., 1,76 w.
(34 c.) Mod. pur.

181. Two young girls playing at cards with a man. On
(34c.) canvas 1,23 h., 1,72 w.

Lanfraneo (il Cavaliere Giovanni di Stefano).
Bom at Parma, 1581 ; died 1674.

(Lombard School.)

182. The penitent Peter. On canvas, 1,67 h., 1,15 w.
(F 2.) ^ (IL 24.)

Purchased in Prague by Riedel in 1742.

183. Four old sorcerers. On canvas, 0,95 h., 1,17 w.
(33 c.) Obtained in 1742 in Prague through Riedel.

Cairo (Francesco).

Born at Varese; died at Milan, 1674.

(Lombard School.)

184. Venus, with a dart in her hand kneeling on a bed;

(2 b.) behind her stands Apollo ; before sits Cupid playing

on a lyre. On copper, 0,425 h., 0,27 w.
Obtained through Rossi. Inven. 8vo.

Gittadilli (Pietro Francesco), named Milanese.
Bom at Milan, 1615; died, 1682.
(Lombard School.)

185. Hagar, to^hom an angel points out a spring. On
(32 d.) canvas, 0,93 h., 1,25 w.

Purchased by Leplat in 1725 asMola. Old inven. 1722.

32

186. An angel conducts Lot and his daughters from
(33 c.) Sodom. On canvas. Same size as the former.

Purchased by Leplat in 1725 as Lucchese. Old
inven. 1722.

187. A dead hare and game. On canvas, 0,81 h., 1,29 w.
(60 a.) Purchased by Rossi in 1741 for Thlr. 200.

Ghisolfl (Giovanni).

Bom at Milan, 1623; died there, 1683.

(Lombard School )

188. The ruins of Carthage. Marius with several com-
(51b.) panions is sitting on a stone. In front, on a frag-
ment stands: CARTHAGO fflC FUIT. On canvas,
1,17 h., 1,67 w.

Purchased by V. Rossi in 1741 from Casa Grimani
Calergi. The figures are said to be by Salvator Rosa.

189. Ruins of fallen palaces. On canvas, 1,02 h., 1,37 w.
(34 b.) Obtained as above.

190. Vessels in a sea-port, and laborers at work. On
(36c.) canvas, 1,17 h., 1,66 w.

Purchased by Rossi in 1741 with the last two, as Lismann.

Triya (Antonio).

Bom at Reggio, 1626; died 1699 in the employ of the
Elector of Bavaria.

(Lombard School.)

191. Cupid wiping the feet of Venus. In the back-
(Cl.) ground, a satyr. On canvas, 1,90 h., 1,65 w.

From Poland, as copy in van Dyck's style. Old
inven. 1722.

Vlviani (Ottavio\

Bom at Brescia, 1650.

(Lombard School.)

192. A collection of columnar buildings; among them
(49b.) the Pantheon in Rome. On anvas, 1,77 h., 2,28 w.

Purchased by V. Rossi in Venice in 1741.

33

193. Euins; in the distance the Capitol at Eome, and
(49 c.) the columns of the temple of Jupiter Tonans. On

canvas 1,21 h., 1,69 w.
Obtained by Rossi in Venice, 1741.

GMslandi (Victor).

Bom at Bergamo; died there in 1738.
(Lombard School.)

194. Copy after Eembrandt's own portrait. (?) On can-
(H 1.) vas 0,72 h., 0,69 w.

Bought in 1742, by Dinglinger. Inven. 8vo.

Pagani (Paolo).

Born at Milan, 1661; died, 1716.

(Lombard School.)

195. The penitent Magdalen. On canvas, 1,13 h., 1,49 w.
(34a.) ^ (IL 42.)

Obtained through Leplat in 1726. Old inven. 1722.

Paltronieri (Pietro), named U Mirandolese.
Bom at Mirandola, 1673.

(Lombard School.)

196 and 197. Euins of palaces. On canvas, 0,92 h.,
(60b.) 0,79 w.

Both purchased by V. Rossi in Venice in 1741, for
Thlr. 200.

Magnasco (Alessandro), surnamed Alessandrino,
Bom at Genoa, 1681; died, 1747.

198. Nuns in a choir. On canvas, 0,90 h,, 0,72 w.

(36 c.) Obtained from the Wallenstein Collection in Dux,
in 1741.

34

199 The refectory of a Capuchin monastery. On canvas,
(35 c.) 0,89 h., 0,72 w.

Obtained as above.

B/Oberti (Domenico).

Bom at Rome in 1690.

200. Euins. On canvas, 0,67 h., 0,50 w.

(48 a.)

201. Same subject. On canvas, same size.

(50 b.)

202. Same subject. On canvas, 0,66 h., 0,48 w.
(50 b.)

203. Same subject. On canvas, same size.

(48 a.) The whole obtained through Count Wackerbaith.
Old inven. 1722.

Panini (Giovanni Paolo).

Born at Piacenza, 1691.

(Lombard School.)

204. Architectural picture. Signed: P. F. On canvas,
(51 c.) 1 ,35 h., 0,99 w.

205. Same subject; companion picture. On canvas and
(51c.) same size.

Crivelli (the figures by Akssandrino),
Lived in Milan about 1700.

(Lombard School.)

206. Ruins of a semi-circular Roman building. Signed :
(49 b.) A. P. On Qanvas, 1,06 h., 1,29 w.

207. Ruined arches. Carpenters at work. On canvas,
(49b.) 1,05 h., 1,27 w.

Both obtained 1741 through v. Kaiserling. Inven. 8vo.

35

Venetian School.

Squarcione (Francesco).

Born at Padua in 1394; died in i4'?4.

208. The body of the Redeemer in the Virgin's lap; at
(32 a.) her side, John and Mary Magdalene. On wood,

0,68 h , 0,51 w.

Purchased by Dir. Matthai for 40 Thlr.

Bellini (Gentile?).

Born, 1421; died, 1507.

209. The Holy Family. On wood, 0,87 h., 0,69 w.
(32 a.)

Bellini (Giovanni).

Born at Venice, 1422; died, 1516.

210. Portrait of the Venetian Doge Leonardo Loredano
(01.) Half-length. On wood, 0,70 h., 0,55 w.

Catena (Vincenzo?).

Born at Treviso ; painted in Venice about 1495 ; died
about 1531.

211. The Virgin and Child; SS. Margaret and Catherine
(D4.) of Alexandria; the abbot Antonius, and the bishop

Nicholas of Bari. On wood, 0,93 h., 1,37 w.

Purchased in 1725 by Leplat as Seb. del Piombo. Old
inven. 1722. Restored by Palm, and Renner in 1826.

BuonCOnsiglio (Giov.), surnamed Marescalco.
Bom at Vicenza, flourished about 1497.

212. The Madonna and Child, surrounded by John the
(D4.) Baptist, St. Francis, Joseph and St. Catherine of

Alexandria. On wood, 1,0 h., 1,42 w.

Purchased in lt41 by V. Roeei as Girolamo Rumnnini
da Brescia, for 300 Thlr.

3*

36

Santa Croce (Girolamo da).

Lived about 1530 ; died after 1549.

213. Mary and Joseph, surrounded by angels, adoring
(32a.) the Infant. On wood, 0,615 h., 0,75 w.

Purchased by v. B^aiserling in 1741. Inv. 8vo.

214. The matyi'dom of St. Laurence. On wood, 0,64 h.,
(32 a.) 0,79 w.

Wainscoted and restored by Schirmer in 1861.

Cima (Giov. Battista) da Conegliano,
Bom, 1460; died about 1517.

215. Christ; the right hand raised in the act of blessing;
(D4.) a book in the left hand. On wood, 1,53 h., 0,77 w.

H: (n. 6.)

Falsely signed Giovanni Bellini. In 1814 it was used
as an altar-piece in the Greek Chapel on the Brdhl
Terrace. Restored by Schirmer in 1837. *)

\^^^ 216. The Presentation of the Virgin in the Temple. On
(32 a.) wood, 1,06 h., 1,46 w.

Purchased by Minelli in 1743 from a church in Venice.
Restored by Schirmer in 1839.

Bamt Artist. (?)

217. Head of the Saviour. On wood, 0,35 h., 0,25 w.

(3c.; Furnished by Kindermann as Leonardo da Vinci. Old
inven. 1722.

*) See C. H. Schier: Die a/rahischm Inschriften in der BHon,
Gematde-Gallerie imd dem grunen Gewdlbe, ein Beitrag zu den
Catalogen beider Sammlungen.

37

Barbarelli, (Giorgio), named Giorgione.
Bom, 1477; died, 1611.

218. Jacob saluting Eachel, On canvas, 1,47 h., 2,52 w.
(E4.) ^ (HI. 45.)

Signed: G. B. F. From Casa Malipiero in Venice. Cat.
Guar. Transferred to new canvas by Palmaroli in 1827.

219. The Adoration of the Shepherds. On wood, 1,01 h.,
(D2.) 1,47 w.

Obtained from Cas^; Pisani di San Stefano as Palma
Vecchio. Cat. Guar. Restored by Palm. 1827; by Schur-
mer 1856.

220. A man embracing a woman. On wood, 0,50 h.,
(E3.); 0,69 w.

Mod. purchase.

221. Portrait; said to be of Pietro Aretino. On canvas,
(E2.)l 0,91 h., 0,73 w.

Purchased in 1620 by G. Cartoni from the heirs of
Felice Riccio. While being restored by Schirmer, it was
found to be a most excellent original of this Master,
which had been entirely painted over. On the back-side
was found the name f PETRI. ARNi EFIG. by a later
hand.

Same Artist, (?)

221a. Judith with the head of Hoi of ernes. Half-length.
(36d.) On canvas, 0,76 h., 0,62 w.

From the|CollectionRezzonico|inVenice. Price 190 Thlr.
221b. The Judgment of Paris. On canvas, 0,53 h., 0,68 w.

(35b.) Price 120 Thlr. This, and 221a., purchased from the
estate of Unger in Berlin in September 1869, and entered
here as noted in his catalogue.

Vecellio (Tiziano), commonly called Titian,

Born at Cadore, 1477-; died at Venice, 1576.

222. The Tribute Money, (il Christo della Moneta). A
(4c.) master piece of this Artist. Signed: TICIANUS. P.

On wood, 0,75 h., 0,56 w. ^ (III. 29.)
Mod. purchase. According to Vasari, painted about

S/'.

38

1514 for Duke Alphonso I. of Ferrara on the panel of
a cabinet. Restored by PalmarolL

223. The Virgin and Child; at her side, John the Bap-
(B 2.) tist ; before her, a young woman dressed in white,

as St. Magdalene ; near her SS. Jerojue and Paul.
On wood, i,38 h., 1,93 w. ^ (II. 8.)

Obtained in 1747 from Casa Grimani dei Servi in
Venice by Zanetti and Guarienti. Restored by Renner
in 1839.

224. The Virgin with the Child and Joseph Before them
(E3.) in adoration, Alphonso I., Duke of Ferrara, Liicre-

zia Borgia his wife, and his son (???). On canvas,
1,17 h., 1,60 w. ^ (I. 10.)
/ Mod. purchase. Restored by Palm, in 1826.

225. Cupid crowning Venus with a wreath, as she Has
(E4.) on a couch; at her feet sits a young man playing

on a lute.*) On canvas, 1,38 h., 2,04 w.
Obtained in 1731 by Leplat. Inven. 8vo. A. 2249.

226. Portrait of a young lady in a red dress, holding
(E3.) in her hands a vase. On canvas, 1,01 h., 0,88 w.

4: (III. 38.)

Purchased by Leplat in 1731. Inven. 8vo. Restored
by Palm, in 1826.

227. Portrait of a noble lady in a black dress. On can-
• (E3.) vas, 1,02 h., 0,87 w. ^ (I. 11.)

Mod. purchase. Restored by Palm.

228. Portrait of an unknown man, with a palm branch
(E4.) in his hand^ On canvas, 1,38 h., 1,16 w.

*) According to an old tradition, Philip II. of Spain. In 1747
this picture was sent to the palace in Warsaw as a copy, which
Guanenti had pronounced it to be, together with other copies;
it was, however, fortunately returned to the Gallery in 1751.
See Rieders Tagebttch.

39

From Casa Marcello in Venice. Cat. Guar.
Signed :

MDLXI.

ANNO NATVS

^TATIS SYM XLVI.

TITIANVS PICTOR ET

iEQVES CiESARIS.

(Aretin, born, 1492; died, 1556.)

Portrait of a young girl with light hair, and in
a white dress, holding in her right hand a fan. On
canvas, 1,02 h., 0,88 w. ^ (I. 12.)

Mod. purchase. Painted for Alphonso I. of Ferrara,
as the mistress of Titian. (See Abridgment.) Restored
in 1827 by Palm.

230. Portrait of Lavinia, Titian's daughter. On canvas,
(E4.) 1,01 h, 0,86 w. ^ (I. 13.)

Signed: LAVINIA TIT. V. F.^ AB. EO. P. Mod.
purchase. R€ stored by Palm, in 1826.

Same Artist. (?)

231. Portrait of a Venetian lady; in her right hand she
(E2.) holds some fur with a marten's head. On canvas,

1,35 h., 0,90 w.
Mod. purchase. Restored by Palm, in 1826.

Copies after Titian.

232. Venus sitting on a couch; Cupid holds a mirror
(5 a.) before her. The original, formerly in the Barbarigo

Palace in Venice, is now in St. Petersburg. On
canvas, 1,16 h., 1,01 w.

Purchased in 1748 by P. Gialdi and Guarienti from
the Royal Gallery in Prague as an original. Restored
by Palm, in 1827.

233. Duplicate of the above. On canvas, 1,28 h., 0,94 w.

(37 a.) Purchased by V. Rossi in 1741 as an original for
200 Thlr.

234. The young Tobias with the Angel. On canvas,
(37b.) 1,70 h., 1,17 w.

40

235. Venus embracing Adonis, and endeavouring to
(38b.) detain him. On canvas, 1,90 h., 1,68 w.

Purchased by L. Rossi as Beverenzo (?) Old inv. 1722.

Fine copy, probably by SaSSOferrato.

236. Venus sleeping; the right arm thrown back over
(E3.) her head. On canvas, 1,08 h., 1,74 w.|

Purchased by Kindermann as an original. Old inven.
1722. At the feet of Venus sat a Cupid, which was so much
iiyured, that the traces were entirely removed. Restored
by Schirmer.

237. Christ with the disciples at Emmaus. On canvas,
(36b.) 1,70 h., 2,40 w.

Purchased in 1748 by Gialdi and Guarienti from the
Gallery in Prague as an original. Perhaps a copy also
by Sassoferrato.

238. Venus and Adonis. On canvas,, 1,37 h , 1,59 w.
(36 a.) In ig5g taken from the reserved pictures.

Vecellio (Francesco) da Cadore,

Born at Cadore, 1475; died there, 1560 .|

239. Pilate presenting Christ to the people. On canvas,
(35a.) 0,85 h., 0,76 w.

240. Wanting.

Pal ma (Jacopo), commonly called Palma Vecchio.
Born about 1480 at Serinalto; died, 1528.

241. Portrait of a woman, whose right hand rests on a
(33c.) mirror; behind her, stands a man. On canvas,

0.86 h., 0,74 w.

242. The Infant Christ on the Virgin's lap caresses the
(4c.) young John; Joseph and St. Catherine stand near.

On wood, 0,76 h., 1,06 w.

Obtained through Leplat. Old inven. 1722. Restored
in 1827 by Palm, and Renner; in 1888 by Schirmer.

41

243. The three Sisters. On wood, 0,89 h., 1 ,23 w. ^ (III.44.)
(4 a.) Purchased in 1743 by Algarotti under the name of

"The three Graces", from the Procuratessa Cornaro
della Ca grande, for 600 ducats d'or. Restored in 1838
by Schirmer.

244. Venus lying on white drapery; in the back-ground,
<E3.) a landscape. On canvas, 1,14 h., 1,84 w.

Bought by Kindermann in 1728 for 2000 Taleri, accor-
ding to a bill of the picture. Old inyen. 1722.

245. The Madonna and Child; before her stands John the
(4:0.) Baptist; both hold a scroll with writing upon it ;

between them is St.Catherine. On wood 0,67 h., 0,98 w.
Obtained in 1741 by Gruarienti from Casa Pisano di
S. Stefano. This picture, together with Nos. 268, 264
and 271 purchased for 353 sequins.

246. The Madonna and Child ; at her side, Elisabeth and
(4 c) the infant John with a scroll, on which are the

words : Ecce agnus Dei. In front, St. Catherine and
Joseph. On wood, 1,08 h., 1,35 w.

Purchased by Rossi in 1739 as Titian for 350 Thlr.
Inven. 8vo.

Palma (Jacopo), the Younger ; named Pdlma Giovine,
Bom, 1544; died, 1628.

247. The Presentation of Mary, when twelve years old,
(C2.) at the Temple. On canvas, 1,80 h., 3, 52 w.

Mod. purchase.

\^ 248. St. Sebastian. On canvas, 1,66 h., 1,16 w.

(P4.) Purchased in 1743 by Algarotti from Count Giovanelli
in Venice for 40 ducats d'or.

249. The Crjicifixion of the Apostle Andrew. On canvas,

(D2.) 1 ,64 h,. 2,23 w.

Purchased in 1742 from de Bray^s estate, Paris, for
2000 livres.

250. Wanting.

Hareone (Rocco). (?)

Lived in Treviso about 1500.

251. Christ bearing his Cross. On canvas 0,88 h., 1,09 w.
(32 d.)

42

Boglllo (Giovanni Antonio), commonly called Licinio da

Pordenone, (?)
Bom at Pordenone, 1484; died at Ferrara, 1550.

252, A woman in mourning - dress. On canvas 0,59 h.,
(E3.) 0,55 w. * (III. 3.).

(Erroneously considered to be Cornara, queen of Cyprus.

V 253. The Calling of Matthew to be an Apostle. On can-
(37 b.) vas, 1,0 h., 1,19 w.
Mod. purchase.

Lieini (Bernardino),

about 1533; a relative of the preceding (?)

254. Portrait of a noble Venetian lady. On canvas,
(E2.) 0,99 h., 0,83 w.

Signed: B. LICINF. F. MDXXXIIF. As Ritratfeo di
Donna Olympia. Man. Tiz. Old inven. 1722. Restored
in 1861 by Schirmer.

Buonvicino (Alessandro) named il Moretto da Brescia.
'^ Bom about 1490; died, 1560.

254 a. The Virgin Mary as she appeared in 1523 to the
(D2.) peasants of Monte Caitone*) in the province of
Brescia, for the purpose of averting the pest. On
canvas, 2,12 h., 1,44 w.

Above, at the left is the following inscription on a
dark back-ground:

IMAGO
BEATAE MARTAE VIRG.
QUAE
MENS. AUCJI^T, MDXXXTTT C^lt^.. .
^jt^^^rngtSL AGlfr BRIXANI vJm
. APPARUIT
MIRACfLOR, OPERATIONE
CONClfeSI^POP.
CELEBERRIM.

Purchased in 1868 from the v. Quandt Collection
Price 2000 Thlr.

i^

he ca

) "Paitone" says Ridolfi in his biography of Moretto, whom.
lis Allessandro Moretti; Maraviglie ielV arte T. I. p. 243.

43

Bordone (Paris).

Born about 1500; died about 1570.

255. Apollo with the lyre , between Marsyas and Midas.
(4 a.) On canvas, 0,99 h., 0, 82 w.
Restored by Palm.

56. Diana , with a javelin in her left hand , holds with
P4:.) her right two dogs by a leash. A nymph hands
her a stag's head. On canvas, 1,10 h., 1,82 w.

\y4

Same Artist. (?) .

257. The Virgin adoring the Child lying before her. On
(4 b.) wood, 0,51 h., 0,38 w.

Purchased by Leplat as Titian. Old inven. 1722.

258. The Holy Family. On the right, St. Jerome ; behind -
(D4.) him, St. Elisabeth. On canvas, 1,13 h., 1,50 w.

Purchased in 1741 by Guarienti from Casa Pisani di
• S. Stefano in Venice.

Artist uakaown. (According to Hirt : Paris Bordone). (?)

259. ^amson slays the Philistines with the jaw-bone of
(D2.) an ass. On canvas, 1,54 h., 2,21 w.

yBampagnola (Domenico).

^y Lived in Padua about 1517.

260. Generosity ; a woman sitting on a throne dispensing
(38 d.) money. Clare-obscure. On canvas, 1,27 h., 1,07 w.

From the Collection of the Marchese Mantova in
Padua. Mentioned in Cat. Guar, as Dom. Carpioni.

Bembl (Bonifacio).

Bom about 1500; died about 1562.

261. The Finding of Moses. On canvas, 1,40 h., 1,0 w.
(D2.) Purchased by Leplat as Titian. Old inveri. 1722.

The Virgin and Child, who turns towards St. Cathe-
rine. St. Antony, the hermit, and Joseph on the
other side. On canvas, 1,09 h., 1,53 w.

Purchased by V. Rossi in 1741, as Giorgione. Price,
300 Thlr.

263. Christ imparting a blessing to the world. On can-
(E3.) vas, 0,80 h., 0,67 w.

Same Artist. (?)

264. Lazarus raised from the dead. On canvas 1^32 h.,
(32 c.) 2,01 w.

Obtained through Guarienti in 1741 from Casa Pisani
di S. Stefano in Venice. Restored by Palm, in 1827. ^

Lanzani (Polidoro), also called Folidoro di Venezia,
Lived about 1550.

265. A Venetian nobleman dedicates to the Madonna his
(D4.) child, which he gives to St. Joseph; on the right,

stands Magdalene, who hands the Infant Christ a

little wreath. In the back-ground, the protecting

angel. On canvas, 1, 32 h., 1,76 w.

Obtained by Guarienti in 1741, from Casa Pisani di
S. Stefano in Venice.

266. The Betrothal of St. Catherine of Siena with the
(Cl.) Infant Christ; at their side St. Andrew. On canvas

1,07 h., 1,33 w.

Horone (Giovanni Battista).

Bom at Albino, near Bergamo; flourished about 1553;
died, 1578.

267. Portrait of a man; his right hand resting on his
(E4.) side.* On canvas mounted on wood, 1,10 h., 0,78.

Restored by Palm, in 1826.

Ponte (Jacopo da), called Bassano.
HBorn, 1510; died, 1592.

268. The Children of Israel passing through the wilder-
(4a.)| ness. On canvas, 1,25 h., 1,77 w.

45

269. Noah surrounded by all kinds of animals, going
(4:b.) into the ark. On canvas 1,23, h., 1,79 w.

Purchased through V. Bossi from the Collection of
the Abjbate Eicci in Venice.

270. The young Tobias returning home with his flocks
(E4.) and possessions. On canvas 1,78 h., 2,76 w.

Purchased in 1747 by Zanetti and Guarienti from Casa
Grimani dei Servi in Venice.

271. The Passage of the Children of Israel through the
(E4.) wilderness. On canvas, 1,82 h., 2,78 w.

Similar to No. 268.

272. Lot fleeing with his family and possessions fromSo-
(36c.) dom. On canvas, 1,41 h., 1,29 w.

Purchased in 1748 by Gialdi and Guarienti from the
Royal Gallery in Prague.

273. Moses smiting the rock for water. On canvas,
(Ac.) 1,12 h., 1,75 w.

Obtained by Zanetti and Guarienti in 1747 from Casa
Grimani dei Servi in Venice.

274. The Announcement to the Shepherds. On canvas.
(34 c.) 1,33 h., 1,83 w.

Acquired in 1744 through Bossi from Casa Grimani
Calergi.

275. The Conversion of Saul. On canvas, 1,83 h., 1,12 w.

(36 d.) Acquired in 1741 through V. Rossi from Casa Grimani
Calergi; price 310 Thlr.

Fonte (Francesco da), called Bassano,
Bom, 1560; died, 1692.

276. Christ drives the money-changers out of the Temple.
(36 d. On canvas, 0,68 h., 0,85 w. ^ (11. 13.)

Signed: FRANC. BASS. F. Mod. purchase.

277. The Adoration of the Shepherds. On canvas, 0,68 h.,
(4b.) 1,10 w. 4: (II. 14.)

Purchased by V. Rossi from the Casa Grimani Calergi
in 1744.

\/?

46/

278. The Assumption of the Virgin. On canvas, 1,74 h.,
(37b.) 1,18 w.

279. Christ appears to Mary Magdalene as a gardener.

(35d.) On canvas, 0,78 h., 1,18 w.

Parchaeed in Paris by Le Leu in 1742 for 800 Livres.
Taken from the reserved pictures in 1866.

Ponte (Leandro da), named Bassano.
Died in Venice, 1623.

280. Christ healing a blind man. On wood, 0,69 h.,

(4b.) 0,88 w.

Purchased in 1741 by V. Rossi in Venice.

281. Noah taking all kinds of animals into the ark. On
(35c.) canvas, 1,29 h., 1,17 w.

282. Christ bearing the Cross. On canvas, 0,82 h.,
(Dl.) 0,68 w.

Signed, on the right arm of the Cross:

LEANDER A PONTE BASSs. EQVES.

<F>
Purchased by Rossi in Venice in 1741 for 100 Thlr.

283. A Doge of Venice of the house Cicogna. On canvas,
(C2.) 1,34 h., 1,12 w.

Signed : LEANDER BASS. FACIEBAT.

284. The wife of the above Doge. On canvas, 1,36 h,,
(C2.) 1,12 w.

Signed: LEANDER BASS. F.

Both acquired in 1744 by Rossi from Casa Grimani
Calergi in Venice. Cat. Guaj.

285. Said to be the portrait of the Artist, who sits at a
(D2.) table. On canvas, 0,93 h., 1,08 w.

Signed: LEANDER A PONTE BASS^ EQVES F.
Also purchased by V. Rossi in 1744. Price 50 Thlr.
/ Restored by Palm. 1827.

V/ 286. A man, a woman and a boy feeding sheep. On can-
(37 d.) vas, 0,32 'h., 0,45 w

From the Eunstkammer. Old inven. 1722. Partly
repainted by Dietrich.

47

Sobusti (Jacopo), conajmonly called Tintoretto,
Born at Venice, 1512; died, 1594.

The Virgin and Child, surrounded by angels en-
throned in a nimbus on a half- moon, and adored
by St. Barbara, St. Calherine, ai^d two bishops.
On canvas, 4,67 h., 2,35 w. V , .n • ' .

From the reserved pictures 1872.

The Virgin with the Child and Si Catherine ; before
them kneels an admiral of the republic of Venice.
On canvas, 1,02 h., 1,55 w.

From the reserved pictures in 1853. Restored by
Schirmer.

\ / 287 a.

V (E2.)

288. A stern man in a arm-chair; behind him stands a

(I>2.) youth. On canvas, 0,98 h , 1,20 w.

Purchased in 1748 by Gialdi and Guarienti from the
Royal Gallery in Prague. Restored in 1826 by Palm.

289. A knight in a gondola, steered by an oarsman, libe-
(E4.) rates two naked women from a tower. On can-
vas, 1,49 h., 2,48 w.

From the reserved pictures in 1861.

290. The overthrow of the rebel angels. On canvas,
>®2.) 3,18 h, 2,20 w. \ . ., 1^ .

V/ Restored and transferred to new45!nvas in 1838.

291. The nine Muses and the Graces on Parnassus ; above
(E3.) them Apollo. On canvas, 2,13 h., 3,25 w.

Painted for the Emperor Rudolf II. Brought from
Prague by Joh. Georg I. Placed in the Gallery in 1725
by Leplat; taken from the Kunstkammer.

292. Several women with musical instruments. On can-
(33 c.) vas, 1,41 h., 2,12 w.

Cat. Guarienti 301. Obtained from the Oallery in
Prague as Tintoretto. Restored by Palm.

48

293. The Adultereas before Christ Qn canvas, 1,88 h,^
CE3.) 3,55 w. ^ (II. 11.)

Obtained from the Royal Gallery in Prague in 1748
by Gialdi and Guarienti.

Copy after Kobusti (Domenico).

Bom at Venice, 1562; died, 1637. Son of the former.

294. Susannah preparing for the bath. In the back-
(38c.) ground, the two Elders. On canvas, 2,17 h., 1,59 w.

Purchased by Leplat, as Bathsheba by Jacopo Tinto-
retto. Old inven. 1722.

Schiavone (Andrea Medola; called: lo).

Bom at Sebenico, 1522; died, 1582.

295. The dead Christ, supported by an Angel and Joseph
(5 c.) of Arimathea. On canvas, 1,07 h., 0,885 w.

Purchased by Gialdi and Guarienti in 1748 from the
Royal Gallery of Prague.

296. The Madonna and Child, who embraces the young
(2 a.) John. On canvas, 0,865 h., 0,69 w.

Purchased by Algarotti in 1743 from the Procuratessa
Cornara della Ca grande in Venice for 28 ducats d'or.

Marescalco (Pietro), called la Spada or lo Spado.
Born at Feltre; lived about 1576.

297. The queen of Sheba before Solomon. On wood,
(36d.) 0,70 h., 0,57 w.

298. Herodias bearing the head lof John. On canvas,
(38 d.) 0,89 h., 0,89 w.

Signed: PETRVS DE MARISCHALii P. MDLXXVI.
Both i)ictures purchased in 1748 by Bernardo Benzoni
in Venice with ten others, for 1210 Fl.

Caliari (Paolo), surnamed Veronese,

Bom at Verona, 1528*); died in Venice, 1588.

299. The Adoration of the Magi. On canvas, 2,05 h.,
(El.) 4,48 w. * (I. 14.)

Mod. purchase. Restored in 1837 by Schirmer.

♦) According to Ridolfi in 1532.

\Z,

49

C^

300. The Marriage at Cana. On canvas, 2,05 h., 4,51 w.
(El.) ^ (TI. 9.)
y^ Mod. purch. Transferred tonew canvas by Palm. in 1827.

\/ 301. The Madonna and Child between John the Baptist
(E3.) and St. Jerome. Faith, Love, and Hope condact
the Cocina Family (?) before her throne. On can-
vas, 1,65 h., 4,16 w. ^ (I. 15.)

Mod. purchase. As the family of Paolo Veronese.
j y^^ Restored in 1827 by Palm.; in 1856 by Schirmer.

V/ 302. Christ bearing his Cross. On canvas, 1,61 h., 4,09 w.
(E3.) ^ (I. 16.)

Mod. purchase. Restoi;ed by Schirmer in 1857.

'SOS. The Centurion of Capernaum beseeching that his

PS.) ^servani ms^ be hea^e(^.^ On canvas, 1,77 h., 2,75 w.

jt i'^f^^^^^^'^hm^ Guarienti in 1747 from Casa

» .^^^^*^ *^^ ' Grimani dei Servi in Venice. Restored by Schirmer in 1867.

'' Jl"^304. The Finding of Moses. On canvas, 1,76 h., 2,75 w.

r (D3.) Painted for Duke William of Mantua and restored
/ by Palm. I827y^

''o05. Susannah ^p the bath. On canvas, 1,26 b., 1,06 w.
-' (C3.) Obtained m 1742 by Rigaud and Le Leu from the
Carignan Collection in Pans for 4500 Livres.

306. The ^ood Samaritan. On canvas, 1,67 h., 2,53 w.
(E4.) Mod. purchase-
so?. Christ crucified between the two thieves; his
(4 a.) mother sinks fainting into the arms of John and

one of the Maries. On canvas, 0,47 h., 0,35 w.
Obtained in 1741 by V. Rossi from Casa Grimani

Calergi in Venice. Price 600Thlr.

308. The Crucifixion of Christ. On canvas, 0,985 h , 0,765 w.
(4 a.) Purchased by Riedel in Prague in 1743 for 1000 Thlr.

309. Christ with the disciples at Emmaus. On canvas,
0E2.) 1,19 h., 1,81 w.

Mod. purchase. Restored by Palm.

310. The Resurrection of Christ. On canvas, 1,36 h.,
(Cl.) 1,02 w.

4

50

s/.

P

/

311. The death of St. Catherine of Alexandria. On
(4:h.) canvas, 0,655 h., 0,81 w. '

Purchased in 1742 by de Brays and Araignon from
the Carignan Collection in Paris. Price 4000 Livres.

312. Venus and Adonis. On canvas, 0,77 h., 0,71 w.
(4b.)

313. Leda and the swan. On canvas, 1,07 h., 0,92 w.

(C 3.) Purchased by V. Rossi from Casa Grimani Calergi in
Venice in 1744.

314. Portrait of Daniel Barbaro, Patriarch of Aquileja.
(E2.) On canvas, 1,33 h., 1,02 w. ^ (II. 10.)

Obtained by V. Rossi from Casa Grimani Calergi in
Venice in 1744. Restored by Palm.

\J 315. The Presentation of the Infant Jesus in the Temple.
(03.) On canvas, 1,83 h., 4,15 w.

Purchased in 1747 by V. Rossi from Casa Bonfadini
in Venice. According to Guarienti, by Carletto Caliari ;
according to Rumohr, by Paolo Farinato.

Same Artist. (?)

316. Europa on the bull surrounded by her companions.
(36a.) On canvas, 3,21 h., 2,89 w.

Purchased in 1745 by Algarotti from the daughter
' of the Art-dealer Negienzi in Venice for 300 sequins.

Caliari (Carletto).

BorA in 1572; died, 1596.

317. Allegorical picture. On canvas, 1,68 h., 2,32 w.

(38 d.) Purchased by Riedel in Prague, 1 743, as Taolo Vercmese
for 1000 Thlr.

318. The Holy Family. On canvas, 1,68 h., 1,34 w.

(35 a.) According to Guarienti, by Gabriele Caliari, brother
of Paolo; from the Collection of the Abbate Caliari in
Venice.

51

319. The Baptism of Christ On canvas. 1,05 h., 1,02 w.
(35 d.) Purchased by Riedel in Prague, 1 743 , as Paolo Veronese.

Price 1000 Thlr.

School of P. Teronese.

320. Adoration of the Magi. On canvas, 1,07 h., 0,82 w.
{4a.) Mod. purchase.

\^ 321 . Portrait of a boy of noble family. On canvas, 0,545 h ,

(4b.) 0,41 w.

From Prof. Steinla's Collection.

Copy after P. Teronese.

322. Venus and Adonis. On canvas, 1,48 h., 1 ,88 w.
(30 c.)

Fassolo (Giovanni Antonio).

Born at Pavia; lived about 1518.

323. Portrait of a richly dressed Venetian lady. On can-
(E3.) vas, 1,33 h., 1,10 w.

Obtained by V. Rossi in 1743 from Casa Grimani Ca-
lergi. Restored by Palm, in 1827.

Same Artist. (?)

324. Christ's entry into Jerusalem. On canvas, 0,54 h.,

(35 c.) 0,98 w.

Purchased by Rossi in 1741, as Paolo Veronese for
500 Thlr.

325. Adoration of the Wise Men from the East. On
(35 c.) canvas, 0.55 h., 0,98 w.

Purchased, as above, as Salvator JBosa, for 300 Thlr. '

Porta (Giuseppe), named Salviati.

Bom 1520; died about 1572.

326. The dead Christ, held by angels. On canvas, 1,07 h ,

(3c.) 0,87 w. ^ (II. 12.)

Obtained in 1743 from the Carignan Collection in
Paris. Restored by Palm. 1826.

Same Artist, (?)

327. Three angels supporting the dead Christ. On copper,
(3b.) 0,245 h., 0,1975 w.

4*

52

Hnziano (Girolamo). Attributed to
Bom, 1630; died, 1690.

328. St. Francis kneeling in prayer before a crucifix.
(35b.) On copper 0,535 h., 0,395 w.

Purchased in 1742 by Le Leu in Paris, as Domenichino,
for 1000 Livres.

Ridolfl (Claudio).

Born at Verona; died at Corinaldo 1644.

329. The Annunciation. On canvas, 0,70 h., 0,56 w.

(33 d.) Obtained by Kindermann. Old inven. 1722; later,
taken from the Royal Chapel for the Gallery.

TttrcM (Alessandro), called VOrhetto,

Born, 1582 ; died at Verona, 1648.

330. The Nativity. On slate, 0,455 h., 0,38 w.
(2b.) Signed: ALEXANDER D. TVRGIS. F.

^331. Simeon in the Temple, holding the Infant Christ in
(33 d.) his arms. On copper, 1,06 h., 0,81 w.

Signed: ALEXANDER VERONENSIS. F.
Purchased in 1743 by de Brays from the Carignan
Collection, for 500 Livres.

332. Christ crowned with thorns, holding a reed in his
(3b.) bound hands. Oval, on slate, 0,15 h., 0,11 w.

'833. The Martyrdom of St. Stephen. On amethyst. Ellip-

V(32b.) tical form, 0,25 h., 0,33 w.

334. The Trinity. On black slate, 0,335 h., 0,28 w.
(2 c.)

335. The Virgin offering her breast to the Infant Jesns.
(2 c.) On slate, 0,255 h., 0,185 w.

Obtained through Kindermann. Old inven. 1728.

\/\2c.)

53

v>;

6. Venus holding the dead body of Adonis in her lap.
(2c.) On black slate, 0,27 h., 0.345 w. ^ (II. 15.)

Purchased by De Brays in Paris, 1742, from the Col-
lection of M. Dubreuil.

337. The Judgment of Paris. On wood, 0,59 h., 0,83 w.
01.) From the Collection of Senator Isolami in Bologna.

338. Venus finds Adonis dead. On canvas, 0,66 h., 0,90 w.
(36a.) From the Wallenstein Collection, 1741.

Same Artist. (?)

339. David with the sword and head of Goliath. On
(C3.) canvas, 1,27 h., 1,15 w.

From Poland , as an original by an unknown artist.
Old inven. 1722.

Vatotari (Alessandro), named Padovanino*),
Bom, 1590; died, 1650.

340. Judith with the head of Holofemes. On canvas,
(5 c.) 1,30 h., 0,94 w.

Purchased by Leplat in 1725. Old inven. 1722.

- 341. Cleopatra. On canvas, 1,09 h., 0,92 w.

(33 c.) Purchased as the above, as Disdpul di Tieitmo.

342. Lucretia. On canvas, 1,09 h., 0,93 w.
(33 c.) Obtained as above.

343. A Head; a study. On canvas, 0,41 h., 0,285 w.

(5 c.) Purchased by Kindermann, as Salviati. Old inv. 1722.

Xiberi (Pietro).

Born at Padua about 1600; died at Venice, 1677.

344. The Judgment of Paris. On canvas, 1,97 h., 1,66 w.
(E3.) Obtained by Kindermann. Old inven. 1722.

*) Descended from the Weihrotter family in Augsburg. His
father, Darius, changed his German name on removing to Padua.

54

345. Youth protected by Wisdom. On canvas, 1,19 L,
(6a.) 1,01 w.

Obtained as above.

Yecchia (Pietro della).
y^/^ Bora at Venice, 1606; died there, 1678.

346. Portrait of Chevalier Bayard (?) On canvas, 1,17 h.,
(37 c.) 0,99 w.

From Casa Gheltof in Venice. Cat. Guar.

347. An old woman with three children, one of whom
(33 d.) she is striking with a slipper. On canvas, 0,99 h.,

/1,16 w.
348. A mailed warrior with a red flag. On canvas,
(33 c.) 1,16 h., 0,92 w. ^

Obtained by Bernardo Benzoni in Venice. See Nos. 297
/ and 298.

\ / 349. Saul with the head of Goliath ; behind him, David.
V (33c.) On canvas, l,i8 h., 1,01 w.

Obtained by Mordax. Old inven. 1722.

350. A fortune-telling scene. On wood, 0,17 h., 0,27 w.
(36 d.)

Oarpione (Giulio).

BomatVeDice, 1611; died at Verona, 1674.

351. Latona changes the fishermen, who refuse to give
(8 c.) her drink, into frogs. On canvas, 1,09 h., 1,325 w.

Purchased in 1738 by L. Rossi. In v. Svo.

352. The nymph Coronis, pursued by Neptune, is meta-
(3 a.) morphosed by Minerva into a white crow. On can-
vas; same size as the preceding.

Purchased in 1744 by V. Rossi from Casa Grimani
Calergi in Venice.

353. Bacchus and Ariadne with their train. On cauyas,
(37 a.) 1,10 h.,. 1,63 w.

Obtained by Leplat in 1725. Old inven. 1722.

55

/
\ /354. Fauns and bacchantes under a tree; a bacchante
(34d.) and a faun dancing. On canvas, 1,17 h., 1,52 w.
Obtained as above.

FeraboSCO (Girolamo).

Born at Padua ; painted about 1630 in Venice.

355. A young woman endeavouring to elude the grasp
(E3.) of Death. On canvas, 0,74 h., 0,60 w.
Mod. purchase, as Guido Gagnacci,

Celesti (Andrea).

Born at Venice, 1639; died there, 1706.

v/

356. The massacre of the Innocents. On canvas, 2,72 h.,
(El.) 4,34 w.

Obtained by Kindermann. Old inven. 1722.

\ .'* 357. The Israelites bringing their gifts to make the
(E 1.) golden calf. On canvas, 1,49 h., 2,01 w.

Obtained in 1725 by Leplat. Old inven. 1722.

* *

358. Bacchus and Ceres. On canvas, 1,78 h., 1,90 w.
(E3.) Obtained as above.

FOZZO (Andrea).

Born at Trient, 1642 ; died in Venice, 1709.

359. The Infant Christ asleep. On canvas, 0,72 h., 0,95 w.
(34c.)

Bellucci (Antonio). Pensioned by the Elector Johann
Wilhelm of the Palatinate.
Born at Venice, 1664; died, 1725.

360. Venus feeding a white dove; at her side Cupid.
(87b.) On canvas, 1,35 h., 1,78 w.

Obtained by Leplat in 1731. Old inven. 1722.

66

361. The Virgin wrapping the Infant Christ in swaddling
(3a.) clothes. On canvas, 0,71 h., 0,56 w.

Trevisani (Francesco).

Born at Capo d'Istria, 1666; died in Rome, 1746.

362. The massacre of the Innocents at Bethlehem. On
(E 1.) canvas, 2,48 h., 4,66 w.

Purchased in 1745 by Algarotti in. Venice, as Luca
/' Giordano. (?)

^ 363. The Holy Family. On wood, 0,40 h., 0,32 w.
{35 b.) Purchased in 1743 by Algarotti in Venice.

^ / 364. Repose on the flight into Egypt. On canvas, 2,47 h.,

V (F4.) 2,78 w.

^ / 365. The Virgin showing the Infant Christ to the young J

V (F2.) John. On canvas, 0,97 h., 0,74 _w. ^ (III. 19.) ^ f' ^'^

Purchased in 1743 by Rigaud in Paris, for 1500 Livres.

366. The Virgin and Child, whose hands are kissed by
(2a.) Elisabeth. On canvas, 0,65 h., 0,50 w.

367. Christ on the Mount of Olives. On canvas, 0,46 h.,
(2 c.) 0,645 w.

Obtained in Poland, as Carlo. Marotti. Oldinven. 1722.

\ 368. St. Anthony of Padua heals a wounded man by
(2 b.) prayer. On canvas, 0,77 h., 0,34 w.

369. Ecstasy of St. Francis. On canvas, 0,75 h., 0,63 w.
(02.) Purchased by Siegmund Striebel in 1751.

Artist unknown.

369 a. Portrait of a man. On canvas, 0,68 h., 0,51 w.

(4 b.) From the Rezzonico Collection in Venice. Purchased
in September 1869, from the estate of Unger in BerHn.
Price 120 Thlr.

369 b. Portrait of a man. Three-quarter length. This

(3 b.) picture resembles a portrait of Macchiavelli

(1469 — 1527), which has been engraved from a

painting by Santi diTito. On canvas, 1,01 h., 0,685 w.
Purchased as above. Price 120 Thlr.

57

370. Madonna and Child and St. Anna. On canvas,
(37 d.) 0,49 h., 0.38 w.

Ilicci (Bastiano).

Born at Venice, 1662 ; died at Belluno, 1734.

371. A Sacrifice. On canvas, 0,56 h., 0,73 w.
(5 a.)

372. Similar subject to the above. On canvas, 0,56 h.,
(5 a.) 0,72 w.

Both purchased in 1743 by Algarotti from Zanetti in
Venice, for 100 sequins.

373. The Ascension. On canvas, 2,71 h., 3,04 w. ^ (III. 1 6.)
(37c.) From the Catholic Church. Old inven. 1722.

Diziani (Gasparo). Scholar of Bastiano EiccL
Died in Venice, 1767.

373 a. An artist painting a portrait from life. (Caricature.)
(35c.) On canvas, 0,85 h., 0,73 w.

JRicci (Marco).

Born at Belluno, 1679; died, 1729.
*374. A champaign country; in the middle - ground, a
(34 a.) town with a bridge leading to it. On canvas,
0,98 h., 1,52 w.

375. A landscape; in the fore -ground, St. Jerome. On
(38 a.) canvas, 1,49 h., 1,13 w.

i^ 376. Companion piece. The penitent Magdalene. On
<S8a.) canvas, 1,45 h., 1,11 w.

377. A landscape; in the middle-ground, a tower and a
<88 a.) river, spanned by a bridge. On canvas , 0,98 h.,

1,30 w.

378. A landscape. A laden mule and its driver coming
(38 a.) over a hill. On canvas, 0,97 h., 1,30 w.

379. A landscape. In the fore-ground, a stream, in which
(36b.) some cattle are standing. On canvas, preceding size.

58

v/">

380. A landscape with mountains and buildings in the
(34 d.) distance. A sleeping shepherd is lying near a group

of trees. On canvas, 1,27 h., 1,29 w.

381. A landscape; in the fore -ground, a large fountain;
(38 b.) farther off, a lime-kiln. On canvas, 1,25 h., 1,24 w.

382. A winter landscape. On canvas, 1,00 h., 1,46 w.
(34 a.)

383. Mountain scenery with a brook. On canvas, 0,98 h.,

(38c.) 1,31 w.

Nos. 374, 377—382, purchased in 1738 by Rossi in
Venice. Inven. 8vo.

Carlevaris (Luca), da Casa Zenobio.

f Bom at Udine, 1665: died at Venice, 1708.

384. View of the Palace of the Doges in Venice, and the
(37 c.) landing of the Imperial Ambassador, Count Col-

loredo. On canvas, 2,59 h., 1,30 w.

Molinari (Giovanni Battista).

Born, 1636 ; lived in Venice about 1660.

385. Noah drunken with wine. On canvas, 2,02 h.,
(34a.X 2,37 w.

Purchased in 1741 by Rossi in Venice, In v. 8vo.

Molinari (Antonio).

Born at Venice, 1666; still living in 1727.

386. Cupid asleep; Psyche regards him by lamp-light.
(35a.) On canvas, 1,88 h., 1,66 w.

Negri (Pietro).

Lived in Venice about 1673.

387. The dying Agrippina is brought before her son
(37 c.) Nero. On canvas, 1,37 h., 1,64 w.

Bought by Rossi in 1731, as e/brdan. Inv. 1722. A. 2307.

Piazzetta (Giovanni Battista).

Born at Venice, 1682; died 1764.

388. Abraham's Sacrifice. On canvas, 1,53 h., 1,16 w.
(36 d.) From the Wallenstein Collection in Dux, 1741.

Inven. 8vo.

^/

59

389. David with the head of Goliath. On canvas, 0,84 h.,
(34d.) 0,99 w.

390. A Standard-bearer. On canvas, 0,88 h., 0,72 w.
(36 b.) Both purchased by Algarotti in Venice, 1743.

Migliori (Francesco).

Bom at Venice, 1684; died there, 1734.

391. Bacchus and Ariadne. On canvas, 2,98 h., 4,04 w.
(37 b.) From the palace of the Crown Prince. Old inven. 1722.

392. Europa sitting on the bull, which is crowned with
(37 a.) wreaths by her companions. On canvas, 2,99 ^h.,

4,04 w.

393. Wanting.

394. Abraham's Sacrifice. On canvas, 2,64 h., 1,99 w.

(85 a). j^os. 392 and 394 purchased by Kindermann. Old
inven. 1722.

395 — 397 wanting.

Eismann (Carl), named Briseghella.

Bom at Venice, 1679; adopted son of J. A. Eismann.

398. Fierce combat under the walls of a fortress. On
(28 d.) canvas, 0,68 h., 1,39 w.

Purchased in Prague by Riedel in 1742.

T^S99. A sharp engagement of cavalry. On canvas, 0,375 h.,
'^(28b.) 0,73 w.

^r 400. Cavalry combat not far from the walls of a town.
(28b.) On canvas ; preceding size. - r '

Both purchased in 1741 by V. Rossi, as *'del padre
Giacomo Borgognon" for 230 Thlr.

401. A Battle-field. An officer is giving orders. On can-
(28dO vas, 0,95 h., 1,66 w.

60

Nogari (Giuseppe).

Born at Venice, 1700 ; died there, 1768.

402. A miser pouring money out of a purse, and holds
(5c.) a key in his hand. On canvas, 0,75 h., 0,59 w.

403. An old man with a fur cap, holding a pair of spec-
(5 c.) tacles and a sheet of paper. On canvas, 0,76 h.,

0,60 w. ^ (III. 50.)

404. An old man with a black cap, holding a pair of
(5a.) spectacles. On wood, 0,61 h., 0,45 w.

405. An old woman, warming her hands over a pan of
(5 a.) coals. On wood, 0,60 h., 0,435 w. ^ (III. 50.)

406. An old man with gray hair and beard. On canvas,
(35b.) 0,87 h., 0,73 w.

407. St. Peter. On canvas, 0,85 h., 0,61 w.

(5 c.) No8. 402—407 purchased by Algarotti in Venice in
1743 from the Artist, for 16 Ducats d'or each.

Nazari (Bartolo).

Bom at Bergamo, 1699; died in Venice, 1758.

408. Portrait of an old man. Bust. On canvas, 0,49 h.,
(5 a.) 0,38 w. *

409. Portrait of an old woman. On canvas, preceding
(5 a.) size.

Both purchased by Algarotti in Venice 1743, for
15 Ducats d*or each.

Diamantini (Giovanni Giuseppe), il Gavaliere,

Bom in the Romagna; lived in Venice about 1740.

410. David with the head of Goliath. On canvas, 1,18 h.,
(38 d.) 0,86 w.

411 and 412, wanting.

61

Botari (Pietro), Count.

Bom at Verona, 1707; died in St. Petersburg, 1762.

413. Eepose on the flight to Egypt. Night-piece. On
(33a.) canvas, 2,71 h., 2,07 w.

414. St. James. On canvas, 0,54 h., 0,44 w.
(37 d.)

415. St. Francis. On canvas, 0,45 h., 0,35 w.
(37 d.)

416. St. Magdalene. On canvas; preceding size.
(5b.)

417. Prince Albert, brother of the Elector Frederick of
(33a.) Saxony, later known as the Duke of Teschen. On

canvas, 1,06 h., 0,88 w.

418. Prince Charles, afterwards Duke of Courland. On
(33a.) canvas; preceding size.

419. Portrait of one of the Electoral Family of Saxony.
(33d.) On canvas, 0,85 h„ 0,69 w,

420. Portrait of Frederick Christian, Elector of Saxony.
(33 a.) On canvas, 1,04 h., 0,85 w.

421. Portrait of Prince Xaver, brother of the preceding
(33 b.). Elector. On canvas, 1,07 h., 0,86 w.

422. Princess Elisabeth. On canvas, 1,07 h., 0,88 w.
(33 b.)

423. Prince Clement ; afterwards Elector of Treves. On
(33b.) canvas, 1,07 h., 0,87 w.

424. Princess Kunigund. On canvas f preceding size.
(33 a.)

Tenetian School.

425. Venus. On canvas, 1,33 h., 2,04 w.

(38b.) Purchased by V.Rossi, as, del Fasolo. (Titian's style.)
Inv. 8vo.

\Ao

426. The Holy Family. On canvas, 0,77 h., 1;01 w.

y(32b.) Purchased by V. Rossi, as Paolo Veronese, (?)

427. Venus. On canvas, 0,61 h., 0,714 w.. /»i \ ^^v.!'

428. Portrait of a lady in a dress of cloth, woven with

(4b.; gold. On canvas, 0,67 h., 0,58 w.

kT

From the Green Vaults, as a painting by Vom Dyk,
Old inven. 1722.

429. St. Thomas, receiving the girdle of the Virgin Mary,
(36 d.) On canvas, 2,75 h., 1,18 w.

430. The Betrothal of St. Catherine. On canvas, 0,87 h.,
(32 a.) 0,79 w.

From the reserved pictures in 1865. Restored by
Schirmer.

V 431. Allegory. A sketch for a ceiling. On paper, 1,26 h.,
(36 a.) 0,79 w. J ^

From the reserved pictures in 1861. ^ "^

Artists unknown.

/•

V' 432. The Archangel Michael. On canvas, 1,05 h., 0,76 w.
^ (38a.)

V 433. Icarus receiving wings from his father Daedalus.
(38d.) On canvas, 1,14 h., 0^98 w.

Obtained by Leplat in 1731. Inv. 8vo.

^

\y 434. The adultecess before Christ, On canvas, 1,10 h.,
(88c.) 1^32 w.

Taken from the Kunstkammer, as Pordenone's style.
Old inven. 1722.

63

Bolognese School.

Saibolini (Francesco), named Francia,

Born at Bologna between 1450 and 1453; died there
Jan. 6, 1517.

435. Adoration of the Magi, and the shepherds. On wood,
(1 a.) 0,41 h., 0,59 w.

436. The Virgin and Child, who holds a bird in his hands ;
(1 a.) near him the infant John. On wood, 0,57 h., 0,47 w.

Both mentioned in the Abridgment of 1782, as Pietro
Perugino.

437. The baptism of Christ. On wood, 2,09 h., l,7'2 w.

(D3.) Signed: FRANCIA AVRIFEX BON. F. M. V. Villi.
According to Vasari, this picture was formerly in Mo-
dena; it is not, however, mentioned in the Jist of our
pictures purchased in Modena. It was damaged during
the bombardment of Dresden in 1760 by Ja fragment
of a shell.

LongM (Luca). ^ ^ -/

.^ Bom at Ravenna, 1507; died, 1580. \/d\* , \

V 438. A Holy Family. On canvas, 0,87 h., 0,72 w. ^'

(32 a.)

Fontana (Prospero).

• Born at Bologna, 1512 ; died, 1570.

439. The Holy Family with St. Cecilia and St. Cathe"
(35a.) rine. On wood, 0,74 h., 0,62 w.

Pellegrini, named Tihaldi.

Bom at Bologna, 1522 ; died at Milan, 1592.

440. St. Jerome with an angel. On canvas, 1,73 h., l,35w.

(38 b.)

64

Sammacchini (Orazio).

Born at Bologna, 1532; died, 1577.

441. The Holy Family; St. Catherine kneels at the side*
(2 b.) On wood, 9,95 h., 0,75 w.

From the Collection of the Marchese Monti in Bologna.

Procaccini (Camillo).

Vf\ Bom at Bologna, 1546; died at Milan, 1626.

442. St. Rochus healing people infected with the plague-
(F3.) On canvas, 3,31 h« 4,76 w. ^ (II. 18.)

Mod. purchase. Restored in 1839 by Schirmer. This

Sicture, and No. 452, were painted for the Canonicus
irami, who presented them to the fraternity of St.
Rochus in Reggio.

•

Procaccini (Giulio Cesare).

Born at Bologna, 1548; died in Milan, 1626.

443. A man leaping into a boat with a woman in his

(E 2.) arms. Below him lies a wounded man. On canvas^

2,65 h., 2,49 w.
Mod. purchase. As B,atto di Elena by Cav. Liberi.

444. The Virgin kneeling; the Infant Christ clings to
(F3. ) her and extends his hands towards some fruit, which.

an angel holds in a basket. On the left, Joseph. On
wood, 1,62 h., 1,08 w. ^ (I. 17.)

Purchased by J. Perodi in 1728. Old inven. 1722.
From the Belgiojoso Collection in Milan. Cat. Guar.

School of this Artist.

445. Similar composition to the preceding. On canvas^
(38b.) 0,78 h., 0,97 w.

Fontana (Lavinia).

Bom, 1552; died at Bologna, 1602. Daughter of
Prospero Fontana.

446. The Holy Family. On wood, 0,40 h., 0,32 w.

(3 b.) From the Collection of the Abbate Branchetta in
Bologna. Signed indistinctly: LAVINIA PROSPER!
FONTANAE .... FACIEBAT A^ MD . . . .

65

«

Carracci (Lodovico).

/ Born at Bologna, 1555; died, 1619.

V 447. Christ crowned with thorns, supported by angels.
(F2.) On canvas, 0,86 h., 1,00 w. ^ (I. 18.)
Mod. purchase, as Annibale Carracci.

448. Repose on the flight into Egypt. On canvas,
(2 a.) 0,73 h., 0,50 w.

Purchased in 1742, as Annibale Carracci by De Brays
from the Carignan Collection in Paris.

Carracci (Annibale).

Bom at Bologna, November 3, 1560; died in Borne,
J July 16, 1609.

Y4A^, The Genius of Fame. On canvas, 1,74 h., 1,14 w.
(F3.) ^ (n. 19.)

JVTod. purchase, as, %l Valore.

450. The Assumption of the Virgin. On canvas, 3,81 h.
(Fl.) 2,43 w. ^ (1.19.)

Dated: M.D.LXXXVII. Mod. purchase. Painted for
the fraternity of St. Rochus in Reggio.

"\ 451 . The Evangelist Matthew, St. Francis and John be-

*m[F3.) fore a throne, on which is seated the Virgin with

the Infant Christ. On canvas , 3,84 h. , 2,55 w.

* (I. 20.)

Signed: HANNIBAL CARRACTIVS BON. F.
MDLXXXVIII. Mod. purchase.

452. St. Rochus dispensing alms. On canvas, 3,31 h.,
(F3.) 4,77 w. ^ (I. 21.)

Mod. purchase. See No. 442.

453. Madonna and Child, to whom the young John
(F2.) brings a swallow. On canvas, 1,00 h., 0,85 w.

Mod. purchase.

454. Head of Christ. On copper, 0,515 h., 0,38 w.
(3c.) ^ ^III. 5.)

5

66

ft

455. Portrait of Giovanni Gabrielle, detto il Siello, or
(3b.) Mascarone, playing on a lute. He was a celebrated

comic actor. On canvas, 0,76 h., 0,64 w.

Mod. purchase. Mentioned in Guarienti^s list as mis-
sing; it was sent later.

Same Artist, (?)

456. Portrait of a painter with a brush in his right hand
(38 a.) and a cup in his left hand. On canvas, 0,62 h.,

0,50 w.
Mod. purchase.

457. Portrait of Antonio Carracci, natural son and pupil
(Ic.) of Agostino, at the age of nine years. On canvas,

0,65 h., 0,49 w.

Mod. purchase, as a painting by Annibale Carracci.

Carracci's School, y ^^^ . ^^l

\^''''458. Death of St. Francis. On canvas, 1,72 h., 1,20 w.
- (F4.)

459. Same subject. On wood, 0,44 h., 0,37 w.

(35 b.) Mod. purchase, as an original by Annibale Carracci.

460. Descent from the Cross. On canvas, 0,68 h., 0,44 w,
(2b.)

461. The three Maries at the Sepulchre. On wood,
(2 b.) 0,38 h., 0,325 w.

Purch. by Kindermann, SLsAnn. Caracci, Old inv. 1722.

462. Peter, the Apostle. On canvas, 0,65 h., 0,49 w.

(HI.)

463. Paul, the Apostle. On canvas, 0,65 h., 0,48 w.
/HI.)

T/464. Repose on the flight into Egypt. On copper, 0,71 h.,
•^ (36d.) 0,51 w.

Purchased by Rossi in Italy in 1741, as A. Sacchi, for
300Thlr. Inv. 8vo.

67

s

465. A Holy Family. On copper, 0,42 h., 0,3l w.

(36 d.) Obtained by the Lescherinn as ATbano. Old inv. 1722.

466. Portrait of a young man with short hair. On wood,
(37 d.) 0,47 h., 0,34 w.

From the Collection of Count Wallenstein in Dux; in
1741. Inven. 8vo.

Sabbatlni (Lorenzo) da Bologna,

Bom about 1533 ; died in Rome, 1577.

467. The betrothal of St. Catherine with the Infant
C?l5-) Christ. On canvas, 0,97 h., 0,75 w.

From Casa Bellucci in Bologna.

Facini (Pietro).

Bom, 1562; died at Bologna, 1602.

468.^ Madonna and Child with many saints. On copper,
(3 b.) 0,42 h., 0,315 w.

Purchased by Kindermann, as in the style of Fa/rme-
sano. Old inven. 1722.

469. The betrothal of St. Catherine with the Infant

(3b.) Christ; near them, SS. Barbara, Apollonia and

Jerome. On wood, 0,26 h., 0,195 w.

Purchased by Kindermann, as a copy of Parmegiano.
Old inven. 1722.

V.

Beni (Guido).

Baptized November 7, 1575, at Bologna; died there,
Aug. 18, 1642, at 2 o'clock A. M.

470. Venus reposing on a couch; Cupid hands her a
(F2.) dart. On canvas, 1,35 h., 1,76 w. V ^

Restored by Palm.

471. Bacchus as a child, leaning against a cask, and
(3 a.) drinking wine from a bottle. On canvas, 0,72 h.,

0,56 w. 4: (I. 24.)
Mod. purchase.

5*

68

472. Ninus and Semiramis. On canvas, 3,94 h., 2,18 w.
(F4.) ^ (II. 20.)

Purchased bv the Canonicus Crespi from the Marchese
Giov. Nicolb I'anara, as "Solomon and the Queen of
Sheba", for 3000 Ducats gold; as per contract dated
July 13, 1752, and an accompanying certificate of the
Acadeinici Clementini of Bologna of its being a genuine
original.

473. The Infant Christ asleep, adored by his mother.
(2 a.) Oval, on canvas, 0,70 h., 0,90 w.

Purchased by Prince Xaver and Count Bose, Dec. 15.
1764; price, 860 Thlr. ^

474. Christ crowned with thorns, holding a reed in his
(3c.) bound hands. On copper, 0,76 h., 0,59 w. ^ (111.4.)

Purchased by Gialdi and Guarienti in 1748, from the
Royal Gallery in Prague.

475. Christ with the crown of thorns. Companion pic-
(3 c.) ture to the preceding. On canvas, 0,79 h., 0,65 w.

476. The Saviour after his resurrection appearing to
(Fl.) Mary; behind, St. Borromaeus, an angel, Adam

and Eve. On canvas, 3,22 h., 1,98 w. * (I. 22.)

477. St. Jerome ; a cross and a stone in his hands. On
(F2.) canvas, 0,79 h., 0,65 w.

Purchased in Dresden, as an original picture, artist
unknown. Old inven. 1722.

478. St. Jerome, St. Crispin and St. Crispinianus before
(Fl.) a throne, on which sits the Virgin with the Infant

Christ. On canvas, 3,19 h., 2,13 w. 4^ (I. 23.)

Mod. purchase. Oriffinally painted for the altar in
the chapel of the guild of shoemakers in the church
St. Prospero at Reggio. It was afterwards placed by
the Dukes of Modena in their gallery.

479. Christ crowned with thorns. Celebrated picture.
(3 c.) Oval, on wood, 0,48 h., 0,365 w. ^ (III. 26.)

Presented by His Holiness, Pope Innocent XII., to
King Augustus II. Restored by Palm.

69

Copy after Ouido Reni, attributed to Gessi.

480. David with the head of Goliath. On canvas, 2,33 h.,
(38c.) 1,49 w.

Purchased by Riedel in Vienna, 1741. Inven. 8vo.

School of Ouido Beni.

481. A female figure with the emblems of Samson and
(35c.) Hercules. On canvas, 0,80 h., 0,65 w.

From Schloss Lichtenburg. Old inven. 1722.

Zampieri (Domenico), named il Dommichino.

Born, October 21, 1581, at Bologna; died in Naples,
April 15, 1641.

\ 482. Charity. On canvas, 1,20 h., 1,98 w.

(F2.) Purchased in 1845, from the'heirs of Inspector Mat-
thaei, for 600 Thlr.

School of Dominicliiiio.

483. Four children with the emblems of the Fine Arts,
(38b.) and Commerce; near, a table with a variety of

viands. On canvas, 1,32 h., 1,61 w.

Purchased in Venice by V. Rossi, 1738, as an original.
Inv. 8vo.

484. St. Sebastian. On canvas, 1,38 h., 0,94 w.
(H4.)

485. An old man with upturned eyes. A study. On
(3c.) wood, 0,515 h., (>,46 w.

From Prof. Steinla's Collection.

Spada (Lionello).

Bom at Bologna, 1576; died at Parma, May 17, 1622.

486. The scourging of Christ. Half length. On canvas,
(5 c.) 0,69 h., 0,55 w.

Mod. purchase.

70

^J

487. David with the head and sword of Goliath. On
(36b.) canvas, 0,74 h., 0,99 w.

Mod. purchase.

488. Cupido with a leopard. On canvas, 0,87 h., 1,03 w.
(36 d.) jjfod purchase.

v^

Tiarini (Alessandro).

Born at Bologna, March 20, 1577; died, Feb. 8, 1668.

489. Medor and Angelica. On canvas, 1,05 h., 1,38 w.
(34 c.) ^ (II. 25.)

Mod. purchase.

Danedi (Guiseppe), named Montalti.

Bom at Treviglio, 1629; died at Milan, 1689.

490. St. Anthony of Padua caressing the Infant Jesus,
(36b.) who stands before him on a table. On canvas,

0,84 h., 0,74 w.
Mod. purchase.

Torre (Flaminio).

Born at Bologna; died there, 1661.

491. The Holy Family. On canvas, 1,07 h., 0,88 w.
(38 b.) Mod. purchase.

492. St. AppoUonia. On copper, 0,44 h., 0,34 w.
(2 b.) Mod. purchase.

493. Copy of '*The Tribute Money", (U Christo deOa
(4a.) Moneta) of Titian. No. 222. On wood, 0,75 h., 0,565 w.

Mod. purchase.

Albano (Francesco).

Bom at Bologna, 1678; died, 1660.

494. Cupids around the statue of Amor. In the distance,
(3 a.) the rape of the Proserpine. On copper, 0,74 h.,

1,00 w. 4: (11.21.)
Mod. purchase.

71

495. Diana and her nymphs at a fountain in a rocky
{3b.) grotto. In the distance, the fleeing Actaeon. On
canvas, 0,75 h., 0,96 w.
Mod. purchase. Transferred to new canvas in 1837.

\ ^A96. Galatea, surrounded by Cupids, drawn on a shell
^^(^3.) by dolphins. 'On canvas, 1,86 h., 1,23 w.
Purchased by Kindermann. Old inven. 1722.

497. Venus and Vulcan in the fore-ground of a land-
(3 b.) scape. Cupids practising with the bow and arrows.

On canvas, 1,39 h., 1,82 w.
Purchased by Le Leu in Paris, 1743, for 1500 Livres.

498. Diana and her nymphs ; a garment hides her from
(35b.) the view of the fleeing Actaeon. (The female figures

were retouched by Dietrich.) On canvas, 0,76 h.,
1,00 w.
Purchased by V. Rossi, 1741. Inv. 8vo. 480 Thhr.

499. The expulsion from Paradise. On canvas, 0,94 h.,
(3 a.) 1,27 w.

Purchased by J. A. Riedel in Vienna, 1741.

500. The creation of Eve. Round. On canvas, 0,68
(3b). diameter. 4: (III. 33.)

Purchased by De Brays in 1742 from the Collection
of Prince Carignan; price, 1500 Livres. Transferred to
new canvas in 1838.

501. Angels and shepherds adore the Infant Jesus. Above
(5b.) in a glory, angels with musical instruments. On

copper, 0,34 h., 0,43 w.

Purchased by De Brays in Paris, 1742, from the Col-
lection of M. Dubreuil.

602. Repose on the flight to Egypt. On canvas, 0,67 h.,
(2a.) 0,82 w.

Purchased by De Brays in 1741, from the Carignan
Collection in Paris, for 3000 Livres. Afterwards taken
from the Royal Palace and placed in the Gallery.

503. The Holy Family. On copper, 0,67 h., 0,51 w.
(2 a.) Purchased by Leplat. Old inven. 1722.

72

PaSSarotti (Bartolomeo).

Died at Bologna, June 3, 1592.

504. Portrait of the artist with his family. On canvas,
(32b.) 1,03 h., 1 ,40 w.

From the Collection of the Marchese Monti in Bologna.

Oessi (Francesco).

Bom at Bologna, 1588, died, 1620.

505. Magdalene with a cross in her hand. On canvas,
(3 a.) 0,76 h., 0,63 w.

Obtained through Bernardo Benzoni in 1748, from
Venice. See Nos. 297 and 298.

Barbleri (Francesco), commonly called Guercino,

Bom at Cento, near Bologna, Feb. 8, 1591; died,
Dec. 22, or 24, 1666.

506. Venus finds Adonis dead. On canvas, 2,09 h.,
(Fl.) 2,70 w.

507. The birth of Adonis. On canvas, 2,10 h., 2,70 w.
(Fl.)

508. Venus discovers the body of Adonis. Cupid drags
(F 2.) the boar by the ear before her. On canvas, 2,06 h. ,

2,52 w. H: (II. 23.)

Painted in 1647 for Cardinal Mazarin, as a companion
picture to No. 509.

509. Cephalus weeping over the body of iProcris. On
(F2.) canvas,. 2,06 h., 2,51 w. 4: (II. 22.)

Both purchased by Rigaud and Le Leu in 1744, for
4000 Livres, from the Collection of Prince Carignan in
Paris. Cephalus was painted in 1644 by order of the
Marchese Comelio Bentivoglio, for Anna of Austria,
Queen of France, by whom it was presented to Cardinal
Mazarin. After his death, it came into the possession
of the Princes of Carignan.

510. Diana. On canvas, 1,28 h., 1,03 w.

(F2.) Painted for Lorenzo Delfino in Venice. Purchased by
V. Rossi in 1738. Inv. 8vo.

y^

i^VlJ-VV^ J ^ • 73

511. Queen Semiramis is informed by a messenger of
(I'2.) the outbreak of an insurrection in Babylon. On can-
vas, 1;30 h., 1,78 w.

Painted for Cardinal Comaro in Venice. Mod. purch.

512. The wounded Dorinda in the arms of Linco, who
(F4.) shows her wound to Silvio. On canvas, 2,25 h.,

2,94 w. Hi (in. 18.)

A scene from ^'Pastor Fido" ot Guarini. Painted for
Count Alfonso de Novellara. Purchased in 1744 by
Louis Talon in Madrid as Correggio.

513. Lot and his daughters. On canvas, 1,75 h., 2,24 w.
(Fl.) :{: (HL 18.)

Purchased by Rigaud and Le Leu in 1744, from the
Collection of Mons. Polignac (who had bought it in
Rome for 14.000 Livres) for 4500 Livres.

514. St. Matthew, the Evangelist. On canvas, 0,89 h.,
(5 b.) 0,72 w.

515. St. Mark , the Evangelist. On canvas, 0,88 h.,
(5b.) 0,705 w.

516. St. Luke, the Evangelist. On canvas, 0,875 h.,
(5b.) 0,71 w.

517. St. John, the Evangelist. On canvas, 0,88 h.,
(5 b.) 0,70 w.

Nos. 514 — 517. Mod. purchase.

518. The Holy Family. On canvas, 1,14 h., 1,52 w.
(3 c.)

519. St. Veronica. On canvas, 0,79 h., 0,67 w.

(3 a.) Obtained through Leplat, marked as "an unknown
original St. Magdalen". Old inv. 1722. Designated in
Cat. Guarienti as Cremonesa da Ferrara, (?) Restored
by Palm, in 1827.

Same Artist. (?)

520. Ecstasy of St. Francis. On canvas, 1,64 h., 1,27 w.
(H^) See No 69, concerning its purchase.

74

Old copy after Guer<*ino.

521. Death of Dido. On canvas, 0,93 h., 1,28 w.

(32 b.) Purchased by Count Wackerbarth, as an original,
1722, Easter fair. Old inven. 1722. A. 89. The original,
life size, said to be in the Palazzo Spada in Rome.

School of Guercino. (?)

522. Martyrdom of St. Stephen. On wood, 1,10 h.,
(86 a.) 0,88 w.

Canlassi (Guido), called Cagnacd.

Bom at Castel San-Arcangelo, near Rimini, 1601 1
died at Vienna, 1681.

523. The penitent Magdalene. On canvas, 0,76 h., 0,64 w.
(H4.) Obtained through Leplat in 1725. Old inven.

/Bicchi (Pietro), called il Lucchese.
\ Bom -at Lucca, 1606 ;(?) died, 1676. Pupil of Guido

%. Reni.

v«- 524. The Betrothal of St Catherine with the Infant
^ . ; (34 c.) Christ. On canvas, 1,41 h., 1,96 w.

^ Purchased by V. Rossi in 1738. Inven. 8vo. Desig-

nated as ''Ann. Ca/rrache da Paolo Veronese*. (!)

Cantarini (Simon e), called da Pesaro or il Pesarese.

Born at Oropezza. near Pesaro, 1612; died at Yeronay
Oct. 16, 1648.

525. Joseph fleeing from Potiphar's wife. On canvas,
(F3.) 1,34 h., 1,79 w. * (II. 26.)

Purchased in 1750 by Bianconi and Guarienti, from
the Collection of the Abbate Branchetta in Boloflma for
1000 Scudi. ® '

Hola (Pietro Francesco).

Bom at Coldre, near Como, 1612; died at Rome, 1668.

526. Dido's death. On wood, 0,48 h., 0,65 w.
(2c.)

527. Hero and the body of Leander. On canvas, 1,11 h
(C3.) 1,59 w. J f '}

75

Cignani (Carlo).

Bom at Bologna, 1628; died at Forli, 1719.

528. Joseph escaping from Potiphar's wife. On canvas,
(3 a.) 1,00 h., 0,98 w. H: (I. 46.)

Obtained in 1754 by Pietro Guarienti from Casa
Contarini in Venice for 600 sequins. Restored in 1827,
by Palm, and Renner.

Gennari (Benedetto).

Bom at Bologna, 1633; died there in 1715, as Court-
painter to Charles II. of England.

529. Painting, an allegorical picture. On canvas, 2,33 h.,

(Fl.) 1,81 w.

Purchased by De Brays in Paris as Guercino, 1742,
Price, 1200 Livres.

Franceschini (Marco Antonio).
y Born at Bologna, 1648; died, 1729.

^^ 530. The penitent Magdalene , surrounded by consoling

(Fl.) women. On canvas, 2,43 h., 1,71 w. 4$ (III. 48.)

Purchased by C. C. Giovannini in 1756, from the Col-
lection of the March ese Bovi, for 400 Ducats gold.

531. The birth of Adonis. On copper, 0,485 h., 0,695 w.

(35 a.) Purchased by De Brays in 1742, from the Carignan
Collection in Paris, as Carlo Cignani; price, 2000 Livres.

Dal Sole (Giuseppe).

Bom at Bologna, 1654; died, 1719.

532. Hercules spinning in the presence of Omphale. On
(2 a.) canvas, 0,87 h., 0,67 w.

Purchased by V. Rossi in Venice, 1741, as Annihale
Carracd.

Crespi (Giuseppe Maria), called lo Spagnolo diBologna.
Born at Bologna, 1665; died there 1747.

533. The Sacrament of Matrimony. On canvas, 1 ,26 h.,
(33 b.) 0,96 w.

534. The Ordination of Priests. On canvas, 1,27 h.,
(83 a.) 0,96 w.

Born at Bologna 1665; died there, 1747.

V

^ 535. Extreme Unction. On canvas, 1,27 h., 0,95 w.
(33 b.)

\/ 536. The Sacrament of Confirmation. On canvas, 1,26 h.,

(33 a.) 0,93 w.

\/ 537. The Sacrament of Confession. On canvas, 1,26 h.,

(33a.) 0,94 w.

V/ 538. The Sacrament of the Lord's Supper, On canvas, j

(33a.) 1,27 h., 0,95 w.

/ 539. The Sacrament of Baptism. On canvas, 1,26 h.,

^ (33 d.) 0,94 w.

•y

v..

All from the Collection of Cardinal Ottoboni, for whom
they were painted. Purchased by King Augustus III.
from the Artistes estate. Price, 200 Scudi each.

540. St. Joseph. Oval ; on canvas, 0,89 h., 0,72 w.
(33 d.)

541. Adoration of the shepherds. On coppet*, 0,55 h.»
(35 d.) 0,65 w.

From Casa Belluzzi in Bologna. Cat. Guarienti.

542. Madonna and Child, and the young John. On can-
(3 b.) vas, 0,235 h., 0,20 w.

543. Ecce Homo. On canvas, 0,88 h., 0,68 w.
(5 c.)

544. Portrait of the Imperial General Palfi. On canvas,
(35 d.) 2,34 h., 1,35 w.

Vlani (Maria).

Bom at Bologna, 1670; died, 1711.

545. Venus, lying on a blue cushion; at her side, Cupid.
(5 b.) On copper, 0,29 h,, 0,37 w. 4: (III. 6.)

Restored by Renner.

77

Genoese and Neapolitan Schools.

Solano (Antonio de). (?)

Born at Civita in the Abruzzi, about 1382; died at
Naples, 1465.

(Neapolitan School.)

546. Portrait of a young prince, crowned. On gold-
(32a.) ground. In the original frame. On wood, 0,315 h.,

0,20 w.

There is a portrait, quite similar to this, nearly life
size, in the Collection of the Earl of Stanhope, in Eng-
land, with the inscription: LEONORA AUGVSTA (!I)
(old). Leonore of Portugal, consort of Frederick III,
Emperor of Germany.

547. Portrait of a youthful princess. On gold-ground.
(32 a.) Companion picture to the preceding. In the original

frame. On wood, preceding size.

Perhaps the portraits of Alphonso V., the Magnani-
mous, King of Arragon, Sicily and IJaples, (ruled
from 1416 — 1458) and Johanna II., queen of Naples.
(Died, 1435.)

Purchased, June 1856, from the heirs of the Privy
Counsellor von Ungern-Stemberg, for 50 Thlr.

StrOZZJ (Bernardo), named il Prete Genovese,

Born in Genoa, 1581 ; died in Venice, Aug. 3. 1644.

(Genoese School.)

548. Bathsheba informing David of the revolt of
(F3.) Adonijah. In the back-ground, Abishag the Shu-

namite. See I. Kings, ch. i. On canvas, 1,83 h.,

1,42 w.

549. David with the head of Goliath. On canvas, 1 ,35 h.,
(F3.) 1^01 w.

■y

78

550. A woman holding a violoncello. On canvas, 1,26 h.^
(36c.) 0,99 w.

Both obtained in 1743 by Algarotti, from Casa Sa-
gredo in Venice, for 58 Ducats d'or.

Same Artist. (?)

551. Rebecca giving water to Abraham's servants. On
(33 c.) canvas, 1,85 h., 1,43 w.

Purchased by Leplat in 1725. Old inven. 1722.

Stanzioni (Massimo Cavaliere).
^ Born at Naples, 1586 ; died, 1656.

^ (Neapolitan School.)

552. Natural Philosophy ; an allegorical figure. On can-
(H2.) vas, 1,27 h., 0,82 w. 4: (HI. 31.)

Engraved by Canale as Dominichino.

Vaccaro (Andrea).

Bom at Naples, 1598; died, 1670.

(Neapolitan School.)

553. Christ, after his resurrection, appearing to Mary.
(H 1.) In the back-ground, John the Baptist, Adam, Eve,

and the Patriarchs. On canvas, 2,39 h., 2,55 w.

* (11. 36.)

Indistinctly signed: AV. F. Purchased in 1723 by
Lor. Rossi, as the Old^nd New Testaments by Guido
Reni. Old inven. 1722.

Bosa (Salvator).

Born at la Renella, near Naples, June 20, 1616, died
in Rome, Mar. 15, 1673.

(Neapolitan School.)

554. A storm at sea by night. On canvas, 0,73 h.,
(H3.) 1,13 w.

Purchased by De Brays in 1742, from Araignon in
Paris, for 2000 Livres.

79

555. Portrait of the Artist; an ape sits on his shoulder.
(35 b.) On canvas, 0,80 h., 0,66 w.

From the Royal Palace, 1741. Inv. 8vo.

School of Salvator Rosa.

556. Forest landscape. On canvas, 0,73 h., 0,95 w.
(H3.) From the reserved pictures, 1856.

Preti (Mattia), U Cavaliere Calabrese.

Born at Tavema, Feb. 24, 1613; died at Malta, Jan. 13,
1699.

(Neapolitan School.)

557. The Martyrdom of St. Bartholomew. On canvas,

(H4.) 1,99 h., 1,46 w. * (I. 33.)

Purchased by Gialdi and Guarienti, 1748, from the
Eoyal Gallery m Prague.

558. Thomas puts his finger in the scars of the Saviour.
(H2;) On canvas, 1,47 h., 1,99 w. 4: (I. 34.)

Purchased by Riedel in Vienna, 1743. Inven. 8vo.

559. Peter delivered from prison. On canvas, 2,06 h.,
(H 1.) 2,58 w. H: (I. 32.)

Obtained by Bernardo Benzoni, 1748, from Casa
Gheltof in Venice. See Nos. 297 and 298.

Gastiglione (Giovanni Benedetto).

Born at Genoa, 1616; died at Mantua, 1670.

560. Noah taking all kinds of animals into the Ark. On
(36c.) canvas, 1,45 h., 1,94 w. H: (II. 31.)

561. Jacob and his family journeying to Canaan. On
(36c.) canvas, 1,45 h., 1,93 w. ^ (II. 32.)

Both from Casa Sagredo in Venice.

80

562. Jacob and Eachel, returning home with their pos-
(4a.) sessions. On canvas, 0,97 h., 1,31 w.

Purchased in Venice by Guarienti in 1749; price
60 sequins.

Same Artist, (?)

563. Sheep, goats and cattle, with shepherds and their
(34 d.) dogs in a rich landscape. On canvas, 0,94 h.,

1,31 w.
1861, from the reserved pictures.

Castiglione (Francesco), son of Benedetto Castiglione,

564. Two negroes and a dwarf, who is playing with
(35c.) some dogs; below the dwarf stands: "Thonino de

Mantua** \ on the dish, which a dog is licking:
*'A suoij colioni**. In the back -ground, the Duke
of Mantua and attendants. On canvas, 2,08 h.,
3,29 w.

Biscaino (Bartolomeo).

Born at Genoa, 1632; died there, 1657.

(Genoese School.)

565. Christ and the woman taken in adultery. On can-
(F3,) vas, 1.45 h., 1,99 w. H: (II. 33.)

566. The Adoration of the Magi. On canvas, 0,555 h.,
(2 c.) 0,60 w.

567. The Circumcision of Christ. On canvas, 0,55 b.,
(2 c.) 0^60 w.

Both purchased by Kindermann, as Luca Giordano,
Old inven. 1722.

81

Giordano (Luca), named Fa presto,

, Born at Naples, 1632; died there, Jan. 12, 1706.
CNeapolitan School.)

568. Hercules and Omphale. On canvas, 2,29 h., 2,84 w.
(H3.) ^ (I. 40.)

Signed: Luca Giordano, F. 1690. Obtained through
Kindermann. Old inven. 1722. Originally painted for
Don Andrea d'Avalos, Prince of Montesarchio.

569. Perseus with the head of Medusa, in combat
(D3.) with Phineus and his companions. On canvas,

2,55 h., 3,63 w. * (II. 39.)

Signed : Jordanus F. Painted for the Duke of Cr^qui.
Purchased in 1742 by De Brajs, from the Carignan
Collection in Paris, for 2000 Livres.

570. Bacchantes gazing at the sleeping Ariadne. On can-
(H3.) vas, 1,82 h., 2,69 w. * (L 39.)

Signed Jordanus P. As Imc. Jordan, Old inven.
1722. A. 1672.

571. The dying Seneca. On canvas, 1,49 h., 2,27 w.
(H2.) ^ (I. 38.)

From the Crozat Collection, 1751. Painted by Luca
in one day and night in order to surpass his rival,
Francesco di Maria, a scholar of Dominichino.

572. Lucretia and Tarquin. On canvas, 1,36 h., 1,86 w.
(H2.) ^ (1.37.)

j^ Purchased by Lor. Rossi in 1728. Old inven. 1722.

V/573. The Rape of tho Sabines. On canvas, 2,02 h., 2,29 w.
(H3.) * (11. 40.)

Obtained through Kindermann. Old inven. 1722
Originally painted for Maria Louise d'Orleans, Queen
of Spain.

574. Bacchus and his attendants, accompanied by all

(36c.) the Olympian gods, appearing to Ariadne. On

canvas, 2,61 h., 1,77 w.
Purchased by Leplat. 1725. Old inven. 1722.

6

575. Abraham sending away Hagar and Ishmael. On
(Hi.) canvas, 1,50 h., 2,03 w.

Through Kindermann. Old inven. 1722.

V 576. David with the head of Goliath. On canvas,
(35 b.) 1,03 h., 1,28 w.

Obtained through Cardinal Salerno in 1723. Inven.
8vo.

577. Abraham's servant presenting the gifts of his master
(35b.) to Rebecca. On canvas 1,25 h., 1,46 w. ^ (I. 36.)

Obtained through Jos. Perodi. Old inven. 1722.

578. Jacob and Eachel at the well. On canvas, 2,02 h.,
(H3.) 2,29 w. ^ (I. 35.)

Obtained through Kindermann. Old mven. 1722.

579. The Battle of the Israelites with the Amalekites.
(38c.) On canvas, 1,78 h., 2,29 w.

Signed: Jordanus F. Probably spurious.

580. Lot and his daughters. On canvas, 1 ,50 h., 2,01 w.
(34a.) ^ (IL 37.)

581. Susannah. On canvas, 1,67 h., 2,40 w. ^ (II. 38.)
(Hi) Signed: Jordanus F.

582. Madonna and Child. On canvas, 0,75 h., 0,63 w.
(35 a.)

583. The penitent Magdalene. On canvas, 1,05 h., 1,27 w.

(34d.) Signed: Jordanus F.

*

\ y'584. The body of St. Sebastian. On canvas, 1,98 h,,
,V^ (H3.) 1,49 w. ••

Obtained through Kindermann. Old inven. 1722.

585. A skirmish by night. On canvas 1,79 h., 2,29 w.

(38 a.) Purchased in 1748, together with No. 679 and 7 other
pictures, by Bernardo Benzoni in Venice for 1210 florins.

\

83

586. Portrait of a young man with a skull. On can-
(Hl.) vas, 0,72 h., 0,61 w.

Placed in the Gallery in 1741, from the Royal Palace
as the Artist's own portrait.

587. Portrait of a man in black costume, with a white
(35 b.) collar and one hand. On canvas, 0,83 h., 0,65 w.

Signed: Jordanus, indistinctly. From the reserved
pictures in 1866.

Langhetti (Giovanni Battista). ^

Born at Genoa, 1634; died, 1670.
(Genoese School.)

588. Apollo inflicting punishment on Marsyas. On can-
(F2.) vas, 2,08 h., 2,35 w. ^ (I. 47.)

Painted for Count Gasparo di Tiene; purchased in
1731 by Leplat. Inven. 8vo.

Solimena (Francesco), named VAbhnte Ciccio.

Born at Nocera de Pagani, Oct. 4, 1657; died at
Naples, Apr. 5, 1747.

(Neapolitan School.)

589. The battle of the Lapithae and Centaurs. On
(Hi.) canvas, 1,82 h., 2,73 w.

Obtained through Leplat in 1725. Old inven. 1722.

590. The Rape of Hippodamia. On canvas, 1,17 h.,
(34b.) 1,51 w.

Obtained through L. Rossi in 1723. Inven. 8vo.

591. Queen Sophonisba receiving the poisoned cup from
(38a.) her husband. On canvas, 1,80 h., 2,30 w.

592. Paris, Juno, and Iris. On canvas, 1,79 h., 2,29 w.

(Hi.) Both from the Collection of the Procurator Canale in
i Venice. Cat. Guarienti.

I / 593. The Virgin and Child, and St. Francis de Paula;
V (H. I.) at the side, an angel with a boy. On canvas,
0,99 h., 0,98 w. ^ (11. 41.)

6*

\/

594. Death of St. Francis. On canvas, 1,00 h., 1,00 w.

(Hi.) Both purchased in 1745 by V. Rossi from Casa Wid-
mani m Venice, for 200 Sequins.

595. Mater Dolorosa. On canvas, 0,54 h., 0,43 w.

(3 c.)

Faccia (Pietro), scholar of Solimena.

596. Copy of No. 593. On canvas, 0,76 h., 0,66 w.
(32 a.)

Unknown. Artist of the School of Solimena,

\J^5

597. Madonna. On canvas, 0,48 h., 0,36 w.
(37 d.)

Conca (Bastiano).

Bom at Gaeta, 1676; died, 1764.
(Neapolitan School.)

598. Herod inquiring of the three Wise Men the pTir-
(H3.) pose of their journey to Bethlehem. On canvas,

2,48 h., 4,14 w.

Obtained in 1743 through P. Gu^rin and V. Rossi.
Inven. 8vo.

Artist unknown (Bronzino?).

599. David and Goliath. On wood, 1,10 h., 1,55 w,

(32 d.) i>om the Stallgebaude , as in the style of Maphael.
Old inven. 1722.

Spanish School.

Pedro Kttiz. (?)

600. Christ bound to a pillar; before him kneels St. Peter

(J. 2.) in episcopal vestments. On wood, 1,73 h., 0,72 w.

Purchased under this name, which, however, does

not occur in the work of Cean Bermudez entitled :

Diccionario histotico etc. Passavant in the DetUache

85.

KunstU. for the year 1853, No. 11, mentions a picture
in the Cathedral in Cordova, dated 1475, and signed:
'*Pedro de Cordova pitor*', which is, perhaps, by the
above master.

In the Museum of Madrid , there is no picture by
this master, who reminds one of Alunno (Umbrian
School) and Fr. Francia.

Inscription on the picture in Gothic letters:

1 esta : pieca : dexo : pero : ruiz guarnicioner'o : q :
dios : perdone • en : gloria : y : alavanca : de : dios • m —
: senor : y : de • su : gloriasa (sic) : madre.

The word *'dexo" (fundavit) makes it more pro-
bable, that Pedro Ruiz was not the painter but the
donor of the picture, especially as "guamicionero"
signifies, one wnom we should call a maker of harness,
or trunks. C. L. P.*) Price, £ 11.

Morales (Luis de), named el JDivino.

Born, 1509; died at Badajoz, 1586.

601. Ecce Homo. On wood, 0,395 h., 0,325 w.

(3 c.) In 1744^ from the Collection ©f the Marchese de la En-
cenada in Madrid, together with a Madonna as com-
panion picture. Restored by Palm, in 1826.

Vicente (Juan Macip.), named Juan de Joanes,

Born at Fuente de la Higuera, 1523; died at Bocay-
rente, 1579.

602. Death of the Virgin Mary. On wood, 1,20 h., 1,26 w.
(H4.) Contemporaiy of Morales el Divino. There are

pictures by him in the Museum at Madrid, in tiie
Louvre, and in the Esterhazy Gallery in Pesth. C.
L. P. Price, £ 24.

Diego Correa.

Castilian, about 1550.

603. Christ crueified; on either side, Mary and John
(J 2.) the Evangelist. On wood, 0,86 h., 0,74 w.

2 Pictures marked C. L. P. were purchased in 1853 from
>llection of King Louis Philippe, sold in London.

86

A picture in St. Martin de Valdeiglesias by this
master bears the inscription: D. Correa fecit 1550. C.
L. P. Price, j^ 6. 5 s.

Pedro Orreute, scholar of Bihalta (father), imitator of
Jacopo Bassano.

Bom at Monte Alegre, 1550; died at Toledo, 1644.

604. Jacob lifts the stone from the well, to give water
(H4.) to Rachel's flock. On canvas, 1,75 h., 2,18 w.

C. L. P. Price, d 30.

Jnan de las Boelas, named el Licenciado,

Born at Seville, about 1560; died atOlivarez, 1625.

605. The Conception of the Virgin, near whom are four
(H4.) angels. On canvas, 2,21 h., 1,71 w.

C. L. P. Price, ^ 50.

Yincencio Cardncho, or CarduccL

Born at Florence, 1579; died at Madrid, 1638.

606. The Dominican, St. Gonial o, holding in his hand
(H3.) the model of a bridge, which he, together with

St. Francis of Assisi and St. Bernhardin of Siena,
recommends to the Infant Christ, who appears sur-
rounded by angels. On canvas, 2,17 h., 1,60 w.

Signed: VINCENT^ CARDVCH° PR. F. 1630 ANOS.
C. L. P. Price, ^ 35.

Francisco de Herrera, el Yiejo (the Elder).

Born, 1576; died, 1656.

607. The apostle Mathias. On canvas, 1,02 h., 0,83 w.

(32 b.) C. L. P. Price, i^ 7. 7 s.

Bibera (Jusepe de), commonly called lo Spagnoletto,
scholar of ilf. A. Caravaggio.
Born at Xativa, 1589 ; died at Naples, 1656.
60O? St. Mary of Egypt, kneeling in prayer before her
\^>(H3.) grave. An angel invests her with her shroud.
^'^^ On canvas 2,01 h., 1,51 w. :|: (I. 30.)

K-

v^

V^.

4 •*

87

Signed; Jusepede Riberaespanol. F. 1641. Obtained
in 1745 from Count de Bene de Masseran, Spanish Am-
bassador to the Court in Dresden.

609. The Deliverance of Peter. On canvas, 1^9 h.,
(H 1.) 2,26 w. * (II. 34.)

Signed: Jusepe de Ribera espagnol. F. 1642.

810. An angel appearing to St. Francis of Assisi, who

(H2.) lies naked on a bed of thorns. On canvas, 1,71 h.

2,26 w. ^ (II. 35.)

Obtained in 1738 through V. Rossi. Inven. 8yo.
This, and the preceding picture from the Collection
of Cav. Duodo in Venice.

611. The martyrdom of St. Bartholomew. On canvas,
(H,2.) 1,48 h., 1,93 w. * (I. 28.) -f h f ^: -.

Mod. purchase. pf*%t(,jtt th^r'-i^^ ^ y.- • - t

612. The martyrdom of St. Laurence. On canvas, v*^
(H2.) 2,03 h., 1,51 w. * (I. 29.)

Painted for Dom Pietro Giron, Duke d'Ossuna. Du-
ring his disgrace, it was purchased by a citizen of
Hamburg, from whence it came to the Dresden Gallery.
(Probably, like the following picture, purchased by v.
Heineken.)

The hermit Paul, to whom a raven brings bread

On canvas, preceding size.

Purchased in 1746, by v. Heineken in Spain as 8U

Jerome.

614. St. Andrew. Oncanvas, 1,29 h., 1,00 w. ^ (III. 49.)
(J2.)

615. The hermit Paul, with a cross in his hand. On
(H2.) canvas, 0,77 h., 0,64 w.

Obtained through Kindermann. Old inven. 1722
From the Collection oi the Marchese de la Encenada
in Madrid.

616. St. Jerome; in his right hand, a skull. On can-
(H2.) vas, 0,78 h., 0,64 w.

As above.

» <

88

V

617. Jacob tending Laban's sheep. On canvas, 1,68 h.,
(HI.) 2,20 w. H: (I- 27.)

«

6 IS. Diogenes with a lantern. By some considered to

(J 2.) be a portrait of the Artist. On canvas, 0,76 h.,

0,61 w. <3f (I. 31.)

Signed: Jusepe de Ribera espanol. F. 1637. Obtained
through Baron von Schacht. Old inven. 1722.

619. A Philosopher in deep meditation. On canvas,
(J2.) 0,96 h., 0,73 w. * (III. 32.)

Signed: Ribera indistinctly. ^\

620. Portrait of a man in black clothes, with black
(H4.) hair, white mustaches and beard. On canvas,

0,70 h., 0,68 w.
In 1741, from the Wallenstein Collection.

Same Artist (?)

621. Portrait of a man with short hair, holding in his
(J 2.) left hand a letter, on which is written: Dl^ et

RevEl? D. G5!? D. H. P. Par (Patri?) Antonio
Guido. In the back-ground, a coat of arms with
the Cardinal's hat. On canvas, 1,31 h., 0,98 w.

Velazquez (Diego) de Silya^ scholar of Pacheco and
Tristan,
Bom at Seville, 1594; died 1660.

622. Gaspar de Guzman, Count of Olivarez, Duke of
(J 2.) Sanliicar. In black clothing, with the green cross

of the order of Alcantara. On canvas, 0,92 h.,
0,74 w.

Mod. purchase, as an original.

623. Portrait of a man in black apparel with gold
(J 2.) cord. On canvas, 0,67 L, 0,56 w. ^ (II. 45.) '

Mod. purchase, as an original by Btibens.

/

89

624. Portrait of a man in black clothes. Three quarter
(J 2.) length. On canvas, 1,04 h., 0,86 w. ^ (III. 41.)

Mod. purchase, as an original by Miibens; with the
hands sketched.

Juan de Bibalta (Son).

Born, 1597; died after 1628.
(Valencia School.)

625. Pope Gregory the Great, surrounded by Cardinals,
(H2.) celebrating High Mass. On canvas, 1,60 h., 1,17 w.

C. L. P. £ 17.

Vasco Pereira of Portugal.

Bom about 1583, at Seville.

626. Communion of St. Honofrius. On wood, 1,09 h.,
(J 2.) 0,82 w.

Signed: VASCO PEREIRA PI CTTOR 1583. Picture!
by Qiis Artist in Seville, from the years 1594—1598,
are, according to Raczinsky, ** Dictionnaire historico-
artistique" no more to be found. C. L. P. £ 5.

Francisco Zurbaran^ scholar of Boelas.

Born, 1598; died, 1662.

627. St. Colestin, (?) to whom an angel appears, re-
(Hl.) fuses to accept the papal crown. In the back-
ground, the conclave of the Cardinals. On canvas,
2,39 h., 2,23 w.

C. L. P. £ 68.

Artist unknown.

628. The penitent Magdalene. On canvas, 0,96 h., 1,18 w.
(J 2.) Obtained through Leplat, as Titian, Old inven, 1722.

Jac» Jeronimo de Esplnoso.

Bom, 1600; died, 1680.

629. Portrait of Si Francis of Assisi. Half-length.
(H4.) On canvas, 0,91 h., 0,91 w.

C, L. P. £ 9.3

90

630. Christ bearing the Cross. On canvas, 1,86 k,
(H4.) 1,42 w.

C. L. P. Price, £ 45. Repetition of a picture by
Van Dyck. Perhaps by Moya, an imitator of Van Dyck.

Alonso Gano.

Bom at Granada, 1601; died, 1667.

631. Paul, the Apostle; life size. On canvas, 2,11 h.^
(H3.) 1,10 w.

C. L. P. Price, £ 25.

Attributed to the same Artist,

632. The Virgin contemplating the Child, lying on a
(H4.) cushion before her. On canvas, 1,24 h., 0,97 w.

Purchased in 1744, by Louis Talon in Spain, as
Bihera.

MurillO (Bartholomeo Est.), scholar of Juan de Castillo.
Bom at Seville, 1618; died there, 1682.

633. St. Eodriguez, mortally wounded, receives the
(H 4.) martyr's crown from ati angel. On canvas, 2,06 h.,

1,24 w. ^ (III. 42.)

The richly embroidered vesture, which Murillo has
immortalized in this picture, is still shown among the
treasures of the Catnedral in Seville, and it is still
called the Murillo vesture. C. L P. Price, £ 210.

63^/^^he Virgin, whose eyes are directed heavenward,

\0^.) holds the Child in her lap. On canvas, 1,67 h.,

1,15 w.

Purchased in Paris, 1755, from the estate of M. Pas-
quier. Depute de Commerce de Rouen.

Copy after Murillo.

635. A girl counting the money received for the sale
(34c.) of her fruit; a boy carefully counting after her.
On canvas, 1,30 h., 0,96 w.

1830, from the estate of Prince Kanikoflf. Price,
550 Thlr.
The original in the Munich Pinakothek.

91
Juan de Yaldes Leal.

Born at Cordova, 1630; died, 1691.

636. Representation of a miracle, performed hy the
(H4.) Dominican St. Basco of Portugal. ^ On canvas,

2,49 h., 1,25 w.

Signed: EL. V. P. P. BASCO DE PORTUGAL, i. e.
M venerable Padre Fray etc. C. L. P. Price, ^ 8.
10 8.

Spanish School.

According to v. Quandt: Juan Escalante de SoTilla^

named Jiuzn de SeviUa, (?)
Bom, 1627; died, 1695.

637. Joseph of Arimathea holding the hand of the

(Hi.) dead Christ; near by, Mary, Magdalene, John, and

others. On canvas, 1,54 h., 2,17 w.

Removed to the Gallery in 1856, from the reserved
pictures.

Artist unknown.

638. Faith holding the cross and the chalice' with the
(D2.) host, which is adored by an angel. On canvas,

1,30 h., 1,65 w.
(Perhaps a copy after Murillo.)

639. Portrait of a woman with flowers in her hand.
(J 2.) Whole figure, life size. On canvas, 1,93 h., 1,45 w.

In 1856, from the reserved pictures.

640. The Virgin with the Child on her arm, standing
(5 a.) on a half-moon, surrounded by angels. On copper,

0,205 h., 0,13 w.

In the style of Ambr. Francken and A. Elzheimer.
Bequeathed by the Art-dealer, C. Gottfr. Aug. Schmidt,
deceased Apr. 18, 1860.

92

French School.

y

\/

Touet (Siinon).

Born at Paris, 159.0; died there, 1649.

641. St. Louis kneeling on a cloud, sustained by angels.
(29c.) On canvas, 2,69 h.. 1,47 w.

Purchased by Leplat in 1731, as Chiido Cagnacci,

Foussin (Nicolas).

Born at Andelys in Normandy, 1594 ; died at Rome,
1665.

642. Noah's Sacrifice. On canvas, 0,72 h., 1,40 w.

643. Moses ^ipHPe^sHH^teMipfai On canvas, 1^45 h.,
(29 a.) 1^95 w.

Purchased by De Brays in 1742, from M. Poincinet
in Paris, for 6500 Livres.

644. Adoration of the Magi. On canvas, 1,60 h., 1,81 w.

(31a.) Signed: Acad, rom,: NICOLAUS PVSIN (sic) fade-
hat Bomae 1633. Purchased in 1742 by De Brays
from Araignon in Paris for 4800 Livres. Formerly in
the Collection of Lord Waldgrave.

645. The martyrdom of St. Erasmus. On canvas,
(29b.) 2,40 h., 3,07 w.

Purchased in 1731, by Leplat. Inven. 8vo.

646. The kingdom of Flora; Ajax, Narcissus, Adonis,
(31c.) Hyacinthus, Clitia, Crocus, and Smilax, metamor-
phosed into flowers. On canvas, 1,31 h., 1,82 w.

Obtained through Leplat. Old inven. 1722.

647. Narcissus regarding his own iipage. On canvas,
(6 a.) 0,73 h., 0,97 w.

Obtained as above in 1725.

93

648. Venus asleep on white drapery; at her feet, Cu-
(6 a.) pid. On canvas, 0,72 h., 0,97 w.

Obtained as above. Old inven. 1722.

649. The nymph Syrinx, pursued by Pan, seeks re-
(31b.) fuge in the arms of the river god Ladon. On

canvas, 1,07 h., 0,82 w.

Purchased by De Brajrs in Paris in 1742, from the
Collection of M. Dubreuil.

Same Artist. (V)

650. Portrait of the Artist; profile. On canvas, 0,76 h.,
(6 c.) 0,59 w.

Signed: Si Nomen a me quaeris NPoussin, 1640. Ob-
tained through Leplat. Old inven. 1722.

School of Pottssin.

651. Noah's Sacrifice. On canvas, 1,06 h., 1,31 w.
(31c.) Obtained through Leplat in 1731. Inven. 8vo.

652. The festival of the Lupercalia. On canvas, 0,72 h.,
(31b.) 0,97 w.

Obtained through Kindermann in 1725. Old inven.
Restored in 1869.

€allot (Jacques).

Born at Nancy, 1594; died there, 1635.

653. One of the artist's well-known representations of
(6b.) the miseries of war; depicting military punish-
ments On copper, 0,8 h., 0,19 w.

Purchased by v. G otter, with a companion picture,
together, 16 conven. florins.

Gel6e, or Gill6e (Claude), commonly called le Lorrain.

Bom in Chamagne near Toul, 1600; died in Rome,
1682.

654. The Flight of the Holy Family; a beautiful land-
(6 c.) scape with views in the far distance ; in the middle-
ground, a waterfall. On canvas, 1,00 h., 1,33 w.

Signed: Claude Gel^e Roma 1667? or 1661. From
the Collection of Cardinal Mazarin.

94

655. A scene on the coast of Sicily. On a rock, Po-
(6 a.) lyphemus sits among his flock. In the fore-
ground, Acis and Galathea. On canvas, prece-
ding size.

Signed: Claude Ge . . . Ro . . . 1650? From the
Collection of Marechal de Grammont. Lib, ver. No, 141 .

Both formerly in the possession of Me- de Verue;
later, till 1727 in the Collection of Count Hoym, Saxon
Ambassador in Paris.

Copy after this Artist.

656. Rich landscape; in the fore-ground, peasants dan-
(31b.) cing. On canvas, 0,75 h., 1,00 w.

Purchased in 1749, as an original, from the estate
of De Brays for 5000 Livres.

DugllOt (Caspar), named Pcyussin,

Bom at Rome, 1613; died there 1675.

656a. Scene among the Roman mountains. Probably

(6 c.) suggested by the valley of the Sacco , near Gen-

nazano, between Paleslarina and Olevano. On the

hills in the middle-ground, the villages Pagliano

and Colonna. On canvas attached to wood, 0,54 h.,

0,66 w.

Purchased in 1862 from Mr. Alexander Allen for
^ 250. A picture of the rarest beauty, from the best
period of the master.

657. Ancient buildings on the brow of rocky mountains,
(6 a.) overhanging a lake. In the fore-ground, a shep-
herd with sheep. On cajivas, 0,735 h., 0,98 w.

Purchased by von Gotter for 500 conven. florins.
Figures supposed to be by Millet.

658. Landscape ; champaign country, with mountains in
(6 c.) the distance, similar to the neighbourhood of Civita

Castellana, near Rome. On canvas, 0,73 h., 0,99 w.
Restored by Palm, and Renner.

95

659. A tower on a woody height. In the fore-ground,
(6 c.) a goat-herd with his flock. On canvas, 0,745 h.,

0,99 w.

Obtained through v. Getter, at the preceding. Price
500 Conven. florins. Restored by Palm.

Same Artist, (?)

660. A fortified place on a barren hill j behind, higher
(6 b.) mountains. Among the figures, a man holding

one foot in the water. On canvas, 0,72 h«, 0,98 w.
Obtained by Morell in 1740. Tnven. 8vo.

661. A village on a precipice, down which a stream
(6a.) rushes; behind, heights with buildings on them.

On canvas, 0,645 h., 0,89 w.
Restored by Palm.

Style of Caspar Foassin.

662. Mountain scenery with a waterfall and some
(31b.) figures. On canvas, 0,53 h., 0,81 w.

Purchased by Leplat as an original. Old inven. 1722.

^ 663. Landscape, with beautiful trees and a view in the
(31c.) distance. On canvas. Oval, 0,55 h., 0,72 w.
Form the reserved pictures in 1866

Talentin.

Bom at Coulommiers in Brie, 1600; died at Rome,
1634.

664. A blind old man playing the viol de Oamba,
(81 b.) accompanied by a boy singing. On canvas, 0,95 h.,

1,32 w.

Bran (Charles le).

Bom at Paris, 1619; died there, 1690.

665. A Holy Family. On canvas 1,60 h., 1,60 w.
(81 a.) From Holland. Old notice.

96

Courtois, (Jacques), named Bonrgulgnon.

A Born at St. Hippolyte in Franche Comt^, 1621 ; died

/^ in Rome, 1676.

666. Infantry and cavalry in a fierce engagement.
(31 a.) On canvas, 1,53 h., 2,65 w.

667. A cavalry combat under the walls of a city. On
(310.) canvas, 1,64 h., 2,75 w.

Both purchased by Algarotti from the Procuratessa
Sagredo, for 180 gold ducats.

668. A battle-field, over which an officer and staff are
(31 c.) ridings Some of the dead are plundered. On

canvas, 0,37 h., 0^61 ,w. ^ \ ,. / ,

669. An army in a vailey^** battle array. On canvas,

(31c.) 0,65 h., 1,16 w. ^ :\ •

Both obtained by v. Gotter. Price, 800 conven.
florins. Restored by Palm.

Artist unknown.

670. Battle-piece. In the fore-ground, two leaders meet.
(26 c.) On canvas, 0,53 h., 0,74 w.

Purchased by Leplat at Bourguignon. Old inven.
1722.

671. A rider on a white horse, near him a standard
(31c.) bearer; on the ground, various arms. On canvas,

0,28 h., 0,41 w.
From the reserved pictures, 1855.

CourtoiS (Guillaume).

Born. 1628; died, 1679. (Brother of the preceding.)

672. Abraham's sacrifice. On canvas, 0,725 h., 0,59 w.
(6 a.) Purchased by Leplat as Sdlv, Rosa. Old inven. 1722.

De Troy (Fran9ois.)

Born at Toulouse, 1645; died at Paris, 1730.

673. Portrait of the Due de Maine, son of Louis XIV.,

(31 c.) and Madame de Montespan. On canvas, 0,91 h.,

0,74 w.
Signed : PEINT PAR F. DE TROY EN 1716.

97

Savoye (Daniel de.)

Bom at Grenoble, 1654 ; died at Erlangen, 1716.

674. Portrait of the artist's wife. On canvas, 0,74 h., 0,59 w.
(31 a.)

Largillifere (Nicolas de).

Born at Paris, 1656; died, 1746.

675. Portrait of a man with a long wig. On canvas,
(6 b.) 0,82 h., 0,63 w.

Bigaud (Hyacinth).

Born al Perpignan, 1659; died in Paris, 1743.

676. Augustus III., King of Poland aa Electoral Prince ;
(22 d.) painted in 1715. On canvas, 2,50 h., 1,73 w. ^ (I.O.)

Obtained through Rigaud himself. Old inven. 1722-

Bertin (Nicolas).

Born at Paris, 1667; died there, 1736.

677. The man with the gourd. La Fontaine's 173^-
(31a.) Fable. On canvas, 0,60 h., 0,48 w.,

678. The gardener arid the bear. La Fontaine's 152^*
(31a.) Fable, On canvas, 0,59 h., (3,49 w.

Both purchased by Leplat. Old inven. 1722.

Silvestre (Louis de) (Le Jeune).

Born, 1675; died Paris, 1760.

679. The meeting of the Empress Amelia, widow of the
(Entree- Emperor Joseph L, with her son-in-law, Augustus III.

Baal.) King of Poland, and his family at Neuhaus in
Bohemia. On canvas, 4,97 h., 6,74 w.
Painted by order of King Augustus III.

680. Augustus II., King of Poland, on horseback. Life

(Entree- size. On canvas 2,67 h., 2,08 w.
saal.)

98

yA681. Augustus III., his son. Companion picture, and
^ (Entree- same size.

saal.) Both from Schloss Pretsch in 1727.

682. Augustus the Strong and Frederick William I.,
(29 c.) King of Prussia, shaking hands. On canvas, 2,81 h.,

2,02 w.

683. The consort of Augustus III., as Electoral Princess.
(22 d.) On canvas, 2,47 h., 1,66 w. * {U. 0.)

Companion picture to No. 676, by Rigaud.

684. Portrait of Louis XV. On canvas, 1,93 h., 1,38 w.
(22 b.) From Poland in 1730, as a copy.

685. Augustus II., King of Poland. On canvas 0,77 h,,
(22 b.) 0,64 w.

686. Hercules following Nessus, who is carrying off
(31 d.) Dejanira. On canvas, 1,08 h., 1,45 w.

Furnished by Sylvestre in 1733. Inven. 8vo.

Watteau (Antoine).

Bom at Valenciennes, 1684; died at Nogent. 1721.

687. Ladies and gentlemen in conversation on a terrace.
(6 b.) On canvas, 0,615 h., 0,76 w.

688. A company resting on a lawn near a statue of
(6b.) Venus; others promenading. On canvas, 0,615 h.,

0,75 w.

Pesne (Antoine), Scholar of Charles de la Fosse.

Bom at Paris, 1687; died at Berlin 1757.

689. A girl with two pigeons. On canvas, 0,76 h.,
(49 b.) 0,61 w. * an. 17.)

Signed A. Pesne fecit 1728. Painted for the Gallery.
Old inven. 1722.

99

690. A gypsy telling a lady's fortune. On cajivas,
(31 d.) 1,16 h., 0,92 w. * (III. 11.)

Painted for the Gallery. Old inven 1722.

691. A female cook plucking a turkey. On canvas,
(31 d.) 1,35 h., 1,06 w.

Signed: Antoniits Pesne inventi (sic) 1712. Fainted
for the Gallery. Old inven. 1722*

692. Portrait of the Artist. On canvas, 0,82 h., 0,66 w.

(^^') Signed; Ant Feme peint par Itty mesme 1728.
Painted for the Gallery. Old inven 1722.

693. Portrait of the Artist, du Buisson. Flower-painter
(31 d.) in Berlin. Oval; on canvas, 0,71 h., 0,54 w.

Furnished by Pesne himself. Old inven. 1722,

694. Portrait of M®. Brigitte du Buisson, wife of the

(31 d.) preceding; Pesne's mother-in-law. Half-length.

Oval; on canvas, 0,72 h., 0,55 w.
As above.

695. A young man with a mask in his hand. On wood,
(31b.) 0,59 h., 0,44 w.

As above. Taken from the reserved pictures, 1861.

Lancret (Nicolas).

Bom, 1690; died in Paris, 1745.

696. Dancing in the open air. On canvas, 2,08 h.,
(6 b.) 2,08 w.

Injured during the bombardment of Dresden, 1760.

697. Similar subject. On canvas attached to wood,
(6 b.) 0,25 h., 0,38 w.

698. Similar subject. On wood, 0,255 h,, 0,385 w.
(6 b.)

Pater (Jean Baptiste).

Bom at Valenciennes, 1696; died July 23, 1736 in
Paris.

699. A man and woman dancing to the music of a hurdy-
(6 b.) gurdy. On canvas, 0,426 h., 0,57 w.

7*

100

700. Men and women dancing around a tree. On wood,
(6 b.) 0,43 h.y 0,53, w.

Subleyras (Pierre).

Born at Usez in Languedoc, 1699; died in Rome, 1749.

701. Christ in the house of Simon, the Pharisee; Mag-
(6 b.) dalene kneels before him to anoint his feet. On

canvas, 0,51 h., 1,23 w.

The same subject is treated on a large scale in a
picture in the Louvre; also a sketch of the same.

Taken from the rooms of the King in 1742.

Gaubert (Pierre).

Member of the Academy in Paris in 1701.

702. Portrait of a lady. On canvas, 0,76 h., 0,62 w.
(31a.) Old inven. 1722.

Grimoux (Jean).

Bom at Romont, canton Fribourg, about 1680 ; died,
1740.*)

70^. A boy playing on a pipe. On canvas, 0,666 h.,
(49 b.) 0,S5 w.

Purchased by Leplat, 1725. Old inven. 1722.

Uutin (Charles).

Born at Paris, 1716; died in Dresden, 1776.

704. A girl, in a gray dress lined with fur, holding a
(47 a.) letter. On canvas, 0,86 h., 0,66 w.

Signed: C. Hutin pinxit 1769.

Nattier (Jean Baptiste).

In the Academy at Paris about 1746.

705. Portrait of Count Moritz, Marshal of France, son
(29c.) of Augustus II., King of Poland, and the Coun-
tess Konigsmark. On canvas, 2,64 h., 1,72 w.

Signed: peint a Paris par Nattier le jeu/ne en 17J^0,
Obtained through Count Moritz himself in France.

*) Jean Etienne Liotard, and La Tour, '"see catalogue of the
crayon-pictures.

101

Vernet (Claude Joseph).

Born at Avignon, 1714; died in Paris, 1789.

706. A city in flames on the banks of a river, with
(29 b.) many accessories. On canvas, 2,35 h., 1,70 w.

66rard (Francesco).
y> Bom in Rome, 1770; died in Paris, 1837.

\/ 707. Napoleon I. as Emperor, in imperial robes. 0^
(29 c.) canvas, 2,21 h., 1,45 w. Vi^^^ '' ' \ ''"' '

Presented by the Emperor, Napol^on^l. '

French School.

708. Solomon and his wife sacrificing to an idol. On
(31c.) canv^, 1,00 h., 1,33 w.

Purchased by Leplat as Bartoletti (PlamaSl?) Old
, inven. 1722.

709. Christ on the Cross between the two thieves. On
(31^.) canvas, 0,66 h., 0,56 w.

Purchased in 1744 by V. Rossi in Venice as Poussin
for 620 Thlr.

710. The Judgment of Solomon. On canvas, 0,72 h.,
(31a.) 0,59 w.

711. Cleopatra. On canvas, 1,19 h., 0,94 w.

(31 d.) From the Wallenstein Collection in Dux, 1741. In-
ven. 8vo.

712. Portrait of Queen Marie of Franpe, Consort of
(31c.) Louis XV. On canvas, 0,73 h., 0,61 w.

From Poland, 1730. Inven. 8vo.

713. Portrait of the Cardinal of Salerno. On canvas,
(31c.) 0,83 h., 0,65 w.

From the Green Vaults, 1731.31nven. 8vo.

714. Portrait of Cardinal Alberoni. On canvas, 0,76 h.,
(31c.) 0,63 w.

102

Flemish ScbooL

Bles (Herri Met de), named Civetta, (?)

Born at Bovines; flourished 148(V— 1550. (?)

715. A pedlar plundered by apes* On wood, 0,60 h.,
(25 c.) 0,86 w.

Taken from the Kunstkammer in 1725 as a copy by
an unknown Artist. Old inven. 1722.

GrOlzius (Hubertus), the landscape by Gassel (Lucas).
Born at Venloo, 1520; died at Bruges, 1583.
Scholar of Lambert Lombard.

716. Apollo and Pan before the tribunal of Midas.
(25 c.) On wood 1,20 h., 2,04 w.

From the Kunstkammer, as Goleius and Brueghel,
Old inven. 1722.

De Vriendt (Frans.), named Floris*

Bom at Antwerp, 1520 (?); died, 1570.
Scholar of Lambert Lombard.

717. Adoration of the shepherds. On wood, 1,26 h., 1,26 w.
(26b.)

Ht

718. Portrait of the Emperor Vitellius crowned with
(49 a.) laurel. On wood, 0,45 h., 0,35 w.

Signed with the monogram as the preceding, ex-
cept the additional E T etc. From the Wallenstem
Collection, 1741.

719. A laughing girl in a red dress and white ruff.
(49! a.) On wood, 0,45 h., 0,36 w.

Signed as the preceding. From the Walleftstein
Collection in 1741.

103

720. Lot and his daughters. On wood, 0,77 h., 1,06 w.

(26 b.) Purchased in 1864 from the estate of the Adv. E.
W. Schmidt for 85 Thlr.

721. Christ bearing the Cross. On wood, 0,86 h.,
(30 d.) 1,60 w.

Brueghel (Pieter), the father.

Born at Brueghel, near Breda, about 1510; died
at Brussels, 1569.

722. Peasants scuffling, who have quarrelled in caid-
(25 a.) playing. On wood, 0,71 h., 1,00 w.

Obtained through Count Gotter for 76 Conven. florins.

723. The preaching of John the Baptist. On canvas,
(25 a.) 1,11 h., 1,66 w.

Purchased by V. Rossi in 1738. Tnven. 8vo.

Brueghel (Pieter), called Hell-Brueghel , son of the pre-
ceding.

Bom at Brussels about 1564; died at Antwerp about
1637-38. r^ Co tr/^v.. ^Uui^ A— -''-'

Y 724. Hell. On dtJpper, 0,255 h., 0,35 w.

(20 a.) _Siffned: BRVEGHEL 1596. Obtained through Count
CKerti

725. The temptation of St. Anthony. On copper. 0,26 h..

WacKertarth. Old inven. 1722.

V

(20 a.) 0,35 w. ^<Pr^

Signed: BRVEGHEL 1*4 (indistinctly).

\f 726. The Destruction of Sodom and Gomorrah. In the
r (20 a.) fore-ground. Lot and his daughters. On copper,
0,205 h,, 0,25 w.

Obtained through Count Wackerbarth. Old inven.
1722.

Same Artist. (?)

V/727. Juno in Hades. J, On wood, 0,37 h., 0,49 w.
^ (20 a.) Both from the reserved pictures in 1861.

104

Bruegliel (Jan.) , named Velvet- Brueghel , brother of the

preceding.

Born at Brussels, 1568; died at Antwerp, Jan. 13.,
1625.

728. Landscape in Holland. Vessels sailing on a canal.
(21b.) On wood, 0,36 h., 0,65 w.

Signed: BRVEGHEL 1604. Purchased by Raschke,
in 1710 from Jac. de Wit in Antwerp for 300 Pistoles

729. Extensive ruins of an old castle on the sea-coast.
(21 b.) On copper, 0,85 h., 0,12 w.

Signed: BRVEGHEL 1605.

\J 730. In the fore- ground, horsemen and wagons; a

(20 a.) hunter aiming at a bittern. On wood, 0,425 h.,

0,72 w.

Signed: BRVEGHEL 1605. From Franz Lemmers
in Antwerp, 1708, for 360 Pattacons.*)

731. A country-road, on which are seen travellers on
(20X) horseback and on foot. On copper, 0,195 h., 0,29 w.

Signed: BRVEGHEL 1605. Purchased by Raschke
in 1710 from Jac. de Wit in Antwerp for 160 Pistoles

v' 732. A high tower overlooking the sea. In the fore-

(20a.) ground, fishermen have spread out their fish on

the ground. On copper, 0,50 h., 0,66 w.

Signed ; BRVEGHEL 1608. From the Kunstkammer.
Old inven. 1722.

733. Neighbourhood of the sea-coast. On wood, 0,48 h.,
'27 a.) 0^56 w.

Signed: BRVEGHEL 1608. Purchased from Franz
Lemmers in Antwerp, 1708, for 200 Pattacons.

*) Pattacon, a Brazilian coin, worth about 1^^ Thlr., (4 b. 6d.)

105

y 734. A view in the distance. A boor driving down

(20 a.) a hill. On copper, 0,17 h., 0,23 w.

Signed: BBVEGHEL 1608. Obtained through Wan-
derer. Old inven. 1722.

735. A plain in Holland, with windmills. On wood,
{20 a.) 0,265 h„ 0,375 w.

Signed: BRVEGHEL 1611. Purchased in 1708 from
Franz Lemmers in Antwerp. Price 200 Patt, or ecus
de banqne.

v^

V

■4

736. Wagons and horsemen stopping on a large, open
(20 a.) place before an inn. On copper 0,24 h., 0,35 w.

Signed: BRVEGHEL 1611. Purchased by Raschke
in 1710, from Jac. de Wit in Antwerp for 160 Pistoles.

737. A beautiful village on a canal, the banks of
(20a.) which are ornamented with trees. On wood,

0,375 h., 0,615 w.

Signed : BRVEGHEL 1612. Purchased in 1722 at the
Easter Fair, as Momper and Brueghel, Old inven.
1722.

738. View on the sea-coast. On a hill, stands a wind-
(20a.) mill. On copper, 0,25 h., 0,35 w.

Siffned: BRVEGHEL 1613. Obtained through Count
Wackerbarth. Old inven. 1722.

739. Small landscape with a village inn; in the fore-
(18b.) ground a wagoner with three horses. Round,

on wood, 0,18 in diameter.!

Siffned: BRVEGHEL 1641. Obtained through Count
Wackerbarth. Old inven. 1722.

740. Forest scenery with a distant view. On copper,
(25a.) 0,25 h., 0,34 w.

Signed: BRVGHEL 1642. Obtained in 1741 through
de Wit. From the reserved pictures in 1855.

741. A high tower on the sea-coast. In the fore-ground,
(20a.) fishermen. On wood, 0,45 h., 0,67 w.

106

s/:

Signed : BRVEGHL 1642. Obtained through Count
Gotter for 300 Conven. florins. The dates of the three
preceding pictures appeax to be in contradiction with
date of the artist's death, but tiiej cannot be read
otherwise, though the microscopic character of the
writing renders it difficult to be deciphered. *)

742. A seaport.^ On the left, a light-house; on the
(20 a.) right a windmill. On wood, 0,38 h., 0,53 w.

Obtained through Count Wackerbarth, Old inven.
1722.

• 743. Winter landscape. In the fore-ground, ' a wagon
(19a.) and several peasants. On wood, 0,49 h,, 0,66 w.

Purchased of Franz Lemmers in Antwerp in 1708,
for 200 Pattacons. Old inven. 1722.

744. The Lake of Gennesareth; near the shore, are many

(26 d.) vessels, on one of which stands Christ preaching

to the people. On wood, 0,82 h., 1,21 w.

^\ 745. From a forest, loaded wagons descend the hill.
(20a.) On wood, 0,425 h., 0,66 w.

Obtained through Leplat. Old inven. 1722.

746. Landscape with mountains in the distance ; several
(20 a.) men loading a cart with wood. On copper,
0,20 h., 0,25 w.
/ (Obtained through Count Wackerbarth.

^ 747. A windmill on a hill. A man is carrying a sack

(20a.) of com to it. On wood, .0,30 h., 0,22 w.

Purchased by Wanderer in 1710 by Franz Lemmers
im Antwerp for 200 Pattacons.

*) According to the more recent notices in the supplement
to the Catalogue of the Collection in Antwerp, the pictures
numbered 739—741 must have been painted by Jan Brueghel,
Bon of Velvet Brueghel, who lived tiH 1677, by which the above
dates would be^ correct.

107

. Distant view of a town with a river, on which
(20a.) there is a boat containing several men. On
copper, 0,175 h., 0,245 w.

Obtained through Count Wackerbarth. Old inven.
1722.

1/^749. Same subject, somewhat varied. On copper, 0,14 h.^
(20a.) 0,19 w.

^ Obtained by His Highness, the Electoral Prince, in

]taly. Old inven. 1722.

\

/ 750. A little chapel under trees , before which a man
(20a.) is praying. On copper, 0,135 h., 0,19 w.

Obtained as above. Old inven. 1722.

\^

51. Ruins of a temple- on a rock on the sea-coast.
(20a.) On copper, 0,165 h., 0,215 w.

Obtained by Leplat in 1723 from the Collection of
the Countess Wrzowecz in Prague.

752. A river with several peasant houses on the banks.
(21b.) Round; on wood, diameter, 0,225.

Obtained through Count Wackerbarth. Old inven.
^^ 1722.

\j 753. A wagon with travellers, on the side of a marshy
(21b.) brook.. On wood, 0,37 h., 0,58 w.

Obtained through Leplat. Old inven. 1722.

Y 754. A landing place, enlivened by a number of small
(19 a.) vessels. On wood, 0,47 h., 0,86 w.

Obtained through Leplat. Old inven. 1722.

755. A sea-port town ; many figures enliven the fore-
(26 d.) ground. Companion picture to No. 744. On wood,
0,79 h., 1,19 w,

Obtained through De Brays in Paris, 1742. 700 Livres.

108

756. Siege of a fortress. On wood, 0,81 h., 1,19 w*
(19a.) From the reserved pictures, 1855.

757. Battle between the Israelites and Amalekites. On
(27 a.) wood, 0,40 h,, 0,615 w.

Same Artist, (?)\

758. Landscape. On copper, 0,32 h., 0,40 w.
(27 d.) From the reserved pictures, 1861.

759. A boat, into which .some persons are entering.
(18 b.) Companion picture to No. 752. Much damaged.

Round ; on wood, diameter 0,19.

Obtained through CountJWackerbarth.

Brueghel (Jan), the figures are by Hendrik van
Balen.

760. Summer. Ceres'* sitting under fruit trees; a child
(20 a.) brings fruit in a basket. On wood, 0,56 h.,

0,94 w.

V y 761, Flora, to whom a Genius brings a bouquet. On
V (20 a.) wood, 0,52 h., 0,66 w. \

Brueghel (Jan), the figures by Ambrosius Francken.

761a. A wreath of flowers; in [the middle,^ a Holy
' (25b.) Family. On copper, 0,515 h., 0,385 w.

Porbus or Pourbus (Franz), the son.
Bom at Bruges, 1540; died, 1580.

762. Portrait of a lady in a black dress with a bo-
(21b.) dice, striped with gold. On wood, 0,615 h., 0,495 w.
Purchased by Rigaud and Le Leu in Paris, 1748.

109

Same Artist. (?)

763. Poriarait of an elderly woman in a black dress
(21b.) sitting in an armchair and holding a lapdog. On

wood, 0,80 h., 0,55 w.

Signed on the back of the chair: F. P. 1568.
Purchased by Riedel in Prague in 1742.

Artist unknown.

763a. Portrait of a nobleman in rich armour, adorned
(J2.) with the order of the Golden Fleece. (William
of Orange?) On canvas, 0,92 h., 0,73 w.

Purchased by the Oberkammerherr von Konneritz,
Ambassador to Madrid, in Nov. 1825. .Price, 700
Piaster.*)

School of Porbiis,

764. Portrait of a man with light beard and a white
(21a.) ruff. On wood, 0,42 h., 0,34 w.

765. Portrait 'of a young lady with a white ruff. On
(21a.) wood, 0,47 h., 0,35 w.

Both from Prof. Steinla's Collection.

Jordaens^ or Joerdaens (Hans). Painter in Antwerp.
Elected a member of the Academy there in 1579.

766. A company feasting. An ape sits at table with
(27a.) the others. On wood, 0,175 h., 0,28 w.

Signed: H. Jordaens; H. and J. written together.
From Prof. Steinla's Collection.

*) A Piaster is worth about 1% Thlr., (4s. 6d.)

110

Gysels (Gyzens or Geysels) (Pieter), Scholar of Ja/n

Brueghel,

Christened at Antwerp, Dec. 3, 1621; died there,
1690—91.

767. A suspended hare; implements of the chase, and
(16a.) dead birds. On copper, 0,465 h., 0,33 w.

Obtained through Raschke. Old inven. 1722.

768. Same subject, somewhat varied. On copper,
(16a.) 0,37 h , 0,30 w.

Signed; PEETER GYSELS, indistinctly. Taken
from tiie reserved pictures in 1869.

769. A large village with a church in the midst. On
(20a.) copper, 0,16 h., 0,225 w.

Signed: P. GEYSELS. Obtained through Count
Wackerbarth. Old inven. 1722.

770. Peasants dancing before some buildings, between
(16 a.) which a country-road extends across an extensive

plain. On copper, 0,17 h., 0,225 w.

Obtained through Baron Rechenberg. Old inven. 1722.

77 1 . Dutch landscape with a canal. In the fore-ground,
(16a.) -an ale-house, before which country-people are

assembled. On copper, 0,17 h., 0,23 w.

Signed : P. G. F. Obtained through Count Wacker-
barth. Old inven. 1722.

772. Small landscape with many figures. On copper,

(16a.) 0,22 h., 0,27 w.

Signed: P. G. From the reserved pictures in 1861.

773. Landscape; villages on the banks of ^a river.
(16a.)^Before an ale-house, peasants dancing. On cop-
per, 0,17 h., 0,23 w.

Signed : B. G Obtained through Wackerbarth.

Old inven. 1722.

Ill

774. Landscape in Spring. In the distance, a town;
(16a.) in the fore-ground, a peasant's house and sev-
eral peasants. Round; on wood, diameter 0,185.

As above.

775. Rocky landscape with a river and view in the
(16 a.) distance. In the fore -ground, several figures.

On copper, 0,20 h., 0,26 w.
Signed: Pieter gysels. (Very small writing.)

776. Landscape similar to the preceding. On copper,
(16a.) 0,205 h., 0,26- w.

Signed: as the jpreceding. Purchased, with Nr. 773,
from the estate of De Brays in Paris, in 1749 for 400
Liyres.

Bril (Matthaus).

Born at Antwerp, 1550: died in Rome, 1680.

777. Landscape. In the fore-ground, young Tobias
(26a.) and his wife journeying to Haran. On canvas.

1,08 h., 1,47 w.
Obtained in 1731 through Lcplat. Inven. 8vo.

778. Landscape with dense forest; in the fore-ground,
(25a.) a struggle with a boar. On canvas, 1,15 h.,

1,65 w.
As the preceding.

Artist UBkBOWn. (Vrancx?)

779. Landscape with a large oak; in front, figures,
(26b.) and cattle drinking. On wood, 0,77 h., 1,07 w.

Indistinctly signed: A. V. RANX. The first three
letters written together. Purchased by v. Ueineken
in Hamburg in 1741. Taken from the reserved pic-
tures in 1856.

112

Bril (Paul.)

Bom at Antwerp, 1566; died in Rome, 1626. Brother
of MatthS^us.

*

v/ 780. Forest scenery; in the fore-ground, the Virgin
(26a.) and Child, and two angels. On copper, 0,23 h.,
0,30 w.

Signed: on the backside: Paul Prilll Pictor. Taken
from the reserved pictures in 1866.

V

781. Companion - picture. Landscape with figures; in
(26a.) front, a goat-herd. On copper,. 0,20 h„ 0,28 w.

As the preceding. Signed: Paul Pril Pictor R.
(Roma.)

782. Mountain scenery with a river, over which a
(26c.) wooden foot-bridge is thrown ; on the left, a castle.

On wood, 0,65 h., 1,07 w.
Signed: P. Bril. 1608.

783. Landscape with ruins in the fore-ground. In the
(26b.) distance, a tower and a circular building. On

canvas, 0,75 h., 1,00 w.
Signed: P. Bril. 1626* indistinctly.

784. An angel accompanying the young Tobias. On
(25b.) canvas, 0,77 h., 1,02 w.

Signed: PAVOLO BRILLf, f. 1624.

785. A mountainous country with ruins. In the
(21b.) fore-ground, a smithy. On copper, 0,216 h.,

0,30 w.
Signed J: P. B. on the backside.

786. Ruins of ancient buildings. In the fore-ground,
(21b.) a cattle-market. On copper, preceding size.

Signed: P. Bril. F. 1600.

J

113

787. Landscape with many trees; a winding river, on
(26 a) which a party are sailing. The figures attri-
buted to Annibal Carracci. On canvas, 0,59 h,,
0,77 w.

Purchased by De Brays in 1742 irom the Collection
of M. Dubreuil in Paris. Price, 400 Livres. Perhaps
a work of Bonzi (Pielaro Paolo) detto U Gobbo ae
Carracci, an imitator of Bril.

788. Landscape with many accessories representing
(27 d.) Diana and Actaeon. On copper, 0,275 h., 0,34 w.

From the reserved pictures in 1861.

Balen (Hendrik van).

Bom at Antwerp, 1560; died there July 17, 1632.

789. Two angels conduct the Infant Christ to a cross
(17b.) in a rocky cave. On copper, 0,206 h., 0,27 w.

Signed: B. indistinctly. From the Eunstkammer as
^ttev^iammer. Cop. Old inven. 1722.

790. Marriage -festival of Bacchus and Ariadne. On
(30d.) copper, 0,365 Ji., 0,52 w. •

Si^ed: H. Y. BALEN. Obtained through Le Roy.
Old mven. 1722.

l^

V

n

791. Marriage - festival of Peleus and Thetis. On
(30 d.) copper, 0,446 h., 0,62 w.

Signed: H. V. BAEL. 1608. As above.

792. Nymphs and children under fruit - trees ; fauns
(30 d.) occupied in gathering fruit. On copper, 0,495 h.,

0,66 w.

93. Diana and her nymphs, sleeping under a group

(30 d.) of trees, hung with garments, regarded by satyrs.

The game lying about and landscape by Brueghel.

On copper, 0,47 h., 0,615 w.

Purchased by Count Wackerbarth as Balen and
Brueghel. Old inven. 1722.

8

V

-■^'.J,-<<

114

794. Banquet of the gods on Olympus. On copper,
(80d.) 0,425 h., 0,62 w.

/ From the Eunstkammer. Old inven. 1722/

J795. Actaeon, and Diana with her nymphs in the
(30 d.) bath. On wood. 0,54 h., 0,755 w.

Obtained through Leplat. Old inven. 1722.

796. The four Elements , represented by four children
(17 b.) with appropriate emblems. On copper, 0,215 h.,
0,165 w.

S(wne Artifd, (?)

^ 797. The Holy Family. The wreath perhaps by Jan
(47b.) Brueghel. On canvas, 1,08 h., 0,73 w.

^'^ Bloemaert (Abraham).

Born at Gorkum 1567; died at Utrecht about 1650.
Scholar of Pr. Floris.

798. The Crucifixion of St. Andrew. Copied after M.
g6c.) A. Carravaggio. On wood, 0,53 h., 0,42 w.

Purchased in 1700 by the chief-painter of the court
Samuel Bottschildt, from Colonel v. Wackerbarth for
the Kunstkammer. Price, 100 Thlr. To the Gallery
through Count Rechenberg. Old inven. 1722.

799 Head of an old man with long, white beard. On
(26c.) wood, 0,38 h., 0,28 w.

Signed: A. Bloemaert. Fee. 1636 with a flourish be-
fore it. To the Gallery through Count Rechenberff.
Old inven. 1722. On the bacjcside inscribed: In £e
Ktmstkammer kommen am 15. Martij 1700,

Bloemaert (Hendrik). Son and scholar of the prece-
ding. Flourished about 1632.

799 a. Portrait of a man with a mirror in his hand. On
(26c.) c.invas, 0,66 h., 0,53 w.

Signed: H. Bloemaert. fe. 1648. (?)

115

Francken (Frans), named the Elder.

Bom at Herenthals about 1544; died there, Oct, 5,
1616.

800. The Flight of the Holy Fanuly into Egypt ; in
(25 d.) the fore-ground, the dead bodies of the children

of Bethlehem. On copper, 0^485 h., 0,445 w.
Signed: F. Francken:

801. Christ led to Golgotha. On wood, 0,60 h., 0,90 w.

(25 c.) Signed Do F. Franck. Al 1597 inventor et fecit.
From the Kunstkammer. Old inven. 1722.

802. An allegory : Innocence and Calumny before the
(26 c.) unjust judge. On wood, 0,66 h., 0,77 w.

Signed: F. FRANCK. F. IN. Obtained through Count
Wackerbarth, as, a Thesis with Emblems. Old inven.
1722.

803. The Creation of Eve. (The landscape by J.
(25 c.) Brueghel.) On wood, 0,54 h., 0,81 w.

804. The Creation of animals. (The landscape by J.
(25 c.) Brueghel.) On wood, preceding size.

From the Wallenstein Collection in 1741.

Francken (Ambrosius), the Elder. Brother of Franz and

Higronymus.

Born at Herenthals about 1646; died at Antwerp
1618.

805. The Virgin, with the Child on her lap, as
(25 b.) queen of Heaven, surrounded by angels. The

wreath of flowers painted by Jan van Kessel. On
wood, 0,67 h., 0,60 w.

806. Christ, and the woman taken in adultery. On
(26 a.) copper, 0,36 h., 0,29 w.

From the reserved pictures. Old inven. 1722.
Signed: //. d. j. fe. 1606.

8*

116

Same Artist. (?)

807. Christ, walking on the water, extends his hand to
^25 d.) the sinking Peter. On copper, 0,28 h., 0,25 w.

Purchased by Leplat, as Jorda/n and Brueghel. Old
in van. 1722.

808. Christ bearing the Cross. On copper, 0,17 h.,
(26 d.) 0,14 w.

From the Eunstkammer. Old inven. 1722.

Artist unknown.

809. A battle of the Amazons. On copper, 0,78 h.,
(26 c.) 1,60 w.

Signed: FE. SE FRANKENTAL 1603.

From the Carignan Gallery in 1743, as by i Velvet-
Brueghel.

Francken CHieronymus), the Elder. Brother of Frans.
Bom at Herenthals about 1664; died aboud 1620.

810. The beheading of John the Baptist. On copper,
(26 0.) 0,39 h., 0,34 w.

Signed: H. F. (in a monogram) K^ 1600.

Francken (Sebastian).

Born at Antwerp about 1573.

811. The temptation of St. Anthony. On* wood, 0,286 h.,
(26 a.) 0,375 w.

Signed: S. F. F. Obtained through Count Wacker-
barth. Old inven. 1722.

Savery (Eoelandt).

Bom at Courtray, 1676; died, 1639.
.Scholar of his father Jacob.

812. A hunter waiting for a boar. On wood, 0,25 h.,
(10 c.) 0,35 w.

Signed : R. SAVERY FE. 1610.

117

813. Landscape with buildings in ruins. On wood,
(10 c.) 0,54 h., 1,08 w.

Signed: R. SAVERY. FE.1614. Obtained [through
du Roy. Old inven. 1722.

814. Landscape; in the middle ground, a ruined tower;
(26 a.) around it, a number of water-fowl of all kinds.

On wood, 0,295 h., 0,42 w.

Signed: ROELAENT SAVERY. FE. 1618. From the
reserved pictures in 1856.

815. Noah's Ark with all kinds of animals. On wood,
(10 c.) 0,83 h., 1,39 w.

Signed: ROELANDT SAVERY F. 1620. Purchased
by Count Gotter, for 250 Conv. florins.

816. A forest stream flowing between masses of rock
(10 c.) covered with evergreen trees. On wood, 0,46 h.,

0,83 w.
Signed : ROELANDT SAVERY FE. 1620.

817. Landscape with a variety of animals. In the
(10^5.) distance, Noah's Ark on a mountain. On wood,

0,535 h., 0,98 w.

Signed: ROELANT SAVERY FE. 1625. Purchased
by Count Gotter; price 250 Conven. florins.

818. Landscape with many rocks; in the fore-ground
(26a.) a goatherd with his flock. On wood, 0,335 h.,

0,465 w.

From the reserved pictures in 1856.

819. Landscape; a hilly country with many trees, ani-
(26 a.) mated by a variety of wild animals. On canvas,

0,95 h., 1,85 w.
From the Hofmarschallamt. Old inven. 1722.

Note. The pictures by this master which are furnished
with dates embrace a period ^of 15 years, (1610 —
1625.)

\

118

Yalkenboreh (Martin van).

Lived in Antwerp about 1695; died, 1636.

820. The tower of Babel. On wood, 0,77 h.,
(26 d.) 1,07 w.

Signed: MARTIN VAN VALCKENBORCH FECIT
ET INVENTOR. M. V. V. 1695. Purchased by S.
Bottschildt in 1699 from Colonel von Wackerbarth, for
40 Thlr.

Aehtsehellings (Lucas).

From Brussels; died, 1620.

Scholar of Ludwig de Vadder.

821. A small landscape. A man on horseback follows
(13 b.) one on foot carrying a gun. On canvas, 0,37 h.,

0,47 w.

822. Companion picture. Fishermen drawing their nets*
(13 b.) On canvas, 0,36 h., 0,466 w.

Both purchased by Count Gotter as pictures in which
the accessories were painted by Pieter Bout. Price,
200 Conven. florins.

Bubens (Peter Paul).

Bom atSiegen, June 29, 1575 or 1577; died at Ant-
werp, May 30, 1640.

823. A lion hunt. On canvas, 2,39 h., 3,14 w.

(J 3.) Purchased by Rigaud and De Brays in 1742 frona
. ^ ^ the Carignan Gallery in Paris, for 8000 Livres.

V 824. Quos ego. Neptune on his shell commanding the
(J 1.) winds to be still. On canvas, 3,28 h , 3,86 w.
* (I. 48.)

Painted in 1635 for the triumphal arch of the Card.
Infant Ferdinand of Austria in Antwerp. Obtained
in 1742 by Count Brilhl. Inven. 8vo.

V

119

Diana and her nymphs returning from the chase.
On canvas, 2,21 h., 2,38 w.

Purchased in 1756 by Le Leu from the Orleans
Gallery, for 10,000 Livres. The same picture is in the
Grand Ducal Gallery in Darmstadt.

826, The same subject in half-length figures. On canvas,
(J 4.) 1,37 h., 1.80 w.

Purchased in 1708 by Jac. de Wit in Antwerp, for
200 Pistoles.

827. Hercules intoxicated, supported by a faun and a
(J y bacchante. On canvas, 2,22 h., 2,02 w.

From the Mantua Gallery. Cat. Guar.

Vssc

828. Meleager presenting the head of the Calydonian
(J 1.) boar to Atalanta On canvas, 1,68 h., 1,21 w.

From the estate of the Due de Tallard in Paris,
1766.

829. A hero, crowned by Victory, places his foot on
(J 2.) the neck of a Silenus ; Venus and Cupid near,

weeping. Envy seen in the background. On canvas,
2,02 h., 2,22 w. 4: (II. 44.)

Painted for Duke Vincenzo Gonzaga by Rubens in
Mantua, whence it came to the Gallery here. See Abr.
Cat. Guarienti: "Gtroglifico di Carlo y'\

4-^

830. St. Jerome kneeling before a cross ; his lion lies
(J 3.) near him asleep. On canvas, 2,38 h., 1 ,64 w.

Signed : P. P. R. Mod. purchase. Transferred to new
canvas and restored in 1837.

31. The daughter of Herodias with the charger, in
(J 1^ which an executioner places the head of John the
k Baptist. On canvas, 1,29 h.j 1,23 w.

From the Eunstkammer. As '*8ciu>la di Enibens^'.
Old inven. 1722.

V

Ci

120

832. An old woman in a rocky cave with some boys,
(J 4r.) the youngest of whom is blowing in a pan of

glowing coals. On wood, 1,16 h., 0,92 w. ^ (I. 49.)

Copied in 1767 by Dietrich for the Duke of Arem-
berg in Brussels.

833. Bathsheba sitting before a fountain ; a young
(J 1.) Moor gives her a letter. On wood, 1,73 h.,

1,26 w.

Purchased bv Le Leu in 1749 from ^the^Araignon
Collection in Paris; price, 6600 Livres.

834. A tigress suckling her young ; another comes with
(J 1.) a hare in her jaws 5 before them, stands a lion.

On canvas 2,00 h., 3,77 w. i^ (11. 46).
Obtained by Louis Talon in 1744 in Spain. (?)

835. A satyr pressing grapes in a vessel which is
(J 3.) held by a little satyr ; before them, lies a tigress

with her young. On canvas, 2,24 h., 1,45 w.

Purchased in Brussels by Griinberg, as Bachanalia
/ de Biibens. Price, 2000 Frcs. de Hollande.

836. View of the Escurial in Spain. One of the many
(J 4.) repetitions painted by Uden and Momper under

(iflyji. ^ the direction of Rubens. On canvas, 1,13 h.,
1,95 w.
/" Purchased by Riedel in Prague in 1742. ■

/ 837. A wild boar-hunt in a woody country. Original -
(K3.) sketch. On wood, 1,35 h., 1,66 w.

One of equal size formerljr in the possession of the
King of Holland; a second, still larger, in the Museum
in Marseilles. Said to be also, at Brentano*s in
Frankfort-on-tho-Maine.J This excellent picture was
purchased, with the Rubens Collection, from the Duke
of Bnckinffham at his auction in Antwerp in 1648.
by ArchduEe Leopold Wilhelm for the Prague Gallery,
and bought of the latter in 1748 by Gialdi and
Guarienti for the Dresden Gallery. Price, 800 Fl.

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121

"^38. The Judgment of Paris. On wood, 0,49 h., 0,63 w.
(M2.) ^ (in. 37.)

From the Collection of Count H. v. Briihl. First
sketch of the enlarged repetition in the Nat. Gallery
in London.

>J^9. The Garden of Love. On wood, 0,92 h., 1,22 w.

(M-^) Our picture, acknowledged to be best of the various
specimens, was formerly m the Collection of the Coun-
tess de la Verrue under the name 'Ha Conversation'* ,
and was purchased in 1742, by De Brays and Arai^on,
from the Carignan Gallery in Paris, for 12,000 Livres.
Repetitions of the same subject exist in the galleries
at Vienna, Madrid, Gotha, and other places.

/?

840. Mercury about to kill the sleeping Argus. On
(M2.) wood, 0,63 h., 0,88 w.

Obtained aa the preceding, from the Carij^an
Gallery under the name: "laVache*', for 5000 Livres.
Formerly in the possession of the Countess de la
Verrue.

V 84

841. Clelia, having escaped from the camp of the
(J 1.) Etrurians with her companions , swims across

the Tiber. On canvas, 1,82 h., 2,66 w.

From Her Majesty the Queen. Old inven. 1722.

842. The Last Judgment. On wood, 1,22 h., 0,97 w.
3.) A study for the great picture in Munich.

843. St. Ignatius in a glory, or nimbus, healing de-
(M3.) moniacs. Sketch. On wood, 0,65 h., 0,785 w.

Obtained through Hofrath Heucher in Leipzig, 1728.
Inven. 8vo.

844. Christ on the lake of Gennesareth. Sketch. On
(Ll.) wood, 1,00 h., 1,38 w.

Purchased in 1749 by Le Leu, from the widow
Gersaint for 1200 Livres.

122

845. Rubens' two sons, Albert and Nicolas, by his
(J 1.) first wife, Isabella Brant. On wood, 1)65 h.,

0,90 w. ^ (I. 50.)

Purchased in 1742, by De Brays and Bigaud in
Paris, from the Collection of M. Dubreuil. Also in
Liechtenstein Gallery in Vienna.

846. Portrait of a lady in a black dress , stomacher
(Jl.) with gold cord, and a heavy gold chain. On

wood, 1,02 h., 0,73 w.

Purchased from the estate of De Brays in Paris,
1749, as van Dyk, for 1000 Livres.

847. Portrait of a man putting on his gloves. On
(Jl.) wood, 1,06 h., 0,74 w.

Purchased in Paris, 1756, as van Dyk for 1000 Livres.
This, and No. ^8. from the collection of the Due de
Tallard.

848. Portrait of a lady in a black dress, with a child
(J 4.) dressed in white in her lap. In the back-ground,

the coat of arms of van de Wouvere, Herren von

Heembeck, for which information we are indebted

to Madame Caraman, Princesse Alphonse de Chi-

may. On wood, 1,05 h., 0,77 w.

Purchased as the preceding , as van Dyk, and com-
/ paaiion-picture to it. Price, 1000 Livres.

^^ 849. Portrait of a man in black clothes and white
(Jl.) ruff; the left hand against his side, the right
resting on a table. On wood, 1,00 h., 0,72 w.
Purchased as above as Etth^ns, 1000 Livres.

850. Portrait of a young lady in a black dress and
('26 a.) white lace-coUto:. Bfeilf-length. Canvas on wood,
0,74 h., 0,54 w. ^ (II. 45'.)

Purchased in 1723 by Leplat, from the Collection
of the Countess Wrzowecz in IVague. Old inven. 1722,

123

y 851. An old man with white hair and beard, in epis-

(M3.) copal vestments. Signed: P. P. R. 1634 (?) f.
On wood, 0,605 h., 0,635 w.

Obtained through Baumann. Old inven. 1722.

~^

852. Portrait of a young lady with light hair, hold-
•(M2.) ing some roses in her left hand. On wood,
0,79 h., 0,58 w.

Probably Helene Fourment, Rubens' second wife.
Compaaiion- piece to No. 991. Obtained through Le-
plat in 17^8. Old inven. 1722.

\ ^853. Portrait of the second (?) wife of the Artist, with
<MS.) uncovered head and braided hair. On wood,
0,66 h., 0,50 w. 4: (m. 13.)

Both from the Collection of the Countess Wrzowecz
in Prague.

864. Portrait of an old man with thin, gray hair and
<M2.) beard, black clothes, and white plaited collar.
On wood, 0,66 L, 0,52 w.

Signed: AETATIS SVAE 60. ANNO 1618. Ob-
tained through Count Wackerbarth as van Dyk. Old
inven. 1722.

V

/:

855. Portrait of an old lady in a white cap and black
(M2.) dress. Canvas on wood, 0,665 h., 0,506 w.

Obtained as above, and signed in the same manner.

856. Portrait of a young lady with a black veil over
(M2.) her head. On wood, 0,78 h., 0,61 w.

857. Portrait of a man with light mustaches and light
(J 2.) beard , in black clothes and white collar. On

wood, 0,64 h., 0,50 w.

Formerly in the possession of His Majesty, King
Anton of Saxony. Bought of Dr. Hille in 1861.
Price, 300 Thlr.

124

School of Kttbens.

858. Time raises Truth triumphantly over Ignorance,
(M 3.) Superstition and Vice. Sketch for one of the ten

allegorical pieces of tapestry, which were exe-
cuted by order of Philip IV. for the monastery
at Loeches, near Madrid. On canvas, 0,69 h.^
0,81 w.

From the Eunstkammer, as, a Thesis. Old inven.,
1722. From the reserved pictures in 1856. •(

859. Leander's body borne through the waves to the
(26 a.) land by Nereids. Hero precipitates herself from

a tower into the sea. On canvas, 1,26 h., 2,15 w.

From the old Kunstkammer in 1728, where it had
.• already been placed in 1659. Old inven. From the

^J reserved pictures in I860.*)

860. Adoration of the Magi. Sketch on wood, 0,85 h.,
(MS.) 0,63 w.

Purchased by Leplat as Enhens. Old inven. 1722.Jj

s^ 861. Madonna and Child with angels, who bring fruit.
- (26 a.) On copper, 0,65 h., 0,49 w.

. Obtained through Jos. Perodi, as van Dyk. As
above.

862. Venus and Adonis. On wood, 0,605 h., 0,83 w.

(26 a.) From the Collection of Senator Isolani in Bologna^
as Bubens. Cat. Gruar.

863. The Rape of Proserpine. On wood, 0,50 h.^
(M3.) 0,64 w.

Obtained through Count Wackerb%rth, as Itubens.
Old inven. 1722, and Cat. Guar.

864. Adoration of the shepherds. On wood, 0,416 h.^
(27 a.) 0,67 w.

J

*) Probably one of the pictures furnished by Rubens for
the spaces over the doors in the Palace de la Parada. Michel,
Vie ae Bubens. 1771.

I

«

y

125

865. Half-length portrait of an old woman with a
(26 a.) white head - covering and red bodice. On wood,

0,475 h., 0,41 w.

866. Half-length-portrait of the Archduke Albrecht of
(50 b.) Austria in black, with the order of the Golden

Fleece. On wood, 0,67 h., 0,52 w.

Purchased by Leplat, as Hubens, in 1723, from the
Collection of the Countess Wrzowecz in Prague.

867. Half-length portrait of the Consort of the prece-
(50 b.) ding, the Infantin Clara Eugenia Isabella. On

wood, 0,655 h, 0,525 w.
Obtained as the preceding.

868. Head of a stout, old woman, with a small smooth
(27b.) cap. On wood, 0.335 h., 0,27 w.

Obtained in 1741 through von Kaiserling. Inven. 8vo.

Same School; attributed to Joh, B, FranJcen. (?) Son
of Frans Fr., the Younger,
Bom, July 29, 1618.

869. Half-length picture of the Apostle Simon, both
(M2.) hands resting on a saw. On wood, 0,63 h.,

0,46 w.

- Obtained through General Fieldmarshal Count v.

Flemming as Joh. Bap. Frank, Old inven. 1722.

870. Half length picture of the Apostle Bartolomew;
(M2.) he holds a knife iii his hand. On wood, prece-
ding size.

Obtained as above.

871. The Apostle Paul. Half-length; the face turned
XM3.) to ihe right; the hands placed on a book. On
wood; preceding size.
As above.

872. The Apostle Peter. Half-length. On wood; prece-
(M3.) ding size.

\ / 873. Head of the Apostle Paul. On wood, 0,63 h.,

^ (MS.) 0,47 w.

Removed from the reserved pictures to the Grallery
in 1855.

874. Head of the Apostle Peter. On canvas, 0,63 h.,
(26 a.) 0,61 w.

As above.

875. A head with upturned eyes. On wood, 0,63 h.,,
(26 c.) 0,46 w.

From the reserved pictures in 1861.

Artist nnknown.

876. A pale man without beard, with a white trans-
(50 c.) parent collar. On wood, 0,51 h., 0,40 w.

877. The finding of Erichthonius, son of Vulcan, with
(26 c.) snakes in the place of legs. On wood. 0,415 h.,

0,64 w.

Modem copy after the original of life size in the
Liechtenstein Gallery in Vienna. Bequeathed to the
Gallery by the Art dealer, Schmidt.

878. Portrait of a lady in black dress with gold
(M3.) buttons. On wood, 0,9^35 h., 0,70 w.

Signed : AETAi_ 47 . . A^ 1638 M. J. M B in a
monogram. *) From the Wallenstein Collection in
Dux, 1741.

879. Portrait of a man in black; in his left hand, he
(M 3.) holds his gloves. Companion picture to the pre-
ceding; On wood, 0,93 h., 0,70 w.

Signed: A A-2. 1688

*) Michiel Jansze Mierevelt Batavus?

127

880. St. Rochus. A modern copy of the celebrated
(26 a.) altar picture in St. Martin's church at Alost. On

wood, 0,56 h., 0,36 w.

Given to the Gallery by his Majesty King 7ohn , as a
bequest of the Princess Louise of Saxony.

Willarts (Adam).

Bom at Antwerp, 1577; died at Utrecht 1640?

881. Dutch vessels lying at anchor in a rocky inlet.
(9 b.) On wood, 0,62 h., 1,06 w.

Signed: A. Willarts 1620.

Yinckeboons (Davidze), Scholar of his father Philipp,
named also Tinbons.
Bom at Mechlin, 1578; died at Amsterdam, 1629.

882. A country fair (church-ale) on a green field. On
(26 c.) wood, 0,53 h., 0,92 w.

883. Beggars and lame people receiving alms out of
(12 b.) the window of a convent. On wood, 0,29 h.,

0,45 w.

Obtained through Count Wackerbarth. Old inven.
1722.

883a. A dense forest; to the right, a murdered person;
(10 0.) in the fore-ground, robbers dividing their booty.
On wood, 0,41 h., 0,62 w.

Obtained by Riedel in Prague in 1742. Old inven,
1722.

Same Artist. (?)

884. Forest scenery; in the fore-ground, a waggon
(18 a.) passing through the water. On wood, 0,69 h.,

1,08 w.

Purchased by Count Wackerbarth as an original by
Wouvermann, Old mven. 1722.

128

Heusch (Gabriel de) (?) See Nagler's Lexicon)^ father of

Willem. (?)

885. Village path near a pond, with a shepherd and
(15 b.) his flock. On wood, 0,34 h., 0,47 w.

Signed: 0. JBf. M /SZ^.

Victor WoltVoet (Scholar of Buhens)r

Christened May 4, 1612; died, Oct. 23, 1662, in
Antwerp.

886. Head of Mednsa surrounded with serpents, lizards
(26 c.) and other reptiles. On canvas, 0,46 h., 0,69 w.

Signed: yJCTOB. WOdVVCm'Vi
From the reserved pictures in 1861

Snyderg (Frans) or Snyers, Scholar of Pet. BruegheL
/ Born at Ant-v^erp, 1579; died Aug. 19, 1657.

/ 887. A dead doe; game and fruit in dishes. A girl,
/ (K^O painted by M. J. Miervelt (?) with a parrot on
her hand, standing near. On canvas, 1,52 h.,
2,35 w.

Signed: F. Snyders Fecit.

888. A dead swan and a peacock, with provisions ; near
(K3.) by, a dog with her young puppies. On canvas,

1,70 h., 2,43 w.
Purchased by Riedel in Prague in 1742. Inven. 8vo.

889. A dead doe, a swan, and other game, on a table
(K3.) covered with a red cloth. The whole enlivened

by some animals. On canvas, 1,68 h., 2,35 w.

890. Fowls and fruit, on a table with a red cover.
(K3.) The figures said to be by Nieulandt (Adrian) of

Antwerp (Scholar of Frans Badens ; still alive, 1657).
On canvas, 1 ,83 h., 2,86 w.

129

891. A wild -boar hunt. The figures by Eubens. On
(K.4.) canvas, 1,92 h., 3,00 w.

892.

(J 3.)

Game and poultry on a bench. Eubens (?) and

his wife as cooks ; painted by himself. On canvas,

1,96 h., 3,26 w.

Obtained in 1723 by Baron Rechenberg. Old inven,
1722.

Paradise, with a variety of wild and tame animals.
On canvas, 1,68 h., 2,70 w.
Obtained through Leplat in 1728.

Same Artist. (?)

\ y694. A bear hunted by several dogs- On canvas,
\/(K2.) 1,31 h., 2,10 w.

Falsely signed : F. Snyders fee. on the collar of one
of the dogs. Purchased in 1723 by Leplat from the
Cgllgotion of the Countess Wrzowecz in Prague. Old
TnvenT 1722.

A bear chase. In an opening in a forest, several
dogs have fastened upon the animal ; two hunters
are about to kill it with hunting spears. The
figures by Honthorst. (?) On canvas, 2,38 h.,
3,68 w.

^ Purchased by Louis Talon in Spain, 1744. The figures
were supposed to be by JRubens; among them, his
portrait. (?)

896. An old market-woman selling vegetables to a
(K 3.) gentleman and his maid-servant. On canvas,

1,44 h., 2,01 w.

897. A female gardener and her lover among cabbages
(K 3.) and other vegetables. On canvas, 1,44 h., 2,00 w.

Both from the reserved pictures in 1861. The figures
in both very indifferent.

130

Wlldens- (Jan.), Scholar of Rubens,

Bom at Antwerp, 1584; died there Oct. 16, 1663.

898. A winter-landscape; a hunter with his dogs, and
(K4.) a hare in his hand. On canvas, 1,91 h., 2,89 w.

Signed: JAN WILDENS. FECIT. 1624. From the
Collection in Moritzburg as a copy. Old inven. 1722.

Momper (Josse de) the Younger.

Bom at Antwerp about 1559; died there about 1634.

899. A rocky landscape. Steep mountain, coast- sce-
(12 b.) nery; bridges and foot-bridges with travellers.

On wood, 0,50 h., 0,94 w.

Signed: I. D. M. Purchased in 1742 by Eiedel in
Prague.

900. Rocky mountains, some covered with forests; a
(12 b.) bridge resting on arches ; travellers on horseback.

On wood, 0,53 h., 0,72 w.

901. Steep mountain, coast -scenery; bridges and foot-
(12 b.) bridges with travellers. On wood ; preceding size.

Purchased by Count Gotter, for 100 Conven. florins.

902. Mountain-scenery. On wood, 0,44 h., 0,65 w.

(25 b.)

903. Similar landscape. On wood, 0,39 h., 0,56 w.
(25 a.)

904. Companion - picture to the preceding. On wood,
(25 a.) and of the same size.

All three taken from the reserved pictures in 1861.
The figures mostly by Jan Brueghel.

Stalbemt or Staelbempt (Adrian van).

Born at Antwerp, 1580; died after 1660.

905. A banquet of the gods. On wood, 0,5175 h.,
(30 d.) 0,815 w.

Signed: A. V. STALBEMT. AA 1622.

131

906. The Judgment of Midas. On wood, 0,40 h.,
C30d.) 0,58 w.

Obtained through du Roy as an original by Le Cleve.

Teniers (David), the Father; Scholar of Biihens Sbxid Ad.

Elsheimer,

Born at Antwerp, May 4, 1682 ; died there, 1649.

907. A lake, in which the moon is reflected; rocky
(7b.) mountains with old towers behind; in the fore-
ground, shepherds reposing round a fire. On wood,
0,385 h., 0,57 w.

Signed: D. TENIERS. F. Obtained through Wan-
derer. Old inven. 1722.

908. A village - fair ; a fiddler playing for a dance.
(7 b.) On canvas, 1,42 h., 1,79 w.

Purchased in 1749 by Le Leu, from the Araignon
Collection in Paris for 4000 Livres.

909. A small landscape with a river. On wood,
(7 b.) 0,385 h., 0,55 w.

Signed: D. TENIERS F. Obtained through Wan-
derer. Old inven. 1722.

10. A landscape and several men, one of whom is
(15a.) carrying a rod and a fish. On wood, 0,15 h.,
0,22 w.

Signed: T. Fct.

^

911. A landscape with several people. On wood; pre-
(15 a.) ceding size.

Signed : T. F.

912. A Dutch bleach-field. On wood, 0,49 h., 0,705 w.

(15a.) Signed: D. TENIERS F. Obtained through Count
Goiter for 40 Conven. florins.

I*

132

\ y9l3. A

V(16a.> 0,

Dutch country fair (church-ale). On wood,
50 h., 0,71 w.

Signed: D. Teniers. F. Obtained as above. Price,
40 Convent, florins. Restored in 1826, by Palmaroli.

Teniers (David), the Son; Scholar of his father and

Bubens.

Born at Antwerp, in December 1610; died at Brussels,
1690.

914. A couple of peasants playing at trick-track, a
(7 b.) third is looking on. On wood, 0,30 h., 0,37 w.

Signed: D. TENIERS. F. Obtained through Count
WacKerbarth. Old inven. 1722.

sj

915. A village -fair in the Netherlands. On canvas,
(15 c.) 0,93 h., 1,34 w.

Signed: D. TENIERS. Purchased by De Brays
and Araignon from the Carignan Collection, 1742 for
3500 Livres.

916. Peasants playing cards in an ale-house. On wood,
(7 b.) 0,30 h., 0,385 w.

Signed: D. TENIERS. F. Obtained through Count
/ Wackerbarth. Old inven. 1722.

917. A witch-scene. On wood, 0,335 h., 0,24 w.
(15 a.) From the Kunstkammer. As above.

«

918. Peasants sitting in a village ale-house, smoking ;
(15 c.) a woman brings them food. In the back-ground,

others playing cards. On canvas, 0,37 h., 0,51 w.

Signed: D. TENIERS. Fee. Obtained through Count
Wakerbarth. As above.

919. Peasants sitting round a table and reckoning'
(15 c.) their account. On wood, 0,48 h., 0,69 w.

Signed: D. TENIERS. FEC. As above.

133

920. A young man sitting near an overturned cask, with
(15c.) a tankard in his hand. On wood, 0,43 h.,

0,665 w.
Signed: D. TENIERS. F,

921. An old man writing at his desk in an arched
(15a.) room. A boy brings a letter; a woman stands

at the door. On wood, 0,27 h., 0,19 w.

Signed: D. TENIERS F. Obtained through Count
WacKerbarth. Old inven. 1722.

922. Armed men playing at dice in a guard-room.
(16 a.) In the back-ground, the liberation of Peter from

prison. On copper, 0,575 h., 0,78 w.

Signed: D. TENIERS. F. Bought by Leplat from
Jos. Ferodi. Old inven. 1722.

923. Some peasants sitting round a table smoking and
(15c.) drinking beer; others are playing cards. , On can-
vas, 0,59 h., 0,73 w.

Signed : D. TENIERS. FEC. Purchased by De Brays
and Araignon from the Carignan Collection, in 1742j
for- 1500 Livres.

924. The interior of a Dutch farm-house. A peasant
(27c.) frolicking with a woman. On wood, 0,48 h.,

0,63 w.

Signed :

©/^V^

Obtained through Leplat. Old inven. 1722. Trans-
ferred from the reserved pictures to the Gallery in 1855.

925. Similar subject. Man and woman busy near the
(27 c.) fire. On wood, 0,38 h., 0,60 w.

Signed: lcniCf\SJ^

Purchased by von Kaiserling in 1741. In v. 8vo.
From the reserved pictures in 1856.

V

t

134

926. A peasant asleep in an ale-house. In the back-
(15 a.) ground, other peasants drinking and smoking.

On wood, 0,35 h., 0,25 w.
Signed; D. TENIERS. f.

927. Soldiers playing cards in a guard-room. In the
(15 a.) fore-ground, a page holding a red cloak ;- before

him, lie weapons of all kinds. On copper, 0,395 h.,
0,47 w.

Signed: D. TENIERS. EEC.

928. A chemist sitting before a furnace with a pair
(15 c.) of bellows, surrounded by all kinds of apparatus.

On canvas, 0,61 h , 0,73 w.

Signed: D. TENIERS. EEC. Purchased from Franz
Lemmers in Antwerp in 1708. Price, 200 Pattacone.
Old inven 1722.

929. The temptation of St. Anthony. On copper,
(7 b.) 0,70 h., 0,85 w.

Signed: D. TENIERS. FEC. Obtained through J.
Perodi. Old inven. 1722.

930. Peasants at dinner. One stands on a block of
(15 a.) wood playing for the others to dance. On wood,

0,61 h., 0,90 w.
Signed: D. TENIERS. FEC.

- 931. Great fair in a village. On canvas, 1,37 h.,
(16 a.) 2,15 w.

Siffned: DAVID TENIERS. Purchased in 1749 by
Le Leu from the Araignon Collection in Paris, for
1600 Livres.

,^' 932. Peasants playing dice. On wood, 0,57 h., 0,77 w.

(15 a.) Marked AO 1646. Obtained through Raschke. Old
inven. 1722.

933. The temptation of St. Anthony. On wood, 0,28 h.,
(7 b.) 0^.375 w.

Signed : D. TENIERS. f. Purchased by Count Wacker-
barth from Perodi. Old inven. 1722.

135

^» / 934. An old dentist holding with ap instrument a
** (16 a.) tooth, which he has just extracted for a young man.
On wood, 0,35 h., 0,30 w.
Signed : D. TENIERS.

935. A studio with many pictures on the walls. In
(16c.) the fore-ground, sits a painter at his easel; far-
ther back, his apprentice. On canvas, 0|5l h.,
0,82 w.

From the reserved pictures in 1861. Somewhat
damaged.

936. An old man with a lute; behind him, a flute-
(16 a.) player. On wood, 0,19 h., 0,16 w.

J'rom the reserved pictures in 1861.

Remark. The two signatures in fac-simile are rare.

Teniers (D.) and YereBdael (Nicolas van).

937. Dead game on a table, in a dish is a fish; be-
(18b.) hind, in a vase, a bouquet by Verendael; the

glimpse into a kitchen with the cook, by Teniers.
On canvas. 0,84 h., 1,22 w.

Signed: N. v. Verendael and D. T. Purchased by
Leplat in 1723, from the Collection of the Countess
Wrzowecz in Prague. Old inven. 1722.

Hals (Franz).

^^ Bom at Mechlin, 1684; died at Haarlem, Aug. 20,

f 1666.

V 938. A man's portrait. On wood, 0,25 h., 0,195 w.
(19 a.) Obtained through Raschke. Old inven. 1722.

\J^ 939. A portrait of a man in black clothes. On wood,
(19 a.) 0,26 h., 0,20 w.

Obtained through Count Wackerbarth. Old inven.
1722.

y ,(940. Same subject. On wood, 0,33 h., 0,26 w.
^' (19 a.) Obtained through Raschke. From the reserved pic-
tures in 1861.

136

Same Artist. (?)

941. Portrait of an old woman with a white cloth in
(L2.) her hands. On wood, 0,75 h., 0,75 w.

Obtained in 1740 through Morell from Antwerp.
Inven. 8vo.

Ayercamp (Hendhk yan), named de Stomme van dampen.
Born at Campen about 1590.

942. Dutch village-fair on the ice. On wood, 0,26 h.,
(25 a.) 0,46 w.

943. Similar subject; companion - picture. On wood,
(26 a.) 0,25 h., 0,44 w.

Both purchased in Leipsic as Pieter Brueghel. Old
inven. 1722.

Diepenbeck (Abraham van). Scholar of Eubens.

Bom at Herzogenbusch, 1607 (?); died at Antwerp,
1676. A

944. Neptune- and Amphitrite, surrounded by Cupids.
(30 d.) On wood, 0,615 h., 0,73 w.

\/s

Zegers or Sogers (Daniel) , named ^Hhe Jesuit of Ant-
werp'^; Scholar of Joh. Brueghel.\
Bom at Antwerp, 1690; died there, Nov. 2, 1661.

945. A wreath of flowers surrounding a painted relief,
(47a.) representing the Nativity. On canvas, 1,43 h.,

0,96 w.

Signed: Pater Daniel Sogers. Obtained through
Baron yon Bechenberg. Old inven. 1722.

946. Madonna and Child; painted in relief like the
(47 a.) preceding, and surrounded by a wreath of flowers.

On canvas, 1,42 h., 1,13 w.
Signed as the former. Old inven. 1722.

\r

137

947. Madonna and Child as a bas-relief in a niche,
(7 c.) surrounded by a flower wreath. On copper, 0,87 h.,

0,645 w.

Signed: DUnielSegersSoc^ JESV. From the Wallen-
stein Collection in 1741. Inven. 8vo.

948. Same subject On canvas, 0,85 h., 0,64 w,j
(16 b.) As above.

949. Flowers in a glass vessel. On copper; preceding
(15 a.) size.

Signed : D and S. in a monogram, Soc.t«_ Jesu 1643.
Presented in 1751, by Her Majesty the Queen to His
Majesty the King, biven. 8vo.

950. Flowers in a wooden vessel. On copper, 0,46 h.,
(13 c.) 0,345 w.

Signed D. S. Soc^ JESV. 1643. Obtained through
Leplat. Old inven. 1722.

Samt Artist (?)

951. A Holy Family in the midst of a wreath of
(47b.) flowers. On canvas, 1,19 h., 0,92 w.

Purchased by Count Gotter for 150 Conven. florins.

Sehut (Cornelius), Scholar of Bubens.

Bom at Antwerp. 1597 ; died Apr. 29, 1655.

\/^52.

A Sacrifice to Venus. On wood, 0,76 h., 1,44 w.
(30 d.)

V/rso

'53. Neptune and Amphitrite. On wood, 0,88 h.,
(80 d.) 1,35 w.

From the Wallenstein Collection in Dux, 1741.
Inven. 8vo.

nJ'

138

Jordaons (Jacques), Scholar of Adam van Noort and
Bubens.

Born at Antwerp, May 19, 1593; died there, Oct. 18,
1678.

954. Ariadne, surrounded by fauns, satyrs and bacchantes,
(J 4.) On canvas, 2,41 h., 3,13 w.

Purchased by Raschke in 1709, from Jac. de Wit in
Antwerp as iJt*6ens' Bacchanalia for 600 Pistoles.

955. Silenus holding a cup, into which a bacchante
(Jl.) pours wine. On canvas, 1,93 h., 1,61 w.

/- Obtained as the preceding; price 200 Pistoles.

956. Diogenes with his lantern in the market looking
(J 3.) for men. On canvas, 2,34 h., 3,51 w.

Purchased by De Brays in 1742, from Mens. Lambert
in Paris ; price 1500 Livres.

v/

V

V

f

957. The prodigal son. An old shepherd points to
J 3.) the food of the swine. On canvas, 2,37 h.,

3,70 w.

958. Joseph of Arimath'ea, Mary, John, and Mary Mag-
(J 3.) dalene, seeking the body of the Lord in the sepul-
chre. On canvas, 2,14 h., 1,47 w.

959. The Presentation in the Temple. On canvas,
(J 4.) 3,9i h., 3,03 w.

960. Old and young persons sitting at a well-furnished
(Jl.) table. (In the picture, the inscription: ^^8o

d^ouden songen so peepen de Jongen^' and on a
book-mark under a skull: ^^Cogita mon'\) On
canvas, 1,69 h., 2,02 w.

From the magazine, 1725. Old inven. 1722,

139

961. A satyr with a basket of fruit ; near by, a young
(J 4.) girl. On wood, 1,05 h., 0,74 w.

Purchased by V. Rossi in 1738. Inven. 8vo. From the
jt reserved pictures in 1855.

(/962. A study head with short gray hair and mustaches.
(27 a.) Portrait of Adam Graphaeus, a messenger (Knape)
of the guild of St. Luke in Antwerp. On wood,
0,51 h., 0,41 w.
From the reserved pictures in 1856.

Copy after Knbens by the same arti&t.

963. Hercules intoxicated, led by bacchantes and satyrs.
(J 2) On wood, 2,19 h., 2,00 w.

Cat. Guarienti (Nr. 129), "fu della GtUleria di Man-
tova".

.SnyerB (Pieter), Scholar of H, von BcUen,

Bom at Antwerp, 1693. (?)

964. Robbers, who have plundered and killed some
(18a.) travellers, attacked by armed men. On canvas,

0,64 h., 0,67 w.

Bought by Wanderer in Prague. Old inven. 1722.

965. Similar subject. On canvas, 0,645 h., 0,676 w,
.<l8a.) As al>ove.

966. A traveller, in a mountainous country. On canvas,
<27a.) 0,69 h., 0,60 w.

'- <^/fi&

Signed: iP/C&j Obtained by Riedel in Prague in

1742.

967. A village plundered. On canvas, 0,82 h.,
(26d.) 1,14 w.

From the reserved pictures in 1856.

\f

140

968. A narrow rocky ravine; a castle in the distance.
(27 a.) On canvas, 0,80 h., 0,50 w.

From the reserved pictures in 1861.

Artist unknown.

969. A gypsy encampment on a mountain side. On

/ '

V\

(14 b.) wood, 0,42 h., 0,575 w. /^

970. Travellers assaulted by robbers. On wood, ,0,42 h.,
(Ub.) 0,58 .. ^ ^^^ ,^^ ^^- ^

Udeu (Lucas van). /-, /A, at*- e' ' ''';/■ y \ k

Bom at Antwerp, Oct. 18, 1595; died about 1672 —
1673.

971. Landscape with a river and small waterfall in
(14 a.) the fore-ground. On wood, 0,22 h., 0,35 w.

Signed: L. V. ?V. 1656. Obtained through Count
^ Wackerbarth. Old inven. 1722.

972. In the fore-ground, a level landscape with much
(48b.) water; on a height, a peasant's house to which

a bridal pair are going with their guests. The
figures by D. Teniers. On canvas, 1,58 h.,

2,86 W. V'^...,. yXU (j[(, t

Signed: L. V. (indistinctly) Vden.

973. St. Paul, the hermit, and St. Anthony before their
(14a.) hermitage. Figures by D. Teniers On wood,

0,52 b., 0,74 w.

Purchased by Wanderer as D. Tenters, Old inven.
1722.

141

974. A landscape rich in foliage, with distant moun-
(I4a.) tains. In the fore-ground, a couple of women
with a child. The figures by Pieter Bout, as in
the following. On wood, 0,405 h., 0,70 w.

Signed: ^ J

Obtained through Count Wackerbarth. Old inven.
1722.

I.W5.

A step rock in the distance. In the fore-ground
(14 a.) on a hill, travellers in carriages and on foot,
and a shepherd with his flock. On wood, 0,43 h.,
0,645.

Signed: L. V. V, Obtained through Count Wacker-
barth. Old inven. 1722.

976. Landscape with woody hills, and a broad river,
(14 a.) on which boats are sailing. In the fore-ground,

fishermen draw their nets to the land. On wood,
0,26 h., 0,35 w.
Obtained through Count Getter,

977. Landscape with high mountains and and a river;
(14 a.) in the fore ground, some cattle grazing and two

small waterfalls. On wood, 0,25 h., 0,35 w.

Obtained as above. Price for both, \76 Conven,
florins.

978. Landscape with many large figures. In the
(14 a.) immediate fore-ground, a waggon with vegetables.

On canvas, 0,53 h., 0,70 w.

Imperfectly signed: Vden. Obtained in 1741 by
Wackerbarth. Prom the reserved pictures in 1860.

979. Landscape with trimmed willows. Shepherd and
(14a.) shepherdess with sheep. On canvas, 0,51 h.,

0,69 w.
As above.

142 ^ * ' '

Dyck (Antonie van).

Born at Antweip, March 22^ 1599; died in Black-
friars in London, Dec. 9, 1641.

980. Silenus intoxicated, led by bacchantes. On canvas,
(J 4.) 1,06 h., 0,91 w.

Signed: A. V. D. (in a monogram.) Purchased by
the painter Pesne. Old inven. 1722.

981. Jupiter descending as a shower of gold into
(J 4.) Danae's bed-chamber. On canvas , 1,30 h..^

1,83 w.
Obtained through Baumann. Old inven. 1722,.

982. St. Jerome* On canvas, 1,94 h., 2,17 w. ^ (II. 49.)
(J 3.)

983. The Virgin as Queen of Heaven, with the Infant
(J2.) Christ standing in her lap. On canvas, 1.22 h.,

0,97 w.

Obtained by Kiedel in Vienna in 1741.

984. The Infant Christ standing on a globe with the
(M3.) serpent under his feet. On wood , 0,73 h.»

0,50 w.

985. Portrait of Charles I. King of England. On canvas,
(Jl.) 1,22 h., 0,96 w.

Inscribed: C. R. 1637; (over each of the letters, the
Crown). Purchased in 1748 by Gialdi and Guarienti,
from the Royal Gallery in Prague.

986. Henrietta Maria, Princess of France, Consort of
(J 1.) Charles I. King of England. On canvas, 1,23 h.,

(\96 w.
Obtained as the preceding.

987. The Portraits of the three children of Charles I.:
(Jl.) Charles, James and Maria. (?) On canvas, 1,28 h.,

1,45 w.

143

Purchased, by Le Leu in Paris, 1744. Tnven. 8vo.
Probably the picture formerly in the Gallery of the
Regent, the Duke of Orleans.

988. Portrait of a gentleman in a black dress, with a
(Jl) white, hanging collar. On canvas, 1,26 h.,

0,92 w.

Purchased in 1741 by Heineken in Hamburg.
Inven. 8vo.

989. Portrait of a lady, as companion-picture. On
(Jl.) canvas, 1,25 h., 0,90 w.

As above.

/ 990. Portrait of the painter Martin Ryckaert. On
(J 4.) canvas, 1,16 h., 0,97 w. ^ (III. 15.)
Mod. purchase, under the above title.

/.

991. Portrait of the Knight Engelb^ert Taie, Baron
(M2.) von Wemmel. On canvas, 0,73 h., 0,56 w.

Purchased in 1723 by Leplat, as an original by
Bubens. Old inven. 1 722. This, and No. 852 from the
Wrzowecz Collection in Prague.

992. Portrait of a man in armour. On canvas, 0,91 h.,
(M2.) 0,71 w. ^ (III. 16).

Mod. purchase. Engraved as Bichard Cromwell. (?)

993. Portrait of the Scotchman, Thomas Parr, in his
(M3.) 151 «* year. Oval. On wood, 0,65 h., 0,52 w.'

Purchased by Count Wackerbarth from Rigaud.
See the inscription on the back. Formerly in the
Collection of Charles I. of England, from whence it
came into the Collection ofJabach in Paris; from his
heirs it passed to Rigaud.

994. Portrait of the brother of Rubens (?) in black
(M3.) clothing with a white plaited collar. On canvas,

0,67 h., 0,54 w.
Mod. purchase.

144

995. Portrait of a man in black clothes; his left arm
(M2.) covered with a black mantle. On linen attached

to wood, 0,85 h., 0,65 w.

Purchased in 1723 by Leplat from the Collection
of Countess Wrzowecz in Prague. Old inven. 1722.

996. Half-length-portrait of a man, clothed in black.
(M2.) On linen attached to wood, 0,60 h., 0,53 w.

Purchased in September 1763, by Leg.-Bath von
Eauderbach from the estate of Mons. 6mll. Lormier
in the Hague; price, 760 fl. Dutch.

997. Portrait of a man in steel armour. On canvas,
(M2.) 0,64 h., 0,50 w.

Obtained through Count Gotter ; price, 150 Conven. fl.

998. Half-length -portrait of a man in black clothes
(M2.) and small white collar on the left side. On

canvas, 0,61 h., 0,485 w.

Purchased in 1728 by Schenk in Holland; Price,
100 Ducats. Old inven. 1722.

After Dyck (Antonie van).

999. Half-length portrait of a man with short beard
(28 c.) and folded collar, in dark clothes with slit

sleeves. On canvas, 0,62 h., 0,50 w.

In 1741, as van Dyck, from the Wallenstein* Collec-
tion. Jnven. 8vo.

1000. Half-length-portrait of a man in armour, holding

(26 c.) in his right hand a commander's staff. In an

oval frame painted in monochrome. On canvas

1.13 h., 0,83 w.

Old inven. 1722. Purchased in Leipsic, as an ori-
ginal in van Dyck's style. From the reserved pictures
m 1861.

145

«

1001. A study; head of a man with a white ruff.
(Ll.) Fragment. On wood, 0,315 h., 0,275 w.

Old in van. 17*22. From the reserved pictures in 1861.

1002. Christ and the Tempter. A sketch. On wood,
(26 a.) 0,22 h., 0,17 w.

From the reserved pictures in 1861.

1003. Mary de Medicis as widow. On canvas, 0,74 h.,
(26 c.) 0,60 w.

Old inven. 1722.

Miel (Jan.).

Born at Antwerp, 1599; died at Turin, 1664.

1004. A goatherd sitting on a height near some goats,
(13 c.) playing on a bagpipe. On wood, 0,14 h , 0,24 w.

1005. A herdsman and herdswoman with some cattle;
13 c.) the former is drawing a thorn from his foot.

On copper, 0,15 h., 0,25 w.

Utrecht (Adriaen van), scholar of Hermann de Byt,
Born at Antwerp, Jan. 12, 1699; died, 1652—53.

1006. Fruit and a pie with other provisions; on the
(K 3.) floor , some musical instruments. On canvas,

1,83 h., 2,24 w.
Signed: Adriaen van Utrecht, fecit, an. 1647.

Quellinus (Erasmus) (?), scholar of Buhens.

Born at Antwerp, 1607; died there, Nov. 11, 1678.

1007. The Betrothal of Mary and Joseph. On copper,
(30 d.) 0,54 h., 0,415 w.

Purchased in 1741 by V. Rossi as Buhens; price
450 Thlr.

10

146

1008. St. Catherine kneeling before tlie Virgin, and is
(30 d.) crowned by the Infant Christ with a laurel

wreath ; St. Apol Ionia and Margaret on each side.
On copper, 0,535 h., 0,4075 w.
As above; price 450 Thlr.

Flemal (Bartholet).

Bom at Liege, 1612; died there, 1675.

1009. ^neas about to leave the burning Troy with his
(27 d.) wife Creusa, his son Ascanius and his father

Anchises. On wood, 0,49 h., 0,63 w.
Signed: BARTHOLET FLEMAL. Old inven. 1722.

Arthois (Jacob van), said to be a scholar of WUdens.
Bom at Brussels, 1613.

1010. Landscape with a distant view , and beautiful
(48 a.) groups of trees ; in the fore-ground, cattle grazing.

On canvas, 0,85 h., 1,17 w.

Signed: Jac. d' Arthois f. Anno .... Restored by
Renner in 1826 under the direction of Palmaroli.

1011. Forest-landscape; in the fore-ground, some horse-
(50 c.) men. On canvas, 0,57 h., 0,82 w.

1012. Companion picture ; in the fore-ground, a wagon.
(50 c.) On canvas, preceding size.

All three purchased by Riedel in Prague, 1742.
Inven. 8vo. Nos. 1011 and 1012. From the reserved
pictures in 1856.

Peeters (Bonaventura).

Born at Antwerp, 1614; died and buried at Hoboken,
July 25, 1652.

1013. View of the island and city of Corfu (?); a
(27 d.) Dutch man-of-war lying at anchor in the roads.

On canvas, 0,76 h., 1,12 w.
Signed: Bonaventura Peeters fecit in Hoboken. 1652.

147

Same Artist \ the figures by David Temers, the Elder,

1014. View of the village Scheveningen , with a part
(13 b.) of the sea-coast. On canvas, 0,82 h., 1,16 w.

Signed: D. T. F. Obtained through Josef Perodi.
Old inven. 1722.

Peelers (Jan), younger brother of Bonaventura.
Bom, April 24, 1624; died about 1677.

1015. Peasant-cottages and some peasants ; one of their
(27 c.) cows running away. On wood. 0,37 h., 0,56 w.

fe Signed

= Tttttrs.

From the reserved pictures in 1861. Old inven. 1722;
purchased as Teniers.

Kyckaert (David), scholar of his father.

Born at Antwerp, 1612; died there after 1661—62.

1016. A peasant- family. On wood, 0,66 h., 1,025 w.
(17 b.) Signed: D. RYCKAERT. 1639. Mod. purchase.

1017. Similar subject. On wood, 0,59 h., 0,97 w.

(17b.) Signed: D. RYCKAERT. 1642. Obtained by V. Rossi
in Italy, 1744.

1018. Still-life. On canvas, 0,79 h., 0,87 w.

(50 c.) Signed: D. RYCKAERT 1699 (sic) and the Dutch
verse: '*0m minne van den Smaer Leckt de Kat den
'kandelaer*^ From the reserved pictures in 1855.

1019. Same. In the fore-ground a boy spinning a iop.
(50 c.) On canvas, 0,68 h., 0,87 w.

Signed : Ryck . . . From the reserved pictures, 1856.

10*

148

1020. A room in a peasant's house, with kitchen uten-
(19 b.) sils. In the back - ground , peasants drinking.

On wood, 0,50 h., 0,80 W.
Signed: D. RYC. F. 1638.

Same Artist, (?)

1021. A peasant holding a tankard in his hand and
(15a.) singing; another playing on a fiddle. On wood,

0,36 h., 2,29 w.

Indistinctly signed. ^

Jacobsen (Juriaen), scholar of Franz Snyders.

Born at Hamburg; died at Leuwarden, 1664.

* A022. Dogs attacking a wild boar. On canvas, 1,83 h.,
V (K 4.) 2,35 w.

Signed: J. Jacobsen. Fee. 1660.

Coques or COCX (Gonzales), scholar of David Byckaert.
Born at Antwerp, 1614; died, 1684.

1023. Domestic life. Several musical instruments
(14 c.) lying on the floor. On wood, 0,675 h., 0,90 w.

Artist unknown. Supposed to be Daniel Mytens, the
architecture by Hend, van Steenwyk^ the son.

r'K

e

^ 1024. Charles I., King of England, in the hall of a

\^ (14 c.) palace. On wood, 0,51 h., 0,48 w.

/* Siprned: Henri van Steinwick (sic) 1637.

\ ^ ' 1025. Henrietta Maria, his Queen. Copied after Van
(14 c.) Dyck. See No. 984. The architecture as in the
preceding. On wood, 0,515 h., 0,45 w.

Signed: M. H. R. (Maria Henrietta Regina) with
the crown. 1637. See No. 985.

149

Neyts (Aegidius or Gilles), scholar of Lucas van TJden,

Flourished in Antwerp from 1650 to 1690. Declared
a master of the guild of painters at Antwerp in
1647 — 48 (according to Theod. van Lerius).

1026. Mountain scenery with thickets and ruins; in the
(48 a.) fore-ground, a lady and two gentlemen on horse-
back, and a beggar. On canvas, 1,28 h., 1,99 w.

Signed: M. Neyts. f. 1681.

1027. Mountain landscape with trees and ruins. On
(48 c.) canvas, 1,16 h., 1,92 w.

Signed: G. Neyts f. Both purchased by Riedel in
Prague, 1742. Inven. 8vo.

Son (Joris [Georgius] van) (?).
Bom at Antwerp, 1622.

1028. Grapes and other fruit in a porcelain dish;
(28 a.) also some asparagus. On canvas, 0,48 h., 0,64. w.

Bought by Morell in 1740, as Jan Son. Inven. 8vo.

1029. A white and blue dish with grapes, apples and
(28 a.) lemons. On canvas, 0,49 h., 0,65 w.

Purchased by v. Kaiserling, 1741. Inven. 8vo.

1030. A large thistle and blue flowers (blue bottles).
(26 d.) On canvas, 1,05 h„ 0,83 w.

Obtained through Count Gotter as Verendaeh for
50 Fl. From the reserved^pictures in 1856.

V T

Tilborch (Egidius or Gilles).

Bom at Brussels in 1625.

1031. A Dutch wedding. On canvas, 1,26 h., 1,95 w.
(13c.) Signed: G. TILBORCH. From the Kunstkanmier.
Old inven. 1722.

150

Fyt (Jan).

Born at Antwerp in 1609; died there, 1661.

1032. A hare, partridges and other birds; also a couple
(29 a.) of porcelain - dishes and a pitcher. On canvas,

0,81 h., 1,01 w.

Signed: Joannes Fyt. P.

1033. A dead hare, game, a melon and garden-fruit.
(29 a.) On canvas, 0,86 h., 1,18 w.

Signed: T. Fyt. f.

1034. Two dead partridges and a hunting-dog. On
(27 c.) canvas, 0,40 h., 0,66 w.

Signed: Joannes Fyt. From the reserved pictures
in 1856.

1035. A kid suspended by one leg. On canvas, 0,72 h.,
(51 a.) 0,60 w.

From the reserved pictures in 1856.

1036. A brace of partridges and other dead game, among
(51a.) them a bull-finch. On canvas, 0,76 h., 0,66 w.

Kessel (Jan van), scholar of Simon de Vos.

Bom at Antwerp, 1626); died there about 1679.

1037. Fruit, shell -fisl^ and a cut ham. On canvas,
(51b.) 0,85 h., 1,10 w.

Signed: J. v. Eessel f. anno 1634.

Artist unknown.

1038. Dead game and fruit on a wall. On canvas,
(51b.) 0,845 h., 1,17 w.

351

Apshoven (Thomas van), scholar of the younger Teniers.

Bom about 1630 at Antwerp, declared a master son
in the guild in that city, under the presidency of the
younger Teniers in 1645 - 1646 (according to Theodbr
van Lerius).

1039. Oysters, grapes, cherries, and half of a lemon on
(8 a.) a plate. On wood, 0,27 h., 0,39 w.

Signed: T. V. APSHOVEN. Obtained through v.
Kaiserling, in 1741. Jnven. gvo.

EUiger (Ottmar), scholar of Daniel Seghers.

Born at Gothenburg, 1632; died at Berlin, 1679, as
court painter.

1040. A tulip with roses and currants on a table. On
(27 a.) wood, 0,385 h., 0,30 w.

Signed: Ottmar Elliger. Fecit Anno 1674. Pur-
chased in 1727 at the Leipsic fair. Old inven. 1722.

1040 a. A bouquet on a table with grapes and apricots
(17 b.) at the side. On wood. 0,6375 h., 0,44 w.

Signed: Ottmar Elliger. F. A. 16 . . Purchased
at the Leipsic fair, Easter 1727.

Marienhof (A.), scholar of Buhens.
Lived at Gorcum about 1630.

1041. A man with compasses in his hand, kneeling be-
(61 b.) fore a royal pair on a throne. On wood, 0,485 h.,

0,64 w.

Signed: A. Marienhof f. 1649. Obtained by Riedel
in Prague, 1742.

Same Artist, (?)

1042. Landing of the Queen dowager of France, Mary
(25 c.) de Medicis, in Antwerp. On wood, 0,65 h., 0,92 w.

Signed: F. M. (in monogram). From the Kunst-
kammer. Old inven. 1722.

152
Molanus (M.).

Lived about 1636.

1043. Level landscape with a large group of trees;
(28a.) in the distance, a village. On wood, 0,40 h.,

0,615 w.
Signed: M. Molanus, 1635.

Meulen (Franz van der).

Born at Brussels, 1634; died at Paris, Oct. 15, 1690.

1044. Louis XIV. making an excursion to Vincennes.
(16 b.) On canvas, 0,60 h., 0,85 w.

Purchased by De Brays in 1742 from Araignon in
Paris, as ^'Promenade de Louis XIV. a Vincennes^',
price, 2000 Livres.

1045. Louis XIV. with his Consort, Maria Theresa, at
(16 b.) the entry into Arras in 1667. On canvas, 0,63 h.,

0,98 w. ^c^ ^♦n4^v«»» /r* #*' /-jov^ r;

Purchased as above; as '^ Prise de Possession d* Arras'*,
price, 2000 Livres.

Copy after the same Artist.

1046. Louis XIV. giving orders to one of his officers
(14b.) during a battle in a forest. On canvas, 0,64 h.,

0,86 w.
Obtained through v. Kaiserling in 1741. Inven. 8vo.

Neck (Jan van), scholar of Jacob de Backer.

Born at Naarden, 1636; died at Amsterdam, 1714.

1047. A statue of Pari before a dark grove, and an-
(20 a.) other, which a woman is decking with a wreath

of flowers. On canvas, 0,83 h., 0,68 w.

Signed: J. v. Neck f. Purchased by Riedel at the
Michaelmas fair in Leipsic, 1761. Presented to His
Majesty the King by H. R. H. the Elector.

153
Torsterinans (Jan).

Born at Bommel about 1643; died about 1699.

1048. A small landscape; in the fore-ground, some forts.
(15 a.) On wood, 0,15 h., 0,215 w.

Signed: VORSTERMANS (indistinctly).

Nefs (Peter).

Born at Antwerp about 1570; died, 1651.

1049. The interior of a small Gothic church. On wood,
(14 a.) 0,385 h., 0,575 w.

Signed: P. Nefs. 1605.

Nefs or Neeffs (Ludwig), scholar of his father, Peter

Nefs.
Lived at Antwerp about 1648.

1050. A view of the interior of the Cathedral at Ant-
(8 b.) werp. (The figures 'by Franz Francken.) On

canvas, 0,90 h., 1,17 w.

On the pillar at the right, signed : FRATER LODE-
VICVS NEEFFS. An. 1648. On the pillar at the
left: D, j. Jfranck. inven. et f.

Oheringh (Joh.).

Lived at Antwerp about 1664.

1051. The interior of a church. On canvas, 0,835 h.,
(8 b.) 1,18 w.

Signed : J. Gheringh. 1664. (J. and G. in monogram.)

Bloemen (Pieter van), named Standart,

Christened at Antwerp, Jan. 17, 1657. Director of
the Academy there, 1699; died about 1719.

1052. Cattle standing before the ruins of a Roman
(47a.) building; near by, a rider with some horses.

On canvas, 0,85 h., 1,00 w.

Signed: P. V. B. 1710. Obtained by Riedel in
Prague, 1742. Inven. 8vo.

154

1053. A gentleman riding a white horse before some
(47a.) others; near by, a groom holding some saddled

horses. Companion picture. On canvas, 0,84 li.^
1,00 w.
As above.

1054. Some men stopping before an inn with a couple
(7 a.) of pack-horses, which they are loading. On canvas,

0,59 h., 0,50 w.

Signed P. V. B. 1718. From the Collection of Count
Wallenstein in Dux in 1741.

1055. A family on a journey. A laden horse and a
(48 c.) camel with other animals and their leaders. On

canvas, 0,72 h.. 1,00 w.

Purchased by Riedel in Prague in 1742. Inven. 8vo.
In an old list mentioned as *' Journey of Jacob to
Egypf\

■4

1056. Two fishermen drawing their nets; near by, an
(7a.) old white horse saddled; behind him, a mule.

On canvas, 0,59 h., 0,50 w.

From the Collection of Count Wallenstein in Dux
in 1741.

Same Artist. (?)

1057. A camp. In the fore-ground, horsemen with their
(14b.) horses; near by, tents and baggage wagons.

On canvas, 0,45 h., 0,555 w.

Signed indistinctly. Obtained through Riedel in
Prague in 1742. Inven. 8vo.

Bloemen (Johann Franz van), named Orizonte, an imi-
tator of Casp. Potissin.

Christened at Antwerp, May 22, 1662; died at Rome,
1748.

1058. Landscape with high trees; in the fore-ground, a
(6b.) river, on the bank of which are men fishing.

On canvas, 0,73 h., 0,97 w.

155

Hondt (Abraham).

Born at Rotterdam, 1638; died in London, 1691.

1059. Cavalry skirmish near a village. On wood, 0,25 h.,
(7 b.) 0,35 w.

Signed: A. HONDT.

Huysmans (Kornelis), named de Malines.

Bom at Antwerp, 1648; died at Mechlin, 1727.

1060. A sheep-cot in a forest; near by, the flock. On
(8 a.) canvas, 0,585 k, 0,805 w.

Obtained by Riedel in Prague in 1742. Inven. 8vo.

MinderhOttt (Henry van).!

Bom at Rotterdam in 1632; died at Antwerp,
July 22, 1696.

1061. A seaport. -In the fore-ground, several figures
(18 b.) and laden camels. On canvas, 0,86 h., 1,18 w.

Signed: H. van|Minderhout, 1673.

Boudewyns (Anton Frans).

Christined Oct. 3, 1644; died at Brussels, 17 . .

The figures by Fieter Bout^ scholar of van
der Meulen,
Christened at Brussels Dec. 5, 1658; died about 1700.

1062. Landscape with distant mountains. Gypsies in
(27 c.) the fore-ground under ruined walls. On wood,

0,25 h., 0,35 w.
Obtained through v. Kaiserling. Inven. 8vo.

1063. A sea-coast with buildings in southern style. A
(13 b.) vessel lying in port. On wood, 0,345 h., 0,49 w.

Obtained through Count * Wackerbarth. Old inven.
1722.

156

1064. A number of beggars and cripples assembled be-
(13 b.) fore a convent gate. On wood, of preceding size.

As above.

1065. Mountain scenery. In the fore-ground, figures
(26 c.) under some trees near a ruined monument. On

wood, 0,28 h., 0,43 w.
As above.

1066. A lake. In the fore-ground, a fountain, near
(13c.) which are three horsemen, one of whom is wa-
tering his horse. On wood, 0,22 h., 0,346 w.

Obtained through Count Wackerbarth as Boutstaffier.

1067. A town at the foot of a mountain on a river, in which
(13 b.) people are bathing. On canvas, 0,36 h*, 0,63 w.

1068. Two fortified places with castles lying opposite
(13c.) each other on a river, in which herdsmen are

watering their cattle. On wood, 0,22 h., 0,346 w.
Obtained through Count Wackerbarth.

1069. Coast scenery with [ruins. On canvas, 0,37 h.,
(27 c.) 0,54 w.

As above.

1070. Landscape with architecture. In the fore-ground,
(14 b.) three huntsmen. On wood, 0,26 h., 0,36 w^

Inven. 8vo.

1070 a. A cattle market before the gates of a city. On
(13 b.) canvas, 0,41 h., 0,67 w.

Both obtained through Riedel in Prague in 1742.
Inven. 8vo.

Nicolas van Verendael.

Lived at Antwerp about 1656; died, 1690—91.

1071. Apes sitting at a table. On wood, 0,29 h., 0,385 w.
(14 b.) Signed : N. V. Verendael. 1686.

157

1072. A bouquet in a vessel with relief work. On
(13 c.) wood, 0,31 h., 0,41 w.

Signed: Nla. Va. Veeredael.

Verelst (Simon van) (?).

Bom at Antwerp, 1664; died in London, 1721.

107f3. Half-length portrait of a man in steel armour,
(49 b.) with a yellow sash and white lace collar. On wood,
0,60 h., 0,49 w.

Artist unknown.

1074. Portrait of a man in black cuirass and yellow
(49 b.) jerkin, with a yellow sash embroidered with silver.

On wood, 0,65 h., 0,53 w.
Marked: Anno 1634.

liin (Hans van), named Stilhdd or Stilheid.
Lived about 1650.

1075. Cavalry combat under the walls of a fortress.
(14 b.) On wood, 0,45 h., 0,63 w.

Signed: H. v. Lin fe. 1650. Obtained through Count
WacKerbarth. Old inven. 1722.

1076. A horseman and a horse laden with a deer,
(10 c.) following huntsmen. On wood, 0,22 h., 0,27 w.

Signed: H. van Lin. Fe. Obtained as above.

1077. A woman, with her child in her arms, riding
(10 c.) on an ass. On wood, 0,225 h., 0,27 w.

Signed: H. van Lin. As above.

Breydel (Franz).

Born at Antwerp, 1679; died there, 1760.

1078. Men and women, theatrically dressed, dancing
(16 a.) among ruins of ancient buildings. On wood,

0,24 h., 0,29 w.

Signed: F. Breydel. Obtained through Leplat. Old
inven. 1722.

158

1079. Same subject. A man in black clothing leading
(16 a.) in the dance. On wood, 0,25 h., 0,305 w.

As above.

Wiebke (Bartholt)

Lived about 1679.

1080. Two peaches, a bunch of grapes, and some
(10 a.) currants. On wood, 0,37 h., 0,295 h..

Signed: Bartholt Wiebke Fecit A*L 1679.

1081. Wanting.

Falens (Carl van.)

Born at Antwerp, 1684; died at Paris, May 29, 1733.

1082. Starting for a heron chase. On canvas, 0,545 h.,
(20 b.) 0,655 w.

Signed: C. van Falens.

Horemans (Jan)."

Born at Antwerp, 1682; died there Aug. 7, 1759.

1083. A shoemaker in his workshop. On wood, 0,265 h.
(15 b.) 0,205 w.

Signed: J. Horemans. Purchased, Apr. 11, 1723, from
Michael Met de Pengen, also named Miepi de Motto
Ponedi, with 35 other pictures for 900 Thlr. Old
inven. 1722.

1084. The companion picture. A mother, sitting by
(15 b.) the side of her sleeping child, busily sewing. On

wood, 0,27 h., 0,205 w.
Signed: J. Horemans. As above.

159

Dutch School.

Mor (Anthonise), also called Moro and Moras.

scholar of Jan SchoreeL
Bom at Utrecht, 1519; died at Antwerp, 1581.

1.085. Half-length portrait of a man with broad, gray

(21a.) beard and a black cap; on his breast hangs, on

a gold chain, the red cross of the canons of

St. John in Utrecht. On wood, 0,35 h., 0,29 w.

Obtained through Raschke. Old inven. 1722. On
the back, old signature: A. Moore. S. (Schilder, i. e.
Painter.)

1085a. A man with a small, black cap on his head, his
(21 a.) right hand lightly resting on a book. On wood,
0,425 h., 0,31 w.

Purchased in Leipsic, with the inscription: ''Like
a Jesuit". Old inven. 1722.

Cornelis (Cornelius), named Cornelis van Harlem;

scholar of Franz Porhus.
Born there 1562; died, 1638.

1086. Venus, Apollo, and Geres. On canvas, 1,54 h.,
(25 a.) 1,84 w.

Signed: C. H. (monogram) 1614. Purchased by Le-
plat as original. Old inven. 1722.

Same Artist. (?)

1087. An old man showing a full purse to a girl who
(25 d.) holds fast to a young man. On canvas, 0,71 h.,

0,86 w.

Signed: 1691. C. C. H. In 1741 from the Wallen-
stein Collection in Dux. Inven. 8vo.

160

XJtenwael (Joachim), scholar of Joas de Baer,
Born at Utrecht, 1566 ; died 1604.

1088. Parnassus. On copper, 0,16 h., 0,21 w.
(25 d.) Signed: JOACHIM UTENW^L 1596.

Lys (Jan), named Fan.

Born at Oldenburg about 1570; died in Venice^
1629.

1089. The penitent Magdalene. On canvas, 1,14 h.,
(26 b.) 1,32 w.

1090. A man playing on a lute. On canvas, 1,04 h.,
(K4.) 0,76 w.

Purchased by V. Rossi in 1744 as Chiov. Lys from
Casa Grimani Calergi in Venice.

Mierevelt or Mireveld. (Michiel Jansz).

Born at Delft, 1598; died there, July 27, 1641.

1091. Portrait of a lady with a white cap and round
(1^3.) plaited collar. On wood, 0,715 h., 0,56 w.

Purchased by J. A. Riedel in Prague in 1742.
Inven. 8vo.

1092. Portrait of a man with short hair and beard, in
(L 1.) black dress and white plaited collar. On wood,

0,71 h., 0,57 w.

1093. A young man dressed in black, supporting him-
(K 1.) self with his right hand on a table. On wood, 1,05 h ,

0,77 w.

1094. Portrait of a man, who holds a letter in his hand.
(Ll.) On wood, 0,74 h., 0,64 w.

Bought by J. A, Riedel in Prague in 1742. Inven.
8vo.

1095. Portrait of a woman in a black dress, with one
(L2.) hand. On wood. 0,745 h., 0,63 w.

As above.

161

1096. Half-length portrait of a man in black clothes
(L3.) and plaited collar. Oval; on wood, 0,765 h.,

0,615 m.

Mierevelt (Pieter), son and scholar of the preceding.
Born at Delft. Oct. 5, 1595; died there, 1631.

1097. Half-length portrait of a man with a white beard
(L 1.) and black hat. On wood, 0,47 h., 0,37 w.

Supposed to be the portrait of the painter Coorn-
heert.

1098. Portrait of a man holding a glove in his left
(Kl.) hand. On wood, 1,16 h., 0,87 w.

Purchased by Riedel in Prague in 1742 Inven. 8vo.

1099. Portrait of a lady in a black dress, holding in

(K 1.) her right hand a black feather-fan. On wood, of

the preceding size.
As above.

Artist unknown.

1100. Portrait of lady. On canvas, 0,37 h., 0,32 w.
(49 a.)

1101. Female study head. On wood, 0,41 h., 0,345 w.
(49|a.) From Prof. Steinla's estate.

Bray (Salomon de.)

Bom at Haarlem, 1597; died, 1664.

1102. Half length portrait of a girl with a straw hat,
(L3.) holding a small branch with fpears. On wood,

0,76 h., 0,60 w.

Signed :

^t^

11

162

1103. Portrait of a young man with a green branch
(L 3.) wreathed around his head. On wood, 0,76 h.,

0,595 w.

Signed as above, with the same date. Both from
Count Wackerbarth. Cat. Guar.

Same Artist (?)

1104. A young man clad in red velvet with a cap of
(20 b.) the same. On wood, 0,71 h., 0,60 w.

Bought in Dresden, as an unknown orignal Old
inven. 1722.

1 105. Portrait of a man in a red mantle, and hat with
(20 b.) feathers. On wood, 0,72 h., 0,55 w.

Purchased by Leg. R. v. Hagedorn from Hofrath
Ehrenreich of Hamburg; price 35 Thlr.

Ravesteyn (Jan van.) (?)

Bom in the Hague, 1580; still living about 1655.

1106. Portrait of an old man in armour. On canvas,

(Kl.) 1^20 h., 0,94 w.

Marked; AJ: 1605. Purchased by V. Rossi in 1744
as "Portrait of Count Moritz von Nassau by Paul
Brilli" (de Brie?)

Poelenlburg (Cornelis), scholar of Ahr, Bloemaert,
Bom at Utrecht, 1586; died after 1666.

1107. Landscape; Diana and her nymphs resting from

(13 b.) the chase. In the distant back-ground, Actaeon.

On wood, 0,61 h., 0,92 w.

Purchased by Rigaud in Paris in 1742. Price IWO
Livres.

1108. A landscape with rocks in the fore-ground; near
(13 a.) by, a fountain in which some women are bathing.

On wood, 0,265 h., 0,34 w.

Signed: C. P. Purchased by Riedel at the Leipsic
fair Michaelmas, 1751, as Haenshergen.

163

1109. Landscape with the Holy Family, On copper,
(27 a.) 0,34 h., 0,42 w.

Signed: C. P. Taken from the reserved pictures in
1855.

1110. Landscape with many ruined walls; in the fore-
CIS a.) ground, the Holy Family. On wood, 0,345 h.,

0,27 w.

Signed: C. P. Obtained through the Danish Ambas-
sador. Old inven. 1722.

1111. A pleasing landscape with mountains in the
(13a.) distance; several women bathing in a fountain.

On wood, 0,24 h., 0,295 w.
Signed: C. P. As above.

1112. A large stone table under a ruined vault; some
(13 a.) females occupied with washing. On wood,

0,245 h., 0,295 w.
Signed: C. P. As above.

1113. The Muses on Parnassus; before them, Minerva;
(13 b.) at her side, Pegasus. On wood, 0,615 h., 0,56 w.

Signed: C. P. Obtained through Du Roy. Old
inven. 1722.

1114. A landscape with ruins; in the fore-ground, young
(13 a.) Tobias. On wood, 0,266 h., 0,34 w.

Signed: C. P.

1115. A landscape with many trees; in the fore-ground,
(13a.) sit several partly undressed women; others are

bathing in the fountain. On canvas, 0,395 h.,
0,505 w.
Signed: C. P.

1116. A mountainous country with ruined buildings.
(13a.) In the fore-ground, some half-clad male figures.

On wood, 0^34 h., 0,285 w.
Signed: C. P. (indistinctly).

11*

164

1117. Several half-dressed female figures at the foot of
(13 a.) a high rock in the fore-ground. On wood, 0,33 h.,

0,285 w.

* Purchased by Biedel as Haensbergen at the Michael-
mas fair, 1761, in Leipsic.

Same Artist, (?) The figures by Pieter Bout,

1118. Euins near a river, over which there is a bridge,
(13 c.) On wood, 0,25 h., 0,34 w. * (III. 25).

Bought by Count Wackerbarth as an original
**Hilius'\ Old inven. 1722.

Steenwyck (Hendrik van), scholar of his father Hendrik.

Born at Amsterdam, 1589; died at London, after
1642. J

1119. Interior of a Gothic church. On copper, 0,34 h.,
(14 a.) 0^535 w.

Signed: H. v. Steenwyck, 1609. Obtained through
Du Roy. Old inven. 1722.

1120. The interior of a church, illuminated with can-
(14 a.) dies and torches. On wood, 0,335 h., 0,48 w.

Signed: H. v. Steenwyck 1614.

1121. A view of the interior of a church. The figures
(14 a.) painted in the picture by . Dietrich at a later

period. On copper, 0,39 h., 0,64 w.
Indistinctly signed: Steenwyck fecit An. 1611.

Honthorst (Gerhard van).
f Born at Utrecht, 1692; died about 1680, at the Hague.

. ' 1122. A dentist, extracting a defective tooth for a

\*' (Kl.) peasant by candle-light. On canvas, 1,47 h.,

2,16 w.

Signed: G. v. Hont-Horst: fe. 1622. Purchased by
Gialdi and juarienti in 1748 from the Royal Gallery
of Prague.

165

1123. An old woman with a piece of money in her
(26a.) hand; near her, a burning candle. On wood,

0,93 h., 0,70 w.

1124. Half-length picture of an old woman with a
(26 a.) candle in her hand. On canvas, 0,71 h., 0,57 w.

Purchased by Count Wackerbarth as a painting in
Bemhrandfs style. Old inven. 1722.

Same Artist, (?)

1125. An old woman in white fur, with spectacles in
(26 c.) her hand. On canvas, 0,62 h., 0,48 w.

Purchased in 1742 in Leipsic as Bemhrandt, In
ven. 8vo.

1126. Wanting.

Bramer (Leonhard), scholar of Bembrandt.
Born at Delft, 1596.

1127. Chrisk reviled. On wood, 0,80 h., 0,595 w.

(8c.) Signed: L. Bramer 1637. Purchased in Leipsic as
Salv, Boos. (I) Old inven. 1722.

1128. King Solomon kneeling in prayer in the Temple.
(19 b.) Gold vessels stand on a raised frame. On wood,

0,745 h., 1,11 w.

Signed: L. Bramer. Bought by Lincer in 1738 as
Bembrandt. Inven. 8vo.

1129. The Queen of Sheba and her attendants kneeling
(19 b.) before Solomon. On wood, 0,74 h., 1,11 w.

As above.

166

Goijen (Jan van), scholar of Esaias van de Velde. ^
Born at Leyden, 1596; died at the Hague, 1666.

1130. A level landscape. An old hut, before which are
(7 c.) some peasants, and a woman drawing water from

a well. On wood, 0,56 h., 0,80 w.
Signed: V. G. (monogram) 1633.

1131. A frozen lake with sledges and skaters. Oval.
(7 a.) On wood, 0,68 h., 0,92 w.

Signed:

/6V3

1132. A broad river with peasant houses on the level
(7 a.) banks. In the fore-ground , a boat with fisher-
men. Oval. On wood, of the preceding size.

Signed: V. G. (monogram) 1613.

Loon (Pieter van). (?)

Lived at Antwerp about 1600.

1133. A flat sea-coast; the sea somewhat agitated. A
(27 b.) signal pole on the shore on the left hand. On

wood, 0,35 h., 0,35 w.

Signed:

Mj

Dov (Gerhard), scholar of Bemhrandt.

Born at Leyden, 1613; died, 1674 or 1680.

1134. The Artist's own portrait. He is drawing in a
(19 c.) book. On wood, 0,435 h., 0,35 w.

Signed: G. Dov. 1647. (G and D written together,
as aiBO in the following signatures). Obtained through
Count Wackerbarth. Old inven. 1722.

\/]

167

1135. A gray cat on the sill of a bow window. In
(19c.) the back-ground, the Artist before his easel. On
wood, 0,34 h., 0,27 w.

Signed: G. Do v. 1657. Obtained through Raschke
in 1722.

136. A girl standing at a window with a candle,
(19 c.) plucking a bunch of grapes from a vine. On
wood, 0,36 h., 0,305 w.

Signed: G. Dov. 1658. Obtained through Count
Wackerbarth. Old inven. 1722.

'' 1137. The Artist himself playing on a violin. On wood,
/ (19 c.) 0,405 h., 0,295 w.

Signed: G. Dov. 1665. Purchased in 1749 by Le
Leu from the Araignon Collection in Paris for 2400
Livres.

yf ii;

1138. An old schoolmaster mending a pen. At the far-
(19 c.) ther end of the room , one sees the scholars.

On wood, 0,33 h., 0,25 w.

Signed: G. Dov. 1671. From Poland. Old inven.
1722.

1 1 39. A dentist and a boy, for whom he has extracted
(19 0.) a tooth. On wood, 0,315 h., 0,24 w.

Signed: G. Dov. 1672.

\/l140, a hermit praying; before him, an open bible.
(19c.) On wood, 0,57 h., 0,44 w. l^£t, /• -.<■

« i

Signed: G. Dov. Purchased in 1708F from Franz
Lemmers in Antwerp for 300 Pattacons.

1141. A young girl with a candle in her hand, watering
(19 c.) a plant. On wood, 0,285 \u, 0,21 w.

Sig[ned: G. Dov. Obtained through Count Pflugk,
Old mven. 1722.

y

168

1142. Still life. A watch hanging on a blue ribbon,
(19c.) a brass candle-stick, tobacco and paper, with a
clay pipe. On wood, 0,435 h., 0,36 w.

Signed: G. Dov.

\ 1143. A young girl sitting with folded hands before a
(19c.) table. Oval; on wood, 0,15 h., 0,12 w.
Purchased in Leipsic. Old inven. 1722."

1144. The Artist's mother, with spectacles on her nose,
(19 c.) reading a newspaper. Oval; on wood, 0,125 h.,
0,9 w.
Obtained through Count Pflugk. Old inven. 1722.

\ 1145. An old woman looking for the end of a thread
(19 c.) by lamplight. On wood, 0,34 h., 0,27 w.

From the Kunstkammer as A. van Boonen. Old
inven. 1722.

\ 1146. A girl in a cellar, kneeling before a wine cask:
(19 c.) a boy warns her, not to drink too much. Night-
piece. On wood, 0,335 h., 0,25 w.

1147. A second picture of G. Dov's mother; she 1:$
(19c.) sitting before a table reading a book. Oval; on
wood, 0,245 h., 0,195 w.
Purchased in Leipsic. Old inven. 1722.

y , 1 148. An old woman reading a book. On wood, 0,17 h.,
\' (19 c.) 0,14 w.

Obtained by Griinberg in Brussels for 800 frcs. do
HoUande. Old receipt.

1149. A young man holds a candle near the face of a
(19 c.) girl sitting before him. On the* floor stands a
lantern. On wood, 0,44 h., 0,345 w.

Purchased in 1710 by Jao. de Wit in Antwerp for
150 Pattacons.

V

169

Boy (attributed to him).

1150. A girl with a candle in her hand, holding a
(27a.) trap with a mouse in it. On wood, 0,275 h.,

0,215 w.

Signed : G. Dov, Bought by Du Roy as an original.
Old inven. 1722.

1151. A hermit reading a book. On wood, 0,26 h.,
(27 d.) 0,19 w.

Signed: G. Dov. Obtained through Count Wacker-
barth in Danzig. Old inven. 1722. From the reserved
pictures iu 1853.

1152. The penitent Magdalene. On wood, 0,61 h., 0,48 w.

(27 b.) Signed; G. Dov. Purchased by Leg.-Rath v. Kau-
derbach from the estate of Mons. Guill. Lormier in
the Hague in 1763; price 635 fl. HoU.

1153. A girl with a candle and a lantern, looking out
(26 a.) of a window. On wood, 0,235 h., 0,18 w.

From the reserved pictures in 1861.
Remark. The pictures of Dov with dates comprise
a period of 25 years, 1647 to 1672.

Heem' (Jan Davidze de), scholar of his father David.
Born at Utrecht, 1600; died at Antwerp, 1674.

1154. Fruit piece, grapes, peaches and a melon. On
(10 a.) wood, 0,415 h., 0,54 w.

Signed: J. D. de Heem 16 . . (?) Obtained through
Leplat. Old inven. 1722.

1155. Fruit, and a boiled lobster, lying on a table. On
(8 a.) canvas, 0,68 h., 0,56 w.

Signed: J. D. De Heem Fe. Obtained through Count
WacKerbarth. Old inven. 1722.

170

1156. A variety of fruit, a dead goldfinch and a
(17a.) bird's nest, in which are a couple of little eggs.

On canvas, 0,86 h., 0,70 w.
Signed ;

Purchased by Jac. de Wit in Antwerp in 1710 for
230 Pistoles.

1157. A bouquet of various flowers on a marble table.
(17 b) On wood, 0,66 h., 0,44 w.

Signed: J. D De Heem. f. Obtained through v.
Flemming. Old inven. 1722.

1158. Wanting.

1159. A beautiful bunch of white grapes, a red and a
(10 a.) white rose, winter- cherries and an anemone, bound

together by a blue ribbon. On canvas^ 0,34 h.,
0,29 w.

Signed: J. D. De Heem. Obtained through Count
Wackerbarth in 1728, as an original de Heem^ Old
invcD. 1722.

1160. A bouquet in a vase. On wood, 0^48 h., 0,37 w.
(10 a.) Signed: J. D. DE Heem. Obtained through Count

WacKerbarth.

1161. A large bouquet in a glass vase; nearby, a shell
(M 1.) and a skull. A so-called " Vanvtas'\ On canvas,

0,88 h., 0,655 w.

Signed: Memento Mori. J. D. De Heem.
From the reserved pictures in 1855.

1162. A large bouquet of peonies, various coloured roses
(M 1.) and other flowers. On canvas, 0»86 h., 0,68 w.

Signed: J. D. DE HEEM. f. R. (?)

171

1163. Fruit suspended on a blue ribbon. On canvas,
(16 c.) 0,65 h., 0,535 w.

Signed: J. D. De Heem. From the reserved pictures
in 1860.

1164. Various flowers in a glass vessel on a marble
(M 1.) table. On canvas, 1,02 h., 0,76 w.

Signed: J. s. (?) D. De Heem. Purchased by Jac.
de Wit in Antwerp in 1710, for 235 Pistoles.

Heem (Jan de), son of Jan Bavidze.

1165. A glass of wine standing on a stone table,
(17 a.) through the ornaments of which is woven a

wreath of various fruits and flowers. On canvas,
1,21 h., 0,85 w.

Signed:

(^ j6S0.

Heem (Cornelis de), son of Jan Bavidze,

1166. A wreath of flowers surrounding a glass of wine

(16 c.) which stands on a box. On canvas, 0,63 h.,

0,54 w. ^ ' »

Signed : C. DE HEEM f. Obtained through v. Flemming.
Old inven. 1722.

172

1167. White grapes, a fig broken open, a partly peeled
(16 c.) lemon, an orange, and an][, oyster. On canvas,

0,635 h., 0,55 w.

Signed: C. DE. HEEM. Obtained through iTeplat.
Old inven. 1722

1168. Fruit, and a large boiled craw-fish on a marble
(20 a.) table. ' On canvas, 0,40 h., 0,525 w.

Signed: C ,(TlE(HE.Em

1169. A glass, fruit, and ovsters. On canvas, 0,64 h.,
(19 c.) 0,56 w.

Signed: C. DE HEEM. From the reserved pictures
in 1855.

*Rem. The pictures of David de Heem, Jan Davidze his
son, the most distinguished of all (See N. 1156) and
his SODS, Jan and Comelis de Heem, are, when not signed,
difficult to be distinguished from one another. They
certainly painted for one another, and especially Jan
Davidze employed the assistance of his sons. That
Jan de Heem was an artist of great merit is proved
by his great and beautiful picture, No. 1165, which
bears his full signature which is a rarity of great
value, as there are few pictures with his autograph.
Also, among the pictures which bear the name
of Cornelis, there are excellent works that compare
favourably with those of his father. See Nos. 1168
and 1169.

Pieter de Bing^ lived about i650.

1170. On a table with a green velvet cover, oysters
(8 c.) broken open, a boiled craw-fish, fruit, a. half-
peeled lemon, and pheasant-pie. In the right hand
corner, a diamond ring which serves as the mono-
gram of the artist. On canvas, 0,965 h., 0,79 w.

Obtained through Lehmann. Old inven. 1722.

173
Artist unknown.

1170a. A tin dish with peaches; on one side, a white
(19 c.) pitcher. On canvas, 0,65 h., 0,54 w.

Obtained through Count Wackerbarfch. Prom the
reserved picture in 1855.

Wynants (Jan).

Born at Haarlem about 1600; died after 1677.

1171. Landscape. A woman with a basket on her back
(13b.) driving a laden ass before her. On canvas, 0,63 h.,

0,72 w.

Signed: J. Wynants 1659.

1 1 72. A small landscape. In the fore-ground, some
(13 c.) shepherds with a flock of sheep. On wood,

0,315 h., 0,42 w.

Signed: J. Wynants.

Same Artist. (?)[

1173. A forest scene with water through which hunts-
(10 b.) men, on horseback and on foot, chase a deer. On

canvas, 0,90 h., 0,74 w.

Signed: Wynants fe. Below, apparently an earlier
indistinct signature. Perhaps Hobbema.

Vertangen (Daniel), scholar of Poelemburg,
Lived about 1600.

1 174. Adam and Eve expelled from Paradise. On copper,
(13 c.) 0,205 b., 0,24 w.

Signed: D. Vertangen.

y

174

Grebber (Pieter de), scholar of Heinrich GoUius. Imi-
tator of Rembrandt.
Born at' Haarlem, 1600

1175. Moses brought to the daughter of Pharaoh. On
(Kl.) canvas, 1,69 h., 2,30 w.

Signed: P. D. G. 1634. (D. and G. written together
as in the following.) Purchased by GrtLnberg in
Brussels an orignal by Eemhrandt; price 1200 frcs. de
Hollande. Old inven. 1722.

1176. Half-length portrait of a lady in a black velvet
('-'Oc.) cap with a feather. On wood, 0,635 h., 0,56 w.

Signed: P. D. G. As an original by Fauditz, Old
inven. 1722.

1177. Portrait of a young man with a bow in his hand,
(20c.) On wood, 0,715 h., 0,56 w.

Signed, as above.

1178. Half-length portrait of a young man in a fur
(L3.) cap. On wood, 0,62 h., 0,45 w.

Signed, as above, 1632 or 1652. (?)

Matthisen (Abraham).

Lived about 1600.

1179. Still life, a so-called ^* VanUoLS.*' On canvas,

(26 d.) 1,38 h., 1,19 w.

Signed: Broder Matthisen fecit Anno 1641. Obtained
through V. Kaiserling, in 1741. Inven. 8vo.

Heist (BartholomSus van der).

Born at Haarlem about 1613; died at Amsterdam
about 1670.

1180. Portrait of a lady drawing aside a window ciuiain.
(Ii2.) On canvas, 0,735 h.. 0,66 w.

Signed: B. van der Heist 1654. Obtained! through
du Eoy. Old inven. 1722. .

/

175

1181. Portrait of a man with long hair, holding his
(L2.) mantle with his left hand. On canvas, 0,71 h.,

0,68 w.

Purchased by Riedel at the Easter fair, 1751 in
Leipsic.

1182. Portrait of an old lady in a white cap and wide
(LI.) plaited collar. On wood, 0,345 h., 0,28 w.

Jong <Lieve de).

I^orn at Overschie, 1616; died at Hillegei-sberg,
1697.

1 1 83. Portrait of a lady in a black dress ; she sits in
(K 1.) an arm-chair and holds a girl, standing at her

side, by the hand. On canvas, 1,10 h., 0,97 w.

Signed :

Obtained in Feb. 1751 through von Heineken. In-
ven. Svo.

,/

176

Artist uaknown.

1184. A man with black hair and beard, in a yellow
(28 c.) jerkin and sleeves lined with red. On canvas,

0,77 h., 0,63 w.

Elst (Pieter van) or Verdst.

Died in Amsterdam, 1653.

1185. An old man sitting before a coal fire. On. wood.
fl'ia.) 0,22 h., 0,20 w.

Signed :

■^

On the backside stands, in old Dutch characters:
geschildert van pieter verelst. Obtained through
Fleming. Old inven. 1722.

1186. A man with a long beard, reading at a table by
(18 a.) lamplight. On wood, 0,265 h., 0,23 w.

Signed as above; the P. standing by itself. Old
inven. 1722.

Aelst (Evert van). (?)

Born at Delfft, 1602; died, 1668.

1187. A partridge suspended by one foot, with other
(7 a.) game and implements of the chase. On canvas,

0,56 h., 0,47 w.
Old inven. 172*2.

Aelst (Willem van), scholar of Evert v. Aelst.

Bom at Delfft about 1620; died at Amsterdam.
1679.

1188. Near hawk-hoods, hang a partridge and other game,
(7 a.) among them a king-fisher. On canvas, 0,55 h.,

0,47 w.

Signed: Oiiilli]^ van Aeslt. 1644. (See following
No.)

177

1189. In a tin - dish lie a cnt herring, oysters and
(17b.) onions; a couple of wine-glasses stand near. On
canvas, 0,56 h., 0,45 w.
Signed :

9^cbn^ i/Lctsir. /O^Q.

Same Artist. (?)

1190. Fruit and oysters. On wood, 0,355 h., 0,56 w.

(27c.) Obtained in 1741, through von Kaiserling. Inven.
8vo. From the reserved pictures in 1856.

Ast (Bartolomaus van der).

Flourished at Utrecht about 1625.

1191. Shells, apricots and a branch of currants. On
(Sa.) wood, 0,29 h., 0,376 w.

Si^ed : B. van der Ast. Obtained through Raschke.
Old inven. 1722.

Saftleven or Zachtleeven (Cornells).

Born at Rotterdam, 1606; died after f661.

1192. Interior of a poor peasant -hut. An old woman
(20b.) scattering food before some fowls. On wood,

0,50 h., 0,66 w.

Signed: C. Sachtleven 1678.

1193. A peasant's house with several farming implements
(20b.) lying before it; an old woman is coming out of

the door with a basket. In the fore -ground, a
couple of ducks. On wood, 0,495 h., 0,655 w.
Signed: C. S. 1678.

12

178

1194. Interior of a peasant's cottage; a man and woman
(20 b.) occupied about a cask. Fowls running about among

all kinds of implements and vegetables. On wood,
0,495 h., 0,75 w.

Signed indistinctly. Obtained in 1741 through von
Kaiserling. Inven. 8vo. From the reserved pictures

in 1855.

«

1195. Interior of a peasstnt's cottage. On wood, 0,51 h.,
(27 c.) 0,40 w.

From the reserved pictures in 1860.

AUnbuted to the same Artist.

1196. Copper vessels and other implements in the interior
(20 c.) of a peasant's dwelling. In the style of D. Byckaert.

On wood, 0,39 h., 0,53 w.
Signed: R. Old inven. 1722.

Wyck (Thomas).

Bom at Haarlem, 1616; died in England in 1682.

1197. An alchemist in his laboratory ; in the back-ground,
(9a.) a man near the fire. On canvas, 0,55 h., 0,47 w.

Signed:

1198. Through the opening of a high vaulted wall, are
(9a.) seen buildings in the Italian style. On wood,

0,505 h., 0,375 w.
Signed: T. W. (monogram) fee.

1199. An alchemist in his laboratory. On canvas, 0,385 h.,
(9 a.) 0,555 w.

Signed as 1197. fee.

Obtained through Count Wackerbarth, Old inven.
1722. Restored by Palm. 1827.

179

Lieyens (Lyvius), (Jan).

Born at Leyden, 1607; died about 1670.

1200. Half-length portrait of a young man with an
(L2.) iron-collar; profile. On wood, 0,50 h., 0,39 w.

Signed: L. Obtained through Bar. v. Schacht, as in
the style of Van Dyck. Old inven. 1722.

1201. Half-length portrait of an old man with gray
(LS.) hair and beard. On wood, 0,53 h., 0,45 w.

Purchased in 1743 at the Easter fair in Leipsic.
Inven. 8vo.

Artist unknown.

1202. An alchemist sitting at a window before an open
(27b.) folio. On wood, 0,55 h., 0,46 w.

Signed: P. NEICK (?) probably spurious. Obtained
in 1741, through von Kaiserling. Inven. 8vo.

BrOttwer (Adriaen), scholar of Franz Hals.

Bom at Haarlem, 1608; died at Antwerp, 1639.

1203. One peasant holding another by the head and
(20c.) striking him with his tankard. On wood, 0,225 h.,

0,17 w.

Obtained through v. Kaiserling. Inven. 8vo.

1204. A couple of peasants sitting at a table. On wood,
(20c.) 0,25 h., 0,34 w.

Placed in the Kunstkammer, March 18, 1700.

\ 1205. A caricature. Study. Oval; on wood, 0,12 h.,
(lae.) 0,6 w.

Obtained through Du Roy. Old inven. 1722.

■'' 1206, Similar subject. On wood. Same form and size
(18 c.) as the preceding.
As above.

12*

180

1207. A peasant busied with an untidy child. On wood,

(20 c.) 0,1975 h., 0,1325 w.

1208. A brawl between three peasants playing dice. On
(20 c.) wood, 0,26 h., 0,34 w.

3209. Wanting,

Artist unknown.

1210. Peasants singing and playing on musical instru-
(26c.) ments. Oval; on wood, 0,27 h., 0,37 w.

A spirited sketch. From the reserved pictures in
1861.

Tries (Adriaen de).

Born at Amsterdam about 1600.

1211. A man with black mustaches and whiskers, smooth
(LS.) hair and a white collar. On wood, 0,715 h., 0,52 w.

Signed: Fecit A. de. Vries A^ 1639. An excellent
picture by this extremely rare master; probably his
own portrait. Purchased in 1728 by Schenlc in Holland
as, "em Burgermeister von Briissel" by Van Dyck;
price 150 Ducats.

Ceulen (Cornells Jonson van).

Born in London; died in Amsterdam, 1665. (See
Sandrart. II. Th. III. Buch. S. 319.)

1212. Portrait of a man in black clothes. On canvas,
(Kl.) 1,12 h., 0,91 w.

1213. A woman also in a black dress, holding a fan
(Kl.) in her hand. On canvas; of the preceding size.

Both signed: Cors^. Jonson van Ceulen fee. Ao. 1651.
Purchased together by Riedel in 1751 at the Michael-
mas fair in Leipsic. Presented by H. M. the Queen
to H. M. the King.

>

^

181

Rembrandt (van Eyn), scholar of Pieter Lastmarm and
J. Pinas,

Bom at Leyden, 1608; died at Amsterdam, Oct. 8,
1669.

1214. Half-length portrait of a young, laughing woman
(1^2.) in a red velvet hat. Rembrandt's first wife,

Saskia. On wood, 0,535 h., 0,44 w.

Signed: Rembrandt ft. 1633. From the Royal reser-
ved pictures. Old inven. 172>.

1215. Half-length portrait of a man in black clothing
(1J2.) and smooth, lace -trimmed collar. Oval; on wood,

0,675 h., 0,525 w.

Signed: Rembrandt f-it 1633. Obtained through v.
Flemming. As above. Perhaps his own portrait.

v<I,

1216. Ganymede borne to Olympus by the eagle of
(K2.) Jupiter. On canvas, 1,77 h., 1,28 w. ^ (III. 2.)

Signed: Rembrandt fc. 1636. Acquired in 1751
through von Heineken in Hamburg.

1217. Samson's wedding, at which he propounds his
(K3.) well known riddle. On canvas, 1,26 h^ 1,76 w.

Signed: Rembrandt f. 1638. Acquired through Jos.
Perodi. Old inven. 1722.

1218. A bittern suspended by the feet; behind, a man,
(Kl.) who seems about to take it down. Three-quarter-
length; on wood, 1,19 h , 0,87 w.

Signed4 Rembrandt ft. 1639. Acquired through Count
Ootter (?)^ price 400 Conven. Fl.

1219. Portrait of the artist's wife, holding a pink in
(K20 her right hand. Three-quarter length. On wood,

0,9« h., 0,82 w.

Signed: Rembrajidt f. 1641 (?). Purchased in 1742
by De Brays from Aredgnon in Paris; price 1500 Livres.

V 1220.

The Sacrifice of Manoah and his wife. An angel
(KS.) has announced to them the birth of Samson. On
canvas, 2,41 h., 2,85 w. ^ (U 47.)

Signed: Rembrandt f. 1641.

V 1221. Portrait of an old woman, weighing gold. (Sup-
(LS.) posed to be the artist's mother.) Three-quarter-
length; on canvas, 1,12 h., 0,99 w.

Signed; Rembrandt. 1643 (doubtful).

\/

1222. Portrait of a young man with a cap, cuirass and
(L2.) brown mantle. Half-length; on canvas, 0,77 h.,

0,675 w.

Signed: Rembrandt, f. 1643. Acquired through v.
Flemming. Old inven. 1722.

1223. Portrait of an old man with a beard. Half-length ;
(Kl.) on wood, 1,00 h., 0,77 w.

Signed: Rembrandt f. 1654. Acqiiired in 1742,
through De Brays from Rigaud in Paris. Price, 1500

Livres.

1224. The Entombment of Christ. A sketch. On canvas,
(K4.) 0,97 h., 0,69 w.

Signed: Rembrandt, f. 16 . . Purchased in 1763,
by Leg. -Rath v. Eauderbach from the estate of Mons.
Guill. Lormier at the Hague, for 2300 Dutch Fl.

1225. Portrait of the Artist with his first wife on his
(K2.) lap. He holds a glass of champagne. On; canvas,

1,60 h., 1,32 w.

Signed: Rembrandt fee. Purchased by Le Leu in
1749 at Araignon's auction in Paris; price, 2500 Livres.

1226. The Artist himself with a book in his hand, in
(K4.) which he is drawing. On canvas, 0,85 h., 0,64 w.

Signed: Rembrandt. 1657. Acquired through Nau-
mann. Old inven. 1722.

V

183

1227. Portrait of a man in a large bat, ornamented
(Ll.) with strings of beads. Three-quarter-figure; on

canvas, 0,83 b., 0,71 w.
From Poland. Old inven. 1722.

1228. Portrait of an old man with gray beard; a cane
(K 1.) in bis right hand. Half- length ; on canvas, 0,94 h.,

0,77 w. * (II. 48.)
Acqiiired in 1743, from the Carignan Collection.

■/

1229. Half-length portrait of the Artist (?) in a red
(L2.) mantle and a, velvet -cap. On wood, 0,635 h.,

0,46 w.

Acquired through Count Wackerbarth. Old inven.
y 1722.

1230. Half-length portrait of an old man ; on his head
(L 2.) a cap, decorated with gold cord. On canvas,

0,58 h., 0,465 w.

Acquired through Count Flemming. Old inven. 1722.
Perhaps by S. Konincz.

1231. Portrait of a man in a fur cap, sitting in an
(K4.) arm-chair. On canvas, 0,84 h., 0,69 w.

From Poland. As above.

1232. Dark landscape. In the immediate fore-ground,
(K4.) a water-mill; in the distance, a rock with trees.

On canvas, 0,79 h., 1,04 w.

1233. The Entombment of Christ. Old copy. On can-
(K4'.) vas, 1,01 h., 0,72 w.

Acquired through Jos. Perodi. Old inven. 1722.
From the reserved pictures in 1864.

School of Rembrandt.

\/ Scb

1334. An interior with a stair- case. Accessories, old
{26 a.) Tobias and his wife. Paper on linen, 0,28 h.,
0,35 w.

184

1235« Portrait of a girl, putting on her bracelets. Li-
(L3.) nen attached to wood. 0,785 h., 0,63 w.

From Poland, as an unknown original. Old inven.
1722.

\/ 1236. A bearded man in greeoish clothes, black cap

•^ (Ll.) and white collar. Profile. On wood, 0,446 b.,

0,36 w.

From the EauBtkammer, as an unknown original.
Old inven. 1722.

Remark, The pictures of Rembrandt with dates,
include a period of twenty one years, (1633 — 1664.)

Artist unknown.

1237. An old woman with a spool in her hand. On
(61b.) canvas, 0,73 h., 0,63 w.

From the reserved pictures in 1861.

1238. A fisherman holding an eel in both hands. On
(Hi.) canvas, 0,72 h., 0,57 w.

Ac^^uired through Leplat^ as an unknown original.
Old inven. 1722.

Backer (Jacob) Ton Uarlingen.

Bom, 1608; died, 1661.

1239. Half-length portrait in profile of a woman with
(L3.) uncovered head and a brown dress. On cantas,

0,68 h., 0,61 w.

Signed: J. B. (interwoven). From Poland, as an
unknown original. Old inven, 1722.

1240. Half-length portrait of an old man in a bUok
(LSJ velvet-cap. On canvas, 0^66 h., 0,65 w.

Signed as above.

185

1241. An old man praying. On canvas, 0,95 h., 0,76 w.
(26 a.) Acquired through Kindermann. Old inven. 1722.

Terburg (Gerhard) or Ter Borch, scholar of his father.
Bom at ZwoU, 1608; died at Deventer, 1681.

1242. An officer sitting at a table, writing; a trum-
(14 c.) peter waits for the letter. On canvas, 0,525 h.,

0,39 w.

Signed with the monogram :

a

Obtained through Count Wackerbarth. Old inven.
1722.

1243. A young lady in a white satin dress, washing her
(14 c.) hands in a basin, which a maid holds before her.

On wood, 0,535 h., 0,43 w.

Signed: G. T. Borch. The first three letters inter-
woven as in the following. Obtained through Count
Wackerbarth as Netzscher. Old inven. 1722.

1244. A young lady playing the lute ; a gentleman
(14b.) appears to be instructing her. Three-quarter-
length; on wood, 0,365 h., 0,31 w.

Signed with the monogram: fTjD

Obtained as above. As in the style of Metzu»

1245« A lady, dressed in white satin, stands, with her
14 c.) back to the observer, at a table. On wood, 0,39 h.,
0,27 w.

Obtained through Count Wackerbarth as Netzscher,
A study for the picture in the Berlin Museum, known
by the name: ''*Vait€TliGhe JEkmahmmg", (Paternal
admonition.)

186

Saft-Leven (Zachtleven) (Hermann), scholar of van
Goyen^ brother of Cornelis.
Bom at Rotterdam, 1609; died at Utrecht, 1686.

. 246. A signal - tower on the sea-coast. On wood,
(17 b.) 0,205 h., 0,28 w.

Signed.: Jf^

1247. Landscape with a vintage. On wood, 0,2275 h.,
(17 b.) 0,175 w.

Signed as above. 1649.

1248. Landscape with rocks, buildings and trees. From
(17 b.) the height, a view in the river - valley below.

On copper, 0,22 h., 0,2725 w.
Signed as above, 1650.

1249. Broad valley with a lake. On wood, 0,315 h.,
(18 b.) 0,41 w.

Signed as above, 1654. Acquired through von
Flemming. Old inven. 1722,

1250. A town at the foot of a mountain with a castle.
(17 b.) Below, a river. On wood, 0,245 h., 0,33 w.

Signed as above, 1656, Obtained through Count
Gotter; price, 37 Conven. fl.

1251. Ehrenbreitstein. On the back, written by the
(17b.) artist: Ehrenbrertsteyn ofte Hermesteyn. lAnno

1656. On copper, 0,255 h., 0,30 w.
Signed as above, without date. Old inven. 1722.

V 1252. Landscape with a view in the fiar distance; in

(15 c.) the fore-ground, an inn and many persons. On

wood, 0,45 h., 0,59 w.

Signed as above, 1660. Obtained through Count
Wa(S:6rbarth. Old inven. 1728. From the reserved
pictures in 1855.

187

1253. Landscape with a view in the distance and a
(17 b.) a broad river. In the fore-ground, wood-cutters.

On the back: By Briey (probably on the Mense).
Herman Saft-Leven ft. A, Utrecht, Anno 1660.
On wood, 0,1675 h., 0,2675 w.
Signed as alfove, 1664. (?) indistinctly.

1254. A river, on the bank of which stands a peasant's
(18 b.) honse on high posts. On wood, 0,36 h., 0,47 w.

Signed as above, 1662.

1255. Engers on the Rhine, between Ehrenbreitstein
(17 b.) and Neuwied. On the back , ijiscribed : Engers.

Herman Saft Leven. f. A. Utrecht Anno 1663. On
copper, 0,15 h., 0,2375 w.

Signed as above, 1663. Acquired through Count
Wackerbarth. Old inven. 1722.

1256. View of Castle Hermannstein 5 in the fore-ground,
(18 b.) freight- vessels. On wood, 0,285 h., 0,375 w.

Signed as above, 1663. Obtained through Easch^e.
Old inven. 1722.

1257. View of Utrecht. On copper, 0,20 h., 0,36 w.

(18b.) Signed as above, 1664. Obtained through Count
Wackerbarth. Old inven. 1722.

1258. A river, along the banks of which are vessels
(18 b.) and men loading and unloading goods. On the

backside, signed : Herman Saft Leven van Utrecht
fecit. On wood, 0,205 h., 0,305 w.

1259. A scene near Cologne, with the Rhine and moun-
(17 b.) t^s in the distance. In the fore-ground, many

figures. On the backside: By CueUm. Herman
Saft Leven f. A. Utrecht. Anno 1663. On copper,
0,1675 h., 0,245 w.

Signed like No. 1246. 1667. (?) AcqiUred through
Count Wackerbarth. Old inven. 1722.

188 -'

1260. A broad river with vessels, etc. On wood, 0,16 h.,
(17 b.) 0,24 w.

Signed as above, 1667. Obtained as above.

1261. Landscape with high cultivated mountains and a
(15c.) broad river; on the barfks, vessels and many

people. On wood, 0,425 h., 0,45 w.

Obtained through Count Wackerbarth. Old inven.
1722.

1262. Mountains, and a lake; in the fore-ground, a
(18 b.) peasant's house with figures. On copper, 0,255 h.,

0,34 w. •

Obtained through Raschke. As above.

1263. Similar subject. In the middle-ground, a lake
(18b.) with vessels. On copper, and of the preceding size.

Obtained through Du Roy. Old inven. 1722.

Remark. The pictures of Saft-Leven furnished with
dates, in elude a period of 18 years. (1649 — 1667.)
Monogram and numbers, also of this artist, are of
microscopic minuteness.

Stoop (Dirk).

Bom at Dortrecht about 1610; flourished about 1660.

1264. A man, surrounded by hounds, leaning against
(27 b.) the saddle of his horse. On wood , 0,58 h.,
0,51 w.

Stoop (Cornelius). (?)

Bom in Hamburg, 1606. (?) •

1265. Rocky caves with figures. On wood, 0,29 h.,
(12 b.) 0,505 w.

Obtained through v. Eaiserling. From the reserved
pictures in 1855.

4

189

Bol (Ferdinand).

Born at Dortrccht about 1610; died at Amsterdam,
1681.

1266. Repose on the Flight to Egypt. On canvas, 2,02 h.,
(K 1.) 2,60 w.

Signed: P. Bol fecit, 1644. Purchased in Leipsic at
the Easter fair, 1743. Inven. 8vo.

1267. Jacob in a dream sees the ladder,, that reached
vK3.) to heaven. On canvas, 1,27 h., 0,97 w.

Signed: F. Bol fecit. From Poland, and later from
the Royal Chapel. Old inven. 1722.

1268. Joseph presenting Jacob, his father, to Pharaoh.
(Kl.) On canvas, 1,70 h., 2,26 w. * (III. 9.)

1269. Portrait of the Artist in a low hat, brown coat,
(L 2.) and dark cloak. On canvas, 0,635 h., 0,485 w.

Acquired through von Flemming as Bembrandt. Old
inven. 1722.

1270. Wanting.

Artist unknown. School of Bol.

1271. The three Maries at the grave of the Saviour.

(27 b.) On wood, 0,64 h., 0,49 w.

Acquired in 1727 through Leplat as in the style of
Carrache. Old inven. 1722.

Both (Jan).

Born at Utrecht, 1610; died, 1650. (?)

1272. A landscape; in the fore-ground, a couple of
(12 a.) horsemen stopping ; farther on, a stone - bridge.

On wood, 0,40 h., 0,555 w.
Signed: Both.

1273. A rocky landscape with ruined buildings; two

(12.a.( horsemen meeting on the road in the valley. On

canvas, 0,865 h., 1,18 w.
Not signed.

/

y

190

1274. Several men sitting on a high -ruined wall, play-
(12 c.) ing cards. On wood, 0,545 h.; 0,45 w.

Signed: Both.

1275. Mountain-scenery ; laden mules with their drivers
(12 a.) descending the path. On wood, 0,69 h., 0,94 w»

Purchased by Riedel in Leipsic at the Easter fair
in 1751. Presented by Her Royal Highness, the Elec-
toral Princess to His Majesty the King.

1276. The ruins of a castle on a high rock in the
(12 a.) middle-ground ; a bridge at the base of the rock.

On canvas, 0,85 h., 1,17 w.

Artist nnknown.

1277. A sorcerer reading in a book; before him sits
(15 b.) an ape. A chimney-sweeper springs down the

chimney and frightens a woman, sitting near the

kettle. On wood, 0,22 h., 0,28 w. ^o^

Signed: J. H. D. or B. (?) (in monogram.) itel.
Acquired through Wanderer as an original by Brouwer.
Old inven, 172-4.

N6©r (Aart or Arthur van der.)

Born at Amsterdam about 1613; died, 1683 or
1684.

1278. The fall-moon rising over a town in the evening-
(11 a.) twilight. On wood, 0,46 h., 0,71 w.

Signed: A. V. interlaced, and D. N. also. Purchased
in 1708 from Franz Lemmers in Antwerp; price, 80
Pattacons.

1279. Companion picture to the preceding. A Dutch
(11 a.) village by moon-light. On wood, 0,46 h., 0,70 w.

Signed and acquired as above.

1280. Dutch houses on a canal. Daylight. On wood,
(11 a.) 0,32 h„ 0,365 w.

Signed and acquired as above.

191

Gamphnysen (Dirk Eafaelsz).
Bom at Gorkum, 1586.

1281. Landscape by moon-light. On wood, 0,48 h.,
(27 0.) 0,63 w.

^ Signed R. Camphuysen.

\/' 1282. Landscape by moon-light, companion picture. On
(27c.) wood; preceding size.

Signed as above Both taken from the reserved
pictures in 1860.

Ostade (Adrian van), scholar of Franz Hals.

Born at Haarlem, 1610; died there Apr. 27, 1686.

^f 1283. Several guests, sitting at a round table in a
(19 a.) village ale-house. On wood, 0,46 h., 0,40 w.
Signed: A. v. Ostade 1639.

1284. The studio of the Artist; he sits at his easel at
(19 a.) work. * On wood, 0,385 h., 0,36 w.

Sigped: A. V. Ostade 1633. From the Crozat Collec-
tion in 1751.

j / 1285. Two peasants sitting at a table eating. On wood,
-y (19a.) 0,305 h., 0,26 w.

Signed: A. v. Ostade. 1663. Acquired through
Raschke. Old inven. 1722.

/ 1286, A couple of peasants before an ale-house; one is
(19 a.) lighting his pipe at a basin of coals. On wood,
0,31 h., 0,26 w.

Signed: A. v. Ostade, 1664. Obtained as above.
Both as originals.

1287. Peasants with women and children assembled in
(7 c.) an ale-house. On wood, 0,505 h., 0,625 w.

Si^ed: A. v. Ostade, 1679. Acquired through Le
Leu m Paris in 1751.

,/

192

1288. Peasant al^-hoiase with card - players. On wood,
(27 c.) 0,38 h., 0,50 w.

Signed: A. D. Ostade ft. From the reserved pictures
in 1861.

After Ostade.

1289. Peasants dancing before an ale-honse. On canvas,
(27c.) 0,41 h., 0,37 w. ^

Signed: A. V. Ostade. From the reserved pictures
in 1861.

Remark. The pictures of Ostade with dates include
a period of 25 years, (1639—1664.)

Ostade (Isaak van), brother and scholar of the prece-
ding.

Born at Haarlem, 1610; died there, 1657.

1290. A pleasure party on the ice in a'-flat country in
(19 a.) Holland. On wood. 0,335 h., 0,40 w.

Signed: Isaak van Ostade.

1290a. Drunken peasants and a pair dancing in an ale-
(20 c.) house. On wood, 0,39 h., 0,56 w.

•Signed: I. v. Ostade. Obtained through Raschke as
Isak Ostade. Old inven. 1722.

Ruysdael (Salomon) , scholar of vcm Goyen and his
brother Jacob,

Born at Haarlem about 1600; died there, 1670;
buried Nov. 3.

1291 . A flat country with a village. Oval ; on wood,
(7 b.) 0,61 h., 0,81 w.

Signed: S. v. R. 1633. (v. andR. written together.)

193

1292. A broad sheet of water, bounded by thickets on
(7 b.) the farther side. Fishermen in a boat, drawing

their nets. Companion picture. Oval; on wood,
of the preceding size.
Signed: S. v. R. (indistinctly) 163 . .

Same Artist. (?)

1293. A Dutch village with a windmill; many persons
(7 a.) assembled on the road. On wood , 0,475 h.,

0.62 w.

Signed; R. b. 1658. Perhaps J. Ruischer. (?)

AsSOlyn (Jan), named Crdbatje.'

Born at Diepen about 1610; died at Amsterdam,
1660.

1294. A monk, standing at a convent gate, giving food
(9 c.) to beggars. On canvas, 0,59 h., 0,75 w.

Sigi^d: J. Asselyn. 1647.

1295. A man, standing near a large gray ox and talking
(9 a.) with a woman. On canvas, 0,97 h., 0,76 w.

Signed: J. A. (in monogram.) Obtained through
Du Roy. Old inven. 1722.

1296. A gray ox, an ass, and a cow; a shepherd-boy
(16 a.) sits iear by. On canvas, 0,44 h., 0,36 w.

Signed and obtained as above.

Marsens or Marcellis (Otho) van Schrick, named

Smiffelaer.
Born at Amsterdam, 1613; died, 1673.

1297. A poppy with butterflies. Lizards and toads
(20 b.) creeping about on the ground. On canvas, 0,69 h.,

0,53 w.

13

194

Signed: Otho Marseus. Obtained through Count
Wackerbarth. Old inven. 1722.

1298. Similar subject. On canvas; preceding size.

(20b.) Signed: Otho Marseus D. S, 1671. Obtained as
above.

Laar (Pieter van), named Samhoccio^ scholar of Jos. del

Campo,

Born at Laaren, near Naarden, about 1613; died at
Haarlem about 1675.

1299. Italian life. On wood, 0,37 h., 0,485 w.
(12 a.)

1300. Same subject. Several men, amusing themselves
(9 c.) with tennis before a wine-house. On caijivas,

0,495 h., 0,66 w.

1301. A crowd of Roman beggars before a convent, at
(12 a.) the gate of which a monk is d%tributing food.

On canvas, 0,74 h., 0,99 w.

1302. A man occupied with a white horse before a
(9 a.) thatched hut. On wood, 0,53 h., 0,39 w.

1303. The landlord, paying the labourers in the vineyard.
(12 a.) On canvas, 0,40 h., 0,485 w. ^

Mod. purchase. As ''opera OJtraniohtana" .
From the reserved pictures in 1855.^

Van Loo (Jacob.)

Born at Sluyt in Holland, 1614; «[ied in Paris, 1670.

1304. Paris and Oenone 5 he is cutting her name on the
(K2.) bark of a tree. On canvas, 2,11 h. , 1,72 y,\

* (III. 34.)
Signed: J. v. Loo fee.

195

Metstl (Gabriel).

Born at Leyden, 1630; died at Amsterdam after 1667.

1305. A man, sitting in an inn with his wife ; he holds
(16 c.) a champagne-glass in his hand. On wood, 0,33 h.,

0,305 w.

Signed: O ^ c/VfCjiU

Obtained through Cotint Wnckerbarth as the por-
trait of the artist and his wife. Old inven. 1722.

1306. An old poulterer, offering a young woman a cock
(16c.) for sale.. On wood, 0,62 h., 0,46 w.

Signed: G. Metsu. 1662. Acquired through Count
' Wackerbarth. Old invea. 1722.

^ J/'1307. An old woman, dealing with a poultry-woman
'*^' ''(16 c) NearA^, sits an old man smoking his pipe. On

wo<:^!^0,61 h., 0,455 w.

Signed: G. Metzu. 1662. Purchased in 1710 from
Jac. ^e Wit in Antwerp ; price 150 Pistoles.

1308. A female poulterer. A cook is bargaining with
(16 c.) her for a hare. On wood, 0,575 h., 0,43 w.

Signed: G. Metsu. Obtained as above; price, 200
Pistoles.

V

1309. A man with a pipe in his mouth, sitting before
(16c,) an open fire; behind him, a woman. On wood,

0,275 h,, 0,23 w.
Signed:. G. Metsu..

1310. A young woman with a cushion for making lace
(16 c.) on her lap. On wood, 0,35 h., 0,265 w.

Signed : G. Metsu. Obtained through Count Wacker-
barth. Old inven. 1722.

13*

196

1311. A young woman in a gray dress, reading a letter.
(16 0.) On wood, 0,24; h., 0,195 w.

This picture was stolen in 1849 by a woman, Sophie
May, from Langensalza.

Same Artist. (?)

1312. A trumpeter, delivering a message to an officer;
(16 c.) another person in the back-ground. On wood,

0,38 h., 0,29 w.

Obtained through Count Wackerbarth. Old inven.
1722. (In the Abridgment of 1782 mentioned as the
only Metsu in the (Jallery.) From the reserved pic-
tures in 1855. Similar in style to Terburgh.

Pynacker (Adam). (?)

Born at Pyna'cker, between Schiedam and Delft,
1616; died at Delft, 1673.

1313. Mountain - landscape with the ruins of a temple.
(28 c.) On canvas, 0,70 h., 0,56 w. ^

Flinck (Flink), (Govaert).

Bom at Cleves, Jan. 26, 1615; died at Amsterdam,
Feb. 2, 1660. >

1313a. David, in the presence of his private secretary,
(Kl.) commands Uriah to deliver the letter to Joab.
On canvas, 1,51 h., 2,19 w.
Formerly attributed to Bol,

1314. Half-length portrait of a man with gray beard
(L3.) and a red cap. On wood, 0,715 h., 0,55 w.

Signed: G. Flinck f. 1639.

1315. Half-length portrait of a man in a black cap.
(14 c.) On canvas, 0,67 h., 0,535 w.

Signed : G. F. Aefe. 63. Purchased in 1728 by Leplat
from the Wrzowecz Collection in Prague as original.

Old inven. 1722.

197

1316. Half-length portrait of an old, bald man in pro
(L3.) file. On canvas, 0,64 k, 0,535 w.

From Poland as an unknown copy. As above. A
study for the secretary in No. 1313 a.

Artist nnknown, attributed to Waterloo (Antoni).

1317. A landscape with wooded rocks, and groups of
(49 a.) trees , in the midst of which is a lake. On

canvas, 1,12 h., 1,70 w.

Signed: H. Nouwjnx f. Placed in the Gallery in
1728, as original. Old inven. 1722.

1318. Landscape with high rocks, from which a brook
(13 a.) descends, forming a waterfall. On wood, 0,475 h.,

0,64 w.

From the KuDstkammer. Old inven. 1722.

Konincx (Salomon), scholar of Rembrandt.

Bom at Amsterdam, 1609; received into the Cor-
poration of painters in 1630; died, 1689.

1319. A hermit, reading in a book. On canvas, 1,23 h.,
(K3.) 0,94 w. * (III. 43.)

Signed: S. Konincx A A 1643. From Poland in 1723,
as an unknown original. •

1319a. An old man with a turban -like head- covering,
(K2.) sitting on a chair, with folded hands. In the

back-ground, an altar and a prayer-desk. On canvas,

0,90 h., 0,74 w. •

Acquired through Leplat as Eembrcmdt. Old inven,
1722.

v/

198

1320. An old man with a beard ^ in his right hand, a
(K2.) pair of spectacles; in his left, a metal teleacope.

Half-length; on canvas, 1,07 h., 0,87 w.

Indistinctly signed: David? Co . . . . AiL 16 . . (The
old and genuine signature has been, at a later period,
painted over.) Pernaps Jacob Coning, a less known
scholar of Rembrandt. Obtained from the Grand Duke
of Florence an Bemhrandt. Old inven. 1722,

Artist nnknown. Attributed to SwaneveU (Hermann
van.) (?) . '^i

Bom at Woerden about 1620; died in Rome, 1690.

1321. A path leading along the bank of a river under
(31b.) high trees; the view bounded by distant moun-
tains. On canvas, 0,79 h., 0,91 w.

This, and another picture, received in exchange for
a small picture by Wouvermann (du])licate) from Art-
dealer George in 1832.

Drost or Dorste (J. van); scholar of Emibrandt.
Bom about 1627? Living about 1^^*

1322. A man in a brown coat and broad hat. Pro-
(Ll.) file. On wood, 0,75 h., 0,67 w.

Signed: J. VDorste fecit. (V. and D. written toge-
ther. The last word indistinct.) Acquired through
Naumann as Rembrandt Old inven. 1722.

Same Artist. (?)

1323. An old man, instructing a boy from a book. On
(61a.) canvas, 1,00 h., 0,75 w.

Obtained in 1726 through Leplat. Old inven. 1722.

1324. Argus, listening to Mercury, disguised as a shep-
(K4.) herd-boy, who is playing on a pipe. On canvas,

1,18 h., 0,96 w.

Obtained in 1748 through Bern. Benzoni in Venice.
See Nos. 297 and 298.

199

Wouverman ( Wouvermans) , (Philips), scholar of his
father Paul,
Bom at Haarlem, 1620; died, May 19, 1688.

1325. A landscape with houses , and a group of trees
(16b.) near by, a wooden bridge over a brook. On wood,

0,43 h., 0,52 w. * (III 23.)
Signed: PH. (interwoven) W.

1326. A corn-field; in the fore-ground, a man in a red
(16 b.) cloak, on horseback, speaking with a woman. On

wood, 0,235 h., 0,305 w.

Signed: PHS. W. (indistinctly; the first letters inter-
woven.) Acquired through Count Gotter; price 150
Conven. fl.

1327. A heron hunt. On the trees, one sees the nests
(20b.) of the herons. On wood, 0,425 h., 0,63 w.

Signed with the monogram:

^

.vl5

(indistinctly.) Purchased in 1708 from Franz Lemmers
in Antwerp; price, 310 Patt.

1328. Eeturn from the chase. A lady and several

(20b.) gentleman stop on a hill before a wine-house. On

wood, 0,44 h., 0,605 w.

Siffned with the monogram. Obtained through Count
Wackerbarth. Old inven. 1722.

^/

A carter with a white horse, driving past an
(12c.) inn, which stands on a hill. On wood, 0,375 h
0,49 w.

Signed: PH. (interwoven) W. In the Abridgment
of 1782, mentioned as Pieter Wouverman, later attri-
buted to Andries Both.

1330. An angel, announcing to the shepherds the birth
(18b.) of the Saviour. On wood, 0,34 h., 0,38 w.

Acquired through Count Gotter; price, 600 Conven. Fl.

Like the preceding, quite in the style of Pieter van

Laar.

•200

1331. John the Baptist, preaching to the people. On
(16b.) canvas, 0,68 h., 0,87 w.

Signed with the monogram. In 1738 (?) from the
Cabinet of Mons. Blondy in Paris.

1332. A stag -chase in an open country with buildings
(9 b.) in ruins. On wood, 0,485 h., 0,79 w.

Signed: PS. W. Purchased in 1742 byRigaud from
the Cab. Du Pile in Paris, as "Chasse a Vitalienne";
price, 1500 Livres.

1333. Falconers and their servants with hunting -im-
/ (18 b.) plements and game, fording a river. On canvas,

0,65 h., 0,74 w.

Signed with the monogram.

\v'' 1334. A landscape with the dwelling of the executioner,
(19b.) and the place of execution. Several horsemen and
persons in the fore -ground. On canvas, 0,56 h.,
0,685 w.

Signed with the monogram.

\ 1335. A man and a woman, lying on the ground in a
(20b.) grotto, and talking with a shepherd; near by, a
white horse. On wood, 0,45 h., 0,37 w.

Signed with the monogram. Obtained through Nau-
mann from Hoyer as a copy. Old inven. 1722.

,1336. A peasant, watering a white horse in a brook.
(18 b.) On canvas, 0,29 h., 0,37 w.

Signed with the monogram. Obtained as above. Old
inven. 1722.

1337. A family reposing; a man with two horses stan-
(16b.) ding near by. On wood, 0,51 h., 0,435 w.

Signed with the monogram. Obtained through Baron
V. Schacht. Old inven. 1722.

201

1338. A horseman, having alighted from his horse, is
(19b.) embracing a peasant girl. On canvas, 0,415 h.,

0,515 w.

Signed with the monogram. Purchased in 1708
from Fr. Lemmers in Antwerp; price, 250 Pattacons.

1339. Several horsemen before a farrier's workshop.
(8c.) On canvas, 0,53 h., 0,66 w.

Signed with the monogram. From the Collection of
the Countess de la Verrue in Paris. Engraved by
Moyreau.

1340. Departure from the inn. On wood, 0,325 h., 0,37 w.

{16b.) Signed with the monogram, and on the sign-board,
Ao 1649. Obtained through Count Wackerbarth. Old
inven. 1722.

1341. In the fore -ground, a warm cavalry - skirmish ;
(16b.) farther back, a combat with infantry under the

walls of a mountain fortress. On canvas, 0,69 h.,
0,83 w.

Signed with the monogram. Acquired through Count
Wackerbarth. Old inven. 1722.

1342. Starting for the falcon-chase. On the right, part
(20b.) of a castle, to which a bridge leads. On canvas,

0,805 h., 1,02 w.

Si^ed with the^monogram. From the Kunstkammer.
Old inven. 1722.

v7»

1343. Same subject. Gentlemen and ladies on horseback,
(20 b.) stopping before a castle. Companion picture. On

canvas, 0,815 h., 1,04 w.
From the Kunstkammer. Old inven. 1722.

1344. A horse-fair in a flat country. On wood, 0,326 h.,
(18b.) 0,416 w.

Signed with the monogram. Obtained in 1708 through
Franz Lemmers in Antwerp; price, 250 Pattacons.

V

J

202

1345. Travellers with laden horses before an inn. On
(18b.) wood, 0,405 h., 0,485 w.

Acquired in 1749 through Le Leu from the Crozat
Collection in Paris; price, 1001 Livres.

1346. A single house, standing on the bank of a river;
(19 b.) in front, a horseman in a red cloak. On canvas,

0,53 h., 0,68 w. t\ iv \
Signed with the monogram.

1347. A gentleman, having his white horse shod by a
(20b.) farrier. In the fore-ground, a boy, with a goat,

harnessed to a child's wagon in which a child
lies. On copper, 0,385 h., 0,415 w.

Signed with the monogram. From the Cab. of Vicomte
de Fontpertuis; price, 700 Livres.

1348. A falcon chase. Trumpets and drums announce
(19b.) the victory of the falcon over a heron. On wood^

0,475 h., 0,65 w.

Signed with the monogram (indistinctly). Acquired
through Wanderer. Old inven. 1722.

1349. A sutler's tent with horsemen, and a trumpeter,
(16a.) blowing his trumpet before it. On wood, 0,48 h.,

0,42 w.

Signed with the monogram. Obtained in 1710 through
Jac. de Wit in Antwerp; price, 180 Pistoles.

1350. Fishermen on the sea- coast busied with their fish ;
(8 a.) some purchasers present. On wood, 0,55 h., 0,605 w.

Signed with the monogram.

1351. A gentleman stopping before a smithy to have
(8 a.) his horse shod. On canvas, 0,555 h., 0,605 w.

Signed : P. W. unfortunately, as it seems, spuriously,
otherwise it might be attributed to Pieter Wouverman,
although it is quite in the style of Philips W. Obtained
in June 1751 through Le Leu from the Collection of
de Tugny in Paris, engraved by Moyreau as "Ze travail
du mar^chal"; price, 604 Livres.

203

1352. Huntsmen on horseback, stopping before a rocky
(8 b.) grotto ; the keeper gives them drink. On canvas,

0,65 h., 0,63 w.

Signed with the monogram.

1353. Ruins on the bank of a river; in the fore-ground,
(8 c.) horsemen riding their horses into the water. On

wood, 0,46 h., 0,60 w.

Signed with the mono^am. Acquired through
Count Wackerbarth. Old inven. 1722.

1354. Skirmish on a stone - bridge. A magnificent pic-
(7 0.) ture with much larger figures than usual. On

canvas, 1,08 h., 1,36 w.

Signed with the monogram. Purchased in 1710
through Jac. de Wit in Antwerp, as *Hn der Manier
von Sourguignon" ; price, 170 Pistoles.

1355. Departure for the chase. Hunters leashing hounds;
(9 c.) others have already started. On wood, 0,46 h.,

0,646 w.

1356. Return from the chase. Mules and horses laden
(9 c.) with game. Companion picture. On wood, 0,455 h.,

0,64 w.

Signed with the monogram. Acquired in March,
1755, with the preceding Qirough Count Wackerbarth
from the estate of Mons. Paaquier; formerly in the
possession of the Chevalier d*Orleans, and in the Cab.
of Vicomte de Fontpertuis.

1357. Horsemen stopping with their horses before a
(9 c.) sutler's tent ; some are drinking, others playing

at cards. On canvas, 0,816 h., 1,04 w.

Signed with the monogram. Through Count Wacker-
barth. Old inven. 1722.

1358. Horsemen before a sutler's tent; soldiers playing
(16 b.) dice on a drum. On wood, 0,36 h., 0,44 w.

Signed with the monogram. Obtained in 1740 through
V. Heineken from Hamburg. Inven. 8vo.

204

/

\

\

135?^. * Ladies and gentlemen with their horses and atten-
(16 b.) dants, stopping at a well; a page is pouring out
wine. On wood, 0,36 h., 0,415 w.

Signed with the monogram. Obtained as the pre-
ceding, as a companion picture.

1360. Cavalry skirmish in the neighbourhood vf a
(16b.) castle, which is defended by cannon. On canvas,
0,70 h., 0,99 w.

Signed with the monogram. Obtained in 1749 by Le
Leu from Araignon Collection; price, 1600 Livres.
g Restored by Schirmer in 1861.

* 'lo6L A Capuchin friar bringing food for the poor
\^(18b.) from a monastery. On wood, 0,33 h., 0,36 w.

Signed with the monogram. A little picture of
exquisite softness in the execution. Obtained through
Le Leu in 1749, from Mons. Le Noir, banker in Pans,
for 700 Livres. Engraved by Moyreau under the title:
''L^Aumone des Gapucins".

1362. A rider on a prancing horse causing disorder to
Sj (18 b.) a peasant's team. On canvas, 0,57 h., 0,785 w.

Signed with the monogram. Purchased in 1742 by
Rigaud, from the Cab. of Mons. Du Pile in Paris;
price, 1500 Livres. Engraved by Le Bias under the
title: "Le Pot au Laif\

1363. Armed peasants fighting with cavalry; women
(18 b.) and children endeavouring to rescue their property

by flight. On canvas, 0,56 h., 0,79 w. .

Signed with the monogram. Master -piece. Pur-
chased in 1749 by Le Leu from the engraver,
Moyreau ; price, 2000 Livres. Engraved by Moyreau
as *'Le pillage des Betters^'.

1364. Horse -fair in a beautiful, open country. On can-
(18 b.) vas, 0,62 h., 0,775 w.

Signed with the monogram. Obtained in 1710, through
Jacob de Wit; price, 120 Pistoles.

re- -.J 205

•^ ^

\y^ 1365. Cavalry skirmish, near a burning windmill. On
(19b.) canvas, 0,51 h., 0,675 w.

Signed: Ph. Wouverman. Master - piece. Ob-
tained in 1749 through Le Leu from the Cab. of
Mons. Crozat in Paris; price, 1656 Livres; engraved
/"" by Moyreau as ^^VEmhrasement du Moulin".

^ 1366. In the stable of an inn, gentlemen with their
(19 b.) horses resting, about to continue their journey.
On canvas, 0,525 h., 0,66 w. I ^T

Signed with the monogram. Master -^iece. Ob-
tained in 1749 through Le Leu from the Cab. of the
Countess de la Verrue in Paris; price, 1201 Livres.

N. y 1367. A waterfall rushing over rocks, covered with ver-
* (16 b.) dure ; a heavily laden wagon with five horses,
stopping in the fore-ground. On copper, 0,30 h.,
0,395 w. QtP^^

Signed with^the monogram. A picture executed
with the delicacy of a miniature. Obtained in 1749,
through Le Leu from the Collection of President de
Tugny in Paris; price, 1860 Livres. Engraved by
Moyreau arf *Ha Cascade".

1368. Departure for a falcon chase; a carriage with a
(8 b.) span of white horses already started. On canvas,

0,84 h., 1,29 w.

From the Collection of Mons. de Vaux in Paris in
1749. Price, 1500 Livres.

1369. A bear and wild boars, hunted and slain by
(9a.) hunters on horseback and on foot. On canvas,

0,80 h., 1,10 w.

Signed with the monogram. Obtained as above.
Price, 1000 Livres. Engraved in 1741 by Le Bas.

1370. A gentleman before a farrier's, having his white
(8 b.) horse shod. On canvas, 0,63 h., 0,50 w.

Signed with the monogram. Obtained in 1749
through Le Leu in Paris. Engraved by Moyerau as
''La grotte du marechal". Price, 600 Livres.

206

1371. A ford and crossing, where horses are ridden to
(8c.) water. On wood, 0,46 h., 0,60 w.

Signed with the mono^am. Obtained through
Count Wackerbarth. Old inven. 1722.

1372. Reposing on a march. On canvas, 0,525 h.,

(8c.) 0,635 w.

Signed with the monogram. Purchased in 1749
by Le Leu in Paris; price, 760 Livres. ^

1373. A lake in the midst of an extensive, richly cul-
(9b.) tivated country; in the fore-ground, hunters on

horseback have found a stag. On canvas, 0,72 h.,

1,30 w. '

Signed with the monogram. From the Cabinet of
the Countess de la Verrue in Paris in 1749; acquired
through Le Leu lor 1600 Livres.

1374. A camp near a broad river. In the fore-ground,
(9 b.) a large nuitiber of warriors on foot and on

horseback. On canvas, 0,71 h., 1,28 w.

Signed with the monogram. Obtained through De
Brays and Araignon from the Carignan Collection in
Paris, as „Quartier general de VArmee hollandaise^* .
Price 3500 Livres.

1375. German cavalry and infantry in combat with
(8b.) Turkish cavalry. On canvas, 0,83 h. , 1,056 w.

Signed with the monogram. Obtained through
Franz Lemmers in Antwerp in 1708; price, 650
Pattacons.

1376. Cavalry skirmish in the neighbourhood of a ruined
(16b.) castle. On canvas, 0,70 h., 0,82 w.

Signed with the monogram. Obtained in 1710 from
Jac. de Wit in Antwerp; price, 170 Pistoles.

1377. A gentleman holding his horse by the bridle
(18b.) while his fortune is being told by a gipsy wo-
man. On wood, 0,40 h., 0,475 w.

Signed with the monogram. Obtained through Count
Cotter; price, 200 Coven. FJ.

20V

.V 1378. A gentleman on horseback, stopping on the sea-
(18 b.) coast and conversing with some fishermen. On
wood, 0,315 h., 0,36 w.

Signed with the monogram.

1379. A peasant watering his white horse in a pool;
(19b.) on a hill, a woman and her child. On wood,
0,335 h., 0,27 w.

Signed with the monogram. From the reserved
pictures in 1851.

1 y

1380. Fishermen drawing their nets ; a dappled, saddled
(18b.) horse stands near. On wood, 0,315 h., 0,36 w.

Signed with the monogram. Obtained in 1741,
through V. Kaiserling. Inven. 8vo.

1381. A duel. Two horsemen, fighting with pistols.
(20b.) On wood, 0,34 h., 0,405 w.

Signed with the monogram. From the Cab. Crozat
in Paris in 1751.

1382. Gentlemen and ladies on horseback, making an
(17a.) excursion into the country. On canvas, 0,77 h.,

0,98 w.

Signed with the monogram. Acquired in 1710 through
Jac. de Wit in Antwerp as ^Jiet Hengstche^' ; price
130 Pistoles. Restored by Schirmer. From the reserved
pictures in 1855.

1383. An unharnessed, white horse in a dark stable.
a6b.) On wood, 0,27 h , 0,35 w.

Signed with the monogram.

1384. Several horses in the stable of an inn, at the
(16 b.) manger. On wood, 0,295 h., 0,38 w.

Signed with the monogram. Acquired in 1710
through Jac. de Wit in Antwerp; price for this and
the preceding, 220 Pistoles.

208

^ ' 1385. A man on a brown horse, holding a white horse
\J (19b.) by a bridle (halter). On wood, 0,255 h., 0,31 w.

Obtained through Count Wackerbarth. Old inven,
1722.

V^:

1386. A harnessed, white horse, and a laden brown
(19 b.) horse in a rocky cave. On wood, 0,25 h., 0,31 w.

Acquired in 1708 from Franz Lemmers in Antwerp
for 125 Pattacons.

1387. Men and woman with children, on foot and on
^ (19b.) horseback, going through the water. On wood,

0,40 h., 0,545 w.

Signed with the monogram. Obtained in 1741
y^ through V. Kaiser ling, inven. 8vo. (Not original.)

\ 1388. Loaded carts, crossing a river, attacked by robbers.
(12 a.) On wood, 0,35 h., 0,485 w.

Signed with the monogram. (Not original.)

Ny 1389. A sharp skirmish between infantry and cavalry.
(12 a.) On wood, 0,36 h., 0,41 w.

Signed with the monogram. Obtained in 1741,
through V. Kaiserling. Inven. 8vo. (Not original.)

Remark. With so lar^e a number of the works of
this master, as is only to be found in the Royal Gallery
of this city, the idea of venturing an attempt to make
a classification of them in a historical series was
obvious, and, at least for the benefit of the unpro-
fessional observer, to group together those, which have
the same general characteristics. With this view,
those works of the artist which, by a more decided
green in the landscape; a species of hardness in the
local tone, and a more distinct character in the figures,
are materially distinguished from the perfection, and,
finally, the exaggerated softness of the later works,
have been arranged together in the fir^ eight num-
bers. To the period of transition to the later style,
belong, perhaps, the next ten numbers, which are

209

followed by eighteen of the nearly perfect works,
those which are only exceeded by sixteen of the most
excellent and universally acknowledged master-pieces.
The next six exhibit a transition to an inferior style,
which is represented by only two pictures, while five
inferior, and partly spurious paintings, constitute the
close of the series. Many attribute works like those
numbered 1325 to 1333 to Jan and Pieter Wouverman
but this can be determined with accuracy only when
the genuine monogram is affixed, as the brothers, pro-
bably, frequently painted on the same pictures —
Philipp ^ving the last touches. Therefore, almost
all the pictures with a signature bear the monogram
of Philipp (for those signed with P. H. W. can be
attributed only to the latter) most of them genuine,
but some, especially the last numbers of the series,
certainly spurious.

Begeyn (Abraham).

Born at Leyden (?); lived in Berlin about 1680.

1390. A landscape with three goats. On wood, 0,21 h.,
(12 c.) 0,24 w.

^ned: q/JLJi

Signed: zJUeOeuny

Old inven. 1722. From the reserved pictures in 1860.

Bega (Cornelis).

Born at Haarlem, 1620; died there of the plague in
1664.

1391. Peasants, women and children in a village-inn,
(20 c.) dancing. On wood, 0,47 h., 0,445 w.

Signed: C. Bega.

Tol (D. van), scholar of Gr. Bov,
Lived about 1620.

1392. A gray -bearded man, at a bow - window,
(19 a.) eating a herring. On wood, 0,26 h., 0,195 w.

Signed: D. V. Tol.

14

210

1393. An old woman, at a bow- window, winding
(19 a.) yarn on a reel. On wood, 0,34 h., 0,265 w.

Signed: D. V. Tol.

Breenbergh (BartholomSus), scholar of Poelenhurg.
Bom at Utrecht about 1620; died after 1663.

1394. Joseph, causing bread to be sold during the famine
(27 d.) in Egypt. On wood, 0,48 L 0,68 w.

Signed: B. Breenbergh fecit Anno 1644. The two
B's interwoven.

Rockes (Hendrik Martens), named Sorgh, scholar of

D. Tenters,

Born at Rotterdam, 1621; died, 1682.

1395. A fisherman, sitting before a house; a cook and
(15a.) a fisherman standing near. On wood, 0,60 h.,

0,375 w. ■ ^

Signed: 1664 M. Sorg. Obtained through v. Flem-
ming. Old inven. 1722.

1396. The labourers in the vineyard, receiving their hire.
(15 a) On wood, 0,49 h., 0,65 w.

Signed: M..Sorg. 1667.

£eckhont (Gerbrandt van den), scholar of Bembrandt.

Bom at Amsterdam, Aug. 19, 1621; died, Oct. 22,
1674.

1397. Simeon in the Temple, with the Infant Jesus in
(19b.) his arms, kneeling and rendering thanks to the

Lord. On canvas, 0,68 h., 0,85 w.

Obtained through Baumann as Bembrandt, Old
inven. 1722.

211

Everdingen (Cesar van), scholar of Jan van Bronkhorst ;

brother of Aldert.

Born at Alkmaar, 1606; died there, 1697,

1397a. Flora, Pomona, Bacchus and Amor. In the

{L3.) back-ground, a satyr and a negress. On canvas,

1,46 h., l-,6l w.

Signed: C. V. E. in monogram. Purchased in 1865,
from Conservator J. D. Dreyer in Bremen. Price,
25 Louisd'or.

Everdingen (Aldert or AUart van), scholar of Boland
Savcry and Feter Molyn, the Elder.
Born at AlJimaar, 1621; died there, 1675.

1398. A rocky country with a cloudy atmosphere; in
(lie.) the fore-ground , a stag, chased by huntsmen

through the water. On wood, 0,46 h.,. 0,65 w.
Signed: A. VAN EVERDINGEN. 1643.

1399. A small landscape with a castle; in the fore-
(11c.) ground, bare rocks; on the right, some fir-trees,

and men felling trees. On wood, 0,34 h., 0,41 w.
Signed: A. v. Everdingen.

1400. A stream, in the fore-ground, rushing between
(lie.) an evergreen forest and masses of rock, covered

with deciduous trees. On canvas, 1,44 h., 1,73 w.

Signed: A. v. Everdingen. Purchased in 1837 from
Frau von Heigendorf for 800 Thalers.

1401. A small landscape with two mills on a river.
(lie.) On wood, 0,355 h., 0,43 w.

1402. A hill , covered! with evergreen and deciduous
(lie.) trees, at the foot of which is a shepherd, tending

goats. On wood, 0,26 h., 0,245 w.

14*

*

f

f

212

Berchem, Berghem or Berighem (Claes Pietersen).

Bom at Haarlem, 1620 ; died in Amsterdam, Feb. 18,
1683.

1403. A merchant, sitting before a magnificent building ;
(9c.) a richly clad Moor approaching him; a lady at

his side. On canvas, 0,95 h., 0,90 w.

Signed: Berchem f. Obtained through Leplat. Old
inven. 1722.

1404. The birth of Christ announced to the shepherds.
(10 a.) On wood, 0,45 h., 0,375 w.

Signed: Berighem (sic) 1649. Acqm'red through v.
Kaiserling. Inven. 8vo.

1405. A landscape with high rocks, covered with ver-
(10 a.) dure; in the back -ground, an old castle. On

canvas, 1,38 h., 1,03 w.

Signed: Berchem f, 1656. Acquired in 1749 from
the estate of De Brays in Paris; price, 1500 Livres.

1406. A landscape with large masses of rocks; in the
(12 c.) fore-ground, fishermen, drawing their nets to the

shore. On wood, 0,41 h„ 0, 61 w. ^ (III. 21.)

Signed: Berchem. Obtained in 1742 through Bigaud in
Paris; price, 1000 Livres.

1407. A landscape with mountains in the distance and
(10 a.) a steep rock in the fore-ground, enlivened by a

group of men and animals. On canvas, 1,07 h.,
1,34 w. ^ (II. 50.)

Signed: Berchem 1659. Purchased by Le Leu in
1749 from the widow Gersaint in Paris. 1201 Livres;
engraved by Aliamet.

1408. A rocky, barren country with ruins. On wood.
(12 a.) 0,47 h., 0,64 w.

Signed: Berchem. Obtained in 1742 by Riedel in
Prague. Inven. Svo.

213

1409. A small, rocky landscape; in the fore-ground, two
(10 a.) men with a flock. On wood, 0,30 h., 0,26 w.

Signed: Berchem. Through Count Wackerbarth.
Old inven. 1722.

1410. A forest-rivulet, forcing its way between rocks;
(10 a.) shepherds and flocks dispersed about. On canvas,

1,10 h., 1,54 w.

Obtained in 1749 through Le Leu from the Crozat
Collection in Paris; price, 1200 Livres.

1411. Sun-set. A woman, sitting before a peasant's hut
(12 a.) with her distaff in her hand, near her lies a man ;

some cattle near by. On wood, 0,47 h , 0,645 w.

Signed: Berchem. This picture was formerly attri-
buted by some to Albert Kuyp, but it bears a mono-
gram, which is proved to be genuine by the closest
examination.

1412. A landscape with cattle , brown monochrome. On
(12 a.) wood, 0,285 h., 0,375 w.

Obtained through v. Kaiserling. Inven. 8vo. From
the reserved pictures in 1855.

1413. Similar picture. Companion picture. On wood,
(12a.) 0,295 h., 0,37 w.

Both signed : Berchem. From the reserved pictures
in 1858.

1414. A well- watered valley, through which different
(7 a.) cattle are driven. On canvas, 1,56 h., 1,41 w.

Obtained through Du Roy. Old inven. 1722.

214

1415. A small landscape with a rock m the distance,
(10a.) at the foot of which a peasant is ploughing; in

the fore-ground, several head of cattle with two
women, one of whom is riding on an ass. On
wood, 0,245 h., 0,315 w.

Obtained through Count Wackerbarth. The com-

E anion picture is in the Bridgewater Collection in
ondon.

Remark. The dated pictures of this master comprise a
period of 10 years (1649 1659). The Announcement
to the Shepherds (No. 1404) is remarkable , as it is
decidedly in the style of Rembrandt's conception, and
is signed : "Berighem", as he was accustomed to write
his name on his youthful pictures.

Artist unknown.

141 6. A herdsman, supporting himself on his staff, is
(13 c.) tending some cows. On copper, 0,10 h., 0,135 w.

Obtained through Pesne; old inven. 1722.

Someyn (Wilhelm), probably a pupil of Berghem,
Born at Utrecht; flourished about 1640—1660.

1417. A small landscape with a high rock in the back-
(16a.) ground; several head of cattle, sheep and goats,

grazing in the fore-ground. On wood, 0,435 h.,
0,37 w.

Signed : W. ROMEYN. Obtained through Raschke.
Old inven. 1722.

Stevens, named Palamedes ; brother of Anton Pdlamedesz,
Lived about 1625.

1418. Cavalry combat. On wood, 0,465 h,, 0,725 w.
(l^b) Signed: P f . . . . . 1634 indistinctly.

ft/r#»Ct :U^^^^ 215

iSame Artist. (?)

1419. A cavalier with a staff. Full-length, standing-
{26 a,) figure. On canvas, 0,34 h., 0,19 w.

Old inven. 1722. From the reserved pictures in 1861.

Potter (Paul), scholar of his father Fieter FoUer,

Born at Enkhuyzen, 1625 ; died at Amsterdam, 1654.

1420. A park, in which leashed dogs, accompanied by
(14 a.) hunters on horseback and on foot, are led to the

chase. On canvas, 0,63 h., 0,78 w.
Signed: Paulus Potter fee. 1652.

1421. A herdsman, driving some cattle up a hill. On
(14 c.) wood, 0,365 h., 0,60 w.

Signed: Paulus Potter fee. 1652. Acquired through
Count Wackerbarth. Old inven. 1722.

* 1422. Some cattle, a horse and a couple of sheep, grazing
(14 c.) on a hill. On wood, 0,36 h., 0,465 w.

Signed: Paulus Potter fee. 1652. As above.

Verschuring (Hendrik), pupil of Jan Both.
Born at Gorkum, 1627; drowned, 1690.

1423. In the neighbourhood of ruined buildings, the
(13 a.) baggage - train of an army is preparing for a

march. On wood, 0,64 h., 0,74 w.

Signed: H. Verschuring f. 1670. Acquired through
Count Wackerbarth, as in the style of Wouverman,
Old inven. 1722.

1424. Christ led to Golgotha. On canvas, 0,81 h., 1,23 w.
(13a.) Signed: H. VERSCHVEING. As above.

Bakereel (Willem), about i62o.

1425. Sand-hills and, caves, with figures and a view
(27 a.) in the distance. On canvas, 0,48 h., 0,67 w.

Signed: W. Bakereel. The last letters indistinct
From the reserved pictures in 18^6.

216

Artist uukuown.

1426. A scene in a camp. A horseman and a female
(27 c.) sutler. On wood, 0,31 h., 0,45 w.

From the reserved pictures in 1861.

Oosterwyck (Maria van), pupil of 2). de Heem.
Bom at Nootdorp, near Delft; died, 1693.

1427. Flowers in a glass-vessel, near by, a couple of
(18 a.) shells. On canvas, 0,725 h., 0,565 w.

Signed: MARIA VAN OOSTERWYCK.

1428. A melon, grapes and an orange on a marble -
(18 a.) table under a curtain. On canvas, 0,71 h., 0,57 w.

Signed as above. Both obtained in 1740 through
Morell for 2400 fl. Inven. 8vo.

Artist unknown.

1429. An old, gray bearded man, looking upward. On
(28 a.) canvas, 0,57 h., 0,50 w.

Purchased in 1743 in Paris as van Bock; (perhaps
van Bouck, pupil of Snyders; died in Paris, 1673).
Inven. 8vo.

Ossenbeck (Josias).

Bom at Rotterdam about 1627; died, 1678.

1430. Flat landscape. A gentleman and a lady, speaking
(20 b.) with a shepherd. On canvas, 0,52 h.. 0,81 w.

Signed: J. Ossenbeck, f. 1664. Mentioned in an old
catalogue as: Landscape by Collard (?) with accessories
by Ossenbeck. Obtained through Count Gotter; 40
Conven. fl.

Ulft (Jan van der).

Bom at Gorkum about 1627.

1431. A landscape with ruins and many figiires. On
(16 b.) wood, 0,475 h., 0,75 w.

Obtained in 1741, through v. Kaiserling. Inven. 8vo.

217

Meet (Jan van der).

Born at Delft about 1632.

1432. A gentleman embracing a young female and
(K2.) pressing a gold-piece in her hand. Also another

man and an old woman in a balcony, from which
hangs a Persian carpet. Half -figures of life-size.
On canvas, 1,44 h., 1,30 w.

Signed: J. v. Meer. 1656. Connected with the first
stroke of the "M"; a point above and "v" below. (See
W. Burger: Musees de EoUande. p. 77.) Of this rare
master, there is no other picture, so far as is known,
with figures of life-size. From the WaUenstein Col-
lection in 1741.

1433. A young girl standing at an open window before
(L 2.) a green curtain, drawn up, and reading a letter.

On canvas, 0,84 h., 0,65 w.

Signed: J. v. Meer, indistinctly. Mentioned in the
Abndgment as "Eembrandt".

Meer (Jan van der), named de Jonge.
Born at Haarlem about 1646. (?)

1434. Mountains on the farther side of a lake; in the
(27 b.) fore-ground, several laden asses and their drivers.

On wood, 0,345 h., 0,42 w.

Signed: J. v. dr. Meer 1664. Obtained through Count
Gotter; price, 50 Conven. fl.

1435, A shepherd - sitting near a cottage, under trees;
(12a.) his flock lies in the fore-ground; a peasant- woman

is reading to him. On canvas, 0,84 h., 1,09 w.

Signed: J. van Meer fc. A^ 16 . . (indistinct.) Ob-
tained through V. Kaiserling, 1741. Inven. 8vo.

fluy, dt^».X, c in N ^ mJ^^ '''

i"^ ♦ V*'*-«*- -I

218

/

Buysdael (Jacob van) , son of the elder Jacob and nephew
of Salomon B.
Born in Haarlem about 1625; died there, March, 1682.

1436. A landscape, known under the name: 'The Chase",
(lib.) The figures attributed to A, van der Velde. On

canvas, 1,08 h., 1,47 w. ^ (III 27.)
Signed: J. v. Ruisdael, As the following No.

1437. A landscape, known under the name : **The Jewish
(lib.) Cemetery". On canvas, 0,86 h., 0,96 w. * (III 39.)

Signed

■§\uJdad.

1438. A hill, covered with beautiful trees, from which
(11a.) a rivulet rushes down; a boy, tending some sheep
and a white goat. On wood, 0,38 h., 0,525 w.

Signed

■iL

J

1439. A forest -path; the horizon is seen through the
(11a.) middle of the wood. On canvas, 0,63 h., 0,52 w.

Signed: J. v. Ruisdael. See No. 1437.

1440. A brook, flowing through a valley, covered with
(11a.) a growth of deciduous trees, and forming a little

waterfall in the fore-ground. On canvas, 0,62 h.,
0,52 w.
Signed as above.

1441. A cascade on a hill covered with trees. On can-
(11 a.): vas, 0,68 h., 0,64 w.

Signed: J. v. Ruisdael f. Oldjinven. 1722.

1442. A woody landscape. In the fore-ground, a cascade.
(11a.) On canvas, 0,67 h., 0,55 w.

Signed as above. Old inven. 1722. •

219

1443. A landscape with mountains in the back-gronnd,
(lib.) known under the name : *'The Convent". On canvas,
0,74 h., 0,96 w. ^ (III 40.)
Signed: J. v. R. as No. 1438.

vl

1444. A flat country. A road, leading to a village; on
(11a.) the right and left, fields with wheat-sheaves. On

canvas, 0,40 h., 0,515 w.

Signed: J. v. Buisdael, interwoven. Purchased in
1751 by Riedel at the Michaelmas, fair in Leipsic.
Presented by Count Wackerbarth to H. M. the King
at the fair.

1445. A rough mountainous country; a forest -stream
(10 b.) forms a waterfall in the fore-ground. Some pea-
sant-houses in the distance. On canvas, 1,00 h.,
0,86 w.

Obtained by Morell in Antwerp in 1740. Inven. 8vo.

V/l4.

1446. A woody landscape with houses in the back-ground.
(11a.) A wooden bridge leads over a river. On canvas,

0,57 h., 0,655 w.

1447. Castle Bentheim, behind a group of trees on a
(10b.) hill. On wood, 0,55 h., 0,845 w.

Old inven. 1722.

1448. A flat, woody country. A cart, driving through
(10b.) the water. On wood, 0,56 h., 0,745 w.

fH Bought in 1743 at the Easter fair in Leipsic. Inven.
8vo.

Boom (Arnold or Abraham van); also Verboom^ scholar
of Jacob Ruysdael.
Lived about 1653.

1449. A village, surrounded with trees; a phepherd with
(11a.) some sheep. On canvas, 0,66 h., 0,79 w.

Signed A. v. Boom f.

220

1450. A forest of oak-trees; in the fore-ground, swine
(11a.) feeding. Companion picture. On canvas, 0,66 h.,

0,78 w.
Signed as above.

Looteu (Jacob), (an imitator of Hohbema.)
Died in England, 1680.

1451. A landscape, with herdsmen and some cattle. On
(27c.) copper, 0,40 h., 0,50 w.

1452. A landscape similar to the preceding. On copper,
(27c.) 0,40 h., 0,49 w.

1453. A landscape. In the shadow of the fore-ground,
(27 c.) a shepherd and shepherdess. Companion to the

preceding. On copper, of the preceding size.

All three signed: / I P

Taken from the reserved pictures in 1860.

Kalf (Willem), scholar of Hendrik Fot.

Bom at Amsterdam, 1630; died there, June 30, 1693.

1454. A white and blue painted porcelain - dish on a
(27c.) table near a glass of wine; also a cut lemon. On

canvas, 0,485 h., 0,415 w.
Signed: W. KALF. 1661.

Bray (Jan de), died at Haarlem, 1697, son of Salomon de
Bray*).

1455. On a white ornamented tablet, a poem in praise
(17b.) of herrings; before it, a plate with a cut herring,

a pitcher, glasses of beer etc. On wood, 0,56 h..,
0,48 w.

*) See A. van der Willigen: Le9 artistes de Harlem. 1870.

221

Signed

■ Jofl Mioy. I (fSff

Obtained in 1741 through v. Kaiserling. Inven. 8 vo

Bakhuyseu (Ludolph), also called Bakhuis.

Bom at Emden, 1631; died at Amsterdam, Nov. 7,
1709.

1456. An engagement between the English and Dutch
(17b.) fleets. On canvas, 0,94 h., 1,01 w.

Signed: L. B.

Koncherou (Frederic).

Bom at Emden about 1633 (?); died at Amsterdam
after 1713.

1457. A garden with trimmed hedges; people promena-
(12 c.) ding. On canvas, 0,265 h., 0,345 w.

Signed: F. Moucheron. Fecit. 1713. From the Kunat-
kammer. Old inven. 1722.

Baen (Jan de), scholar of his cousin Piemans,

Bom at Haarlem 1633; died at Amsterdam, 1702.

1458. The Artist's own portrait; in his right hand, a
(22 b.) small picture. On canvas, 1,09 h., 0,95 w.

Obtained through Naumann. Old inven. 1722.

Du Jardin (Karel).

Born at Amsterdam about 1625; died in Venice
Nov. 20. 1678.

1459. Diogenes, observing a boy drinking from the
(10a.) hollow of his hand. On wood, 0,425 h., 0,31 w.

Signed; KL. DV. lARDIN. (indistinctly.)

222

1460. A maid, kneeling and milking a goat before a
(10a.) little straw-hut. On wood, 0,29 h., 0,23 w.

- Signed: K. DV. lARDIN. From Hoyer through Nau-
mann. Old in van. 1722.

1461. An ox and some goats. A herd-boy in the back-

(10a.) ground. On wood. 0,26 h., 0,355 w.

Signed : K. DV. lARDIN. Obtained through Count
Wackerbarth as Paul Potter.

Hackert (Jan) von Amsterdam. (?)
Bom, 1635.

1462. A road, enlivened by many figures, leading by
(10a.) a group of large trees at the base of high rocks.

On canvas, 0,99 h., 1,12 w.

Steeu (Jan).

Born at Leyden about 1625; died there, 1679.

1463. The marriage at Cana. In front, a woman and
(19 a.) a boy, sitting on a cask. The host receives a

musician. Farther back, Christ and the feast.
On wood, 0,60 h., 0,485 w.

Signed: -\J)t66n .

From the reserved pictures in 1861.

1464. A woman, feeding her child with a spoon. On
(19 a.) linen attached to wood, 0,295 h., 0,245 w.

Signed as above. Obtained through Count Wacker-
barth. Old inven. 1722.

Hieris (Frans van)..

Born at Delft, 1635 ; died at Leyden, March 12, 1681.

1465. A girl, sitting at a table on which lies a lute,

(18 c.) listening to an old woman. On wood, 0,29 h.,

0,23 w.

Signed: F. van Mieris fee. 1671. Obtained in 1710
from Jac. de Wit in Antwerp; 200 Pistoles.

223

1466. The Magdalen. On wood, 0,22 h., 0,175 w.

(26a.) Signed: Frans van Mieris. 1674. Obtained through
Leg.-R. V. Kauderbach from the Cab. Lormier. Price,
460 Fl. Taken from the reserved pictures in 1859.

r 1467. A lady, sitting at a table and playing the lute;

(18c.) near her, the teacher. On wood, 0,415 h., 0,315 w.

Signed : F. van Mieris Anno 1676. V. ma. 50 Da. (?)

1468. An old woman, planting a pink in a flower-pot,
(18c.) On wood, 0,29 h., 0,225 w.

Signed: F. v. Mieris. Bought of Jac. de Wit in
Amsterdam in 1710; price, 100 Pistoles.

1469. An old man, in one hand a pitcher, in the other
. (18c.) a clay-pipe. On wood, 0,295 h., 0,22 w.

Signed: F. v. Mieris (indistinctly). As above; 100
Pistoles.

1470. A young lady in a red dress with fur, with a
(18 c.) little dog in her lap, before a mirror. On wood

0,28 h., 0,22 w.

Signed : F. v. Mieris (indistinctly.) Acquired through
Her Highness the Dowager Electress of Saxony. Old
inven. 1722.

1471. A young warrior, smoking tobacco. On wood,
(18 c.) 0,325 h., 0,26 w.

Signed: F. v. Mieris. From the Kunstkammer. Old
inven. 1722.

1472. A man in a cuirass, resting his right hand on
(18 c.) his sword. On wood, 0,18 h., 0,135 w.

Signed: F. v. Mieris. As above.

1473. An old scholar, mending a pen at a bow-window.
(18 c.) On wood, 0,35 h., 0,25 w.

Signed: F. v. Mieris. F. Bought in 1708 of Franz
Lemmers in Antwerp; 225 Pattacons.

V.

224

1474. A tinker. He is carefully examining a kettle in
(18 c.) need of repair. On wood, 0,48 h., 0,55 w.

Signed: F. (?) van Mieris (The "F." seems not to be
genuine.) Bought in 1710 from Jac. de Wit in Ant-
werp, as W'illem van Mieris; 400 Pistoles.

1475. The Artist in his atelier, with his wife before her
(18 c.) unfinished portrait. On wood , 0,60 h. , 0,465 w.

Signed: F. van Mieris. Obtained in 1708, through
Lehmann from Franz Lemmers in Antwerp ; 400
Pattacons.

1476. The atelier of the Artist. A connoisseur before
(18c.) an unfinished painting, near which the artist

stands with his palette and brush in his hand.
On wood, 0,64 h., 0,47 w.
Signed: F. v. M. . . (indistinct.)

1477. A girl in a white dress, trimmed with fur, sitting
(18 c.) before a parrot. On wood, 0,23 h., 0,18 w.

Obtained in 1710 from Jac. de Wit in Antwerp ;
100 Pistoles.

1478. A cloth- merchant with an open letter in his hand,
(18 c.) at a table, on which lie a piece of cloth and

some samples. On wood, 0,21 h., 0,145 w.

Obtained through Count Wackerbarth. Old inven.
1722.

1479. Poetry, with a tablet in her hands; at her side,
(18 c.) musical instruments. On wood, 0,32 h., 0,26 w.

Obtained through v. Kaiserling. Inven. 8vo.

Hondecoeter (Melchior), scholar of his father Gishert,
Born at Utrecht, 163fr; died there, Apr. 3, 1695.

1480. A hen with her chickens, near a cock; both
(19 c.) defending their brood against a bird of prey,

which has seized one of the chickens with its
claws. On canvas, 1,08 h., 1,38 w.

Signed: M. D. Hondecoeter. Obtained in 1724 through
Lehmann. Old inven. 1722.

\A

225

1481. A white hen surrounded with her chickens;
(L 3.) behind her, a cock. On canvas, 0,78 h., 0,95 w.

Signed: M. D. Hondecoeter. Obtained in 1741
through V. Kaiserling. Inven. 8vo.

482. A bird concert. With the inscription: ^Elch
(K^.) Yoogel singt gelyk shy gehect is^ , on the music
paper. On canvas, 1,63 h., 2,14 w.

Obtained through Count Gotter; 350 Conven. Fl.
From the reserved pictures in 1854. Restored by

.-Schirmer.

1483 A wild duck and a pigeon lying near a fowling-
(L3.) piece; in the back -ground, a wall. On canvas,
0,725 h., 0,81 w.

Signed indistinctly. M. d. hondecoeter fecit. Through
Count Cotter; 200 Conven. fl.

Due or Ducq (Jan le); scholar of Paulus Potter.
Born at the Hague, 1636; died about 1695.

\ 1484. Portrait of a man with mustaches, black clothes
^ (14c.) and white lace - collar. On wood, 0,175 h.,
0,14 w.

1485. The same, full-length. On wood, 0,435 h., 0,335 w.

(^^^•) Signed: J. LE DYC (The J. indistinct). Bought by
Riedelin 1751, at the Easter fair in Leipsic.

1)UC (A. le).

1486. A peasant, kneeling before a soldier, who is hold
(14c.) ing him by the hair; his wife is begging for

mercy. On wood, 0,305 h., 0,225 w.

Signed: LD. (in monogram).

15

226

Kerrincx (Alexander), scholar of Jan Miel.

Born about, 1590; died at Amsterdam, 1646.

1487. A forest country with a pond ; on the right bank,
(26 a.) a peasant house. On wood, 0,285 h., 0,355 w.

Signed: A. KEREINCX.A. 1620. Obtained through
Count Wackerbarth. Old inven. 1722.

1488. A landscape with groups of large trees. On wood,
(25 c.) 0,67 h., 0,99 w.

In 1741, from the Wallenstein Collection in Dux.
Inven. 8vo.

1489. A landscape with forest and a country road, on
(26 c.) which are travellers driving and on foot. On wood,

0,58 h., 1,00 w.
Obtained as above.

1490. A plain woody country with a view in the
(28 a.) distance. On wood, 0,46 h., 0,695 w.

Bought by Riedel in 1751 at the Michaelmas fair in
Leipsic. Presented by Her Maj. the Queen to His
Maj. the King at the fair.

MigUOU or Mlnjon (Abraham).

Born at Frankfort -on -the -Maine, June, 1640; died
at Wetziar, 1679.

1491. A bouquet in a glass-vessel. On canvas, 0,886 h.,
(16 b.) 0,67 w.

Signed: A. Mignon fe. From the Kunstkammer.
Old inven. 1722.

1492. Fruit and flowers, bound together in a wreath
(M 1.) with blue ribbons , hanging on a* metal ring.

On canvas, 1,02 h., 0,845 w.

Signed: A. Mignon. fe. Obtained through v. Flem-
ming as a copy after De Heem. Old inven. 1722.

227

1493. A bird's-nest in a basket of fruit; a goldfinch is
(17 a.) perched on the handle of the basket. On canvas,

0,88 h., 0,71 w.

Signed: A. Mignon. fe. Obtained through Count
Wackerbarth as 3e Heem. Old inven. 1722.

1494. Fruit and grapes in a basket ; before it, a gourd,
(7 b.) maize and a melon, split open. On canvas, 0,87 h.,

0,69 w.

Signed: A. Mignon. fe. Obtained through v- Flem-
ming. Old inven. 1722.

1495. A wreath of flowers and fruit, bound together
(7 b.) with blue bows. On canvas, 0,91 h., 0,74 w.

Signed: A. Mignon. fee. From the Kunstkammer-
As above.

1496. On a table, blue grapes, a peach and an opened
(17 b.) nut. On wood, 0,48 h., 0,37 w.

Signed: A. Mignon. fecit. Obtained through Count
Wackerbarth. Old iuven. 1722. Of rare beauty.

1497. A variety of fruit in a large dish ; near it, a burn-
(8 a.) ing lunt and some birds. On canvas, 0,72 h.,

0,87 w.

Signed: A. Mignon. fee. As above.

1498. A bouquet in a vessel. On wood, 0,475 h., 0,37 w.
(10a.) Signed: A. Mignon. As above.

1499. A flower-piece with many insects and other ani-
(16 b.) mals in a cave. On canvas, 0,80 h., 0,96 w.

Signed: A. Mignon. fe. From the reserved pictures
in 1861.

1500. Same subject. On the trunk of a tree sits a
(9 c.) squirrel. On canvas, 0,92 h., 0,76 w.

Signed as above. Obtained as above.

16*

228

1501. A garland of flowers and fruit, tied with blue
(10 a.) ribbons. On wood, 0,405 h., 0,53 w.

Signed: A. Mignon. fe.

1502. A dead hare and a cock, hanging over a table.
(8 a.) On a plate , peaches and grapes. On canvas,

1,16 h., 0,87 w.

Bought in 1722, at the Easter-fair in Leipsic, as an
unknown original,

1503. A dead cock, hanging by one leg; a wild duck
(8c.) and some birds lie near. On canvas, 0,88 h.,

0,68 w.

Signed: A. Mignon. fee. From the Kmistkammer.
Old inven. 1722.

1504. A white cock and a couple of birds on a hook;
(8c.) a sword-belt and a game-bag lie on the table.

On canvas, 0,96 h., 0,75 w.

Obtained in 1741 through v. Kaiserling. Inven. 8vo.

1505. A basket with a dead wild duck, hanging on it;
(K2.) near by, a dead hare, a turkey and other birds.

On canvas, 1,33 high and wide.

As above.

1506. Wanting.

Molyn (Peter); also named Cavaliere Tempesta.

Born at Haarlem, 1637; died at Piacenza, 1701.

1507. A thunder-storm. A w^oman on a white horse
(48 0.) and a shepherd with a flock of sheep. On can-
vas, 0,73 h., 0.99 w.

Obtained in 1741 through V. Rossi in Venice; price,

200 Thlr.

229

1508. A shepherd, driving his flock home in a thunder-
(9 c.) storm. On canvas, 0,36 h., 0,60 w.

1509. A thunder-storm ; a laden ass, lying on the ground,
(9c.) struck by lightning; his still living driver lies

beside him. On canvas, of the preceding size.

Obtained as above; both for 400 Thlr. Old account.

1510. A landscape with John the Baptist On canvas,
(9 b.) 0,36 h., 0,48 w.

1511. A landscape; a man, driving two oxen. On can-
(9 b.) vas, of the preceding size.

From the reserved pictures in 1861.

Heyden (Jan van der).

Born at Gorkum, 1637; died at Amsterdam, 1712,

1512. A large Gothic church with a mansion, standing
(14 a.) near it. On wood, 0,20 h., 0,275 w.

Signed: ^V;/" 1678.

1513. A view of a convent. On wood, 0,24 h., 0,295 w.

' ^ Signed: J. V. Heyden. The first three letters as
above. Signed also: A. R. very small.

1514. A convent with a Gothic church. In the fore-
(14 a.) ground, a game-park. On wood, 0,24 h., 0,29 w.

Signed: J. V. der Heyden, f.

1515. A convent; several priests with the pyx, passing
(14 b.) by under a canopy. On wood, 0,33 h., 0,44 w.

Signed: J. V. Heyden. J. V. and H. interwoven.

230

Poorter (WiUem van den), scholar of Remhrandt.
Lived in Haarlem about 1637.

1516. Esther, adorned, is brought before Ahasuerus.
(15 b.) On wood, 0,40 h.,- 0,33 w.

Signed: W. D. P. 1645.

1517. The woman, taken in adultery, brought before
(7 c.) Christ by the Pharisees. On wood, 0,64 h., 0,50 w.

Signed as above, without date.

Same Artist. (Copy after Rembrandt.)

1518. Simeon, kneeling in the Temple with the Infant
(7 c.) Jesus in his arms. On wood, 0,61 h., 0,49 w.

Obtained through Kindermann as *'Orig. Bembr."
Old inven. 1722.

Velde (Esaias van de), uncle of WUlem.
Born, 1597; died, 1648.

1519. A skirmish, near a windmill. On wood, 0,50 h.,
(25 d.) 0,73 w.

1520. A skirmish, near a place of execution. On wood,
(25 d.) 0,50 h., 0,74 w.

Both from the reserved pictures in 1860.

Velde (Adriaen van de), pupil of his father WiUem.

Born at Amsterdam, 1639; died there, Jan. 21, 1672.

1521. A woman, drinking out of a glass. On wood,
(13 c) 0,22 h., 0,195 w.

Signed: A v. Velde. 1661. From the Kunstkammer.
Old mven. 1722.

231

r n

15^2. A landscape. In the middle-ground, old walls
(13 b) with a large gate, through which cattle are being
driven. On canvas, 0,76 h., 1,12 w.
Signed: A. v. Velde 1667.

1523. A landscape with ruins, among which cattle are
(13a.) grazing; in the fore-ground sits a man in a red

mantle, drawing. On canvas, 0,80 h., 0,67 w.
Signed; A. v. Velde 1665.

1524. Several people amusing themselves on a frozen
(13 0.) moat. Linen attached to wood, 0,325 h., 0,41 w.

Signed: A. v. Velde, f. 1669. tiff^^

1525. Various animals, grazing before a pestsant-house ;
(13 b.) a peasant woman is milking a cow. On canvas,

0,59 h., 0,73 w. He (HI. 24.)

Signed: A. v. Velde. f. 1669. Obtained through
Count Wackerbarth. Old inven. 1722.

1526. On a hill, three head of cattle and a couple of
(18 c.) sheep. On wood, 0,33 h., 0,395 w. G^W \

Signed: A. v. Velde. f. Restored in 18fe6 by Pal-
maroli.

Netscher (Caspar), scholar of Koster,

Born at Heidelberg, 1639; died at the Hague, Jan.
15, 1684.

1527. A lady at the piano; a gentleman sitting near
(20c.) her, accompanying her playing with singing.
On wood, 0,59 h., 0,46 w.
Signed: CNetecher.f. AO 1660.

^' 1528. A young man, writing a letter. Supposed to be
(20c.) the Artist's own portrait. On wood, 0,25 h., 0,185 w.

Siffned: C. Netscher fecit 1665. Obtained through
Rascnke. Old inven. 1722.

232

/

k1529, a physician, feeling the pulse of a sick, jc^ng
(20 c.) lady. On copper, 0,275 h., 0,22 w.

Signed: C. Netscher. 1664. Bought from Jac. de
Wit in Antwerp in 1710; 200 Pistoles.

1530.

(20 c.)

— — . . — ^ — . _._., — _ — _ —

A gentleman, accompanying with his guitar a lady
singing. On wood, 0,43 h., 0,34 w. ^ (III 10.)

Signed: ^/Itfcfien A° /52k

1531. Portrait of Madame de Montespan. On copper,
(20c.) 0,505 h., 0,385 w.

Signed: C. Netscher. 1670

\ yl532. The same, playing on a harp; at .her feet sits
^^ (20c) her son, the Due de Maine. On copper, 0,48 h.,
0,37 w.

Signed: C. Netscher fee. 1671. Purchased in 1742
through De Brays from the Collection of Mons. Dubreuil
/ with five other pictures; together, 17,800 Livres.

\/ 1533. A lady with a little dog in her lap; her maid is
l(20c.) arranging her head-dress. On wood, 0,435 h., 0,34 w.

Signed: C. Netscher. Purchased in 1710 from Franz
Lemmers in Antwerp, as Franz Mieris; 225 Pattacous.

\/ 1534. A peasant - woman , spinning. On wood, 0,28 h.,
(20 c.) 0,235 w.

Signed: C. Netscher. Purchased in 1708 of Franz
Lemmers in Antwerp; 100 Pattacons.

1535. A woman with a sewing cushion on her lap. On
• (20 c.) wood, 0,28 h., 0,22 w.

Signed : C. N. (indistinctly.) As above ; 100 Pattacons.

Remark. The pictures of Netscher, furnished with
dates, comprise a period of 11 years. (1660 — 1671.)

233

Copy after Caspar Netscher.

1536. A girl, giving an almond to a parrot. On wood,
(18c.) 0,45 h., 0,36 w.

Slingeland^ Slingelant or Slinghelandt (Pieter van),

scholar of G. Dov.

Bom at Ley den, Oct. 20, 1640; died, Nov. 7, 1691,

1537. The interrupted music-lesson. On wood, 0,395 h.,
(16 c.) 0,306 w.

Signed: P. V. Slingeland. 1672. Bought in 1708
of Franz Lemmers in Antwerp; 370 Pattacons.

1538. A young woman offering a cock through the
(16c.) window to an old woman. On wood, 0,355 h.,

0,28 w.

Signed: P. V. Slingelant. 1673. Purchased through
Le Roy as Gerh. Dov. Old inven. 1722.

1539. The songstress. In the back-ground, a page brings
(16c.) a chair. On wood, 0,33 h., 0,27 w.

Signed: P. V. Slinghelandt (on the pianoj- cover).
From the reserved pictures m 1860.

Artist unknown.

1540. A young lady, playing on the piano ; her teacher
(16 c.) stands •near her, singing. On wood, 0,605 h.,

0,47 w.

Lairesse (Gerard de).

Born at Li^ge, 1640; died at Amsterdam, 1712.

1541. Apollo arid the Muses !on Parnassus. On wood,
(81c.) 0,76 h., 1,48 w.

Signed: G. Lairesse. f. Through Le Roy. Old inven,
1722.

234

1542. A festival of Priapus; one of the company is drink-
(31a.) ing from a shell. On canvas, 0,70 h., 0,64 w.

From Leipsic. Old inven. 1722.

1543. Fauns in a landscape with architecture and a
(31 d.) large bas-relief. On canvas, 0,84 h., 1,00 w.

From the reserved pictures in 1861. '

Victors (Jan.), pupil of Rembrandt

Lived in Amsterdam about 1640.

1 544. The Finding of Moses. The nurse selected for the
(K3.) child has already offered it her breast. On can-
vas, 1 ,75 h., 2,00 w.

Signed: Jan Victors fc. 1653. (?)

1545. The Finding of the cup in the sacks of the sons
(K3.) of Jacob. On canvas, 1,79 h., 1,98 w.

Signed: Johanes Victors, fc.

Tictor (Jacomo).

1546. A pair of fowls with chickens and a pigeon. On
(26b.) canvas, 1,11 h., 0,95 w.

Signed: Jacomo Victor. Obtained in 1741 through
V. Kaiserling. Inven. 8vo.

Tlieger (Simon de).

Bom in Amsterdam, 1612.

«

1547. A storm at sea. A ship, wrecked between two
(14 b.) cliffs. On wood, 0,305 h., 0,395 w. .

Signed: S. DE VLIEGER. A (f{^

Same Artist. (?) ' J

1548. A frozen lake with skaters and sledges. On wood,
(14b.) 0,31 h., 0,396 w.

Signed : S. V. ^ /(

235

Vols (Ary [Adriaen] de), pupil of Knupfer von Utrecht (?).
Born at Leyden, 1641; died there, 1698.

1549. A small landscape. Some women have been
(14a.) bathing; one is asleep, another drying herself.

On wood, 0,306 h., 0,375 w.

Signed: ADVoia. f. 1666. (The first three letters inter-
woven.) Obtained tiirough Le Roy. Old inven. 1722.

1550. A man in a gray hat, ornamented with feathers,
(13 c.) peering into a large beer-glass. On wood, 0,195 h.,

0,16 w.
Signed: ADVois. f. (interwoven.)

1551 . A young shepherdess, looking at a rose, which she
(13c.) is holding up. On wood, 0,28 h., 0,215 w.

Signed: ADV. (in monogram.) Obtained through
Raschke. Old inven. 1722.

Haeusbergen (Jan van), imitator of Poelemhurg.

Born at Utrecht, 1642; died at the Hague, 1705.

1552. Angels, announcing to the shepherds the birth of
(13a.) the Redeemer. On wood, 0,365 h., 0,30 w.

Signed: J. V. H. Obtained through Count Wacker-
barth as Poelemimrg. Old inven. 1722.

1553. The Adoration of the Shepherds. On wood, 0,36 h.,
(13 a.) 0,29 w.

Signed as above. Through Raschke. As above.

1554. The Adoration of the Wise Men. On wood, 0,37 h.,
(13a.) 0,29 w.

Signed as above. Bought of Franz Lemmers in
Antwerp.

1555. The Assumption of the Virgin Mary. On copper,
(13 a.) 0,37 h., 0,295.

As above.

236

1556. A landscape with a little waterfall in the middle -
(13c.) ground; some women bathing. On wood, 0,216 h.,

0,275 w.

Signed : H. B. Through Leplat. Old inven. 1722.

Berckheyde or Berck-Heyde (Job).

Born at Haarlem, 1628; died, 1693.

4

1557. A view of the town-hall in Amsterdam. On
(15 b.) wood, 0,41 h., 0,565 w.

Signed: J. Berck-Heyde.

Berckheyde G6rard or Gerrit).

Born at Haarlem, 1645; died there, Nov. 29, 1698.

1558. A place before ancient buildings; in the forc-
(15 b.) ground, a rider exercising his hoi-se. On canvas.

0,535 h., 0,63 w.

Signed ; Gerrit Berckheyde. With No. 1557 pur
chased from Georg Breitbarth, Art-dealer in Erfurt,
in 1746. Old account.

1559. A gentleman and lady on horseback, accompanied
(16b.) by falconers, riding to the chase. On canvas,

0,53 h., 0,62 w.
Signed : Gerrit B^ckheyde.

Stoom (Matthaeus).

Born, 1643; died in Verona, 1702.

1560. A battle-field. On canvas, 0,66 h., 1,40 w.

(51 b.) Obtained in 1738 through Rossi as Bourguignon.
Inven. 8vo

1561. A combat between Europeans and Asiatics under
(51 b.) the walls of a fortress. On canvas , of the pre-
ceding size.

As above.

237

1562. Travellers, attacked and plundered in a narrow
(26 c.) pass. On canvas, 0,56 h., 0,77 w.

1563. A sea-coast. Galleys, lying near a fort; troops
(26 c.) are disembarking. On canvas, 0,59 h., 0,78 w.

^1564. A cavalry-combat. On canvas, 1,16 h., 1,79 w.
(50 a.) In 1728, from the Prussian rooms. Old inven. 1722.

Schalcken (Go3efried), pupil of Samuel van Hoogstraten

and Dov.

Born at Dortrecht, 1643 ; died at the Hague, Nov. 16,
1706.

1565. A girl, sitting near a candle , reading a letter.
(19 a.) Half-length. On wood, 0,275 h., 0,21 w.

Signed: G. Schalcken.

1566. A girl, supporting her head on her hand, holding
(19 a.) a burning candle. Half-length. On wood, 0,265 h.,

0,21 W.

Signed: G. Schalcken. Bought from Griinberg in
Brussels; price, 400 Francs de Hollande.

1567. An artist examining a bust of Venus by candle-
(19 a.) light. On wood, 0,445 h., 0,31 w.

Through Le Roy. Old inven. 1722. Perhaps by
Slingeland.

1568. A girl, examining an ^^g by a light. On wood,
(19 a.) 0,28 h., 0,215 w.

Obtained through Count Wackerbarth as Bon vel
Schonen. Old inven. 1722.

1569. An old woman holding a book on her lap Lile
(51b.) size. On canvas, 0,80 h., 0,70 w.

Signed: G. Schalcken. Purchased in 1727 by Her
Maj. the Queen at the Easter -fair in Leipsic. Old
inven. 1722.

238

Neer (Eglon van der), son and pupil of Arthur v. d.

Neer,

Born at Amsterdam, 1643 ; died at Diisseldorf, May, 3,
1703.

1570. A young woman, sitting at a table, tuning her
(15 b.) zither. On wood, 0,365 h., 0,295 w.

Signed: van der Neer.

Bergen (Dirk) (Thierry) van, scholar of Adr, v. d, Veldc.
Bom at Haarlem about, 1645; died about 1689.

1571. In a mountainous landscape, cattle and goats are
(14 c.) grazing, attended by a herd -boy. On canvas,

0,315 .h., 0,37 w.

Signed: D. V. Berg. 1682.

1572. Cattle on a pasture ; a young woman with a
(14 c.) child, sitting near. On canvas, of preceding size.

Signed: D. V. B.

1573. Shepherd and flock. On linen attached to wood,
(8 a.) 0,245 h., 0,295 w.

Signed: D V. Bergen. P.

1574. A spotted cow with some goats and sheep; the
(8 a.) shepherd before a cottage. On canvas, 0,255 h.,

0,305 w.

Weenix (Jan Battista).

Bom at Amsterdam, 1621; died, 1660.

1575. Jacob and Esau with their families, meeting.
(26 b.) On canvas, 1,00 h., 1,33 w.

Signed: Gib. Batta. Weenix. In 1741, from the
Wallenstein-Collection in Dux. Inven. 8vo.

1576. A little dog, barking at a large tufted hen. On
(L I.) canvas, 0,77 h., 0,95 w.

fcigned: Gio Batta: Weenix. f. Through v. Kaiser-
ling m 1741. Inven. 8vo.

239

Weenlx (Jan), son and pupil of the preceding.

Born at Amsterdam^ 1644; died there, Sept. 20, 1719.

1577. A dead roe, game, fruit, and hunting-implements.
(K3.) On canvas, 1,28 h., 1,68 w

Signed: J. Weenix. f. 1689. Obtained in 1743 through
Algarotti from Casa Romieri in Venice.

1578. A dead cock and a partridge on a blue cushion;
(8 b.) near by, some small game. On canvas, 0,98 h., 0, 82 w .

Signed: J. Weenix 1698. Through v. Kaiserling in
1741. Inven. 8vo.

1579. A hare, suspended by one leg; some birds lie
(K3.) near. On canvas, 1,30 h., 1,69 w.

Signed: J. Weenix. 1690. With No. 1557 together.
57 Ducats d'or.

1580. A white cock, a pheasant and some birds, lying
(LI.) on a table. On canvas, 1,01 h., 0,81 w.

Obtained through Du Roy. Old inven. 1722.

School of Weenix.

1581. A hare and dead birds. On canvas, 0,97 h.,
•(27 a.) 0,73 w.

From the reserved pictures in 1856.

Francoys (Pieter).

Bom at Mechlin, 1606; died, 1654.

1582. A man in armour, a pistol in his right hand.
(13 c.) On wood, 0,14 h., 0,105 w.

Signed: P^ Francoys pinxit.

Millet (Francisque), scholar of JRyckaert or Francken.
Born at Amsterdam, 1644; died at Paris, 1680.

1583. High trees; behind them, buildings and a round
(6 c.) tower. A woman with a boy, advancing towards

the fore-ground, accompanied by a man. On
canvas, 0,605 h,, 0,645 w.
Obtained in 1740 through Morell; 60 Thlr. Inven. 8vo.

240

_ t

Same Artist. (?)

1584. A landscape with accessories. On canvas, 0,49 h.,
(Sid.) 0,65 w.

1585. Companion picture. On canvas, 0,49 h., 0,64 w.
(31 d.) Both from the reserved pictures in 1861.

Toorenvliet (Jacob).

Born at Leyden, 1644; died there, 1719.

1586. A woman with notes in her hand, singing; be-
(13 c.) fore her, a man with a hurdy-gurdy. On copper,

0,285 h., 0,306 w.

Signed: Toorenvliet. F. A^ 1678.

1587. A fish- woman before a window. On copper,
(7 a.) 0,17 h., 0,22 w.

Signed: J. Toorenvliet. F. A©^ 1679.

1588. A gray-bearded Jew, holding a book in his left
(7 a.) hand. On wood, 0,225 h., 0,17 w.

Signed: J. Toorenvliet. All three from the Kunst-
kammer. Old inven. 1722.

Same Artist (?).

1589. A man giving a little flower to a woman. On
(27 c.) canvas, 0,40 h., 0,32 w,

From the Kunstkammer. Old inven. 1722. From
the reserved pictures in 1856.

Golder (Arent de) pupil of Rembrandt,

Born at Dortrecht, 1645; died, 1727.

1590. Pilate, presenting Christ, bound, to the Jews. On
(K2.) canvas, 1,52 h., 1,89 w.

Signed: AD. Gelder. f. 1671. (A. andD interwoven.)

1

241

1591. A man, holding a halbard. On canvas, 0,82 h.,
(K4.) 0,70 w.

Purchased in 1727 at the Easter fair in Leipsic by
Her Majesty the Queen as Bembrandt, "ein Jager mit
der Flinte". Old inven. 1722.

Deuren (0. van). Unknown.

1592. A hermit in a cave, reading. On wood, 0,42 b.,
(27 c.) 0,32 w.

Signed: 0. v. Deuren fecit. 1624. From the reserved
pictures in 1861.

«

Glauber (Jan.), pupil of Nic. BergJiem,

Born at Utrecht, 1646; died at Amsterdam, 1726.

1593. An idyllic landscape with figures by Lairesse (V).
(Hi.) On canvas, 0,62 h., 0,78 w.

Purchased in 1751 through v. Heineken.

Artist unknown, (A. v. d. Streck?)

1594. A man dandling a girl on his knee. On wood,
(27 c.) 0,31 h., 0,29 w.

Signed : Avdftreck (?) (indistinctly). From the Kunst-
kammer. Old inven. 1722.

Huchtenburg (Jan van).

Bom at Haarlem, 1646; died in Amsterdam, 1733.

1595. A cavalry combat. On canvas, 0,67 h., 0,95 w.

(27a.) Purchased at the Easter fair in Leipsic, 1722. Old
f inven. 1722.

V.

1596. A fierce cavalry combat; in the distance, a village.
(27a.) On canvas, 0,57 h., 0,69 w.

Signed: J. H. B. (in monogram.) 1718. Obtained
through Count Gotter; 250 Conven. Fl.

16

242

1597. A cavalry skirmish in the fore -ground; in the
(27a.) distance, the storming of a fortification. On can-
vas, of the preceding size.

Signed as above 1720. Purchased in Leipsic at the
Easter fair, 1722. Old inven. 1722.

1598. A cavalry engagement. Infantry defending a woody
(27 a.) hill. On canvas, 0,53 h., 0,62 w.

Signed: J. H. B. (in monogram.) Obtained through
Count Gotter; 250 Conven. Fl.

1599. Similar subject. On canvas, of preceding size.

(27a.) Bought at the Easter fair in Leipsic, 1722. Old
inven. 1722.

1600. A cavalry combat. In the middle-ground, a war-
(49c.) like nobleman. On canvas, 1,55 h., 2,12 w.

Hoet (Gerard), pupil of his father Moses, of Werner van
By sen and Poelemburg.
Born at Bommel, 1648; died at the Hague, 1733.

1601. A woman, sitting on a ruined wall with three
(13 a.) little children about her , who hand her flowers.

On wood, 0,27 h., 0,325 w.

Signed: Hoet. fc. 1667. Obtained through Count
Wackerbarth as an unknown original. Old inven. 1722.

Broers (I.)*).

1602. A combat in the neighbourhood of a hill-side. On
(14b.) canvas, 0,40 h., 0,59 w.

Signed: G. 1. Broers Pixit. (I. and B. interwoven,
the G. indistinct.) Acquired in 1742 through J. A.
Riedel from the Royal Gallery in Prague.

1603. Companion picture. On canvas, 0,395 h., 0,60 w.
(14b.) Signed: J. Broers fecit. As above.

*) Houbraken III. 63. A Caspar Broers lived in Antwerp,
about 1700.

243
Brakenburg (Eegnier).

Born at Haarlem, 1660; died there, 1702.

1604. A young peasant, regarding a bottle, which he
(15 b.) holds up. On wood, 0,25 h., 0,35 w.

Signed: B. From the Wallenstein Gallery. 1741. Inv.
8vo.

Storck (Abraham).

Born at Amsterdam, 1650; died about 1708.

1605. The port of Amsterdam. On canvas, 0.71 h., 0,86 w.
(9^.) Signed: A. Storck F. 1689.

1606. A fishing-boat; in the distance, larger vessels on
.(9a.) a rough sea. Oval; on wood, 0,40 h., 0,50 w.

Signed: STO. Obtained in 1740, from Morell in
Antwerp. Tnven. 8vo.

Wytmans (Matthaus), pupil of H. Verschuring.
Born at Gorkum, 1650; died, 1689.

1607. A girl, turning over the leaves of a music-book.
(18a.) On wood, 0,29 h., 0,235 w.

Signed: Wytmans f.

Hecke (Nicolas van der), named after his uncle, Martin
Hemskerk^ also Aemskerk.
Lived about 1654.

1608. Several persons in a tap-room. On canvas, 0,57 h.,
(50 a.) 0,82 w.

. Bought in Leipsic. Old inven. 1722.

1609. Similar subject. On canvas, of preceding size.
(50 a.) As above.

16*

244

Same Artist (?).

1610. Cavalry, surprising an enemy's camp at night.
(49a.) On canvas, 0,88 h., 1,37 w.

Holeuaer (Jan Minsze), about 1630.

1611. Several peasants, playing cards ; a woman asks
(7c.) advice of one of the by-standers. On wood, 0,59 h.,

0,835 w.

Signed: J. M. A^ . . J. M. interwoven. An ex-
cellent picture in the style of Ostade.

Artist unknown.

1612. The interior of a peasant's room, with men and
(27b.) women. On canvas, 0,49 h., 0,73 w.

From the reserved pictures in 1861.

Lunders (Gerrits).

Lived about 1656.

1613. A fiddler in a peasant's room; a girl, dancing.
(27 a.) On wood, 0,425 h., 0,355 w.

Signed: G. Lunders fe 1656. Purchased in 1751 by
Biedel at the Easter fair in Leipsic.

1614. A peasant listening to a fiddler standing behind
(27c.) him. On wood, 0,38 h., 0,31 w.

Signed indistinctly: G LVNDERS.

Meiren (van der).

1615. An encampment in a mountain landscape. On
(12 b.) canvas, 0,42 h., 0,57 w.

Obtained through Count Wackerbarth. Old inven.
1722.

245

1616. A fair before the gates of a city. On canvas,
(12b.) 0,43 h., 0,58 w.

As above. Both signed: J. C. van der Meiren. 1698
(indistinctly.)

1617. A sea-port; in the fore-ground, many figures. On
(9 a.) canvas, 0,42 h., 0,575 w.

Old inven. 1722. From the reserved pictures, 1865.

Moor (Carol de), pupil of Ahr, van den Tempel.

Born at Leyden, Feb. 22, 1656; died at the Hague,
Feb. 16, 1738.

1618. A hermit praying. On wood, 0,92 h., 0,70 w.
(1^3.) Signed: Pict. Carel de Moor.

Grifjflier (Jan).

Born at Amsterdam,^ 1656; died at London, 1718 or
1724.

1619. A mountain landscape with a distant view and a
(26 a.) river with several vessels. On wood, 0,66 h.,

0,875 w.

Signed : J. GRIFFIER. ft. London 1708. Obtained
through du Eoy. Old inven. 1722.

1620. Similar subject. On wood, 0,645 h., 0,875 w.

(26a.) Signed: J. GRIFFIER ft. London. Obtained
as above. In 1865 from the reserved pictures.

1621. A landscape with rocks, many trees, and a river.
(15 b.) On wood, 0,42 h., 0,46 w.

Obtained through du Roy. Old inven. 1722.

1622. A landscape with mountains, many buildings, and
(12 b.) a river. On copper, 0,38 h., 0,605 w.

Signed: J. GRIFFIER f. Obtained through Count
Wackerbarth. Old inven. 1722. In 1741 transferred
from the Royal apartments to the Gallery. Inven. 8vo.

246

1623. A mountainous country, with a wide river; in the
(13 b.) fore-ground, tents, shops, and merry people. On

copper, 0,53 h., 0,67 w.

Signed: J. GRIFFIER. Through Du Roy. Old
inven. 1722.

1624. A mountebank in his booth. Companion picture.
(13 b.) On copper, 0,53 h., 0,665 w.

Signed: GRIFFIER. Ditto. Ditto.

1625. A landscape with a distant view; on the right,
(26 c.) high mountains ; on the left, a river. On wood,

0,38 h., 0,485 w.

Signed: GRIFFIER. F. Obtained through Count
Wackerbarth. Old inven. 1722. From the reserved
pictures in 1855.

1626. A mountainous country with many figures; on
(9b.) the right, a church; on the left, a river with

vessels. On copper, 0,475 h., 0,53 w.
Signed: GRIFFIER. Obtained as above.

1627. Castle Rheinstein; on the left, an inn with many
(9 b.) country-people. On copper, 0,48 h., 0,535 w.

Signed: GRIFFIER. Obtained as above.

1628. A harvest near the Rhine. On copper, 0,47 h.,
(15 b.) 0,53 w.

Signed: J. GRIFFIER. Obtained as above.

1629. A mountain landscape. On copper, 0,38 h., 0,49 w.

(26 c.) Signed: J. GRIFFIER. Obtained through Count
Wackerbarth in 1741. From the reserved pictures in
1861.

1630. A landscape ; in the fore-ground, a peasant festival.
(27a.) On wood, 0,47 h., 0,59 w.

Signed: GRIFFIER. (incomplete). Obtained as above.

247

1631. IVrountain scenery on the Rhine. On wood, 0,38 h.,
(27 a.) 0,48 w.

Signed: GRIFFIER. Obtained as above.

1632. Similar subject. On copper, 0,47 h., 0,53 w.

('27a.) Signed: GRIFFIER. Through Du Roy. From the
reserved pictures in 1861.

1633. Similar subject. On canvas, 0,45 h., 0,61 w.
(27 c.) Through Leplat. As above.

Old Copy.

1634. A landscape; in the fore-ground, a country fair.
C27 c.) On wood, 0,50 h., 0,64 w.

From the reserved pictures in 1861.

Werff (Adrian van der) ; scholar of OornU Picolett.

Born at the village Kralinger-Ambacht, near Rotter-
dam, Jan. 21, 1659; died at Kotterdam, Nov. 12, 1722.

1635. A pastoral scene. On wood, 0,595 h., 0,485 w.

(17c.) Signed: Adr. van der Werff. fee. An. 1669 (sic.) (The
last figure indistinct.) In 1710, a present from the
Elector of the Palatinate.

1636. A portrait of the Artist with bis family. On can-
(17 c.) vas, 0,61 h., 0,55 w.

Signed: Adr. van der Werff fecit anl 1689. (?) (The
last figure indistinct.) Acquired in 1742 through De
Brays and Araignon, from the Carignan Collection in
Paris; 3500 Livres.

X

1637. Lot and his daughters. On wood, 0,40 h., 0,32 w.

(17c.) Signed: Adr. v. Werff fee. 1694.* Presented in 1710
by the Elector of the Palatinate. Old inven. 1722.

1638. Venus and Cupid. On wood, 0,37 h., 0,32 w.
(17 c.) Signed: Adr?- van d. Werff an^ 1699.

248

1639. A hermit before his cell. On wood, 0,38 h.,
(17 c.) 0,30 w.

Signed: A. Y,Bi WERFF. fee. Anno 1705. Purchased
in 1751 by Riedel, as Saint Jerome, at the Easter fair
in Leipsic.

1640. Magdalen. On wood, 0,35 h., 0,2575 w. ^ (III. 12.)

(17c.) Signed: CheviLv£_ Werff. fee. anno 1711. (?) From
the Czernin Collection. Inven 8vo. [

1641. The Judgment of Paris. On wood, 0,565 h.,
(17 c.) 0,495 w.

Signed: Chev' v"^ Werff. fee 1712. From the Col-
lection of Count Czernin in Prague. Inven. Svo. Stolen
by Wogaz, Oct. 22, 1788.

1642. The Infant Jesus caressing the little John. On
(17 c.) wood, 0,46 h., 0,3425 w. ^ (III. 35.)

Signed: Chev!Lv£_ Werff fee. 1715. Ditto.

1643. The annunciation to the Virgin. On wood, 0,715 h.,
(17 c.) 0,5275 w.

Signed: CheviL van dl_ Werff fee. an_ 1718. Ditto.

1644. Diogenes with his lantern, looking for men. On
(17 c.) wood, 0,29 h., 0,245 w.

Signed : v. d. Werff.

1645. The expulsion of Hagar by Abraham. On canvas,
(17 c.) 0,86 h., 0,70 w.

Signed: A. v. d. Werff (indistinctly). Purchased in
1708 from Franz Lemmers in Antwerp; price, 350
Pattacons.

1646. A gentleman and a lady, sitting at a table, playing
(17 c.) chess. On wood, 0,35 h., 0,2625 w.

Signed: A. v. WERFF. F. Purchased in 1751 by
Riedel at the Easter fair in Leipsic. Presented by
Her Maj. the Queen to His Maj. the King at the fair,
as '^vayi der Werff and his mfe^\

249

Remark. The pictures of this master furnished with
dates comprise a period of 47 years, if the incomplete date
of the first picture is filled out with 9 (from 1669 to
1718). This does not, it is true, correspond with the
year of his birth, 1659, although the precocious boy
was apprenticed at the early age of 10 years. The
figures 166 have, however, been pronounced perfectly
correct and genuine after the closest examination.
Likewise, in the second picture, the figures 168 of the
date have been established after close examination,
but here too even when the date is completed with 9.
making 1689, it does not agree with the statement of
Nagel, which fixes the marriage of the artist in 1687,
as the three children, represented in the picture, cer-
tainly appear to be older. The correctness of the
signature must here, at all events, be recognized, and
perhaps future inquiries will contribute to the expla-
nation.

Werff (Pieter van der), pupil of his brother Adrian.

Bom at Kralinger-Ambacht, 1665; died at Rotter-
dam, 1718.

1647. A girl holding a pair of fire-tongs in her hand,
(18 a.) with which she is throwing a mouse out of the

window. On wood, 0,205 h., 0,14 w.

Signed : P. v. WERFF. Acquired through the Royal
Danish Ambassador. Old inven. 1722.

1648. Some men, sitting at table, eating muscles; one is
(18 a.) drinking from a wicker bottle. On wood, 0,39 h.,

0,315 w.
Acquired through Lemmers. Old inven. 1722.

Breklenkamp (Quirin).

Lived about 1660.

1649. Sponsors, standing near the mother and child,
(16 c.) and drinking to the prosperity of their god-child.

On wood, 0,365 h., 0,31 w.
Signed: Q. Breklenkam.

250

Hieris (Willem van), son and pupil of Franz,

Bom at Ley den, 1662; died there, Jan. 24, 1747.

650. A hand-organ man, embraced by a girl, who holds
18 a.) a glass of wine. On canvas, 0,49 h., 0,41 w.

Signed: W. Van Mieris Fe An& 1694. Bought from
Franz Lemmers in Antwerp in 1708; 350 Pattacons.

651. A game -dealer with a dead hare in his hand at
18 a.) a bow-window. On wood, 0,28 h., 0,24 w.

Signed: W. van Mieris Ail 1699. Obtained through
Raschke. Old inven. 1722.

652. A woman, filling a glass for a man. On wood,
18 a.) 0,255 h., 0,205 w.

Signed: W. van Mieris. F. k^ 1699. Obtained in
1710 from Jac. de Wit in Antwerp, as the portrait
of the artist and his wife; price, 200 Pistoles.

653. A man blowing a trumpet from a bow-window.
18 a.) On wood, 0,305 h., 0,25 w.

Signed: W. van Mieris. F. Ail 1700. Obtained
through Raschke. Old inven. 1722.

/ 1654. Cephalns and Procris. On wood, 0,375 h., 0,44 w.

18 a.) Signed: W. van Mieris Ft. Anil 1702. ObUined
through Count Flemming. Old inven. 1722.

655. Venus asleep , covered with a blue drapery.
18 a.) Canvas attached to wood, 0,135 h., 0,175 w.

Signed: W. van Mieris 1703.

656. Ariadne and Bacchus, surrounded by Bacchantes,
18 a.) Fauns and Satyrs. On wood, 0,595 h., 0,755 w.

Signed: W. van Mieris Fee. Anno 1704. Obtained
through Count Wackerbarth. Old inven. 1722. Re-
stored in 1826 by Renner under Palmare li's direction.

/

251

1657. A young woman, having her fortune told by a
(18 a.) gypsy. On wood, 0,29 h., 0,245^ w.

Signed: W. van Mieris. Ft. Ano 1706. Obtained
through Count Wackerbarth. Old inven. 1722.

1658. A man, regarding a girl who is bringing him
(18 a.) some drink. On wood, preceding size.

Signed: W. van Mieris 1706. Obtained through
Count Wackerbarth. Old inven. 1722.

1^9. Preciosa, recognized by her mother by a mole
^iqa.) on her left breast, and by a servant by
two toes which grow together. On wood, 0,41 h.,
0,52 w.

Signed: W. van Mieris Ft. Anno 1709. Obtained
through Count G otter as ^'alter Mirus''; price, 2000
Conven. fl.

1660. Venus displaying herself to Paris; at her side,
(18a.) Cupid. Canvas attached to wood, (),14h., 0,16 w.

Signed: W. van Mieris 1717.

1661. A company of apes in human clothing. On wood,
(14 b.) 0,285 h., 0,38 w. ^

Signed: W. van Mieris Fe. Anno 1719.

^ 1662. An old cook with a metal basket. On wood,
(18 a.) 0,195 h., 0,155 w.

Dated ASl 1729. (The name has been cut away.)

Remark. The dated pictures of this master comprise
• a period of 35 years, (1694 to 1729.)

Lelienbergh (C).

Lived at the Hague about 1654.

1663. A partridge suspended by one foot; a turtle dove
(27 c.) lies upon the table. On wood, 0,56 h., 0,455 w.
Signed: C^ Lelienbergh f. 1654.

252

Beerstraten (J. van).

Lived about 1664; died, 1681.

1664. Sea-coast with rocky shores. A ship and other
(9 b.) vessels in sigbt. On wood, 0,70 h., 0,93 w.

Signed: Beerstraten.

1665. Storm at sea, near a rock-bound coast. On wood,
(25 d.) 0,89 h., 1,22 w.

Obtained from ''Stall" as an original by Backhuysen,
Old inven. 1722.

Artist nnknown.

1666. Straits with ships, steering towards a port. On
(27 d.) copper, 0,38 h., 0,54 w.

1667. Companion picture. On copper, preceding size.
(27 d.)

Buysch (Rachel), pupil of Wtlh. van Aelst '

Born at Amsterdam, 1664; died there, 1750.

1668. A peach, grapes, a pomegranate and other fruit;
(9 a.) in front, a lizard and a horned beetle. On cop-
per, 0,74 h., 0,62 w.

Signed: Rachel Ruysch. 1718. Through Leplat.
Old inven. 1722. In 1860 from the reserved pictures.

1669. A bouquet of flowers in a glass vessel. On cop-
(17 b.) per, preceding size.

Signed: Rachel Ruysch. Dittq.

1670. A variety of flowers; also a frog, a lizard and
(17 b.) some insects. On canvas, 0,72 h., 0,57 w.

Signed: Rachel Ruysch. Bought in 1751 by J. A.
Riedel at the Easter fair in Leipsic.

253

Busart (Cornelis), pupil of Ostade.

Born at Haarlem, 1660; according A. v. der Willigen;
died in 1704.

1671. A woman with her child, sitting on the steps of
(19 a.) a house. On wood, 0,385 h., 0,34 w.

Signed: C. Dusart 1679. The signature is undoubted ;
the year of his birth, uncertain.

1672. Peasants, fighting ; women endeavour, in vain, to
(19 a.) separate them. On copper, 0,205 h., 0,26 w.

Signed: Dusart. 1697.

Acquired in Holland, as Adrian Browo&r; price,
25 Louisd*or.

Boonen (Arnold van), pupil of Gottfried Schalken,
Born at Dortrecht, 1669; died, 1729.

y/fS

673. A young woman putting a candle in a lantern.
(20 c.) On canvas, 0,33 h., 0,27 w.

Signed: A. v. Boonen, 1695. Obtained through
Count Wackerbarth. Old inven. 1722.

^1674. Same subject; a boy near her. On canvas, 0,48 h.,
(20 c.) 0,39 w.

Signed: A. von Boonen. Obtained as above.

•^ 1675. A young man with a clay- pipe in his hand; be-
(20c.) hind him, another with a lighted canHle. On
canvas, 0,47 h., 0,39 w.
Signed as above. Obtained as above.

1676. An old hermit in his cell before a burning lamp.
(27c.) Half-length. On canvas, 0,43 h., 0,34 w.

I 1677. A young woman feeding a parrot. On canvas,
' (20 b.) 0,42 h., 0,345 w.

Obtained through Count Wackerbarth. Old inven.
1722.

\

254

1678. An aged man reading a letter. On eanyas, 0,43 h.,
(18a.) 0,34 w.

Obtained as above.

1679. A young man with a clay -pipe in his mouth,
(20 c.) examining a drawing by a light. On canvas,

0,335 h., 0,275 w.
Obtained as above.

Leermanns (Piater); pupil of of Franz Mier is.
Lived about 1670.

1680. An old hermit kneeling before his cell; near by,
(18 a.) a cr«ss, books, and a basket. On wood, 0,42 h.,

0,33 w.

Signed: P. Leermanns. Purchased in 1708 from
Franz Lemmers in Antwerp. 210 Pattacons.

Ochteryelt (Jan); pupil of Gahr. Metsu.
Lived about 1670.

1681. A woman with a lap-dog, with which a girl is
(17 a.) playing. On canvas, 0,82 h., 0,61 w.

Signed: J. Ochtervelt f. 1669. Purchased in Leipsic
as ^'Jerhard auf der FeW\ Old inven. 1722.

Vonck (J.).

Lived about 1670.

1682. A roe hunted by dogs. The landscape painted
(K2.) by Jacob Ruysdael. On canvas, 1,37 h., 2,09 w.

Signed: JvR. (in monogram) and J. Vonck fe.

Same Artist. (?)

1683. A white pheasant suspended by one foot; some
(27b.) smaller birds near. On wood, 0,75 h., 0,595 w.

255

Moncheron (Isac); son and pupil oi Frederic Moucheron.
Bom at Amsterdam, 1670, died there, July, 20. 1744.

1684. Sheep grazing on a hill; in the fore - ground, a
(12 c) hunter with three dogs. On canvas, 0,69 h.,

0,84 w.

Signed : Moucheron ft. Acquired by Riedel in Prague
in 1742. Inven. 8vo.

1685. A landscape. In a valley, a horseman and a
(12 c.) ti-aveller. On canvas, 0,69 h., 0,805 w.

Signed: MOUCHERON. Obtained as above.

1686. A landscape. Fishermen on the river on the left
(47 b.) side of the picture. A gentleman and lady riding

to a falcon chase. On canvas, 1,11 h., 1,39 w.
Signed: Moucheron fecit.

1687. A landscape with a rocky height in the middle -
(12c.) ground; in the fore-ground, a shepherd with his

flock. On canvas, 0,49 h., 0,665 w.

Signed: Moucheron. Obtained by Riedel in Prague
in 1742. Inven. Svo.

1688. A landscape with a river, over which there is a
(48b.) bridge on arches. On canvas, 0,71 h., 0,88 w.

y 1689. A mountain landscape with bushes; in the fore-
(48 b.) ground, a rivulet flowing over rocks. On canvas,
0,85 h., 0,665 w.
Signed: Moucheron.

1690. A landscape with ruins in the Roman style; in
(12 c.) the middle- ground, a handsome country-house. On

canvas, 0,51 h., 0,67 w.

Obtained in 1741 through v. Kaiserling. Inven. Svo.

1691. A landscape with a castle in the back-ground;
(10 b.) in the fore -ground, shepherds and a flock. On

canvas, 0,70 h., 0,89 w.
From the reserved pictures in 1855.

256

Mans (F. H.)

Lived about 1677.

1692. A winter-landscape with a tent in the fore-ground,
(27 a.) under which several guests are sitting. On wood,
0,605 h., 0,855 w.

Signed: ^iJ{Js/S^ /^y^

1693. A winter - landscape. The gate and walls of a
(27 d.) Dutch town with skaters and amusements on the

ice. On wood, 0,61 h., 0,85 w.
Signed as above.

1694. Companion picture. The figures skilfully retouched
(27 d.) by Dietricy. On wood, of preceding size.

Signed as above. The last two from the reserved
pictures in 1860.

Verkolje also Verkolfje (Jan).

Born at Amsterdan, 1660; died at Delft, 1693.

1695. A lady importuned by a trumpeter to drink a
(17 a.) glass of wine which an old woman pours out

for her. On canvas, 0,71 h., 0,66 w.

Signed: J. Verkolje. 1678. Through Count FlemmiDg.
Old inven. 1722.

Faudifs (Christoph), pupil of Bemhrandt.

Born in Lower-Saxony about 1618; diep after 1669,

1696. Half-length-portrait of an old man with a white
(27c.) beard and fur cap. On wood, 0,53 h., 0,42 w.

Signed : ChristofFer Paudifs 1654. Obtained through
Wanderer. Old inven. 1722.

n/

257

1697. Half-length portrait of a man in a high cap, long
(27 c.) flowing hair and mustaches. On canvas, 0,60 h.,

0,52 w.

Signed: Christoffer Paudifs 1689. Obtained through
Count Wackerbarth as *^Heyduckenkopf\ Old inven.
1722.

1698. A man about to write, sitting at a table covered
(K 1.) with red, and speaking with a lady. On canvas,

1,01 h., 1,51 w.

From Poland as "an unknown copy". Old inven.
1722.

1699. Half-length portrait of a man with a gray hat on
(L 1.) his head. On canvas, 0,76 h., 0,60 w.

From the Kunstkammer as the artist's portrait. Old
inven. 1722.

Tilius (J.)

Lived in Herzogenbusch about 1680.

1700. A young woman, sitting at a table, sewing. On
(15 b.) wood, 0,25 h., 0,205 w.

Signed: J. Tilius. Pin. 1681. Obtained through
Count Wackerbarth, as *'Eglon van der Neer". Old
inven. 1722.

Boepel (Coenraet), scholar of Const. Netscher,
Born at the Hague, 1678; died, 1748.

1701. A bouquet in a metallic vessel. On canvas, 0,90 h.,
(7 c.) 0,675 w.

Signed: Coenraet in 1751 Roepelf. Obtained in 1751
through von Heineken. Inven. 8vo.

17

258

Elomp (Aelbert), scholar of Paul Potter (?).
Lived about 1680.

1702. A small herd of cattle reposing before a peasant's
(28a.) hut on a pasture; a girl is milking a cow. On

canvas, 0,74 h., 0,65 w.

Signed: A. Klomp. f. Obtained through Riedel in
Prague in 1742. Inven. 8vo.

Limborg (Heinrich van), scholar of Adriaen v.\d. Werff.
Born at the Hague, 1680; died, 1758.

1703. Venus and Cupid in a dark landscape; in the
(17 c.) fore -ground, a white dove. On wood, 0,585 h.,

0,44 w.

Hnysnm (Jan van).

Bom at Amsterdam, April 5, 1682; died there, Feb.
8, 1749.

1704. A large bouquet of flowers; near by lies an orange-
(8 a.) branch. On canvas, 0,83 h., 0,71 w.

Signed: Jan van Huysum FECIT. Obtained through
von Heineken in 1751. Inven. 8vo.

1705. A bouquet in a vessel of red clay, ornamented with
(14c.) 'raised figures; near by, a nest with eggs. On

wood, 0,395 h., 0,32 w.

Signed: Jan van Huysum fee.

1706. A pleasing landscape. On a shore, some rocks,
(14 c.) the fissures and caves of which are filled out with

masonry. On canvas, 0,405 h., 0,485 w.

Signed: JVHuysum f. (J. V. and H. interwoven.)

1

2bd

Bredael (Jan Frans van), scholar of Fhilipp Wouverman,
Born at Amsterdam, 1683; died there, 1751.

1707. A man, having his horse shod; boys on stilts. On
(14c.) canvas, 0,40 h., 0,48 w.

Obtained through Count Gotter; price, 100 Conven. Fl.

1708. Ladies and gentlemen on horse-back, with hawks
(14c.) and hounds. On canvas, of the preceding size.

As above; 100 Conven. Fl.

Wit, also Witt (Jacob de).

Bom at Amsterdam, 1695 ; died there, Nov. 12, 1784.

1708a. Children with symbols of the chase, painted as
(28b.) a bas-relief. On canvas, 0,83 h., 1,34 w.

Signed: J. D. Wit. F. 1753. The artist was the
nephew of the well-known Art-dealer of the same name,
so often mentioned in the Catalogue in connection
with the acquisition of our best Flemish pictures.

Nikkelen (Jan van), scholar of his father.

Born at Haarlem about 1715; died at Cassel.

1709. A landscape with high mountains and ancient
(11a.) buildings. On canvas, 0,58 h., 0,73 w.

1710. A similar landscape with a small waterfall. On
(11a.) canvas, preceding size.

Both purchased in 1751 by Riedel at the Easter fair
in Leipsic. Inven. 8vo.

Seeman (Enoch) or Zeeman.
Died in London, 1744.

1711. The Artist's own portrait. On copper, 0,66 h.,
(22b.) 0,45 w. * (III 20.)

Signed: Enoch Seeman pinx. Obtained through
Baumann. Old inven. 1722.

17*

260

Beyeren (Albert van).

Lived -about 1700.

1712. Large and small salt-water fishes, lobsters and
(Wc.) crabs. On canvas, 1,25 h., 1,53 w.

Signed A. V. B. (interwoven) f. Obtained from Georff
Breitbarth, Art-dealer in Erfurt Taken from the reservea
pictures in 1856.

Early Flemish and Oerman

Schools.

Eyck (Johann van).

Born at Eyck or Ouden-Eyck, near Limburg, about
1381; died at Bruges, July 9, 1440.

(Early Flemish School.*)

1713. The Virgin and Child, seated in a rich Gothic
(N.) Chapel on an altar under a tapestry canopy. On
the right hand wing, St. Catharine; on the left,
St. Michael with the donor. The outer sides
contain the Annunciation in standing figures,
painted in chiaroscuro, in imitation of sculpture.
On the frame of the pictures, there is a latin
hymn, in Gothic letters by the hand of the master,
to the Virgin Mary; the Archangel Michael and
St. Catherine. On wood, centre picture, 0,275 h.,
0,215 w. Wing pictures, 0,275 h., 0,8 w.

*) The masters, not thus designated, belong to the German
School.

261

According to an unwarranted tradition, this beautiful
work is said to have been the travelling altarpiece of
Charles "V. The centre picture bears the most un-
mistakeable similarity with the celebrated picture by
van Eyck in the Collection of the Academy at Bruges.
(In Guarienti's Abecedario and also in the Abridged
Catalogue, our picture in still mentioned as A. Diirer.)

School of van Eyck.

1714. The Virgin Mary with a crown on her head, holding

(21a,) the child on her lap; before her, St. Anna, who

is giving a pear to the child ; farther back, Joseph

and Joachim. In the window, the Burgundian

coat of arms. On wood, 0,655 h., 0,485 w.

Signed with a monogram, which resembles the Gothic
letters '^{j interwoven. From the possession of Count
Wackerbarth. See Abecedario of Guarienfci.

1715 and 1716. Two side pictures of an altar picture.
(23d.) On the left, the donor and St. Andreas; on the

right, St. Elizabeth holding the model of a church.

On wood, 0,75 h., 0,24 w.

1717. The seizure of Christ. Night-piece. On wood,
(23 d.) 1,75 h., 1,11 w.*)

As an unknown original in the old inven. 1722. With
the two preceding, from the Eunstkammer.

Rogier van der Weyden (?) pupil of van Eyck.

Born at Louvain (?) about 1390 — 1400; died at Brussels,
June 16, 1464.

(Early Flemish School.)

1718. Christ on the Cross; Mary; John and Magdalen.
(N.) On wood, 0,325 h., 0,205 w.

*) According to Michiels: Thierry Bouts the Younger, bom
about 1450 (?) at Louvain, son of lliierry Bouts of Haarlem;
died there in 1491. See Michiels T. III. p. 303.

262

Formerly in the Ducal palace at Brunswick, from
thence taken to Paris with other pictures in 1806;
later it came into the possession of Georg Schultz in
Celle; purchased from him, Dec. 24, 1855, by order of
His Maj. King John, for 400 Thlr.

Memlinc (Hans) (?).

Bom about 1440; flourished about 1470; still living
about 1509. (See the Documents, published by James
Weale in the Jowm. des beaux Arts, Anvers, Dec. 15,
1860.)

(Early Flemish School.)

1719. Portrait of Anton of Burgundy, bastard -son of
(21c.) Philipp the Good; half-brother of Charles the

Bold. On wood, 0,445 h., 0,355 w.

(See the author's paper in the German Kunst-
blatte, Jahrgang 1852. No 26.)

Artist unknown.

About 1490.

(Early Flemish School.)

1720. Portrait of Albert the Courageous, Duke of Saxony,
(23a.) and Hereditary Governor of Friesland (?). On

wood, 0,28 h., 0,19 w.

On the backside marked: Alherfus Animosus^ From
the Eunstkammer.

Messys (Quintin); also Massys (Quinten).
Bom at Louvain, 1466; died, 1531.
(Early Flemish School.)

1721. A money-changer, reckoning with a man, sitting at
(21a.) his side. Near by, a girl with an old woman

f

263

and a boy. According to Michiels: an advocate
and clients. On wood, 0,86 h,, 1,16 w.

Signed in the comer of the cloth on the
old woman's head:

i

Obtained in 1748 through Gialdi and Guarienti from
the Royal Gallery in Prague Inven. 8vo.

Marinus de Zeeiiw or Seen (i. e. de Zeelande) or Ma-
rinus van Bomerswale,

(Early Flemish School.)

1722. A man sitting at a table, weighing money; a
(21 a.) young woman at his side regards the scales

attentively. An excellent picture. On wood,
0,85 h., 1,135 w.

Signed: Marini. me fecit anno 1541. The same
subject, similarly signed, but "anno 1558", is in the
Museum in Madrid No. 978.

Diirer (Albrecht), scholar of Michel WohlgcmtUh.

Bom at Nuremberg, 1471, on St. Prudentia day;
died there, April 6, 1528.

1722 a. Christ on the Cross. Signed with Diirer's mono-
(^•; gram ; the date , 1 500 , and the inscription : PA-
TER. L MANVS. TVAS. COMENDO. SPIRITV.
MEV. On wood, 0,20 h., 0,16 w. * (III. 47.)

Purchased in Dec. 1865 at the sale of the effects of
the Imperial Coin Engraver Bohm in Vienna. Price,
4400 fl, A master-piece of the master.

1723. Christ, bearing his Cross. With a light indi-
(N.) cation of carnation, atmosphere and landscape,

painted almost in monochrome. Last work of

264

the master. On linen attached to wood. 0,30 h.,
0,455 w.

Signed with Diirer's monogram: AD. MDXXVII and
a latin quotation from the Bible. Obtained. Nov. 7,
1727 through Leplat, as *^Fortemen^^ (?). (Portement
de la Croix?) Old inven. 1722. No. 1804.

^1724. Wanting.

/

/ 1725. Portrait of Bernhard von Ressen in black dress
^^ (21c.) and a. black baret, on a red back-ground. On

wood, 0,456 h., 0,315 w.

Signed as above, 1521. On the letter stands:
A ''peifih. . zw." (Painted in Antwerp. See Diirer's

Tagehuch.)

*

\ 1726. The Virgin with the sleeping Child; above him,
(23 a.) two angels hold a crown. Centre picture by
an unknown master of the Early German school.
On the right, St. Sebastian; on the left, St. An-
thony, surrounded by angels. Both wing pic-
tures by Albrecht Dtirer. In tempera. On canvas,
centre picture, 1,07 h. , 0,96 w., wings, 1,14 h.,
0,45 w.

From the Schlosskirche in Wittenberg to the Kunst-
kammer in 1687.

After Diirer.

1727. St. Hubert, kneeling before the stag, which bears
(23 a.) the crucifix between his horns. On wood, 1,05 h.,

0,78 w.

Purchased in 1861 from Prof. Th. von 06r. Price,
128 Thlr.

1728. The dying Mary; from the wood cut by Albrecht
(23 a.) Diirer in the Life of Mary. On copper, 0,32 h.,

0,22 w.

Obtained in 1699 through S. Bottschildt from Colonel
von Wackerbarth; price 150 Thlr.

265
Artist unknown.

1729. St. Jerome with a skull in his hands. On wood,
(23 a.) 0,74 h., 0,59 w.

Signed with Diirer's monogram: spurious. Mod.
purchase, as Dii/rer.

1730. Christ, crowned with thorns, sitting on a stone.
(23 c.) On wood, 0,57 h., 0,43 w.

Signed with Durer's monogram; spurious. Pur-
chased in 1748 through Bernardo Benzoni in Venice
with nine other pictures; together, 1210 florins or 6050
petites Livres de Venise. See Nos 297 and 298. Cat.
Guarienti. No. 1652: „fu del Duca di Mantova^'.

Arttst unknown. (School of Diirer.)

1731. The Circumcision of Christ. On wood, 0,63 h.,
(23 a.) 0,46 w.

1732. The Flight into Egypt. On wood, preceding size,
(23 a.)

1733. Christ in the Temple, as a boy. On wood, pre-
(23 a.) ceding size.

1734. Christ, bearing his Cross. On wood, preceding
(23 a.) size.

Indistinctly dated 1514. (?)

1 735. The Crucifixion of Christ. On wood, preceding size.
(23 a.)

1736. The Death of Christ. On wood, 0,64 h., 0,46 w.
iSSa.)

1737. The Descent from the Cross. On wood, 0,63 h.,
(23 a.) 0,46 w.

All taken from the Kunstkammer, as A, Durer,

Artist unknown.

1738. Adam and Eve. On copper, 0,14 h., 0,10 w.
(25 a.)

266

Bnrgbmair (Hans), pupil of AlbrecU Durer.

Horn at Augsburg, 1472 ; died, 1531.

1739. An altar picture with two wings. The Death of
(23 c.) St. Ursula and her virgins in the neighbourhood

of Cologne. On the left wing picture, the King^
of the Huns at the head of his warriors; on the
right, vessels, loaded with booty. The outer
sides of both wings contain St. George and St.
Ursula in monochrome. On wood, 2,15 h., 1,62 w.
The wings, 1,73 h., 0,77 w.

Purchased in September 1852, from the estate of
Major Aster, for 700 Thlir.

Granach (Lucas), the Elder; properly Miiller or Sunder,

Born at Cronach, near Bamberg, Oct. 4, 1472; died
at Weimar, Oct. 15, 1553.

Most of th(3 following works of Cranach came to
the Kunstkammer in 1657, and from there placed in
the Gallery at various times.

1740. The Death of St. Catherine of Alexandria. On
(23 b.) wood, 1,26 h., 1,39 w.

Signed: L. C. 1506.

1741. A wing picture, belonging to the preceding. SS.
1(23 d.) Margaret, Ursula and Barbara. (Dn wood, 1,26 h.,

0,60 w.

1742. Altar picture in six compartments. Above, the
(23 b.) Trinity ; in the centre, an Ecce Homo. On the

left, the Annunciation; on the right, the Presen-
tation in the Temple. Below, the Entombment of
Christ and the Ascension; the latter altered from
an Assumption of the Virgin by the Artist, into
an Ascension of Christ. All the figures are small,

1/

267

except the centre picture which is on a larger
scale. On wood, 1,26 h., 0,79 w.

Signed with serpent and 1516. From the reserved
pictures in 1861.

1745. Adam, whole figure, life size. On wood, 1,71 h.,
(24 d.) 0,70 w.

Signed with the dragon, 1531. From the Kunst-
kammer in 1728. Old inven. 1722.

1744. Eve, with the apple in her hand. On wood, of
(24 d.) the preceding size.

From the Kunstkammer in 1728. Old inven. 1722.

1745. * 'Suffer little children to come unto me". Half-
(24 d.) length figures, half- life size. On wood, 0,82 h.^

1,29 w.

With the inscription: UND SIE BRACHTEN KIN-
LEIN (sic) ZV IM DAS ER SIE ANRVRTE. MAR-
CVS AM X. Signed with the serpent and 1538. From
the reserved pictures in 1861.

1746. John preaches to the soldiers. On wood, 0,74 h.,
(24 c.) 1,21 w.

Signed with the dragon 1543, .followed by a long
inscription. From Leipsic in 1710. Jnven. 8vo.

1747. Christ embraces and blesses the little children. On
(24 c.) wood, 0,84 h., 1,21 w.

Signed with the dragon, and the quotation from
the Bible. From the Kunstkammer. Old inven. 1722.

1748. The sleeping giant of the woods attacked by the
(24 a.) pigmies. In the back-ground, other giants and

stags ; a castle in the distance. On canvas, 1,89 h.,
2,59 w.

Signed 1551 with the dragon. In 1860, from the
reserved pictures.

2m

v/ 1749. The awakened giant punishes and kiUs the pig-

(24 a.) mies with blows of a club. In the back-ground.

giants on horseback and on foot, chasing deer

and wild boars in the forest. On wood, 1,88 h.,

2,61 w.

Signed as above. This, and the preceding, from the
Kunstkammer. Old inven. 1722. Both restored in
1861 by Schirmer.

1750. Delila cutting off the locks of the sleeping Samson.
(24 a.) On wood, 0,75 h., 1,23 w.

Signed with the dragon. From Leipsic in 1740.
Inven. 8vo.

1751. David observing the bathing Bathsheba. On wood,
(23 b.) 0,74 h., 1,21 w.

Signed as above.

1752. Christ praying on the Mount of Olives. On wood,
(24 b.) 0,68 h., 0,40 w.

Signed with the dragon. Taken from the reserved
pictures to the Gallery in 1852.

1753. Judith and Lucretia. On wood, 1,72 h., 0,64 w.

(24 b.) Signed with the dragon. From the Kunstkammer in
1725. Old inven. 1722.

1754. Adam and Eve. On wood, 1,71 h., 0,63 w.
(24 d.) The latter signed with the dragon. As above.

1 755. Solomon adoring an idol in the form of a woman.
(24 b.) On wood, 0,75 h., 1,22 w.

1756. Herodias bringing the head of John the Baptist
(24 c.) to her father. On wood, 0,84 h., 1,22 w.

From the Kunstkammer. Old inven. 1722.

1757. The adulteress before Christ. On wood, 0,84 h.,
(24 d.) 1,21 w.

As above.

269

1758.

(24 C.)

1759.

(24 c.)

1760.

(24 c.)

1761.

(24 b.)

1762.

(24 c.)

1763.

(23 b.)

1764.

(24 c.)

1765.

(24 c.)

\ 1766.

(24 a.)

The Infant Christ brought to Simeon. On wood;
preceding size.

Lazarus raised from the dead. On wood, 1,20 h.,
0,82 w.
From the Kunstkammer in 1725. Old inven. 1722.

The Crucifixion. On wood, 1,20 h., 0,72 w.
Signed 1563 (?) with the dragon. As above.

Christ taking leave of his mother and relations.
On wood, 0,87 h., 0,61 w.

From the Kunstkammer in 1728. Old inven. 1722.

«

The murder of the Innocents at Bethlemen. On
wood, 1,21 h., 0,86 w.
As above.

Christ presented to the people by Pilate; lower,
to the left, in the same picture, the two male-
factors released from prison. Below in four small
compartments, from left to right: the Nativity;
the Adoration of the Magi ; Christ in tlie Temple,
12 years old, and the Flight into Egypt. On
wood, 1,20 h., 0,47 w.

Christ appearing to his mother after his Resur-
rection ; connected with the seizure of the Saviour
on a tablet, formerly separated. On wood, 0,40 h.,
0,36 w.

Elijah and the prophets of Baal. A composition
with many figures. On wood, 1,25 h., 2,38 w.
Signed with the dragon and 1645.

The Artist exhibits in two pairs, the repulsiveness
of unnatural and unequal connection; and in a
third, the happiness of a suitable union. On wood,
0,75 h., 1,22 w.

270

1767. A naked child. A study. On wood, 0^40 h., 0,26 w.
(24 c.) j^Qg 1753 — 1767 J taken from the reserved pictures in
1861.

] 768. Christine Eilenau. On wood, 0,21 h., 0,15 w.
(24 a.) Signed 1534 with the dragon.

1769. Martin Luther. On wood, 0,18 h., 0,14 w.

(21b.) Inscribed: Ohdormivit in ano 1546; 10. Feb. Aetatts
sue 63. Below: 1532 etatis sue 49. The upper in-
scription made later.

1770. Philipp Melanchthon. On wood, preceding size.

(21b.) Inscribed: Obdormivit in ano 1560. IQ.Aprilis. etatis
sue 63, et 63 dierum. Below*: 1532 etatis sue 30. The
upper inscription made later. All three from the Kunst-
kammer in 1725. Old inven. 1722.

1771. Portrait of Margaret von Ponikau. On wood, 0,52 h.,
(24a.) 0,34 w.

Inscribed: margareta v. ponicka oewbsbnbn chuk-

FVRSTI.N SIBYLLBN FRAVENTZIMBR ; with thC dragOU, 1856.

Taken from the reserved pictures in i852 to the
Gallery,

1772. Portrait of the Margrave George von Branden-
(21b.) burg. On paste-board, 0,41 h., 0,33 w.

Signed with the dragon. As "Albr. DUrer". Old
inven. 1722.

1773. Frederick the Wise, Elector of Saxony. On wood,
(24a.) 0,13 h., 0,145 w.

Signed 1533 with the dragon and ring, , From Prof.
Steinla's Collection.

1773a. Portrait of Henry the Pious; whole figure, life
(23a.) size. On wood, 2,10 h., 0,90 w.

Property of the City Council of Dresden. Placed in
the Gallery in 1871 for conservation.

Remark. The dated pictures of Lucas Cranach comp-
rise a periodof 36 years (1615 to 1551).

271

€ranach (Lucas) the Younger, pupil of his father.
Born, 1516; died at Wittenberg, 1586.

v/l774. The Crucifixion. On wood, 1,74 h., 1,27 w.
(24c.) Old inven. 1722.

r.

1775. Maurice, Elector of Saxony and the Electress
(24a.) Agnes. On wood, 0,44 h., 0,69 w.

Signed with the dragon and 1559, with a long in-
scription. As above.

1776. The Elector Augustus. On paste -board, 0,41 h.,
^21 b.) 0,33 w.

1777. Portrait of Maurice, Elector of Saxony. On paper,
(21b.) 0.40 h., 0,32 w.

As ''Orig, Bilrer"*, Old inven. 1722.

1778. The Elector Augustus with a baret. On wood,
(24 a.) 0,43 h., 0,35 w.

1770. The Electress Anna. Companion picture to the
(24a.) preceding. On wood; preceding size.

1780. The daughter of the preceding. Companion pic-
-(24 a.) ture. On canvas, 0,40 h., 0,28 w.

All three from the reserved picturesfin 1861. Restored
by Schirmer.

\/' 1780a. Melanchthon in his shroud. On wood, 0,365 h.,
(21b.) 0,265 w.

With the inscription : Anno uerd 1560, Mensis Aprilia
die 19, ex hac mortali uita in aetemam Dei et Sanc-
torum conuersationem sanct^ et placid^ emigrauit. aeta-
tis sitae anno 63 cum in ardentem febrim incidisset et
paroxismo febrili lahoraret septimo. Postrema uerba
eius, fuertmt haec: Nemo rapiet oues meas ex mp,nu
mea. Joha/n: 10 '-^i

Purchased in 1871 from Prof. H. Biirkner; price,
150 Thlr.

272

School of Cranach.

1781. St. Catharine with the sword in her right hand.
(24 b.) On wood, 1,37 h., 0,46 w.

As L. Cranach in the old inven. 1728.

1782. St. Barbara, holding a cup. On wood; preceding
(24 b.) size.

As above. Both from the Kunstkammer.

Artist unknown.

1783. Portrait of Luther in his shroud. Perhaps hy
(23b.) Lucas FortennageL On wood, 0,64 h., 0,51 w.

Taken from the reserved pictures in 1867.

1784. Portrait of Christian II., Elector of Saxony, 1602,
(22a.) painted in his 19!5 year. On canvas, 1,24 h.,

1,00 w.

1785. Portrait of Maurice, Prince of Orange in armour
(26 d.) on horseback. On wood, 0,94 h., 0,78 w.

From the reserved pictures in 1861.

1786. Portrait of Christian II., painted in 1609. On
(23 a.) canvas, 0,63 h., 0,50 w.

From the Kunstkammer. Old inven. 1722.

1787. John George I., Elector of Saxony, with a large
(24d.) white dog at his side. On canvas, 1,22 h., 0,99 w.

1788. John George II., Elector of Saxony, son of the
(22c.) preceding, in complete armour. On canvas, 1,23 h.,

1,00 w.
Probably painted by H. W. Schober.

1789. The Emperor Matthias. So considered. On canvas,
(23a.) 0,71 h., 0,52 w.

From the "Stall". Old inven. 1722.

273

1790. The Elector Augustus and John George of Bran-
(24b.) denburg. On canvas, 1,60 h., 1,56 w.

1791. Portrait of Caspar Neumann with short hair and
(23c.) beard, sitting at a table, on which lies a letter.

On wood, 1,01 h., 0,86 w.

Signed: 1554. HD (interwoven.) Natus 1519. On
the letter stands: dent Erham Caspar Nevmann nnd
gehrud zu Handen. Nurnbergk.

1792. Augustus, Elector of Saxony. Pull length, life
(22c.) size, in water-colours. On canvas, 2,02 h., 0,93 w.

1793. The Electress Anna, Consort of Augustus, Elector
(22 a.) of Saxony. Companion picture to the preceding.

On canvas, preceding size.
From the reserved pictures in 1861.

1794. Judith with the head of Holofernes. On wood,
(23 c.) 0,20 h., 0,16 w.

1795. Charles the Great (?); on the backside, John the
(23 d.) Baptist. On wood, 0,60 h., 0,33 w.

Obtained in 1665 through Moritz Hahnen, High
Constable in Petersberg, near Halle, for Joh. Georg 11.
From the reserved pictures in 1861. Mentioned in the
old Kunstkammer Catalogue as Kaiser Henricus Sanctus.

Mathias Krodel, scholar of the Elder Cramch,

]' 1796. Portrait of an old man with a white beard; in
(23 b.^ his left hand, a book. On wood, 0,78 h., 0,60 w.

Signed: 1591 Aetatis suae LXXVIIII. MK. (inter-
woven.) Also a coat of arms. From Prof. Stein la's
Collection.

School of A. Diirer.

1797. Adam and Eve. On wood, 1,26 h., 0,99 w.
(23 a.) As Cranach in the old inven. 1722.

18

274

Christoph Schwarz (?).

Bom at Ingolstadt about 1545; died at Munich, 1597.

1798. Christ on the Cross. On copper, 0,29 h., 0,24 w.

(26 d.) Inscribed on the backside : Von Prag. Churfurstl. Sachs.
Fraw Mutter Verlassenschaft Ao 1623. From the Great
Garden as Bogier de Bruges. Old inven. 1722.

Jan Gossart^ named J, van Mahuse, Also called Mai-
hodius, Mahmius, Mohugius, Mahoggio, MaXbogi
and Melbodie.
Born at Maubeuge about 1470; died at Antwerp, 15:52.
(Early Flemish School.)

1799. The Adoration of the Magi. The Virgin with
(21 c.) the Infant Christ on her lap among the ruins of

a magnificent structure; before her, the three
Kings with their presents. In front, St. Dominic
and the Evangelist St. Luke. On wood, 2,48 h.,
1,84 w.

Probably acquired after 1746; according to a tradi-
tion it was obtained through Fieldmarshal Count
Schulenburg, who is said to have rescued it from
being burnt at a camp-fire at the siege of Genoii,
and presented it to Augustus III. In the Catalogue
of Guarienti it is mentioned as ** Alberto Dwro aus der
Chiesa di S. Luca d'Erha, fuori die Genova".

Attributed to the same Artist.

18(X). The same subject. On wood, 1,09 h., 0,77 w.

(21 b.) Recentl;^ attributed to the master of the "Death
of Mary" in the Museum in Cologne.

Artist unknown.

(Early Flemish School).
1801. Altar - picture. In the centre, the Adoration of
(23 b.) the Wise Men. On the left, the Adoration of

275

the Shepherds; on the right, the Presentation of
Christ in the Temple. On wood. Central-picture,
1,025 h., 0,70 w. Each wing, 1,025 h., 0,305 w.

Contributed to the Gallery in 1869 by HisMaj. King
John, from the estate of Her Royal Highness, Princess
Louise of Saxony.

Giacopo di BarbariS, named Jacob Walch, or Walsch ;
the *'wdlsche Jacob", (Mentioned by Dtlrer in
Campe's **BeUquien'\ page 135).

1802. Christ in the act of blessing, and holding a small
(la.) cross in his hand. On wood, 0,59 h., 0,47 w.

From the Kunstkammer.

1803. St. Catharine. On wood, 0,505 h., 0,30 w.
(la.)

1804. St. Barbara with the tower. On canvas, 0,425 h.,
(la.) 0,27 w.

Lucas Jacobsz named Leyden (Lucas van). Studied
with his father Hiigo Jacob, and Gornelis
Engelbrecht.
Born atXeyden, 1494; died, 1533.
(Early Flemish School.)

1805. The temptation of St. Anthony. Round. On wood,
(25 a.) 0,245 in diameter.

Signed with an indistinct monogram.

Artist unknown. (Walther von Assen). (?)

1806. A man with three arrows in his hand. On wood,
(23 d.) 0,36 h„ 0,30 w.

Signed: -fiC (Both letters connected together with
a so-called Noeud d' Amour). To the Kunstkammer in
1676

18*

276

Artist unknown. (Early Flemish School).

1807. St. Magdalen with the ointment vase. On wood,
(23 d.) 0,34 h., 0,24 w.

1808. Portrait of the Margrave George Frederick of
(23 a.) Anspach. On v^ood, 0,18 h., 0,14 w.

Holbein (Hans), the Younger.

■^ Bom at Augsburg, 1498; died in London, 1543.

V 1809. Jacob Meyer, Burgomaster of Basle, kneeling in

(N.) adoration, with his family before the Virgin Mary,

who holds the Child in her arms. On wood,

1,60 h., 1,045 w. ^ (1143.)

y Purchased, Sept. 4, 1743, by Algarotli of Mr. Zuane

/ Delfino (Dolfino) in Venice for 1000 Sequins.

^^1810. Portrait of Mr. Hubert Morett, goldsmith to
(N.) Henry VIII. of England. Formerly attributed to
Leonardo da Vinci. On wood, 0,92 h., 0,75 w.
* (II 5.)

Mod purchase.

1811. The original drawing for the preceding portrait,
(N.; slightly coloured. On paper, 0,33 h., 0,25 w.

Obtained in 1860, from the estate of S. Woodbume
through L. Gruner. Price 50 guineas. A photograph
of this picture is to be had in the Royal Cabinet of
Engravings.

^' 1812. Portrait of a man in dark clothes, and a cap; he

(21 a.) holds in his hand a paper with the date; 1527.

On wood, 0,38 h., 0,29 w.

Acquired through Baron Rechenberg, Old inven.
1722.

1813. Sir Thomas, and John Godsalue, father and son,

(21 a.) at a table; the father has written on a sheet of

paper ''Thomas Godsalue de Noruico Etatis suae

277

anno quadragesinw sex\o'* (?) On a ticket on the

wall, the date: M.D.XXVI1L On wood, 0,315 h.

0,36 w.

Purchased in Paris in 1749, by Le Leu, with three
other pictures for 220 Li>res, 1 sou.

V ^ 1814. Portrait of a man in black clothes, with hands.
^ (21c.) On wood, 0,42 h., 0,35 w.

Obtained through Jos. Perodi. Old inven. 1722.

1815. The death of Virginia. In clare-obscure. On wood,
(N.) 0,69 h., 0,55 w.

Purchased in 1870, of Prof. H. Mficke in Dttssel-
dorf. Price, 60 Frd'or = 340 Thlr.-

Copy after Holbeiu.

1816. King Henry VIII. of England. On wood, 0,66 h.,
(23 c.) 0,57 w.

An original picture of the same size is in the Collection
of Duke of Torlonia in Rome.

Artist uuktiowu.

1817. Portrait of a woman in a black dress with red
(N.) sleeves; in her hands, a rosary. On wood, 0,805 h.,

0,61 w.

Signed; AETATIS 41. k9 1548. From the Wallen-
stein Collection in Dux in 1741.

1818. Portrait of a woman in a white cap, black dress
(21 a.) with red sleeves. On wood, 0,69 h., 0,54 w.

From the Kunstkammer; marked as "Dr. Martini
Catherina von Suhm". Old inven. 1722.

1819. Portrait of a young lady with a gold chain around
(23 c.) her neck. On canvas, 0,53 h., 0,42 w.

Acquired through Count Gotter; price, 150 Conv. fl.

278

>

X 1820. Erasmus of Rotterdam. On wood , 0,176 h.,
^' (21b.) 0,14 w.

After Holbein. Old inven. 1722.

1821. Portrait of a man. On wood, 0,23 h., 0,18 w.

(28 c.) Ag above. In August, 1862, found behind the
wainscot in the so-called Bruhl'schen Palais on the
Augustusstraese.

Artist unknown.

1822. Portrait of Joachim Rehle. On wood, 0,335 h.,
(21b.) 0,285 w.

Inscribed with golden letters:

DO MAN MDXXIII ZALT

WAS ICH lOACHlM REHLE XXXI IP JAR ALT.

AUFF ADJ. XIII LVIQO.

Furnished in 1728 through Du Moulin as Durer.
Old inven. 1722.

1823. Portrait of a man in black clothes and a baret.
(21b.) On wood, 0,366 h., 0,305 w.

Inscribed: Do man 1519 zalt, was ich 31 Jar alt*
Obtained through Leplat as "an original in Cranach*8
style". Old inven. 1722.

Veen (Martin van), named Heemskerk, (?)

Born at Heemskerk, near Haarlem, about 1598 ; died
at Haarlem, 1574.

1824. The Virgin Mary, with folded hands in deep
(23 d.) sorrow, surrounded by John the Evangelist, and

two holy women. (Side wing to a Descent from
the Cross). On wood, 0,71 h., 0,50 w.

From Prof. Steinla's Collection.

279

Pencz or Pens (Georg), pupil of Alhr. Burer.

Born at Nuremberg, 1600; died at Breslau, 1656.

•

1825. First fragment of a picture, which represented
(23 a.) the Adoration of the Magi. On wood. The panel
was 1,81 h. The fragment is 0,44 w.

Signed ;

1826. Second fragment. St, Joseph kneeling, in yellow
(23a.) raiment and red mantle. On wood, 0,68 h.,

0,29 w.

1827, Third fragment. A shepherd with a green cap
(23 a.) On wood, 0,32 h., 0,21 w.

Same Artist, (?)

J 828. Portrait of a man in the prime of life, with brown
(21b.) full beard; he holds his gloves in his left hand.
On wood, 0,80 h., 0,65 w.

1829. Portrait of a man in dark clothes with a brown
(21b.) full -beard and a black velvet baret. On wood,

0,585 h., 0,61 w.

Signed: A© ^TA. 40. 1552. Mod. purchase. As
Dosso Dom. Mentioned in Guarientrs Catalogue,
and in the AhridgmeWt^ as Titia/n.

Amberger (Christoph) (?), scholar of H. Holbein.
Bom at Amberg (?); died after 1568.

1830. A young girl with a little dog under her arm,
(23 c.) leading a younger child by tJie hand. ,0n wood,

1,21 h., 0,89 w.

Signed: Anil 1563. With gold in the back-ground on
the right. Through LeplsU; in 1728, as "Holbein's
style". Old inven. 1722.

280

Artist unknown.

1831. A man in brown clothes; money before him on
(23 d.) the table. On canvas, 0,74 h., 0,58 w.

1832. Portrait of a man in official dress. On wood.
(21 a.) 0^62 h., 0,45 w.

Perhaps by Hans Asper. From the Kunstkammer,
as ''Holbein Orig.^ Dr. Lutkeri Vaters Contrefaif.
Old inven. 1722.

1833. Portrait of a man in black clothes trimmde with
(21b.) fur, holding his gloves in his hand. On wood,

0,72 h., 0,33 w.

1834. The Marriage at Cana. On wood, 0,96 h., 0,79 w.
(25 d.)

Braun (Augustin), or Brun. (?)

Lived in Cologne about 1630.

1835. The Salutation of the angel. On wood, 0,42 h.,
(25 a.) 0,39 w.

1836. The Visit of Mary to Elisabeth. On wood,
(25 a.) 0^415 h., 0,39 w.

1837. The Nativity of Christ. On wood ; preceding size.
(26 a.)

1838. The Circumcision of Christ. On wood, 0,42 h.,
(25 a.) 0,39 w.

1839. The Manifestation of Christ, or Epiphany. On
(25 a.) wood; preceding size.

Nos. 1836 and 1837, signed with the monogram
A. and B.

281

Bottenhammer , scholar of Joh. Bonnauer,

Bom at Munich, 1564; died at Augsburg, 1623.

vC

1840. The Virgin with the Child and angels, who bring
(26a.) fruit and strew flowers. On wood, 0,266 h.,

0,205 w.

Obtained through Count Wackerbarth. Old inven.
1722.

Elsheimer (Adam), scholar of Philipp Uffenbach.

Born at Frankfort -on -the -Maine, 1574; died in
Rome, 1620.

1841. A landscape with ruins; in the fore-ground, the
(21 b.) Flight into Egypt. On copper, 0,175 h., 0,22 w.

Obtained through Count Pflug. Old inven. 1722.

1842. Joseph, cast into the pit by his brethren. On
(21b.) copper, 0,28 h., 0,225 w.

Obtained through Count Goiter; price, 400 Conven. fl.

1843. Jupiter and Mercury with Philemon and Baucis.
(21b.) On copper, 0,1675 h., 0,225 w.

Same Artist. (?)

1844. Judith with an old woman, who is putting the
(26 a.) head of Holofernes into a eack. On copper, 0,335 h.,

0,285 w.

From the Kunstkammer in 1725. Old inven. 1722.

Heinz (Joseph).

Bom at Berne about 1560; died in Prague, 1609. (?)

1845. The Rape of Proserpine. On copper, 0,63 h.,
(25 d.) 0,83 w.

Signed: Jo. Einne Fe. A^ 1543. (?) Purchased as
GiuMo Bomano. Cata. Guarienti. No. 1197. "Ens".

282

Same Artist. (?)

1846. Lot and his daughters. On copper, 0,37 h., 0,32 w.

(28 b.)

1847. Christ, bound to a pillar. On canvas attached to
(25 b.) wood, 1,14 h,, 0,74 w.

Below inscribed: ECCE HOMO.

Eonig (Niklas).

Lived in Nuremberg about 1600. (?)

1848. A rough sea. On canvas, 1,05 h., 1,53 w.
(26 d.) Signed: Niklaes Konig. Old inven. 1722.

Snupfer (Nicolaus), scholar of Abraham Bloemaert.

Born in Leipsic (?), 1603 ; lived in Utrecht from 1630.

1849. The painter, sitting in a garden-house at a table,
(28c.) on which his wife has placed her child; both are

singing from a note-book. On wood, 0,50 h.,

0,55 w.

Signed: NKnupfer. fThe first letters interwoven.)
Obtained through Count Wackerbarth. (?) Old list.

Haider (Christoph), scholar of Georg Gartner.
Bom, 1592; died at Nuremberg, 1648.

1850. Ruins. On copper. 0,10 h., 0,13 w.
(13 c.) Signed: C. Haider f.

Screta (Carl).

Bom at Prague, 1604; died there, 1674.

1851. St. Matthew, the Evangelist On wood, 0,72 h.,
(28 c.) 0,92 w.

1852. St. John, the Evangelist. On wood, 0,68 h., 0,93 w.

(28 a.)

283

1853. St. Mark, the Evangelist. On wood, 0,69 h.,
(28 a.) 0,92 w.

1854. St. Luke, the Evangelist. On wood, 0,69 h.,
{28 c.) 0,91 w.

1855. St. Gregory with a white dove on his shoulder.
(28 c.) On wood, 0,97 h., 0,82 w.

1856. The Apostle Paul. On wood, 0,95 h., 0,84 w.
(28 c.)

1857. St. Jerome. On wood, 0,97 h., 0,81 w.
C^c.)

1858. St. Ambrose. On wood, 1,00 h., 0,8i w.
(28 c.)

1859. Moses. On wood, 0,48 h., 0,58 w. t "'

(28 a.) ^\i from the Sacristy of tJie Fathers of St. Wenzes-
laus in Prague.

1860. Portrait of Bernhard de Witte, formerly Prior
(28a.) of Malta. Above on the left, near the coat of

arms, inscribed BERNAKDVS WITTE. On canvas,
1,26 h., 0,90 w.
Obtained through Riedel in Prague, 1742. Inven. 8vo.

Schonfeldt (Johann Heinrich), pupil of Joh. Sichelbein.
Born at Biberach, 1609; died at Augsburg about 1680.

1861. A pastoral festival. On canvas, 0,95 h., 1,83 w.
(28a.) Signed: J. H. Schenfeldt. Fecit.

1862. Battle of the giants. On canvas, 0,95 h., 1,82 w.
(28 b.) Signed: J. H. SchSnfeldt. Fecit.

1863. A musical entertainment in a high hall, adorned
(28 d.) with pictures. On canvas, 1,23 h., 0,91 w.

284

1864. Similar subject. On canvas; preceding size.

(28 d.) Signed: J. H. Schonfeldt fecit. Besides this, again
signed with the monogram H. S. and Fecit. The
whole, according to Sandrart, painted for Joh. Marx
Jenisch, Burgomaster of Augsburg, and formerly in
his possession. All from the Wallenstein Collection
in Dux in 1741. Inven. 8vo.

Yaillant (Wallerand), painter and celebrated mezzotint-
engraver.
Born at Lille, 1623; died at Amsterdam, 1677.

1865. A board with letters nailed upon it. Qn canvas,
(26 b.) 0,52 h., 0,42 w.

Signed : Wallerand Vaillant fecit 1658. Heidelberg.

Lingelbach (Johann).

Born at Frankfort -on -the -Maine in October 1622;
died at Amsterdam, 1687.

1866. Vessels in port with many figures. On canvas,
(9 b.) 0,70 h., 0,90 w.

Signed: I. LINGELBACH fecit. Purchased by Riedel
in 1751 at the Leipsic Easter fair.

Bemmel (Willem).

Born at Utrecht about 1630; died at Nuremberg, 1708.

1867. A landscape with the remains of a bridge, leading
(48b.) over a river. On canvas, 0,685 h., 0,95 w.

Signed : F. WB. (interwoven.) Came into the Kunst-
kammer in 1699, through the Court painter, S. Bott-
schildt; purchased of Colonel vonWackerbarfch; price,
50 Thlr.

1868. A landscape in the evening-twilight. On canvas,
(260.) 1,27 h., 1,98 w.

Signed: WB. (interwoven) f. 1660.

f

285

1869. Companioji picture; morning. On canvas, 1,27 h.,
(26 c.) 1,97 w.

Signed: W. B. f. 1661. Both obtained through Count
Gotter; together, 80 Conven. Fl.

Fehling (Heinrich Christoph).

Born at Sangerhausen, 1654; died in Dresden 1725,
as Court-painter and first Director of the Academy of
Painting.

1870. Colonel Caspar von Klengel. On canvas, 1,12 h.,
(22b.) 0,88 w.

Obtained through Bottschildt in 1700. Old inven.
1722.

Willmann (Michael), pupil of Bembrandt,

Bom at Eonigsberg in Prussia about 1630; died at
Leubus, 1706.

1871. Portrait of a boy ; half-length in profile. A study.
(28 o.) On paper on wood, 0,475 h., 0,35 w.

Obtained through Fehling. Old inven. 1722.

Loth (Carl) or Carlotto.

Born at Munich, 1632; died in Venice, 1698.

1872. Job with his friends. On canvas, 1,22 h., 1,00 w.
(34b.) From Moritzburg. Old inven. 1722.

1873. Job with his wife and friends. On canvas, 1,32 h.,
(37 c.) 1,40 w.

1728. Old inven. 1722.

1874. Lot and his daughters. On canvas, 1,30 h., 1,40 w.
(37 d.) Obtained through Leplat in 1725.

1875. Cbrist, with the crown of thorns and purple mantle,
(D2.) before Pilate. On canvas, 1,55 h., 1,26 w.

1725 in the Royal Chapel through Leplat. Old inven.
1722. Later placed in the Gallery.

286

Boos (Johann Heinrich), pupil of Adrian de Bie.

Born at Ottersberg, in the Palatinate, Oct. 27, 1631 ;
died at Frankfort-on-the -Maine, Oct. 3, 1685.

1876. Cattle, sheep and goats in a landscape. On can-
(28 a.) vas, 0,58 h., 0,78 w.

Signed: J. H. Rocs pinxit 1681.

1877. An ox, goats and sheep in a landscape; an old J
(28a.) woman sits near them. On canvas, 0,59 h., 0,79 w.

Signed: J. H. Rocs fecit. Purchased in 1699, by
S. Bottschildt for the Kunstkammer, from the Collection
of Col. Wackerbarth; 100 Thlr. 1728 to the Gallery.
Old inven. 1722.

1878. A mountainous landscape; in the fore-ground, a
(27 c.) small flock with its shepherd asleep. On canvas,

0,35 h., 0,44 w.

Obtained through von Kaiserling. Inven. 8vo.

Same Artist (?). Probably a Copy.

1879. A girl, playing with a dog, near some cows. On
(27 c.) canvas, 0,43 h., 0,38 w.

Obtained as above.

Boos (Philipp), called Rosa di Tivoli,

Born at Frankfort-on-the-Maine, 1655; died at Rome,
1705.

\ ■ 1880. A mountainous landscape with a shepherd's family. ^

\'' (30a.) On canvas, 2,88 h., 4,34 w. \/^ f^ J ^^ "

Obtained through Kindermann. Ola mven. 1722.
Formerly on the Great Stair-case.

,.' 1881. A similar subject. On canvas, 2,81 h., 4,26 w.
(30 c.) As above.

287

1882. Noah, surrounded by all kinds of animals, receiv-
(Kl.) ing the commands of the Lord on his knees.
On canvas, 1 ,96 h., 2,96 w.

Furnished by Melchior Roos in 1723 for Merit zburg,
with a companion picture "Orpheus". Old inven. 1722.

3. A herd of cattle, sheep and goats; the shepherd
^30b.) stands near a laden horse. On canvas, 2,91 h.,
4,34 w.

Obtained through Kindermann. Old inven. 1722.

1884. A herd of cattle with the herdsman on a white
(K4.) horse. On canvas, 1,45 h., 2,20 w.

As above.

1885. Some cattle, lying in the fore-ground of a land-
(27b.) scape, in which ruined walls are seen here and

there. On canvas, 0,97 h., 1,32 w.

Obtained in 1741 through Rossi in Italy; 50 Thlr.

1886. Wanting.

uT'

1887. Cattle, sheep and goats on a pasture in a lands-
(30 d.) cape with distant mountains. On canvas, 1,46 h.,

2,20 w.

Obtained through Count Gotter; 150 Conven. fl.

Boos (J. Melchior), son and scholar of /. Heinrich Roos.
Born at Frankfort -on -the -Maine, 1659; died, 1731.

1888. Various stags under an oak. On copper, 0,76 h.,
(28 a.) 0,635 w.

Si^ed: J. M. Rroos fecit 1714. J. and M. interwoven.
Furnished by the artist himself for Moritzburg. Old
inven. 1722.

288

Boos or Rosa (Joseph), grandson of Bosa di Tivoli^
Electoral Court-painter, Member of the Acaderiiy
in Dresden, 1764, Inspector of the Imperial Picture-
Gallery in Vienna, 1772.
Bom at Vienna, 1728; died there, 1805.

1889. A landscape with a flock; the shepherd sits on
(28 a.) the trunk of an old willow. On canvas, 0,72 h.,

0,86 w.

Signed: Joseph Roos fecit 1765.

Heiss (Johann) von Memmingen^ pupil of Heinr, Schon-
feld.

Born, 1640; died at Augsburg, 1704.

1890. The Departure of tl)e Israelites from Egypt. On
(28 c.) canvas, 1,10 h., 2,14 w.

Signed: J. Heifs. 1677.

Saiter (Daniel), pupil of Carl Loth.

Born at Vienna, 1647; died at Rome, 1706.

1891. St. Jerome. On canvas, 0,81 h., 0,70 w,

(28 a.) Obtained through Count Wackerbarth. Old inven.
1722.

Strudel (Peter, Baron von), pupil of Carl Loth.

Born afc Khloes in the Tyrol, 1648; died in Vienna,
1717.

1892. Jupiter and Antiope. On canvas, 1,62 h., 1,77 w.

(26 c.)

1893. Susannah in the bath. On canvas, 1,54 h., 1,78 w.

(26 c.)

Same Artist and Tamm (Franz Werner).

1894. Fruit lying on the ground, near by, children
(30b.) playing. On canvas, 2,24 h., 1,13 w.

289

1895. Similar subject. On canvas, 2,26 h., 1,13 w.
(30b.)

Tamm (Franz Werner), called Dapper; pupil of Joh,
Pfeiffer,

Bom at Hamburg, 1658; died at Vienna, 1724.

1896. A pair of doves. On canvas, 0,36 h., 0,46 w.
(27 b.) Obtained through Count Gotter.

1897. A hen with her brood of chickens. On canvas;
(27 b.) of the preceding size.

As above. Both for 100 Conven. fl.

1898. A dead mountain - cock and pheasant, with other
(30a,) dead birds. On canvas, 1,57 h., 1,04 w.

1899. Two pheasants and a dove; above them, a bird
(30 a.) of prey. On canvas, 1,57 h., 1,05 w.

Both obtained through Count Wackerbarth for
Moritzburg. Old inven. 1722. From the reserved pic-
tures in lhf56.

Buthart (Carl).

Lived about 1660.

1900. Odysseus compelling Circe to disenchant his coni-
(51a.) panions, who had been by her transformed into

animals. The figures are by Daniel (?) Heinz,
On canvas, 1,33 h., 1,67 w.
Signed: C. RVTHART. fee. 1666.

1901. Several stags on a declivity in a rocky country;
(15b.) below in the fore -ground, a couple of cranes

flying up. On canvas, 0,685 h., 0,56 w.

Signed: C RVTHART. Obtained in 1742 through
Riedel in Prague. Inven. 8vo.

19

290

/

1902. Running stags, attacked by hounds. On canvas,
(16 b.) 0,685 h., 0,57 w.

Signed: C. RVTHART.

^1903. Several bears, attacked by large dog>. On can-
(15 b.) vas, 0,69 h., 0,89 w.

Signed: C. RVTHART. Obtained through Count
Wackerbarth. Old inven. 1722.

Hamilton (John George de).

Bom in Berlin, 1662; died in Vienna, Jan. 4, 1736.

1904. A prancing, white horse, saddled and bridled.
(27 a.) On canvas, 0,50 h^ 0,63 w.

Signed: J. G. De Hamilton fee. 1703.

1905. A white horse, led by a negro. On canvas, pre-
(27 a.) ceding size.

Signed as above, 1709.

1906. A cream-coloured horse, led by a groom. On
(27 a.) canvas, preceding size.

Signed: J. G. De Hamilton. ASl 1709.

1907. A dappled, thorough-bred horse. On canvas, pre-
(27 a.) ceding size.

Signed: J. D. De Hamilton. A2^ 1704. All four
taken from the reserved pictures in 1860.

Bugendas (Georg Philipp), pupil of Isaac Fischer,
Bom at Augsburg, 1666; died there, 1742.

1908. Cavalry on a battle-field. On canvas, 0,45 h.,
(28 b.) 0,41 w.

From the WallensteinJCoUection in Dux in 1741.
Inven. 8vo.

291

Knpetzky (?) (Johann).

Bom at Pesing, 1667; died at Nuremberg, 1740.

1909. Portrait of the Artist. Half-length; on canvas,
(22 b.) 0,93 h., 0,73 w.

From the Wallenstein Collection in 1741.

Agricola (Christian Ludwig).

Born at Ratisbon, 1667; died there, 1729.

1910. A landscape with a great block of stone, near
(28d.j which some Mohammedans are performing their

devotions. On canvas, 0,89 h., 1,24 w.
Furnished by Agricola himself. Old inven. 1722.

1911. A millstone is being placed upon a sledge. On
(28 c.) canvas, 0,80 h., 0,64 w.

Signed: L. A. f.

Taistenberger (Anton).

Born at Innsbruck, 1678; died in Vienna, 1722.

1912. A rich landscape with many figures. On canvas,
(51c.) 1^22 h., 2.19 w.

Signed : Antoni Faistenberger.

1913. Travellers, attacked by robbers. On canvas, 1,47 h,,
(26 a.) 2,20 w.

Both from the Wallenstein Collection in Dux in
1741.

Denner (Balthasar).

Bori;! at Hamburg, 1685; died at Rostock, 1749.

1914. St. Jerome. On canvas, 0,45 h., 0,36 w.
(22a.) Signed: BD (interwoven) 1731.

19*

292

1915. Portrait of an old man, almost in profile, inlight-
(22 b.) brown clothes. On canvas, 0,76 h., 0,64 w.

Signed: Denner Fe. 1731.

1916. Half-length porti'ait of an old woman with violet
(22b.) drapery over her head. On copper, 0,40 h.,

0,34 w.

Signed: Denner 1737. This picture, and No. 1919
furnished by Denner' himself from Hamburg. Old iu-
ven. 1722.

1917. Half-length portrait of an elderly woman with
(22 b.) white drapery over her head. On canvas, 0,43 h.,

0,33 w.
Signed; Denner fee*.

1918. Head of a girl with an orange blossom in her
(22 b.) hair. On copper. 0,38 h., 0,32 w.

Signed: Denner fee** Taken from the reserved pic-
tures in 1861.

1919. Half-length portrait of an elderly man. On can-
(22 b.) vas, 0,365 h., 30 w.

1920. Half-length portrait of a man with long gray
(22b.) hair and small mustaches. On canvas, 0,44 h.,

0,34 w.

1921. Portrait of an elderly woman, enveloped in a
(22 b.) gray cloth, with a white cap. On canvas, 0,45 h,,

0,36 w.

1922. Half-length portrait of a woman with a green
(22 b.) cap. On canvas, 0,31 h., 0,26 w.

Signed: Denner 1719. From the reserved pictures
in 1855.

293

Beiner (Wenzeslaus Laurentius), scholar of Peter Brandel
and Schweiger,
Born at Prague, 1686; died, 1743.

1923. A view of the Canipo Vaccino in Borne. On
(28 c.) canvas, 0,73 h., 0,97 w.

Obtained in 1739 through Riedel in Prague. In-
ven. 8vo.

1924. The golden house of Nero and the fountain in
(28 c.) in the Piazza Barberini in Rome. On canvas,

(\71 h., 0,98 w.
As above.

Ferg (Franz de Paula).

Bom in Vienna, 1689; died in London, 1740.

1925. Tower-shaped building with a bridge. In the
(28 c.) fore-ground, a mountebank. On copper, 0,42 h.,

0,51 w.

Signed: F. Ferg. Obtained through Leplat in 1728.
Old inven. 1722.

1926. Ruins, with a bridge and many figures. On
(28c.) copper, 0,43 h., 0,52 w.

Obtained through Leplat 1728. Old inven. 1722.

1927. Buildings on the shore of a lake with many
(28 c.) figures. On copper, 0,21 h., 0,28 w.

Signed: F. Ferg.

1928. A subject quite similar to the preceding. On
(28 c.) copper, preceding size.

1929. A landscape with a bridge over a river. On
(28 c.) copper, 0,25 h., 0,31 w.

Obtained through v. Kaiserling. Inven. 8vo.

1930. A landscape, enlivened with many figures; in the
(28 c.) fore-ground, a mountebank. (Tn copper, 0,24 h.,

0,31 w.

294

HengS (Ismael), father of A, Baph, Mengs^ scholar of
Samuel Cooper,

Born at Copenhagen, 1690; died in Dresden, 1764.

1931. The portrait of the Artist enveloped in a mantle.
(22 h.) On canvas, 0,87 h., 0,72 w.

Obtained in 1741 through v. Kaiserling. Inven. 8vo.

Sperling (Joh. Christ), scholar of Adrian van der Werff.
Born at Halle, 1691 ; died at Anspach, 1746.

1932. Pomona, and Vertumnus in the form of an old
(18 c.) woman. On copper, 0,425 h., 0,32 w.

Signed: J. 0. Sperling, 1719.

MeyteiiS (Martin van), scholar of C, Boit in Paris.

Bom at Stockholm, June 24^ 1695; died at Vienna
in 1770 as Director of the Academy.

1933. Half-length portrait of an old man with a beard.
(26 c.) On canvas, 0,59 h., 0,49 w.

From the Wallenstein Collection in Dux, in 1741.

Querfnrth (August); scholar of Bugendas.

Bom at Wolfenbiittel, 1696; died at Vienna, 1761.

1934. A lady on a white horse bestowing an alms on
(28 c.) a beggar. On wood, 0,28 h., 0,36 w.

Signed: A. Querfurt pinx.

From the Wallenstein Collection in Dux, in 1741.
Inven. 8vo.

1935. A lady on horseback stopping before a peasant's
(28 c.) cottage ; a gentleman has dismounted. On copper,

0,33 h., 0,43 w.

Signed : A. Q. Obtained through Count Gotter; 80
Conven. fl.

295

1936. A gentleman on horseback with a falcon on his
(28 c.) hand, 0,27 h., 0,35 w.

Signed: A. Querfart.

Obtained through Count Gotter; 12 Conven. fl.

Seibold (Christian), Court Painter to the Empress Maria
Theresa.
Born at Mayence, 1697; died at Vienna, 1749.

1937. Half-length portrait of a boy with a gray hat and
(22 b.) ostrich feathers. On copper, 0,48 h., 0,38 w.

Obtained through Count Gotter; 40 Conven. fl.

1938. Portrait of a girl with a white veil. On copper,
(22 b.) preceding size.

As above; 40 Conv. fl.

1939. Half-length portrait of a man with a spotted fur
(22b.) cap. On wood, 0,425 h., 0,33 w.

As above. Stolen by Wogaz, Oct. 22, 1788.

] 940. Portrait of an elderly woman. On copper, 0,43 h.,
(22 b.) 0,33 w.

Obtained through Count Gotter with No. 1939 for
150 Conven. fl.

1941. The Artist's own portrait; a brush and palette in
(22 b.) his left hand. On canvas, 0,74 h., 0,62 w.

As above. 75 Conven. fl.

Eismann or Lismann (Joh. Anton).

Born at Salzburg, 1604; died in Venice, 1698.

1942. Ruined walls and graves; in the fore-ground, a
(28 d.) boat on the shore. On wood, 0,27 h., 0,31 w.

Obtained through Leplat. Old inven. 1722.

1943. Companion picture to the preceding. On wood,
(28 d.) 0,27 h., 0,32 w.

As above.

296

Plazer (?) (Johann Victor); scholar of Kesler.

Born at Malz in Vintscligau, 1704; died at Eppan in
the Tyrol, 1767.

The Four Elements and their symbols:

1944. Water. On wood, 0,62 h., 0,97 w.

(28 a.)

1945. Earth. On wood, 0,61 h., 0,96 w.

(28 a.)

1946. Fire. On wood, 0,62 h., 0,96 w.

(28 a.)

1947. Air. On wood, 0,62 h., 0,97 w.

(28 a.) All four from the Wallenstein Collection in Dux in
1741. Inven. 8vo. Perhaps copies after Jan Brueghel.

Plazer (Joh. Georg.)

i V'^ 1948. Croesus displaying his treasures to Solon. On

'^^ ^28b.) copper, 0,406 h., 0,595 w.
) /

/\ 1949. Curius Dentatus and the ambassadors of the

/ ^ (28 b.) Samnites. On copper, preceding size.

/\/ 1950. Mercury seeing Herse, the daughter of Cecrops,
/ (28 b.) becomes enamoured of her. On copper, 0,40 h.,

^ / 0,595 w.

1951. Ariadne and Bacchus with satyrs and bacchantes,
(28 b.) On|copper, preceding size.

All four signed: J.i G. Plazer, and taken from the
^ reserved pictures in 1856.

%■ Potasch (Unknown).

1952. Waterfowl on a pond. On canvas, 1,44 h.,
(50b.) 2,11 w.

From Moritzburg. Old inven. 1722. ■

297

Moller (Andreas).

Bom at Copenhagen, Nov. 80, 1683 ; lived in Vienna
about 1724 and died in Berlin about 1750.

(Copy after Robert Walker.)

1953. Oliver Cromwell, in plain armour, bis head turned
(28 c.) towards the left. On canvas, 0,76 h., 0,63 w.

Furnished in 1727 by the artist himself from Vienna,
1727. Inven. 8vo.

1954. Count Maurice of Saxony, On canvas, 0,76 h.,
(22 b.) 0,64 w.

Artist unknown.

1955. Portrait of a painter. Half-length, life size. On
(22 b.) canvas, 0,96 h., 0,74 w.

In 1741 from the Wallenstein Collection in Dux.
Inven. 8vo.

1956. A man with small niustaches and long flowing
(26c.) hair. On canVas, 0,55 h., 0,45 w.

Copies^ by whom, unknown.

1957. Catharine of Medicis, Consort of Henry II., King
(26c.) of Prance. After A. van Byck, On canvas, 0,74 h.,

0,59 w.
Old inven. 1722.

1958. Caspar de Coligny, Admiral of Prance. On can-
(28c.) vas, 0,67 h., 0,57 w.

Dathan (Greorg).

Bom at Mannheim, 1703.

1959. An allegorical picture of the marriage of Princess
(6b.) Mary Josepha^ daughter of Augustus III., King

of Poland, with the Dauphin, son of Louis XV.,
in 1747. On wood, 0,57 h., 0,415 w.
Signed: Georg Dathan 1748.

2if8

Kern (Anton), or Korne^ scholar of Pitloni in Venice.

Born at Tetschen in Bohemia, 1710; died in Dresden
in 1747. Appointed painter to the court of King
Augustus III., in 1741, with a salary of 20 thalers,
monthly.

1960. The murder of the Innocents at Bethlehem. On
(28b.) canvas, 0,74 h., 0,98 w.

From the Royal Bed-chamber.

MengS (Anton Raphael).

Born at Aussig in Bohemia, Mar. 12, 1728; died in
Rome, June 29, 1779.

1961. An angel appearing to Joseph while sleeping. On
(22 c.) canvas, 0,55 h., 0,28 w.

A sketch for an altar-picture in the Catholic cathe-
dral in this city.

\ /^ 1962. The penitent Magdalen, On canvas, 0,48 h., 0,64 w.
^ (22 b.)

1963. Maria Antonia, Consort of the Elector Frederick
(22b.) Christian of Saxony. On canvas, 1,57 h., 1,10 w.

Artist unknown.

1964. A rural dance. On wood, 0,24 h., 0,36 w.'
(28 c.)

1965. A company at table in a garden. On wood, pre-
(28 c.) ceding size.

Wagner (Maria Dorothea), nSe Dietrich.
Born in Dresden, 1728; died, 1788.

1966. A valley with a brook and a mill. On wood,
(28 d.) 0,27 h., 0,37 w.

Signed: M. D. W.

299

Graft* (Anton), pupil of Ulrich ScJiellenberg,

Born at Winterthur, 1736; member of the Academy
in Dresden, 1766; died here, 1813.

1967. Life-size portrait of Frederick Augustus the Just,
(22a.) King of Saxony. On canvas, 2,26 h., 1,37 w.

Signed: A. Graff pinx. 1795. Placed in the Gallery
in 1855; formerly in the Parliament-House.

1968. Half-length portrait of the preceding. On canvas,

(22b.) 0,71 h., 0,57 w. He (in 0.)

Obtained for the Gallery through the Cabinet-Minister,
Count Einsiedel.

1969. The Artist's own portrait. On canvas, 0,72 h.,
(22b.) 0,56 w.

Purchased from the heirs in 1832, for 200 Thlr.

1970. The same in entire figure. On canvas, 1,68 h.,
(22b.) 1^07 w.

Painted on his receptiop in the Academy.

1971. The same, younger. On canvas, 1,03 h., 0,80 w.
(22 b.) From the reserved pictures in 1855.

1972. Portrait of the poet Christ. Fiirchtegott Gellert.
(22b.) On canvas, 0,65 h., 0,53 w.

Presented in 1865 by Fraulein von Wagner.

1973. Portrait of Christian Heinrich Voigt, manufacturer
(22 b.) of gold- and silver-w ire goods, at that time living

in Dresden. On canvas, 0,79 h., 0,61 w.

1974. Portrait of Carl Gottlieb Hommeyer, merchant
(22b.) and manufacturer in Dresden. On canvas, pre-
ceding size.

1%

1975. Portrait of Christiane Henriette Hommeyer, nSe
(22b.) Voigt, wife of the preceding. On canvas, 0,79 li.,
0,62 w.

s/

300

'^ 1976. Portrait of Prau Eltz, nee Voigt, of Dresden.
(22 b.) On canvas, preceding size.

\ 1977. Portrait of FrSulein Christiane Friedericke Voigt,
^^(22b.) of Dresden. On canvas, 0,79 h., 0,61 w.

Nos. 1973—1977 bequeathed to the Gallerv in 1867,
by the late Carl Eduard LStze, banker, in thia city.

Kauffmann (Angelica), scholar of her father.

Bom at Schwarzenberg, on the Bregenzer Ach, 1741;
died in Rome, 1807.

1978. Portrait of a young lady as a sibyl. On canvas,
(22 b.) 0,89 h., 0,72 w. * (III 36.)

Signed: Angelica Kauffmann pinx.

1979. Portrait of a young lady, attired as a Vestal
(22b.) Virgin. On canvas , 0,92 h., 0,73 w. * (III 7.)

Signed as the preceding.

1980. Ariadne, abandoned by Theseus, on the shore of
(22b.) the sea; at her feet, a weeping cupid. On can- *

vas, 0,88 h., 0,71 w. ^^ (III 8.)
All three acquired in 1782.

Vogel (Christian Leberecht), pupil of ScMnaii.
Born in Dresden, 1759; died here, 1816.

1981. Two little boys, the sons of the artist, turning
(22b.) over the leaves of a picture-book. On canvas,

0,76 h., 1,01 w.
Purchased in 1817 from the heirs, for 300 Thlr. ^

Grassi (Joseph).

Born at Vienna, April 22, 1767; died in Dresden,
Jan. 7, 1838.

1982. John the Baptist. On canvas, 0,80 h., 0,60 w.
(Pll.) To the Gallery in 1838; bequeathed by the artist.

301

1983. The Apostle Peter. On canvas, 0,63 h., 0,50 w.

(Q2.)

Kleugel (Job. Christian).

Born at Kesselsdorf, 1751; Member of the Academy
in Dresden, 1777; Professor in 1800; died here, 1824.

1984. Apollo tending the h«rd of Admetus on a hill,
(22 c.) at sun-set. On canvas, 0,97 h., 1,46 w.

Signed: Klengel. Purchased in 1825, from the artist's
heirs for 300 Thb:.

1985. Similar subject. On canvas, 1,15 h., 1,67 w.

(22c.) Signed as above. Presented to the Gallery, July
1855, by the artist's daughter.

Friedrich (Caspar David).

Born at Greifswalde, 1774; died in Dresden 1835.

1986. Two men, observing the new -moon. On canvas,
(P8.) 0,35 h., 0,44 w.

Painted in 1819; purchased from the estate of the
artist in 1840, for 150 Thlr.

1987. Reposing after hay -making. On canvas, 0,74 h.,
(02.) 1,03 w.

The last picture of the artist, painted in 1835; also
purchased in 1840; price, 80 Thlr.

1 988. A cromlech. On canvas, 0,55 h., 0,71 w.

(P ^•) Reception-picture. From the Collection of the Acad-
emy in this city in 1868.

Friedrich (Caroline Priederike).

Bom in Friedrichstadt, 1749; died, 1815.

1989. Pastry on a plate with a glass of Madeira. On
(P4.) canvas, 0,44 h., 0,63 w.

Signed: Caroline Friederike Friedrich. Inv. et p.
1799.

302

Richter (Therese).

Born in Dresden in 1777.

1990. A carp, with a vessel containing flowers. On
(P6.) canvas, 0,43 h,, 0,57 h.

Presented by the artist.

1991. Two squirrels, a hazel-nut branch, stag's horns,
(P5.) etc. On canvas, 0,63 h., 0,79 w.

Both signed: Compost et peint d*apr^s nature de
Therese Richter a Dresde Tan 1807 and 1809 (!).

Matthai (Friedrich).

Bom at Meissen, 1777; died, 1845, at Vienna.

1992. Orestes assassinating Aegistheus. On canvas, 1,58 h,,
(03.) 2,39 w.

Purchased from the artist's heirs in 1858, for 300 Thlr.

^ 1993. The death of the Athenian King Codrus. A
(P2.) sketch. On canvas, 0,37 h., 0,52 w.

Purchased from the artist's heirs in 1846. Price,
200 Thlr.

Pochmann (Traugott Leberecht).

Prof, in the Academy of Art; bom in Dresden
1762; died, 1830.

1994. The Artist's own portrait. On canvas, 0,99 b.,
(Pll.) 0,80 w.

Purchased, Jan. 17, 1847, from the artist's daughter.
Price, 25 Thlr.

Kugelgen (Gerhard von).

Bom at Bacharach, 1772; murdered near Dresden, 1820.

1995. The prodigal son. Half-length, life-size. On
(0 2.) canvas, 0,97 h., 0,76 w.

Purchased, Oct. 19, 1820; price 300 Thlr.

303

Faber (Johann Theodor Eusebius).

Bom at Gottleuba, 1772; died in Dresden, Sept. 2,
1852.

1996. Castle Palkenstein in the Harz. On canvas, 0,42 h.,
(P8.) 0,57 w.

1997. A landscape in the Italian Tyrol. On canvas,
(P8.) preceding size.

Both presented, in August 1863, by Geh. R. von
Flotow.

Rosier (Joh. Carl).

Born in Gorlitz, 1775; died in Dresden, Feb. 20, 1845.

1998. Portrait of the actor and entomologist Ochseu-
(P11-) heimer. On canvas 0,81 h., 0,68 w.

Presented in 1856 by the Court-actor Heine.

Yogel von Vogelstein (Carl), son of Christ. Leh^recht

Vogel.

Born at Wfldenfels, June 26, 1788; died in Munich,
March 4, 1868.

1999. Portrait of Frederick Augustus the Just, King
(Q2.) of Saxony. On wood, 0,72 h., 0,57 w.

Inscribed on the backside: Friedrich August, K5nig
von Sachsen. Nach der Natur gemalt von C. Vogel.
Dresden 1823.

2000. Life-size portrait of Pope Pius VII., entire figure,
(0 3.) painted from life in Rome. On canvas, 1,63 h.,

1,17 w.

Property of His Maj. the King; placed in the Gallery
y in Feb. 1855 for conservation.

\«001. A series of pictures from GOthe's Faust, connec-
(29a.) ted together by the frame. On canvas, 3,90 h.,
3,06 w.
Received in 1867 by bequest of the artist.

!

304

I^aeke (Gnstav Heinrich).

Bom at Frauenstein, 1785; died in Dresden, 1835.

2002. The Artist's own portrait. On canvas, 0,41 h.,
(P 11.) 0,40 w.

Ac(][uired in 1866, by bequest of Burgomaster Hiibler,
of this city.

Groger,

Bom at Ploen, 1766; lived in Hamburg.

2003. The Artist's own portrait. On canvas, 0,60 h.,
(0 2.) 0,46 w.

Presented by the artist.

Steinla (Moritz Mttller named).

Born in Steinla, Aug. 21, 1791; died, Nov. 21, 1868,
in Dresden.

2004. The Artist's own poi-trait. On canvas , 0,83 h.,
(PU.) 0,67 w.

Signed: M. Steinla se ips. pinx. 1826. Presented
by tne artist.

Tormer (Benno Friedrich).

Born in Dresden, July 4, 1804; died in Rome, Feb. 6,
1859.

2005. The music-lesson. On wood, 0,42 h., 0,35 w.

(P8.) Signed: B, Tormer. Rom 1857. Presented by the
artist's heirs, Colonel T5rmer, and High-Constable
Count Holtzendorf.

Pliiddemann (Hermann).

Born at Colberg, July 17, 1809; died in Dresden,
June 24, 1868.

2006. The Emperor Frederick Barbarossa, appeasing the
(Q 1.) party-strife at the Diet at Besan9on, 1157. On

canvas, 1,57 h., 2,43 w.

Signed: H. Pliiddemann, 1859. Acquired in 1860
from the Exhibition funds. Price 650 Thlr.

/

305

Doerr (Otto Erich Friedrich Augusts

Bom at Ludwigslust (Mecklenburg-Schwerin), Dec. 3,
1831; died in Dresden, Nov, 18, 1868.

2007. A Parisian painter's studio. On canvas, 0,61 h.,

(P7.) 0,82 w.

Signed: 0. Dorr. Presented in 1872 by the widow
of the artist, Frau Bertha Doerr.

Oliemann (Philipp Albert), scholar of Prof. Julius
Hul)ner.

Bom at Wolfenbiittel, Dec. 26, 1822 , died in Dresden,
April 26, 1872.

2008. A Jew's head with beard. On canvas, 0,495 h.,
(P3.) 0,37 w.

Signed: Gliemann f. im Atelier JH. Presented in
1872 by Prof. J. Hiibner, in whose atelier it was
painted.

Schnorr von Carolsfeld (Julius Veit Hans).

Born at Leipsic, March 26, 1794; died, May 24,
1872.

2009. Visit of Ananias to Paul. The original picture
(22 d.) for the lower part of a stained glass-window in

St. Paul's in London. Paper on linen, 3,04 h.,
3,73 w.

Signed: J. S. interwoven.

2010. Design for a stained-glass window in St. Paul's
(22 c.) in London. In the upper part : the Conversion of

Saul. In the lower part : the Visit of Ananias.

(See the preceding picture.) Water-colours on

paper, 0,76 h., 0,305 w.

Both acquired in 1867 from the Public Art fund.
Price, 2000 Thlr.

20

306

2011. Visit of Zacharias and Elisabeth with the infant
(23c.) John to the Holy Family. On canvas, 1,23 h.,
1,02 w.

Signed: J. S. interwoven, 1817. From v. Quandt*8
Collection in 1868. Price, 700 Thlr.

Bahr (Carl Johann).

Bom, Aug. 6, 1803 in Riga; died, Sept. 29, 1869,
in Dresden.

*^- 2012. Ivan the Terrible, Czar of Russia, to whom
(P 10.) Finnish magicians announce his death. On can-
vas, 1,93 h., 2,58 w.

Signed: 1850. C. Bahr. Acquired in 1862, from
the Lind. Endowment; 600 Thlr.

Dahl (Johann Christian Claussen).

Born at Bergen in Norway, Feb. 24, 1788; died in
Dresden, Oct. 14, 1857.

2013. A large Norwegian landscape. On canvas, 1,83 h.,
(PI.) 2,37 w.

Signed: J. Dahl 1860. Purchased in 1853 with the
Exhibition receipts and the Catalogue funds of the
Royal Picture-Gallery for 800 Thlr.

2014. A forest - stream in the mountains. On canvas,
(P4.) 0,76 h., 0,61 w.

Signed: Dahl 1819. 1868; reception picture from the
Collection of the Art Academy in this city.

Milller (Heinrich Eduard).

Bom at Pultawa, Sept. 6, 1823; died in Dresden,
1863.

2015. Lake Michigan in North America. On canvas,
(P7.) 0,77 h., 1,05 w.

Signed: H. Miiller 63. Acquired in 1864 from the
Exhibition funds; 200 Thlr.

307
Jager (G.).

Born, July 12, 1808; died in Leipsic, April 19, 1871;
Director of the Art Academy in Leipsic.

2016. Marriage of St. Catherine with the Infant Christ.
{P -•) Round ; on canvas, 0,41 in diameter.

Signed: G. J. (interwoven) 1855. Acquired as above
in 1855; 260 Thlr.

Papperitz (Gustav Friedrich).

Bom in Dresden, Jan. 27, 1813; died here, Jan. 16,
1861.

2017. The valley of Elche in Spain. On canvas, 0,81 h.,

(P 7.) 1,22 w.

Signed: F. G. P. int-erwoven. Acquired as above in
1857. Price, 200 Thlr.

Botermund (Julius Wilhelm Louis); scholar of Prof.

E, Bendemann.

Born at Hanover, March 11, 1826; died at the
bath of Salzbrunn in Silesia, June 14, 1859.

2018. The body of Chri5>t bemoaned by his relations.
(0 3.) The artisfs last picture. Finished by E. Bende-
mann. On paper attached to linen , 2,58 h.,

2,8a w.

Signed: Julius Rotermund inv. et pinx. E. Bende-
mann dir. et fin. Dresden 1859.

Presented to the Gallery in 1861 by the Dresden
Art Union. Price, 925 Thlr.

Wichmauu (Adolph Friedrich Georg).

Bom at Celle March 18, 1820; died in Dresden,
Febr. 17, 1866.

2019. Pietro Aretino reading from his works to a com-
(Pll.) pany at Titian's house. On canvas, 1,03 h.,

1,40 w.

Signed: A. Wichmann 1865. Purchased in 1865 from
the Exhibition receipts. Price, 700 Thlr.

20*

xy

308

Carus (Carl Gustav), Dr.

Bom at Leipsic Jan. 3, 1789 ; died in Dresden July 28,
1869.

2020. A landscape in spring. A study from the Rosen-
(P4.) thai near Leipsic. On canvas, 0,35 h., 0,44 w.

Signed: Carus pinx. 1814.

2021. A landscape by moonlight. On pasteboard, 0,30 h.,
(P4.) 0,41 w.

Both acquired in 1869 by bequest of the artist.

Pictures of native, for the
most part still living artists.

(Exhibited in the north-eastern Zwinger pavilion.)

Peschel (Carl Gottlob).

Born in Dresden, March 31, 1798.

2022. The angels of God appearing to the patriarch
(Pll.) Jacob, on his journey to the land of promise.

Gen. ch. xxxii. On canvas, 1,32 h., 1,76 w.

Signed: CP. (interwoven) pinx. 1845. Acquisition of
the Lindenau Endowment in 1845 for 700 Thlr.

2023. "Come unto me all ye that labour and are heavy
(P2.) laden and I will give you rest". On canvas, 0,32 h.,

0,54 w.

Signed as above, 1851. Acquired in 1851, from the
Exhibition funds; 250 Thlr.

309

Bichter (Ludwig Adrian).

Born in Dresden, Oct. 7, 1802.

2024. A landscape in spring with a bridal procession.
(P2.) On canvas, 0,94 h., 1,40 w.

Signed: L. Richter 1847. Acquired in 1847 through
the Lindenau Endowment; 700 Thlr.

Hanschild (Max).

Born in Dresden, Aug. 23, 1809.

2025. Architectural picture with figures, representing
(P8.) the reception of fugitive monks into a monastery.

On canvas, 1,15 h., 0,92.

Signed: Max Hauschild 1848. Presented by Prof.
E. Bendemann in 1848.

Schurig (Carl Wilhelm), pupil of Prof. E. Bendemann,

Born in Leipsic, De. cl7, 1818; died in Dresden,
March 10, 1874.

2026. John, bishop of Speyer, protecting the Jews,
(Pll-) severely persecuted during the first crusade. On

canvas, 1,28 h., 1,65 w.

Signed: C.^W. Schurig. 1851. Acquired Jthrough
the Lindenau ^Endowment in 1851; 700 Thlr.

Hiibneri (Rudolph Julius Benno).'^

H Born at Gels in Silesia, Jan. 27, 1806. j

2027. The Golden Age; a group of shepherd boys. On
(22 b.) canvas, 1,17 h., 1,98 w.

Signed: JH. (interwoven'^ 1848. Acquired through
the Lindenau-Endowment in 1849 ; 700 Thlr.

Disputation between Dr. Luther and Dr. Eck, in

Leipsic. On canvas, 3,28 h., 6,17 w.

Aquired 1867 from the Public Art funds. Price,
9000 Thlr. With the inscription: Angefangen in April
1863 und vollendet im December 1866. Jmius Hiibner
in Dresden etc.

/2028.
(29 d.)

310

2029. Portait of the actor F. W. Forth in the character
(P9.) of *Tresident" in Schiller's **Kabale und Liebe".

On canvas 0,89 h., 0,67 w.

Signed: JH, (interwoven) 1853. Presented by the
artist in 1869.

2030. A Jew's head with a black beard; a study. Half-
(P3.) length, full size. On canvas, 0,56 h., 0,45 w.

Signed: TH. (interwoven) 1834 Presented by the
artist in 1872.

2031. A foot-soldier. A portrait- study after the painter
{P3.) Guido Hammer. Half-length. On wood, 0,685 h.,

0,40 w.

Signed: JH. (interwoven) 1848. Presented as above
in 1872.

Fran7-Dreber (Carl Heinrich), pupil of Prof. Lndwig
Richter,
Born in Dresden, Jan. 9, 1822.

2032. An Italian mountain -landscape; in the lore-ground,
(P3.) the Good Samaritan. On canvas, 1,23 h, 1,76 w.

Signed; H. Franz-Dreber. Rom 1848. Acquired in
1849 from the Stipend funds; 40') Thlr.

Bo ting (Julius Robert), pupil of Prof. E Bendemann.
Born in Dresden, Sept. 7, 1821.

2033. Columbus before the council at Salamanca. . On
(Ql.) canvas, 1,73 h., 2,39 w.

Signed: J. Roting 1861. Acquired through the
.Lind. Endowment in 1851, 568 Thlr.

Puyroche (Elise), ne'e Wagner.

Born in Dresden, March 31, 1828. Residing in Lyons.

2034. The torn wreath. On canvas, 1,05 h., 0,89 w.

{Q2.) Signed: Elise Wagner. 1850. Acquired in 1851,
from the Exhibition funds : 80 Friedrichsd'or.

311

Hahn (Carl Wilhelm), pupil of Prof. J". HUhner.

Born at Ebersbach in Oberlausitz, Jan. 7, 1829.

2035. Scene from "Michael Kohlhaas by Heinrich von
(P 8.) Kleist". Kohlhaas, having searched in vain for

his enemy, the young lord of Dronka, in the
nunnery of Erlabrunn, takes the steward pri-
soner. The abbess, alarmed by the torches of the
soldiers, begs that the nunnery may be spared.
On canvas, <',77 h., 1,05 w.

Signed: W. Hahn 1851. Acquired in 1851 from the
Stipend funds; 200 Thlr.

Kummer (Carl Robert).

Born in Dresden, May 30, 1810.

2036. Scotch landscape, near Arisaig; in the distance,
(P6.) the island Eigg. Sun-set. On canvas, 0,98 h,

1,64 w.

Signed: R. Kummer. Acquired in 186*?, from the
Exhibition funds; 350 Thbr.

Grosse (Franz Theodor), pupil of Prof. E Bendemann.
Born in Dresden, April 23, 1829.

2037. Leda and the swan. On canvas, 1,50 h., 1,08 w.

(Pi) Signed: Th. Grosse 1852. Acquired in 1852 from
the Exhibition funds; 200 Thlr.

Wislicenus (Hermann), pupil of Prof. J Schnorr von
Carolsfeld.
Born at Eisenach, Sept. 20, 1826.

2038. Plenty and Want; in two groups represented in
(Pll.) in an architectural frame. On canvas, 1,76 h.,

1,93 w.

Signed: WISLICENU8. Acquired in 1852 from the
Academy funds; 400 Thlr.

312

Oer (Theobald von).

Born at Nottbeck, near Sternberg in Westphalia
Oct. 9, 1807.

2039. Albrecht Dtirer in Venice receiving the visit of
(P 7.) the aged Giovanni Bellini. Among the figures

may be noticed the most celebrated Venetian
masters of that period. On canvas, 0,96 h.,
1,34 w.

Signed: Th. v. Oer. Dresden, 1853. Acquired
through the Lind. Endowment in 1853. 600 Thlr.

Schonherr (Carl Gottlob), pupil of Prof. /. HUhner,
Bom at Lengefeld, Aug. 15, 1824.

2040. Peter, raising Tabitha to life. Acts, ch. ix ,36 etc.
(P2.) On canvas, 0,92 h., 1,50 w.

Signed : C. SchSnherr 1856. Acquired in 1856 through
the Lind. Endowment. 400 Thlr.

Wegener (J. Pr. Wilhelm).

Born in Dresden, 1812.

2041. A conflagration in a forest and on a prairie in
(0 1.) the interior of North America. On canvas, 2,27 h.,

2,83 w.

Signed: F. W. Wegener. 1846. Acquired in 1859
from the Exhibition funds; price, 900 Thlr.

2042. Stags, going through the water. On canv.as, 0,31 h.,
(P6.) 0,44 w.

Signed: J. W. Wegener. 1855. Acquired as above
in 1865. Price, 60 Thlr.

Leypold (Carl Julius von).

Bom in Dresden, July 24, 1806.

2043. View of a German town on a river with a mill
(P9.) and vessels. On canvas, 0,87 h., 1,34 w.

Signed : J. v. Leypold. 1856. Acquired in 1856, from
the Exhibition funds. Price, 350 Thlr.

313

2044. View of the Mercury-Bastion in Dresden, and the
(42 b.) old city, moat from the Marien strasse towards the

Seethor. On canvas, 0,39 h., 0,55 w.

Signed: J. v. Leypold. Presented in 1872 by Ad-
vocate H^nich.

Mlihlig (Meno), pupil of Prof. J, Hiibner,

Bom at Eibenstock, April 28, 1823; died June 7, 1873.

2045. A pilgrimage in the snow. The returning monks,
(Pll-) attacked by robber-knights, are rescued by the

steward of the monastery and his troopers. On
canvas, 1,83 h., 1,87 w.

Signed: Meno Miihlig. Acquired in 1857 from the
Exhibition funds. Price 300 Thlr.

Milller (Moritz).

Bom at Diethenburg, near Wechselburg, 1825.

2046. A child, reading. On canvas, 0,44 h., 0,38 w.

(P8.) Signed: J. M. Miiller. Acquired in 1857 as above.
Price, 60 Thlr,

Schuster (Albrecht Louis), scholar of Prof. J, Huhnei'.
Bom at Berthelsdorf, near Stolpen, May 9, 1824.

2047. Storming of the great fortification in the battle of
(PJPJ Borodino by the Saxon cuirassiers in 1812. On

V***^ canvas, 1,88 h., 2,85 w.

Acquired in 1858, from the Exhibition funds. Price,
700 Thlr.

2048. Brave resistance of the battalion "aus dem Win-
(Q2.) kell" in the battle of Jena in 1806. On canvas,

1,17 h., ^2,27 w.

Signed: Schuster. 1862. Acquired in 1862 as above.
Price, 469 Thlr.

314

Hammer (Edmund Guido), scholar of Prof. J. Hilhner.
Born in Dresden, Feb. 4, 1821.

^/ 2049. A wild sow with young boars, attacked by a dog.
(Q3.) On canvas, 1,31 h., 1,87 w.

Signed: Guide Hammer. 1860. Acquired as aboTe.
Price, 340 Thlr.

2050. A spotted hound. On canvas, 0,60 h., 0,47 w.

(Q 1) Signed: Guido Hammer. 1852. Presented in 1872 by
Prof. Hubner.

Kriiger (Joh. Heinr. Carl).

Horn at Salzwedel, June 5, 1812.

2051. A village-landscape. On canvas, 1,00 h., 1,33 w.

(Q2.) Acquired in 1861 from the Exhibition funds. Price,
200 Thlr.

Fiebiger (Julius).

Bom at Bautzen, Sept. 5, 1813.

2052. A landscape in Bohemia with Lobosch, a moun
(P6.) tain near Lobositz. 0^ canvas, 0,99 h., 1,40 w.

Signed: J. Fiebiger 1861. Acquired in 1861 as
above. Price, 200 Thlr.

Dahl (Johannes Siegwald), son of Christ, Claussen,
Born in Dresden, Aug. 16, 1827.

2053. A dying roe and her fawn. On canvas, 0,76 h.,

(P5.) 0,98 w.

Signed^ S. Dahl 1861. Acquired in 1861 as above-
Price, no Thlr.

2054. The ferry near Tellemarken in Norway. On
(P8.) canvas, 0,67 h., 1,36 w.

Signed: Siegwald Dahl 1863. Acquired in 1863 as
above. Price, 300 Thlr.

315

Lasch (Johann Carl), scholar of Prof. E. Bendemann.
Born at Leipsic. July 1, 1819.

2055. Juvenile pleasures. Children playing with a hay-
CP9) wheelbarrow. On canvas, 1,06 h., 0,86 w.

Signed:' C, Lasch 1861. Dusseldorf. Acquired in
1862 from the Exhibition receipts. Price, 550 Thlr.

Oohme (Ernst Erwin), son of Ernst.

Born in Dresden, Sept. 18, 1831.

2056. A quarry in the Saxon Switzerland. On canvas,
(P9.) 1.42 h., 1,06 w.

Signed; Erwin Oehme j. 1860. Dresden. Acquired
in 1863 as above. Price, 300 Thlr.

Leonhardl (August Eduard).

Bom at Freiberg, Jan. 19, 1826,

2057. A German forest-landscape. On canvas, 2,13 h.,
(Q3.) 1,70 w.

Signed: E. Leonhardi 1863. Acquired in 1864 as
above. Price, 650 Thlr.

Kosenfelder, Director of the Academy of Art in Konigs-
berg in Prussia.

2058. Portrait of the late Prof. Resch, painter in Breslau.
(0 2.) On canvas, 0,67 h., 0,52 w.

Signed: Rosenfelder. 1849. Acquired in 1865 by be-
quest of Prof. Resch.

Thomas (Carl Gustav Adolph), scholar of Prof. Ludwig
Bichfer,
Bom at Zittau, Sept. 28, 1834.

2059. A landscape, suggested by scenery near Brannen-
(P3.) burg in the Bavarian highlands. On canvas,

0,94 h. 1,38 w.

Signed: Ad. Thomas Miinchen. 1866. Acquired in
1866 from the Exhibition receipts. Price, 230 Thlr.

316

Lier (Adolph).

Bom at Herrnhut, May 21, 1826; now living in
Munich.

2060. A landscape on the Oise by moonlight. On can-
(P5.> yas, 1,05 h., 1,50 w.

Signed; A. Lier. Acquired in 1867 from the Ex-
hibition receipts. Price, 300 Thlr.

Simousou (David), scholar of Prof. jE/. Be'ndemann,
Bom in Dresden, March 15, 1831.

2061. Portrait of the artist's wife, nee Castelli. On can-
(0 2.) vas, 0,56 w., 0,48 w.

Signed: D. Simonson. 1867. Acquired in 1867 aa
above. Price, 130 Thlr.

Seydel (Gustav Eduard).

Bom at Luxemburg, March 18, 1822.

2062. Melancholy tidings from the battle-field in Bohemia
(P6.) in 1866. On wood, 0,49 h., 0,67 w.

Signed: Ed. Seydel 1867. Acquired in 1867 as above.
Price, 250 Thlr.

Miiller (Karl Wilhelm). .

Born in Dresden, Nov. 28, 1839.

2063. A night -scene in the Roman Campagna. On
(P5.) canvas, 1,17 h., 1,64 w.

Signed: C. W. M. (interwoven) 1868. Acquired in
1868 from the Exhibition receipts. Price, 300 Thlr.

Sturm (Leonhard).

Bom at Reichmannsdorf, near Bamberg, Feb. 10, 1834.

2064. Portrait of King Jjhn of Saxony. On porcelain,
(22a.) 0,43 h., 0,35 w. ; in oval form.

Signed: L. Sturm. 1868. Presented in 1868 by the
artist.

317

2065. Portrait of Queen Amelia of Saxony. On por-
(22 a.) celain, preceding size.

Signed and acquired as above.

Hoitaianu (Johann Michael Heinrich).

Born in Darmstadt, March 19, 1824. Pupil of the
Diisseldorf Academy from 1842—1844.

2066. Christ and the woman taken in adultery. On
(Pi.) canvas, 1,75 h., 2,15 w.

Signed: H. Hofmann. Acquired from the Public
Art funds. Price, 4000 Thlr.

Oeorgi (Friedrich Otto).

Born in Leipsic, Feb. 2, 1819..

2067. Jerusalem and Moriah. On canvas, 1,96 h., 1,43 w.

(01.) Sifirned: Otto Georgi. 1869. Acquired in 1869 from

the Exhibition receipts. Price, 250 Thlr.

Gartner (Heinrich Johann).

Born at Neustrelitz (Mecklenburg), Feb. 22, 1828.

2068. Heroic landscape; accessories, Adam and Eve after
(P4.) their expulsion from Paradise. On canvas, 1,62 h.,

2,22 w.

Signed: H. G. fee. Roma. 1865. Acquired in 1870
from the Exhibition receiptB. Price, 500 Thlr.

OUlant (Theodor).

Painter to the Royal Saxon Court; born in Dresden,
July 18, 1827.

2069. View of St Peter's with the Vatican and the castle
(02.) of St. Angelo. On canvas, 1,32 h., 1,93 w.

Signed : Choulant. Acquired as above in 1870. Price,
244 Thlr.

318

Thiele (Julius Arthur).

Born in Dresden, June 11, 1841.

2070. A dead hare, suspended by one leg. On paper,
(Q 1.) 0,85 h., 0,565 w.

Signed: A. Thiele fecit im Atelier JH. (interwoven)
1864. Dresden. Presented in 1872 by Prof.' Hubner.

2071 and 2072 wanting.

r

319

Collection

of the

Pastil Pictures; of the Paintings of
Dietrich, Canale and Canaletto.

(Exhibited in the rooms on the ground floor of the

Museum.)

Pastils.

Eeni (Guido).

See page 67.

2073. St. Francis, drawn with coloured crayons on paper.
(40 a.) Mod., purchase. ^ TV^ s

HengS (Anton Raphael).
See page 298.

2074. Portrait of his father, Ismael Mengs.
(40 a.)

2075. Portrait of the Artist in his youth.
(40 a.)

2076. The same, more front-face. :{: (III 30.)
(40 a.)

2077. Portrait of the wife of the painter Alexander
(40a.) Thiele.

2078. Portrait of the courtier von Hofmann, husband
(40 a.) of the pastil -artist, Felicitas Sartori of Venice.

320

2079. The songstress Mingoiti.
(40 a.)

2080. The singer, Domenico Annibali.
(40 a.)

2081. The painter, Louis Sylvestre.
(40 a.)

2082. Augustus III., King of Poland.
(40 a.)

2083. His son Frederick Christian, Elector of Saxony.
(40 a.)

2084. Maria Antonia Walpurgis, Princess of Bavaria,
(40 a.) Consort of the preceding.

2^85. Frederick Augustus the Just, King of Saxony,
(40 b.) as Electoral, prince at the age of ten months

2086. Cupid, sharpening a golden dart. ^ (III 14.)
(41 a.)

Maron (Theresia), sister of A. Baphael Mengs,

2087. Half-length portrait of the Artist.
(41 a.)

2088. Portrait of her sister, Julie Mengs.
(41 a.)

Liotard (Jean Etienne).

Born at Geneva, 1702; died there, 1779.

2089. Portrait of the Artist in the costume which he
(41 a.)| wore during his residence in Constantinople.

2090. Count Maurice of Saxony, Marshal of Fiance.

(41 a.)

1/^v.v-j hi ^

' 321

'^ 2091. The so-called **Viennu Chocolate -G-irV, named
'*' (41 a.) Baldauf.

2092. Portrait of Mademoiselle Lavergne, niece of the
(41a.) Artist; known by the name of "la telle Liofmaise"").

Obtained, together with No. 2089, through the Due *
de Richelieu in 1747.

Schmidt (Johann Heinrich).

Born in Hildburghausen, 1749; died at Dresden, 1829.

2093. Portrait of Her Royal Highness Princess Augusta
(40 b.) of Saxony, at the age of two years.

La Tour.

Lived in Paris about 1760.

2(^94. Maria Josepha, daughter of Augustus III., of
(4< ) a.) Poland, Dauphiness of France, mother of Louis XVI. ,
XVIIL, and Charles X.

2<>95. Count Maurice of Saxony. Marshal of France.
(40 a.)

Carriera (Rosalba), pupil of Cav. Diamantini and Nazari.
Born at Venice, 1676; died there. 1767.

2096. Frederick Christian of Saxony as Electoral Prince.
(40 c)

2097. Anna Amalia, Princess of Modena.
(40a.)

2098. A procurator of Venice in official dress.
(40a.)

2099. Maria Josepha, daughter of the Emperor Joseph I ,
(41a.) Consort of Augustus ill.. King of Poland.

*) On the back of this picture is inscribed in beautiful
writing, doubtless by the artist's own hand: lAseuse, En habit
de Paisanne Lionnaise, peinte par Liotard de Geneve, Sumamme
Le peintre Turc. a Lion 1746,

21

322

2100. Abbe Sartorius.
(4<)b.)

2101. Christian VI., King of Denmark.
(40 b.)

2102. Abbe Metastasio.

(41 a.)

2103. Louis XV., as Dauphin.
(40 b.)

2104. Duke Rinaldo of Modena.

(40 c.)

2105. Cardinal of York, from the House of Stuart.
(40 b.)

2106. Count Pietro Minelli.

(40 b.)

2107. Countess Camilla Minelli.
(41 a.)

2108. Countess Eecanati.
(40 b.)

2109. Countess Leopoldine von Sternberg.
(41b.)

2110. A noble Venetian ladj^ of the family Barbarigo.
(40 b.)

2111. Henriette, Princess of Modena.
(40b.)

2112. Anna Amalia Josepha, Princess of Modena.
(41 a.)

2113. The Empress Elisabeth, Consort of Charles VI.

(41a.)

2114. The Empress Amalia, Consort of Joseph I.
(41a.)

2115. Clemens Augustus. Elector of Cologne, Prince of
(40 c.) Bavaria.

323

21 16. Count de Villiers.
(40 c.)

2117. Portrait of Moceniga, n^ Comara.

(40 c.)

2118. Portrait of the the dancer Barberina, afterwards
(41c.) Cocceji.

21.19. Couutess Orselska, afterwards Duchess of Holstein.

(40b.)

2120. The Princess of Teschen , formerly Countess
(40 c.) Lubomirska.

2121. Portrait of the songstress Faustina Hasse, n^e
(41b.) Bordoni.

2122. A Tyrolean hostess.
(40 b.)

2123. Portrait of the painter Rosalba Carriera.

(41 b.)

2124. Portrait of an old lady.

(41 c.)

2125. 26, 27, 28. Europe, Asia, Africa and America,
(41 b.) represented by heads.

2129. Clio.
(41 c)

2 1 30. Watchfulness, a youthful figure with a cock.
(41c)

2131. Wisdom, as Minerva
(41b.)

2132. Justice, symbolized by the fasces.
(41b.)

2133. Temperance, represented by a girl pouring water
(41b.) from a tankard into a dish.

31*

324

2134. Truth , a serious woman with a glass in her
(41b.) hand.

2135. The Temporal, hand in hand with the Eternal.
(41b.)

2136. Love kissing Justice.

(41b.)

2137. Spring; a girl adorned with flowers of the season.

(41b.)

2138. Summer; ripe ears of grain in her light hair.
(41b.)

2139. Autumn; a bacchante holding in her hand a bunch
(41b.) of grapes.

2140. Winter; a girl warming her hands at a fire.
(41b.)

2141. 42, 43. The Fates, Clotho, Lachesis and Atropos;
(41b.) the first is spinning the thread of life; the second,

winding it up ; the third, ready to cut it asunder.

2144. Air; a girl with a bird.
(41 a.)

2145. Water; a girl holding fish over a dish.
(41 a.)

2146. Earth; with fruit.
,(41 a.)

2147. Fire. All four half-length figures.
(41a.)

2148. Victory.
(410.)

2149. Head of Christ.

(41 a.).

2150. Mary.
(40 b.)

325

2 J 51. A small picture of the Virgin with a white cloth

(40 c.) over the head. ,

2152. The Virgin, looking downwards, with her right
(40b.) hand on her breast.

2153. The same, holding a book in both hands.

(40 c.)

2154. Mater dolorosa.
(40 c.)

2155. Mary Magdalene.

(40 c.) Purchased in 1743, by Algarotti from the Art- dealer
Capretta in Venice for 32 ducats.

2156. The same with long, flowing hair.
(40 b.)

2157. The same, looking upwards.
(40 c.)

2158. The little John.
(41b.)

2159. The Virgin with blue vesture and yellow veil;
(40 b.) her left hand on her breast.

2160. The Saviour, blessing the world.
(40 c.)

2161. The same with long flowing hair.

(40 c.)

2162. St. Joseph with his blossoming staff.

(41 c.)

2163. A small picture of the Virgin.
(41b.)

2164. The Virgin looking downwards.
(40 c.)

study heads and tmknown portraits.

2165— iJ252. (88 pictures.)
(40 and 41.)

Btibert (Felicitaa), daughter of sculptor Tassaert in

2253. Visit of Mary to Elisabeth; copy after Rubens.
(40 c.)

2254. An old cook.
(40c.)J

Weller (David Friedrich).

Bom a,t Eirchberg, 1769; died in Dresden, 1778.

2255. A basket with flowers and fruit
(40a.)

Caff^ (Daniel).

Bom at Cflstrin. 1760; died in Dresden, 1815.

2256. Portrait of the drawing-maater Dietz of the Leip-
(41a.) sic Academy.

Presented in 1855, by J. Chr. Bichter, manufacturer
of colours in Dresden.

End of the Paatil Pictures.

or Dietricy (Christian Wilh. Ernst), scholar

of Alexander Thiele.

Bom at Weimar Sept. 30, 1712; died in Dresden,
iril 24, 1774. Appointed painter to the Court of
Lgnst 111,, June 2, 1741, with a yearly^ salary uf
V Thlr.j under the obligation of furnishing four
binet pictures annually.

327

2257. A shepherd in the lap of a shepherdess. On canvas,
(42a.) 0,84 h., 1,07 w.

Signed: Dietricy fe. 1739.

2258. Arcadian pastoral-life. On canvas, 0,53 h., 0,72 w.
(42b,) Signed: Dietricy Pinx. A^ 1740.

2259. Companion picture. On canvas, preceding size.
(42b.) Signed: C. W. E. Dietricy Pinx. A^ 1740.

2260. Simeon, holding the Infant Christ in his arms.
(42 a.) On wood, 0,55 h., 0,83 w.

Signed: Dietricy A^ 1740.

2261. Portrait of a man in brown clothes and dark cap.
(42 a.) On wood, 0,33 h., 0,25 w.

Signed: Dietricy fecit A^ 1740.

2262. Shepherds and shepherdesses. On copper, 0,45 h.,
(42 a.) 0,67 w. ^ (III 22.)

Signed: Dietricy Pinx. A^ 1740.

2263. Head of an old woman. On wood, 0,32 h., 0,24 w.
(42 c.) Signed: Dietricy. Pinx. 1740.

2264. The raising of Lazarus. On canvas, 0,89 h., 0,78 w.
(42 c.) Signed: Dietricy Pinx. 1742.

2265. A Holy Family. On wood, 0,44 h., 0,33 w.
(42 b.) Signed: Dietricy Pinx. A^ 1746.

2266. A Dutch village, near the water. On canvas,
(42 a.) 0,65 h., 0,84 w.

Signed: Dietricy fecit 1748.

2267. Christ on the Cross. On canvas, 0,86 h,, 1,09 w.
(42 a.) Signed: Dietricy 1754.

2268. Rocky landscape, with nymphs bathing. On can-
(42 b.) • vas, 0,72 h., 1,03 w.

328

2269. Mercury, about to kill the sleeping Argus. On
(42 b.) canvas," 0,72 h., 1,04 w.

Signed: Dietricy 1754.

2270. Thetis, giving Achilles the weapons, forged by
(42 b.) Vulcan. On canvas, 0,76 h., 0,63 w.

Signed: D. 1766. From the reserved. pictures in 1855.

2271. Christ, healing the sick. On canvas, 0,55 h., 0,74 -w,
(42a.> Signed: Dietricy.

2272. Nymphs, about to put on their vesture after bathing.
(42 c.) On wood, 0,29 h., 0,39 w.

Signed: Dietricy.

2273. Venus as shepherdess with Cupid. On wood, 0,38 h.,

(42 C.) 0,30 w.

Signed: Dietricy. From the reserved pictures m 185^.

2274. Bathing shepherdesses and cattle in Poelenburg's
(42 b.) style. On wood, 0,29 h., 0,42 w.

Signed : Dietricy. From the reserved pictures in 1856.

227o. A landscape with cattle in Berghem's style. On
(42 b.) canvas, 0,35 h., 0,48 w.

From the reserved pictures in 1861.

2276. Portrait of an old man in profile, with a white
(42 c.) head -covering. On wood, 0,20 h., 0,16 w.

Signed: Rembrandt 1636.

2277. Portrait of a man in brown clothes and a dark
(42 c.) cap. On wood, preceding size.

Signed: Rembr. . . .

2278. Portrait of an old woman, said to be Dietrich's
(42 a.) mother. On wood, 0,48 h., 0,'37 w.

2279. Portrait of a man with gray beard and a white
(42 c.) cap. On wood, 0,33 k, 0,24 w.

329

2280. Shepherdesses, after bathing. On wood, 0,29 h.,
(42 c.) 0,39 w.

2281. The Nativity. On wood, 0,74 h., 0,93 w.

(42 a.)

2282. Shepherdesses with their little flock. On canvas,
(42 c.) 0,55 h., 0,74 w.

2283. Companion picture. On canvas, 0,55 h., 0,73 w.

(42 c.)

2284. A woman with her child and a boy, blowing soap>
(42 c.) bubbles. On wood, 0,29 h., 0,21 w.

2285. The Marriage at Cana. On wood, 0,20 h., 0,27 w.

(42 b.)

2286. A pastoral scene in Watteau's style. On wood,
(42 c.) 0,45 h., 0,36 w.

2287. Similar subject. On wood, 0,45 h., 0,33 w.

(42 c.)

2288. Diana and Callisto. On canvas, 0,53 h., 0,69 w.

^42 a.) xhis is said to be the picture, which the artist, when
18 years old, painted in two hours, in the presence of
King Augustus II. in the Royal apartments, and in
consequence he received an annual sum for travelling
and his further education. According to von Heine-
ken's **Neuen Nachrickten S. 12" it was for a small
picture in Poelenburg's stvle and another in that of
Ostade, which is more probable.

2289. The Holy Family. On canvas, 0,68 h , 0,52 w.

(42 c.)

2290. Belisarius as a beggar. On canvas, 0,87 h., 0,72 w.

(42 c.)

2291. The prior of a Carthusian monastery, scrutinizing
(43 b.) the credentials of travelling Franciscan monks.

On canvas, 0,62 h., 0,78 w.

330

2292. An old Capuchin monk, teasing a sleeping young-
(43 b.) Carthusian. On canvas, 0,62 h., 0,77 w.

2293. The Adoration of the Magi. On canvafe, 0,87 h.,
(42 c.) 1^15 w.

2294. A wounded soldier, carried from the battle-field;
(39 b.) a Capuchin monk at his side. On canvas, 1,42 h.^

2,09 w.

2295. Cavalry on the march. On canvas, preceding size.
(39 a.)

2296. The Holy Family on their Flight into Egypt, by
(42 c.) night. On wood, 0,215 h., 0,15 w.

2297. The prodigal son at his father's feet. On canvas,
(42 b.) 0,41 h., 0,52 w.

2298. Simeon with the Infant Christ in his arms ; Mary
(42 b.) and Joseph, kneeling near. On wood, 0,39 h., 0,56 w.

2299. A road on a hill-side, on which stands a cottage.
(4ic.) On canvas, 0,35 h., 0,41 w.

2300. A mountain -road over a pass. On canvas, 0,35 h.,
(42 c.) 0,42 w.

2301. Eepose on the Flight to Egypt. On canvas, 0,62 h.,

(42 c.) 0,49 w. I

2302. An old man with white beard and low, broad
(42a.) hat, with his hands folded. On wood, 0,33 h., ,

0,25 w. I

Signed: Dietricy Pinx. 1

2303. A head with curly hair and beard. On wood,
(42 c.) 0,21 h., 0,17 w.

Signed; Rembrandt f. 1638.

2304. The Annunciation to the Shepherds. On canvas,
(43 a.), 0,82 h., 1,29 w.

331

2305. The Adoration of the Shepherds. On canvaSj
(42 c.) 0,82 h., 1 ,28 w.

ly

2306. A copy of Correggio^s Magdalen. On copper, ori-
(42 c.) ginal size.

2307. A pastoral scene in Watteau's style. On wood,
(43 b.) 0,39 h., 0.29 w.

2308. Companion picture with masks. On wood, prece-
(43 b.) ding size.

2309. The powder explosion in the Jungfern - or Venus-
(42 b.) Bastion in 1747*). On wood, 0,26 h., 0,34 w.

Nob. 2307—2309 from the reserved pictures in 1856.

2309 a. Heroic landscape in the style of Salvator Rosa.
(35 b.) On canvas, 0,62 h., 0,98 w.

Acquired in 1863 by bequest of City-counsellor Axt,
deceased in this city.

Eemark. Of the 64 pictures by this artist, those
furnished with dates comprise a period of 27 years
(1739-1766).

Canale (Antonio), uncle and teacher of Bernardo JbelottOf

surnamed Candletto.
yt Born at Venice, 1691; died there, 1768.

2310. The Grand Canal of Venice from the St. Angelo
1(43 a.) Theatre to the Eialto. On canvas, 1,45 h., 2,35 w.

2311. View of the opposite side of the Grand Canal of
(48c.) Venice, the Church St. Maria della Salute, and

the Dogana di Mare. On canvas, 0,65 h., 0,99 w.

*) This part of the former fortifications, built under Christian I.
contamed the laboratory, in which B5ttcher pursued his labours
in the perfection of porcelain from 1707 to 1710, and stood on
tiie site of the present Belvedere on the Briihl Terrace.

332

/ 2312. The Square before the Church S. Giacomo di Rialto
V (44 b.) in Venice. On canvas, 0,97 h., 1,18 w.

Vf
2313. Piazza and Church of St. Mark, the Campanile
(44 b.) and the Palaces Procuratie Vecchie and Nuove.
On canvas, 0,96 h., 1,17 w.

y 2314. The Piazzetta of St. Mark. On canvas, 0,57 h.,

(44 c.) 0,98 w.
/

\| 2315. View of the Grand Canal in Venice. On canvas,

^ (44a.) 0,66 h., 0,98 w.

B^lotto (Bernardo), surnamed Canaletto.

Born in Venice about 1720; died in Warsaw, Oct. 17,
1780. Member of the Art Academy in Dresden, 1746.
Painter to the Court of Augustus HI.

2316. View of a sluice and an inn, „il Dolo" on the way
(43a.) from Padua to Venice. On canvas, 1,32 h., 2,32 w.

Signed: BERNARDO BE LOTTO DETO CANA-
LETTO FE. ANNO 1748.

2317. View of Verona and the Castel S. Pietro. On
(43 b.) canvas, 1,33 h., 2,40 w.

7

\J 2318.

Ponte della nave at Verona. On canvas, 1,32 h.,
(43 b.) 2,40 w.

2319. Scuola di S. Marco and the Church S. Giovanni
(44 b.) e Paolo in Venice; before it, the statue of Bar-

tolomeo Colleone. On canvas, 1,26 h., 1,66 w.
Taken from the Briihl Terrace in 1865.

2320. View of the stair-case and colonnade of the Saxon
(42 b.) Palace in Warsaw. On canvas, 1,03 h., 1,46 w.

Painted for a superporta and let into the wainti-
coting. Taken from the reserved pictures in 1866.

/ 333

2321, Similar subject. On canvas, preceding size,
i^ot).) As above-

'\/2322.

Similar subject. On canvas, preceding size.
(46 a.) As above.

2323. Minerva; at her side, a Polish nobleman; super-
(42 b.) porta from the Palace at Warsaw. Figures by

Torelli. (?^ On canvas, 1,09 h, 1,55 w.
Taken from the reserved pictures in 1860.

2324. A man with a beard, in old Polish costume; at
(42 b.) his side, a young man in armour. As above.

On canvas, preceding size.
As above.

Same Artist,

Views of Dresden.

Originally, mostly painted for Count Brtihl in the vears
1747—1758, (-200 Thlr. for each picture.) After the death of the
Count, they were purchased by the Saxon Court. The figures
are by Stefano Torelli, born at Bologna, Sept. 24, 1712; died
at St. Petersburg, 1784. In 1741, he was appointed painter to
King Augustus III., with a monthly salary of 20 Thlr. The
whole painted on canvas.

2325. View of Dresden from Count . Hofmannsegg's
' \j45c.) house in Neustadt. 1,31 h., 2,36 w.

Signed: BERNARDO! BELOTO DETTO CANA-
LETO P. ANNO 1747. IN DRESDA.

V-X2326. View of the bridge over the Elbe and a part of
(46 a.) AJtstadt, taken from the garden of the Japanese
Palace. 1,33 h., 2,34 w.

Signed: BERNARDO BELLOTTO DETTO CANA-
LETTO F. ANl^ 1748.

2327. View of a part of the former fortifications with

(46 a.) the sally-port, the Catholic Church, the last piers

of the bridge, the Block House and the south-

334

western part of Neustadt, taken from the nieado"w,
formerly contiguous to the Eojal stables. Pre-
ceding size.

Signed: Bernardo Belloto Detto Canaletto F. Anno
1748.

t 2328. View of the Neumarkt with the former Chief-
\ (46 a.) Guard - House , taken from the Judenhof . The
accessories exhibit the brilliant equipage of Au-
gustus III. and his numerous suite. 1749. 1,33 h.,
2,36 w.

Furnished in July 1751 by Canaletto himself to the

Gallery.

V 2329. View of the former Wilsdruff Gate bridge, with
(45 b.) the fortifications and a part of the suburbs.
Painted in 1750. 1,31 h., 2,36 w.
Furnished in Feb. 1751 to the Gallery by Canaletto.

\

5
t

\

^

2330. View of Neustadt, taken from the end of the
(45 bO bridge. 1750. 1,33 h., 2,34 w.

Furnished in Feb. 1751 to the Gallery by Canaletto.

2331. View of the Neumarkt from, the Moritzstrasse. 1750.
;(46a.) Preceding size,

2332. View of the Old Market in Altstadt- Dresden.
(46 c.) Afternoon. 1751. 1,38 h., 2,40 w.

Furnished to the Gallery by Canaletto himself in
1751.

\ 2333. View of the Old Market from the corner of the
(46 c.) Seestrasse. Companion picture to the preceding;
of the same year. 1,35 h., 2,41 w.

Furnished to the Gallery by Canaletto himself in
1751.

2334. View of the Kreuzkirche before the Prussian bom-
(46 b.) bardment of Dresden in 1760. 1,94 h., 1,85 w.
Afternoon. Painted in 1757.

V

y^ 335

l3^5. View of the interior of the Zwinger, taken from
■^45 b.) the terrace , near the western middle pavilion.
1758. 1,33 h., 2,38 w.

2336. View of the Kreuzkirche after the Prussian bom-
(42 a.) bardment and before the fall of the part of the
tower , that remained standing , which occurred
June 22, 1675. The corner-stone of the new
church was laid, July 16, 1674, and the foun-
dation walls are already to be seen in the pic-
ture. On the right is seen the Eutowski Palace,
destroyed by fire in 1787. 0,80 h., 1,11 w.
* (IV. 1.)

Signed : BERNARDO BELOTO DETO CANALETTO.
The last of this series of Canaletto's pigtures, purcha-
sed of the artist, who had become reduced in circum-
stances, in 1764, by the Administrator Prince Xaver,
on the proposal of Geh. R. von Hagedom. Price,
200 Thlr.

. 2337. The bridge, the Catholic Church and the Brtlhl Ter-
<^2 c.) race, taken from Neustadt. 0,99 h., 1 ,3o w.

,f ,... ' Signed: BERNARDO BELOTTO DETO CANALETTO.

V ' .' ' Taken from the reserved pictures in 1855.

/ 2338. Altstadt, taken from the garden of the Japanese
(44 Jx) Palace. 0,95 h., 1,64 w.

2339. Altstadt, taken from the Pontonschuppen. Com-
(44 b.) panion picture. Preceding size.

jr 2340. View of the Square, between the Royal Palace and

(45c.) the Elbe-bridge, with the Catholic Church, the

Palace-tower, the Greorgenthor and the first piers

^ ' of the bridge , taken from the Briihl Terrace.

r' 1,31 h., 2,33 w.

V 2341. View of a part of the Zwinger- wall and the
(45 b.) former Zwinger-bridge. In the back-ground , the

former Wilsdruff Gate and fortifications. 1,31 h.,
2,34 w.

336
V 23^

x/'

2342. View of the Neumarkt with the Frauenkirche
(46 b.) and a view into the Rampesche Strasse. 1757.

1,94 h., 1,86 w.

Same Artist.

Views of Pima and its Neighbourhood.

2343. South-eastern view of Pirna with Sonnenstein,
(45 a.) taken from the village of Posta on the right

^ bank of the Elbe. 1,37 h., 2,39 w.

2344. Same view, taken from a more distant point on
(43c.) a height, behind the village of Posta, 1,37 h.,

2,38 w.

2345. The southern buildings of Sonnenstein v^ith a part
(44a.) of the town of Pirna and the Elbe, and the vil-
lage of Kopitz. 1,30 h., 2,33 w. ^ (IV. '3.)

2346. View of the Dohna Gate of Pirna and the western
(45 a.) side of Sonnenstein, seen from the corner of the
Breitegasse. Evening. 1,33 h., 2,34 w.

\ 2347. View into the Breitegasse and the Dohna Gate
(43 c.) of Pirna, taken from the inn '^Weisses Ross" and
the milestone 1752. 1,34 h., 2,39 w.

\_. 2348. View of the Market-place of Pirna with a view
(44 a.) of the Kirch- and Schlossgasse, and Sonnenstein.
1,33 h., 2,38 w.

2349. View of the Upper Gate of Pirna and the south-
(45a.) western part of the fortress of Sonnenstein with
the walls which connected it with the town.
\ / 1,30 h., 2,34 w. 4^ (IV. 4.)

> 2350. View of the fortress of Sonnenstein from the side
(46 a.) of the eastern tower, with a prospect over the
roofs of Pirna. 2,05 h., 3,34 w.

\^

337

\ /2351. View of the north-western tower of the fortress

'.y ^45 a.) of SoDnenstein and the bastion before it, with a

prospect over the town, the Elbe, and the village

of Kopitz on the opposite bank. 1,33 h., 2,37 w.

V^.^n

4

2352. View of the northern aide of Sonnenstein and the
(44 c.) shipping suburb of Pima, seen from the left bank

of the Elbe. 1,37 h., 2,39 w.

2353. View of the north-western part of Pima and
(44 c.) Sonnenstein taken from the right bank of the Elbe

near Kopitz. 1,34 h., 2,36 w.

No8. 2343-2358 painted during the period 1763 —
1755,

Collection of Miniatures.

2354. A number of miniature copies and portraits.
(45 a) Xjxiong the former the most remarkable are:

The so-called ''Day" by Correggio, copied by
Therese Meugs.

The **Night" by Correggio, copied by the same

artist.

'*St. George" by Correggio, copied by Felicitas
Hofmann, nee Sartori.

The '^Penitent Magdalen" by Ismael Meiigs.

The same by Raphael Mengs.

The "Holy Family" by Raphael, painted for
Lionello da Carpi, copied by Sophie Priedr. Ding-
linger. (Original in Naples.)

22

\

338

Among the miniature likenesses, there is a collection

of 49 portraits of celebrated sovereigns, mostly copies,

presented to the Gallery by the Privy Counsellor v. Preuss.

Also a miniature of the singer Sassaroli, presented in

1866, by FrSul. Haase.

All these miniatures are exhibited in a cabinet la
the corner room of the Canaletto Collection , which is
opened on the first Tuesday of every month.

Supplement

(Dutch School.)

Cuyp (Albert), pupil of his father Jakoh G-errits,
Bom at Dortrecht, 1605; died in Nov. 1691.

2355. A gentleman and lady on horseback, accompanied
(18 c.) by dogs ; in the middle - ground, a huntsman
leading two grey -hounds; farther back, two gen-
tlemen on horseback. On canvas, 1,16 h., J, 70 w.

Signed : A. Cuyp Purchased in 1872, in Bruges, by
His Excellency Freiherr von Friesen, Minister of State ;
price, 10,000 Francs.

Wouverman (Philips) see page 19^.

2556. A skirmish. Two horsemen firing pistols at each
(19 b.) other; in the background, a trumpeter and cavalry
with foot soldiers. On wood, 0,38 h., 0,31 w.
Signed with the monogram.

Querfarth (August) see page 294.

2357. A page holding a dappled horse; at his side, the
(27 b.) rider with a dog. On copper, 0,21 h., 0,26 w.
Jjigned : A. Querfurth.

339

2358. A rider on a white horse; near by, sits another
(51b.) on a basket, embracing a girl; on one side, a

tent. On wood, 0,23 h., 0,33 w.
Signed: A. Q.

2359. A rider on a white horse, holding a falcon ; near
(61 b.) by, a man in a red coat and two dogs. On wood,

0,22 h., 0,33 w.
Signed: A. Qu. f.

After Bubens.

2360. St. Cecilia playing on the organ; at her side,
(J 2.) two angels singing. On wood, 1,22 h., 0,93 w.

•■ »)4^

Index.

A.

Page

Abbate, Nicolo dell' . . 29
Achtschellings, Lucas . .118
Aelst, Evert van . , . .176
Aelst, Willem van . . .176
Aemskerk, see Hecke.
Agricola, Christian Ludwig 29 1
Albano, Francesco ... 70
Alessandrino, s. Magnasco.
AUegri , Antonio named
Correggio 26

— School of 27

— Copies after .... 27
Amberger, Christoph . . 279
Amerighi, Michel Angelo,

named da Caravaggio . 30
Angelo, Michel, s. Buona-

rotti.
Apshoven, Thomas van . 151
Arpino, d', see Cesari.
Arthois, Jacob van . . . 146
Asselyn, Jan, named Cra-

batje 19ii

Assen, Walther von . . 275
Ast, Bartholomaus van der 177
Avercamp, Hendrik van,

named de Stomme^van

Campen . . .• . . 136

B. Page

Bacchiacca, see Ubertino.
Backer, Jacob, von Har-

lingen 184

Baehr, Carl Johann . . 806
Baen, Jan de . . . . . 221
Bagnacavallo, s. Ramenghi.
Bakereel, Willem . . .215
Bakhuysen, also Bakhuis,

Ludolph 221

Balen, Hendrik van . 108. 113
Bamboccio, see Laar, Pieter

van.
Barbarelli, Giorgio, named

Giorgione . . . . . 37
BarbanSjGiacopo di, named

Jacob Walch or Walsch 275
Barbieri, Francesco, named

Guercino 72

— Copy after ..... 74

— School of 74

Baroccio, Federigo ... 17
Bassano, see Ponte.
Battaglie, see Cerquozzi.
Battoni, Pompejo Girolamo 22
Beerstraten, J. van . . . 262
Bega, Cornells .... 209
Begeyn, Abraham . . . 209

342

Page
Belotto, Bernardo, named

Canaletto . . . 332—337
Bellini, Gentile .... 35
Bellini, Giovanni .... 35
Bellucci, Antonio ... 55
Bembi, Bonifazio ... 43
Bemmel, Willem .... 284
Berckheyde , Gerard or

Gerrit ....... 236

Berckheyde or Berk-Heyde,

Job 236

Bergen Dirk (Thierry), van 238
Berchera, Berghem or Be-

righem, Claes Pietersen 212
Berettini, Pietro, named

Pietro da Cortona . . 19
Berettoni, Nicolo ... 21
Bertin, Nicolas .... 97
Beyeren, Albert van . . 260

Bigio, Francia 10

Biscaino, Bartolomeo . . 80
Bles, Herri Met de, named

Civetta 102

Bloemaert, Abraham . .114
Bloemaert, Hendrik . . .114
Bloemen,Pietervan, named

Standart ..... 153
Bloemen, JohannFranz van,

named Orizonte . . .154
Bol, Ferdinand .... 189

— School of 189

Bolognese School ... 63
Boom, A. van, or Verboom 219
Boonen, Arnold van . . 253
Bordone, Paris .... 43
Borgognone, Ambrogio 25

Both, Jan . . . . .189

Botticelli, see Filipepi.
Boudewyns, Anton Frans 155
Bourguignon, see Courtois.
Bout, Pieter . . . 155. 164
Brakenburg, Regnier . . 243
Bramer, Leonhard . . . 165
Brandi, Giacinto .... 20

Page

Braun (Brun), Augustin . 280

Bray, Jan de 220

Bray, Salomon de . . .161
Breydel, Franz . . . .157
Bredael, Jan Frans van . 259
Breenbergh, Bartholomaus 210
Breklenkamp, Quirin . . 249
Bril, Matthaus . . . .Ill

— Paul ....... 112

Briseghella, see Eismann.

Broers, J 242

Bronzino, Angelo . . 11

Brouwer, Adriaen . . . 179
Brueghel, Pieter, der Vater 103

— Pieter, named Holl-
Brueghel 103

— Jan, named Velvet-
Brueghel .... 104—108

Brun, Charles le . . . 95

Brun, see Braun.
Buonacorsi, Pietro, named

Perino del Vaga ... 17
Buonarotti, Michel Angelo,

after 9

— School of 9

— Copy after 9

Buouconsiglio, Giov., nam.

Marescalco 35

Buoninsegna, Duccio di 4

Buonvicino, AUessandro,
named il Moretto da

Brescia 42

Burgkmair, Hans . . . 266
Byzantine School ... 2

C.

Caff^, Daniel . . . . .326
Oagnacci, see Canlasei.
Cairo, Francesco .... 31
Calabrese, see Preti.
Caldara,liPolidoro, named
da Caravaggio .... 16'

343

Page
Caliari, Carletto .... 50

— Paolo, named Veronese 48

— School of 51

— Copy after 51

Callot, Jacques ... 93

Calvaert, Dionysius . . 14
Camphuysen, DirkRafaelsz 191
Campagnola, Domenico . 43
Canale, Antonio . . . .331
Canaletto, see Belotto.
Canlassi, Guido, named

Cagnacci 74

Cano, Alonso 90

CaDtaiini, Simone named

da Pesaro, or il Pesarese 74
Caravaggio, see Amerigki

and Caldara
Carducho or Carducci, Vin-

cenzio 86

Carlevatis, Luca, da Casa

Zenobio 58

Carlotto, see Loth.
Carpi, Girolamo . . . .28
Carpione, liiulio .... 54
Carracci, Lodovico ... 65

— Annibale 65

— School of . ... 66
Carriera, Rosaiba . . .321
Carus, Carl Gustav, Dr. . 308
Castiglione, Giovanni Bene-
detto 79

— Francesco 80

Catena, Vincenzo ... 35
Celesti, Andrea .... 55
Cerquozzi, Michel Angelo,

named Delle Battaglie . 20
Cesari, Giuseppe, named il

Cavaliere d'Arpino . . 18
Ceulen, Cornelia Jonson van 180
Chiari, Giuseppe .... 22
Ciccio, TAbbate, see Soli-

mena.
Choulant, Theodor ... 317
Cignani, Carlo .... 75

Page

Cima , Giovanni Battista

Da Conegliano ... 36
Cittadini, Pietro Francesco,

named Milanese ... 31
Civetta, see Bles.
Collection of Miniatures . 336
Conca, Bastiano .... 84
Coques, or Cocx, (Gonzales 148
Cornqlis (Cornelius^, named

Cornelius von Harlem . 159
Correa, Diego . . . . . 85
Correggio, see Allegri.
Cortona, Pietro da, see

Berettini.
Courtois, Jacques, named

Bourguignon .... 96

— Guillaume ..... 96
Crabatje, see Asselyn.
Cranach, Lucas, the Elder

266-270

— Lucas, the Younger .271

— School of . . , . . 272
Credi, Lorenzo di . . . 8
Crespi , Giuseppe Maria,

named lo Spagnolo di

Hologna 75

Crivelli ....... 34

Croce, Girolamo da Santa 36
Cuyp, Albert 338

D.

Dahl, Johann Christian

Claussen 306

— Johannes Siegwald . .314
Danedi, Giuseppe, named

Montalti 70

Dapper, see Tamm.
Dathan Georg .... 297
Denner, Balthasar . . . 291
Deuren, 0. van . . . .241
Diamantini, Giovanni Giu-
seppe, il Cavaliere . . 60

344

Page

DiepeDbeck, Abraham van 136

Dietrich, or Dietricy, Chri-
stian Wilh. Ernst 326—381

Dinglinger, Sophie Fried. 830

Distelblum, see Fiore.

Divino, el, see Morales.

Diziani, Gasparo . . . . 57

Doerr, Otto Ericn Friedr.
Aug 305

Dolci, Carlo 13

— School of, probably
Agjnese Dolci .... 13

Dominichino, see Zampieri.

Dorste, see Drost.

Dossi, Dosso 23

— School of 24

Dov, Gerhard . . . 166—169
Drost or Dorste, J. van . 198
Due, or Ducq, Jan le . . 225

Due, A. le 225

Dilrer, Albrecht . . . .263

— after 264

— School of . . . 265. 273
Dughet, Caspar, named

Poussin 94

— in the style of . . . 95
Dusart, Cornelis .... 263

Dutch School 159

Dyck, Antonie van . 142—144
■'- after 1-14

£•

Early Flemish and Ger-
man Schools .... 260

Eeckhout, Gerbrandt van
den 210

Eismann, Carl, named Bri-
seghella 59

Eismann, or Lismann, Joh.
Anton 295

Elliger, Ottmar .... 151

Elst, Pieter van .... 170

Pago

Elsheimer, Adam . . .281
Escalante de Se villa, named

Juan de Sevilia . . . 91
Espinoso, Jac. Jeronimo de 89
Everdingen, Aldert, or

Allart von 211

Everdingen, Cesar van. .211
Eyck, Johann van . . . 260
- School of 261

Faber, Joh. Theodor Euse-

bius 303

Facini, Pietro .... "67
Faistenberger, Anton . .291
Falens, Carl van .... 158
Fassolo, Giovanni Antonio 51
Pattore, see Penni.
Fa presto, see Giordano.
Fehling, Heinr. Christoph 285
Ferabosco, Girolamo . . 55
Ferg, Franz de Paula . . 293
Ferrarese and Lombard

Schools 23

Feti, Domenico . . . , 18
Ficherelli, Felice, named

Felice Riposo .... 12
Fiebiger, Julius .... 314
Fiesole, Fra Beato Giovanni

da. School of ... . 5
Filipepi, Sandro, named

Botticelli 6

Fiore, Carlo di, named

Distelblum 21

Flemal, Bartholet ... 146
Flemish School .... 102
Flinck, Govaert .... 196
Florentine School ... 3
Floris, see Vriendt.
Fontana, Prospero ... 63
Fontana, T^avinia ... 64
Franoeschini, Marco Anto-
nio ........ 75

345

Page
Francia, see Raibolini.
Francoys, Pieter . .... 239
Francken, Franz, named
the Elder 115

— Ambrosius . . . 108. 115

— Hieronymus . . . .116

— Johann B . 125

— Sebastian 116

Franz-Dreber, CarlHeinrich iilO
French School ... 92. 101
Friedrich, Caspar David . 301

— Caroline Friederike . 301
Furino, Francesco . . . 12
Fyt, Jan 150

0.

Gabbiani, Antonio ... 22
Gartner, Heinrich Johann 317
Garbo, Raifaelino del, also

named R. Karli ... 8
Garofalo, see Tisio.

Gassel, Lucas 102

Gaubert, Pierre . . . .100
Gelder, Arent de . . . . 240
Gelee , or Gillie, Claude,

named le Lorrain . . 93

— Copy after 94

Gennan, Benedetto . . .75
Genovese, il Prete, s.Strozzi.
Genoese und Neapolitan

Schools 77

Georgi, Friedrich Otto .317
Gerard, Francesco . . .101
German School .... 260
Gessi, Francesco . . .69. 72

Gheringh, Joh 153

Ghirlandajo, Domenico . 7
Ghislandi, Victor .... 33
Ghisolfi, Giovanni ... 32
Gilio, Luca di, or Egidio

Signorelli, named Luca

da Cortona 5

Page

Gimignano, Vincenzo Ta-

magni da San .... 16
Giordano, Luca, named Fa

presto ...... 81

Gior^one, s. Barbarelli.
Giottino. see Stefano.
Giotto, School of ... 3
Giovine, Palma, s. Palma,

Jacopo.
Glauber, Jan . . . . .241
Gliemann, Philipp Albert 305
Goijen, Jan van .... 166
Golzius, Hubertus . . . 102
Gossaert, Jan, named Jan

van Mabuse 274

Graff, Anton 299

Grandi, Ercole .... 25
Grassi, Joseph .... 300
Grebber, Pieter de . . .174
Griffier, Jan ... 245—247
Grimoux, Jean . . . .100
Grosse, Franz Theodor ..311

GrSger 304

Guercino, see Barbieri
Gysels (Gyzens or Geysels),

Pieter 110

H.

222
235
311
282
1.35
de 290

Hackert, Jan . . .
Haensbergen, Jan van
Hahn, Carl Wilhdm
Haider, Christoph .
Hals, Franz . . .
Hamilton, John George
Hammer, Edmund Guido 314
Harlem, Cornelis van, see

Cornelis.
Hauschild, Max . . *. . 309
Hecke, Nicolas van der,
named Hemskerk, also
Aemskerk, Martin . . 243
Heem, Jan Davidze de 169 — 171
— Jan de 171

346

Page

Heem, Cornells de . . .171
Heemskerk, see Veen.

Heinz, Joseph 281

Heiss, Johann, von Mena-

mingen 288

Heist, Bartholomaus van der .174
Hemskerk, see Hecke.
HeiTera, Francisco, de, el

Viejo ......

Heusch, Gabriel de .
Heyden, Jan van der .
Hoet, Gerard ....

HoFmann, Felicitas . .
Hofmann, Johann Michael

Heinrich

Holbein, Hans, the Younger 276
— Copie after ...
Hondt, Abraham . .
Hondecoeter, Melchior
Honthorst, Gerhard van
Horemans, Jan . . .
Huchtenburg, Jan van
Hiibner, Rudolph Julius

Henno ... . .
Hutin, Charles . . .
Huysmans, Eomelis, named

de Malines ....
Huysum, Jan van . .

86
128
229
242
337

317

277
155
224
164
158
241

309
100

1.55
258

J.

Jacobsen, Juriaen . . .148
Jacobsz, Lucas, named Ley-
den, Lucas van . . . 275

Jager, G 307

Jardin, Karel du . . . ,221
Joanes Juan de, see Vi-
cente.
Jong, Lieve de . . . .175
Jordaens, or Joerdaens,

Hans 109

Jordaens, Jaques . . . .138

K.

Pagfo

220

Kalf, Willem .
Karli, K., see Garbo.
Kauffmann, Angelica . . 300
Kern, Anton, or K5me . 298
Kessel, Jan van . . . .150
Kerrincx, Alexander . . 226
Klengftl, Joh. Christian . 301
Klomp, Aelbert .... 258
Knupfer, Nicolaus . . . 282
Konincx, Salomon . . . 197

Konig, Niklas 282

K6me, see Kern.
Kriiffer, Joh. Heinr. Carl 314
Krodel, Mathias .... 273
Kummer, Carl Robert . .311
Kupetzky, Johann . . .291
Kiigelgen, Gerhard von . 302

L,

Laar, Pieter van, named

Bamboccio 194

Lairesse, Gerard de . . 233
Lancret, Nicolas .... 99
Lanfranco , il Cavaliere

Giovanni di Stefano 31

Langhetti, Giovanni Bat-

tista 83

Lanzani, Polidoro, named

Polidoro di Venezia . . 44
Largilli^re, Nicolas de . 97
Lasch, Johann Carl . . .315
Leermanns, Pieter . . . 254

Lelienbergh, C 251

Leonardo da Vinci ... 7

- School of 8

Leonhardi, August Eduard 315
Ley den, see Jacobsz.
Leypold, Carl Julius von . 312
Liberi, Pietro ..... 63

347

Pag«

Licenciado, el, s. Roelaa,

Juan de las.
Licini, BernardiDO ... 42

Lier, Adolph 316

Li evens, (Lyvius), Jan . .179
Limborg, Heinrich van . 258
Lin, Hans van, named S til-
held or Stilheid . . 157
Lingelbach, Johann . . . 284
Liotard, Jean Etienne . 320
Lippi, Filippino .... 8
Lismann, see Eismann.
Lombard School 23.31.32.33.34

Longhi, Liica 63

Loon, Pieter van . . .166

Looten, Jacob 220

Lorenzetti 4

Lorrain, le, see Gel^e.
Loth, Carl, or Carlo tto . 286
Lucchese, see Ricchi.
Lunders, Gerrits .... 244
Lnti, Benedetto . . , . 13
Lys, Jan, named Pan . .160

M.

Mabuse, Jan van, see Gos-

saert.
Magnasco , Allessandro,

named AUessandrino . 33
Malines, de, s. Huysmans.
Mans, F. H. .._... 256
Maratti, Carlo ..... 21

— School of 21

Marcone, Rocco .... 41
Marescalco, Giovanni, see

Buonconsiglio.

— Pietro, named la Spada

or lo Spado 48

Marienhof, A 151

Marinus de Zeeuw or Seen
or Mai'inus van Romers-
wale 263

Maron, Theresia .... 320
Marseus, orMarcellis, Otho,
van Schrick , named

Snuffelaer 193

Matthisen, Abraham . .174
Massy 8, Quintin, s. Messys. 2h2
Matthai, Friedrich . . . 302
Mazzuoli , Francesco, named
Parmegianino or Parme-
sano ^.28

— School of ..... 29
Mazzuoli, Girolamo . . . V9
Meer, Jan van der . . .217

— Jan van der, named de
Jonge 217

Meiren, van der .... 244
Memlinc, Hans .... 262
Memmi, Lippo .... 4
Mengs , Anton Raphael

15. 298. 319

— Ismael ...... 294

— Therese 337

Messys, Quintin, or Massys,

Quinten 262

Met«u, Gabriel 195

Meulen, Franz van der . 152

— Copy after 152

Meytens, Martin van . . 294

Miel, Jan 145

Mierevelt or Mireveld,

Michiel Jansz . . . .160

— Pieter 161

Mieris, Frans van . 222—224

— Willem van ... 250
Migliori, Francesco . . . 59
Mignon or Minjon, Abra-
ham 226

Milanese, see Cittadini.
Millet, Francisque . . . 239
Minderhout, Henry van . 155
Mirandolese, s. Paltronieri.
Moller, Andreas .... 297
Mola, Pietro, Francesco . 74
Molanus, M 152

348

Page

Molenaer, Jan Minsze . . 244
Molinari, Antonio ... 58

— Giovanni Battista . . 58
Molyn, Peter, named Cava-

liere Tempesta .... 228
Momper, Josee de . . .130
Montalti, see Danedi.

Moor, Carl de 245

Morales, Luis de, named el

Divino 85

Mor, Anthoniss, also Moro

and Moras 159

Mor6ne, Giovanni Battista 44
Moretto da Brescia, il, see

Buonvicino.
Moucheron, Frederic . .221

— Isac 255

Murillo, Bartholomeo Est. 90

— Copy after 9o

Muziano, Girolamo ... 52

Miihlig, Meno 3ia

Miiller, Karl Wilhelm . . 310

— Heinrich Eduard . . 30G
— ■ Moritz, see Steinla.

— Moritz 313

Mytens, Daniel .... 148

N.

Naeke, Gustav Heinrich . 304
Naldini, Battista .... 12
Nattier, Jan Baptiste . .100
Nazari, Bartolo . . . . 6(»
Neapolitan School ... 77
Neck, Jan van . . .152
Nefs (Neeffs), Ludwig . . 153

— Peter 153

Neer, Aart or Arthur van

der 190

Eglon van der . . . 238

Negri, Pietro 58

Netecher, Caspar . . . .231

— Copy after 233

Page

Neyts, Aegidiiis or Gilles 149
Nieulant, Adrian von Ant-

v^rerpen No 890 .. . 1-J8
Nikkeien, Jan van . . . 259
Nogari, Giuseppe ... 60

0.

Ochtervelt, Jan . . .
Oehme, Ernst Erwin . ,
Oer, Theobald von . .
Old Netherlands Tapestry .
Oosterwyck, Maria van
Orbetto, see Turchi.
Orizonte, see Bloemen, Jo-

hann Franz van
Orrente, Pedro
Ossenbeck, Josias
Ostade, Adrian van

— after ....

— Isaak van . .

P.

Paccia, Pietro .....

Padovanino, see Varotari.

Pagani, Paolo .....

Palamedes, see Stevens.

Palma , Jacopo , named
Palma \'ecchio ....

— Jacopo, the Younger,
named Palma Giovine

Palmezzano, Marco, da Forli

Paltrouieri, Pietro, named
il Miitindolese . . .

Pan, see Lys, Jan.

Panini, Giovanni . . .

Papperitz, Gust. Friedr. .

Parmegianino, or Parme-
sano, 8. Mazzuoli, Fran-
cesco.

Pasqualino, see Rossi.

254
315
312
I
216

86
216
191
192
192

84

33

40

41
9

33

34
507

Page

Passarotti, Bartolemeo . 72
Pastil Pictures . . . .319
Pater, Jeau Baptiste . . 99
Paudiss, Christoph . . . 256
Pellegrini, named Tibaldi 6:h
Penni, Giov. Francesco,

named il Fattore ... 16
Pencz or Pens, Georg . . 279
Pereira, Vasco, of Portu-
gal . . .89

Pesaro, Simone da, or il

Pesarese, see Cantarini
Peschel, Carl Gottlob . . 308
Pesne, Antoine .... 98
Peeters, Bonaventura . . 146

— Jan 147

Piazzetta, Giovanni Battista 58
Pignoni, Simone .... 13
Pinturicchio, Bernardino di

Betto, named il . . . 6
Piombo, Sebastiano del . 9
Pippi, Giulio, named Giulio

Komano ...... 16

Pisano, Giunta .... 3

Plazer, Johann Victor . . 296
- Jobann Georg . . . 296
Pluddemanu, Hermann . 304
Pochmann, Traug. Leber. 302
Poelenburg, Cornelis 162 - 164
Pollaiuolo (?), Antonio . 5
Ponte, Jacopo da, named

Bassano 44

— Francesco da, named
Bassano 45

— Leandro da, named Bas-
sano 46

Poorter, Willem van den. 230
Porbus or Pourbus, Franz 108

— School of 109

Pordenone, see Regillo.
Porta, Giuseppe, named

Salviati 51

Totasch 296

Potter, Paul 215

349

Page

Pourbus, see Porbus.
Poussin, Caspar, s. Dughet.

— Nicolas ....... 92

~ School of ..... 93

J^ozzo, Andrea .... 55

Preti, Mattia, named il Ca-

valiere Calabrese ... 79
Procaccini, Camillo ... 64

— Giulio Cesare .... 64

— School of 64

Puyroche, Elise, nee Wag-
ner 310

Pynacker, Adam .... 196

q.

Quellinus, Erasmus . . .145
Querfurth, August . . .294

R.

Raibolini, Francesco,named

Francia 63

Ramenghi , Bartolomeo,

named Bagnacavallo . 17

*I{aphael, Santi von Urbino 14

— after the design of . . 14

— Copy of 14

— School of 15

Raphaelite Tapestries . . 2
Ravesteyn, Jan van . . .162
Regillo, Giovanni Antonio,

named Licinio da Porde
none 42

Reiner, Wenzeslaus Lau-
rentius 293

Rembrandt van Ryn 181-183

— School of .... 183

— Copy after 183

Reni, Guido . . 67. 68. 319

— Copy after 69

— • School of 69

350

Page

Ribalta, Juan de .... 89
Ribera, Jusepe de, named

lo Spagnoletto . . . 86—88
Ricchi, Pietro, named il

Lncchese ..,...- 74
Ricci, Bastiano .... 57

— Marco ...... 57

Richter, Therese .... 302

— Ludwig Adrian . . 309
Ridolfi, Claudio . . . . 5*2
Rigaud, Hyacinth ... 97
Ring, Pieter de . . . .172
Riposo, see Ficherelli.
Robert, Felicitas .... 326
Roberti, Domenico ... 34
Robusti, .lacopo, nam, Tin-
toretto 47

— Copy after 48

Roelas, Juan de las, nam.

el Licenciado .... 86
Roepel, Coenraet .... 257
Rosier, Job. Carl . . . K03
R6ting, Julius Robert . . 310
Rogier van der Weyden . 261
Rockes, Hendrik Martens,

named Sorgh .... 210
Romano, Giulio, s. Pippi.
Roman School .... 14
Romeyn, Wilhelm . . . 214
Roos, Joh. Heinrich . . 286

— J. Melchior .... 287

— Philipp, named Rosa di
Tivoli .286

— or Rosa, Joseph . . . 288
Rosa, Salvator .... 78

School of 79

— di Tivoli, see Roos,
Philipp.

Rosenfelder 315

Rossi, Pasqualej, named

Pasqualino 22

Rotari, Pietro, (rraf . , 61

Rotermund, Jul . Wilh.Louis 307

Rottenhammer .... 281

Pag©

Rubens, Peter Paul 118- 12S
Rubens, School of . 124—126

— after 139

Rugendas, Georg Philipp 290

Ruiz, Pedro 84

Ruthart, Carl 289

Ruysch, Rachel .... 252
Ruysdael, Salomon . . . 192

— Jacob van . . . 218—219
Ryckaert, David . . . .147

S.

Sabbatini, Lorenzo da Bo-
logna 67

Saftleven or Zachtleeven,

Cornelis 177

Saft - Leven , Zachtleven .

Hermann .... 186—188
Saiter, Daniel . . . . . 288
Salvi , Giovanni Battista,

named Sassoferrato .20. 40.
Salviati, see Porta.
Sammachini, Orazio ... 64
Santi, S.Raphael d'Drbino
Sarto, del, s. Vannucchi.
Sartori, Felicitas, see Hof-

mann.
Sassoferrato, see Salvi.
Savery, Roelandt . . . .116
Savoy e, Daniel de . . . 97
Scarsella, Hippolito, named

Scarsellino 29

Schalcken, Godefried . . 237
Schiavone, Andrea Medola,

named lo 48

Schidone, Bartolameo . . 80
Schmidt, Johann Heinrich 821
Schnorr von Carolsfeld,

Julius Veit Hans . . .305
SchOnfeldt, Johann Hein-
rich 283

351

Page

312
309
313
137
274
282

Schonherr, Carl Gottlob
Schurig, Carl Wilhelm
Schuster, Albr. Louis
Schutf Cornells . .
Schwarz, Christoph .
Screta, Carl ....
SeenuumfZeetnannX Enoch 269
Seibold, Christian . . . 295
Sevilla, Juan de, see Es-

calante.
Seydel, Gustav Ednard. .316
Siena, School of ... . 3
Signorelli, Egidio, see Gilio.
Silvestre, Louis de . . . 97
Simonson, David . . . .316
Slingeland, Slingelant or

Slinghelandt, Pieter van 233
Snufielaer, see Marseus.
Snyders (Snyers), Frans

128 - 129

Snyers, Pieter 139

Solario, Antonio de . . . 77
Sole, Dal, Giuseppe ... 75
Solimena, Francesco, nam.

TAbate Ciccio .... 83

— School of 84

Son, Joris (Georgius) van. 149
Sorgh, see Bockes.

Sps^a, la, or Spado, lo,
see Marescalco, Pietro.

— Lionello 69

Spagnoletto, lo, see Ri-

bera.
Spagnolo di Bologna, see

Crespi.
Spanish School . . .84. 91
Sperlinjg, Johann Christian 294
Squarcione, Francesco . . 35
Stalbemt or Staelbempt,

Adriaen van 130

Standart , see Bloemen,

Pieter van.
Stanzioni, Massimo, Cava-

liere 78

Page

Starniua, Gherhardo di Ja-

copo 5

Steen, Jan 22*2

Steenwyck, Hendrik van

148. 164
Stefano, Tommaso di, nam.

Giottino 4

Steinla, named Miiller, Mo-

ritz 304

Stevens, named Palamedes 214
Stilheld, see Lin.
Stomme. de, van Campen,

see Avercamp
Stoom, Mattheus .... 236
Stoop, Cornells .... 188

- Dirk 188

Storck, Abraham .... 243
Strozzi, Bernardo, named

11 Prete Genovese ... 77
Strudel, Peter, Baron von 2><8
Study Heads and Unknown

Portraits 324

Sturm, Leonhard . . . .316
Suhleyras, Pierre . . . .100
Swanevelt, Hermann van 198

T.

Tamm, Franz Werner, nam.

Dapper 289

Tempesta, see Molyn.
Teniers, David, the father

131. 147
David, the son . 132—185
Terburg (Ter Borch), Ger

hard 185

Thiele, Julius Arthur . .318
Thomas, Carl Gust. Adolph 315
Tiarini. Allessandro ... 70
Tibaldi, see Pellegrini
Tilborch, Egidlus or Gilles 149

Tilius, J 267

Tintoretto, see Robusti.

3.)2

Puge

Tisio , Benvenuto , named

Garofalo or Garofolo . 24
Tivoli, Rosa di, see Roos,

Philipp.
Titian, see Vecellio.
T5rmer, Benno Friedrich 304

Tol, D. van 209

Tommaso di Stefano, nam.

Giottino 4

Toorenvliet, Jacob . . . 240
Torre, Flaminio .... 70

Tour, la 321

Trevisani, Francesco . . 55
Triva, Antonio .... 32
Troy, Francois de . . . 96
Turchi, Allessandro, nam.

rOrbetto 52

U.

Ubertino, Francesco, nam.

Bacchiacca 10

Uden, Lucas van. . 140 — 141

Ulft, Jan van der . . . 216

Utrecht, Adriaen van . .145

Uienwael, Joachim . . .160

Umbrian School .... 6

Unknown 8 12 18 43 56

62 84 89 91 96 109

111 116 126 127 t40 148

150 167 161 173 176 179

180 184 189 190 197 198

214 216 233 241 244 252

262 -265 -272 274 275 276

277 278 -280 2^7 298

Unknown Copies .... 297

V.

Vaccaro, Andrea .... 78
Vaga, Perino del, see Buo-
nacorsi.

Vaillant (Wallerand) . .
Valdes, Leal, Juan de . .

Valentin

A'alkenborch, Martin van .
A' an Loo, Jacob . . . .
Vanni, Francesco, da Siena
Vannucchi, Andrea, named
Del Sarto

— Copies after . . . ,
A'anucci , Pietro , named

Pietro Perugino . . .

A^arotari, Allessandro, nam.
Padovanino

Vasari, Giorgio, the Youn-
ger

Vecchia, Pietro della . .

Vecchio, s. Palma, Jacopo.

Vecellio, Francesco da Ca-

— Tiziano

— Copy after

Veen, Martin van, named

Heemskerk

Velasquez, Diego de Silva
Velde, Adriaen van de. .

— Esaias van de . . . .
Venezia, Polidoro di, see

Lanzani.
Venetian School . ....
Verboom, see Boom
Verelst, Pieter, s. Elst.

— Simon van

\^erendael, Nicolas van 135.
Verkolje (Verkoltje) , Jan
Vernet, Claude Joseph . .
Veronese, s. Caliari, raolo.
Verschuring, Hendrik . .
Vertangen, Daniel . . .

Viani, Maria

Vicente, Juan Macip, nam.

Juan de Joanes. . . .
Victor, Jacomo . . .

Victors, Jan

Vinckeboons, Davidze .

Tagfi

284

91

95

118

194

12

10
11

6

53

12
54

40
37
39

278

88

230

230

35

157
156
256
101

215

173

76

85
234
234
127

353

Page

Viviani, Ottavio .... 32
Vlieger, Simon de . . . 234
Vogel, Christian Leberecht 300
- von Vogelstein, Carl . 303
Vois, Aiy (Adriaen) de . 235

Vonck. J. 254

Vorstermana, Jan. , . . 153

Youet, Simon 92

Vranox (?) Ill

Vriendt, Frana de, named

Floris 102

Vries, Adriaen de . . .180

W.

Wagner, Maria Dorothea,
nee Dietrich 298

— Elise, see Puyroohe.
Walker , Robert , Copy

after 297

Walach, Jacob, s. Barbaris.
Waterloo, Antoni . . . 197
Watteau, Antoine ... 98
Weenix, Jan Battista . . 238

— Jan 239

— School of 239

Wegener, J. Fr. Wilhelm 312
Weller, David Friedrich . 326
Werff, Adrian van der. . 247

— Pieter van der . . . 249

Page

Weyden, van der, s.BiOgier.
Wichmann, Adolph Fried-
rich Georg ..... 307
Wiebke, Bartholt. ... 158

Wildens, Jan 130

Willarts, Adam .... 127
Willmann, Michael . . . 285
Wislicenus, Hermann . .311
Wit (Witt), Jacob de . . 259
Wolfvoet, Victor .... 128
Wouverman (Wouvermans)

Philips 199-209

Wyck, Thomas .... 178

Wynants, Jan 173

Wytmans, Mathaus . . . 243

Z.

Zachtleeven, Cornelia, see
Saftleeven.

— Herrman, see the same.
Zampieri, Domenico, nam.

il Dominichino ... 69

— School of 69

Zeemann, see Seemann.
Zegers (Segers) , Daniel,

named the Jesuit of Ant- .

werp 136

Zurbaran, Francisco ... 89

23

A Collection of Engravings

after tKe most celebrated I^ictures

of the Royal Gallery

m

Dresden.

Commenced 1753. Completed 1870.
Three Divisions, each 51 sheets in Large Folio.

The whole collection complete in 3 Divisions,

£ ^. dt. £ s. d.

bound, 27 — — unbound, 24 (5 —

I. Div. „ 9 9 — „ 8 2 —

n. ,, „ 8 5 - „ 6 18 —

III. „ „ 11 17 — „ 10 10 —

From each of the 1»' and 2* Divisions a selection has be en
made, each consisting of 16 of the most favourite Engravings,
which cost, on white paper, a^ 2. 14 s., on Chinese paper,
£ 3. 12 s.

From the S^ Division, two selections have been made,
each of 15 Engravings; price of each, on white paper £ 3. 12 s.,
on Chinese paper, £ 4. 16 s.

The Engravings in the selections from the 3<* Division are
designated in the following Catalogue with a star.

A selection from the whole collection, consisting of 24
Engravings, costs, on white paper, £ 6. H s., on Chinese paper,
j^ 8. 8 8* The Engravings in this selectiofa are designated in
the catalogue with a cross.

23*

356 *

Those Engravings which, in the Catalogue, are connected
with b races ^are for sale at 25 % discount from the noted
^prices.

No.

11

1.

*t

»>

2.

*-j.

J»

3.

I. 0.

»

»>

»

»?

»)

»>

4.
5.

6.

7.
8.
9.

First Division.

(1753.)

Title Page:

Bigaud, H. Augustus III., King of

Poland, as Crown Prince, 1715 .

J. J Balechou, Engraver. (Gall.Nr.f)76.)

Corrcggio. Madonna of St. Francis .

E. Fessard, Eng. (151.)

Same Artist. Madonna of St. Sebastian.

N. D. Beauvais, Eng. (155.)

Same Artist. The Virgin with the

Child enthroned on clouds, above

the SS. Sebastian, Geminianus and

Bochus .... *

P. A. Kilian, Eng. (152.)

Same Artist. Magdalen

J. DauU^, Eng. (153.)

Francesco Mazzuoli, named il Parme-

gianino. The Saints: Sebastian

and Francis, before a throne with

the Virgin and Child

N. le Mire, Eng. (162.)

deir Abbate, Nio. The Martyrdom of

the Apostles Peter and Paul , .

Jac. Folkema, Eng. (169.)

del Sarto, Andr. The Holy Family.

P. E. Moitte, Eng. (46.)

Same Artist. Abraham's Sacrifice . .

L. Surugue p^re, Eng. (44.)

Bomano, Giut. The Holy Family,

called the "Madonna delta Catina".

J. J. Flipart, Eng. (82.)

Frioe.
£ B. d.

♦w.

—

9

ch.

12

w.

4

w.

, ,

4

w. — 4 —
w. — 4 —

* Engravings marked w. are on white paper;
ch. are on Chinese paper.

The Numbers are according to the Catalogue

w. - 3 —

w. — 4 —
w.~ 3 —
w. — 9 —

w. — 6 —

those marked
of 1874.

357

«

No.
I. 10.

,,11.
„12.
„13.
„U.
„ 15.

„16.
„17.
„ 18.
„19.

„

20.

„21.
22.

„

„23.

„24.

Titian. The Family of Alphonso I.,
Duke of Ferrara, adoring the Virgin.

E. Fessard, Eng. (224.)
Same Artiet. Portrait of a lady in

a black dress

F. Basan, Eng. (227 )
Same Artist. Portrait of a lady in

a white dress

Same Engraver. (229.)

Same Artist. Portrait of Lavinia,

Titian's Daughter

Same Engraver. (230.)
Ca^?tan,Pao/o/ named Veronese. Ado-
ration of the Magi

P. A. Kilian, Eng. (299.)

Same Artist. The Concina Family,

surrounded by Faith, Love, and

Hope, kneeling before the Virgin.

Same Engraver. (301.)

Same Artist. Christ bearing his Cross.

J. M. Preisler, Eng. (302.)

Frocaccini, G, G The Holy Family.

J. Camerata. Eng. (444.)

Carracd, Lodovico. Piety ....

M. Keyl. (447.)

Carracd, Annibale. Assumption of the

^^irgin ... ..,."..

J. Camerata, Eng. (450.)

Same Artist. The Evangelist Matthew

and other Saints adoring the Virgin.

N. Dupuis, Eng. (451.)

Same Artist. St. Bochus dispensing

Alms

J. Camerata, Eng. (452.)

Beni, Guido. The Saviour appearing

to the Virgin .

J. Tardieu, Enc. (476)

Same Artist. The Virgin with the

Saints: Hieronymus, Crispus, and

Crispinianus

P. L. Surugue fils, Eng. f478.)

Same Artist. Bacchus as a boy, drinking.

J. Camerata, Eng. (471.)

Price.

£ s.

d.

w. — 4 —

w. — 3 —

w. —

w. —

w. — 9

w.

w.

w.

w.

w. —

ch. —

9 —

w. — 9 —

w. — 4 —

w.

w. — 5

3 -

6 -

w. — 6 —

6
9

J

358

Price.

£ 8. d.
w. — 3 —

6 —
9 —

w — 3 —

w. — 2 —

w. —

w. —
ch. -

w. —

No.

I. 25. Fawm, ¥t. The Holy Family

P. E. Moitte, Eng. (57.

„ 26. Fell, D. David with the head of

Goliath w.

J. Camerata, Eng. (94.) oh. —

„ 27 de Bihera, Jus., named Lo Spagnoletto
Jacob tending Laban's sheep .
S. Fokke, Eng. (617.;

„ 28. Same Artist. The Martyrdom of St

Bartholomew

M. Pitteri, En<y, (611

„ 29. I Same Artist. The Martyrdom of St

I Laurence : w. —

I M. Keyl, Eng. (612

,, 80. : Same Artist. St. Mary of Egypt. .
I M. Pitteri, Eng. (608.

„ 31. Same Artist. Diogenes

J. Daulle, Eng. (618.

„ 32. Freti, Mattia, named il Calahreae

I Peter delivered from prison

I P. Campana, Eng. (559.

„ 33. I Same Artist. The Martyrdom of St

Bartholomew

C. L. Wiist, Eng. (557.,

„ 34. Same Artist. St Thomas putting his
I linger in the wounds of the '

I Saviour i w. —

Jos. Canale and J. Beauvarlet,
Eng. (558.) j

„ 35. Giorr/ano, Luca. Jacob and Rachel at i

the well w.

Jos. Wagner, Eng. (578.)

„ 36. Same Artist Eliezar presents the gifts

of his master to Rebecca . . .

Same Engraver. (577.)

„ 37. I Same Artist. Lucretia and Tarquin .

P. Tanje, Eng. (672.)

„ 38. Same Artist The dying Seneca . .

P. Aveline, Eng. , (571.)

„ 39. Same Artist. Bacchantes regarding

the sleeping Ariadne w. — 3

Fr. Baean, Eng. (570.)

3 —

4 —

4 —

6 —

w. — 2 —

4 —

3 —

w. — 3 —

w.

—

4

—

ch.

—

6

w.

—

4

—

369

*
*

♦t

♦t

No.
I. 40.

»42.

,,43.
44

„45.

„46.

„47.

„48.
„49.
»60.

II. 0.

»>

»»

»f

1.

2.

3.

Same Artist. Hercules and Omphale.

CI. Duflos, Eng. (568.)

Bold, Carlo. Christ blessing the bread

Fr. Basan, Eng. (63.J

Same Artist. Herodias with the head

of John the Baptist

P. A. Kilian, Eng. (61.)

Same Artist. St. Cecilia

Same Engraver. (62.)

Maratti, C. The Virgin adoring the

Infant Christ

CI. Jardinier, Eng. (118.)

Same Artist. The Virgin with the

sleeping Child

J. Daulld, Eng. (119.)

Cignanij C. Joseph fleeing from Poti-
phar's wife

P. Tang^, Eng.
Langhetti, G. S.

Marsyas
L. Zucchi, Eng.

(628.)
Apollo punishing

(688.)

Euhens, P. P. "Quos ego" of Neptune
J. DauU^, Eng. (824.)

Same Artist. Winter

C. Fr. Boetius, Eng. (832.)

Same Artist. Rubens* Sons ....
J. Daull^, Eng. (846.)

Second Division.

Title Page:

de Silvestre, L. Maria Josepha, Queen
of Poland etc

J. DauUd, Eng. (683.)

Corregio. The "Night by Correggio".

Surugue fils, Eng. (164.)

Same Artist. Corregio's Physician

P. Tanj6, Eng. (166.)

MazziLoli, Fr., named il Parmegianino.

The Vir^ with the Rose . . .

J. Ch. Deucher, Eng. (164.)

w.
w.

w.

ch.

w.

Price.

8. d.

3 —

4 —

4
6
4

w. — 6 —

w. — 3 —

w. -— 3 —

w. — 2 —

w. — 6 —

w.
ch.
w.
ch.

3
6
6
9

w.

w.

w.
ch.

6
6

4
6

w. — 3

360

No.

II.

4.

6.

6.

7.

8

9,

10.

11.

12.

13.

14.

15.

16.

17.

Mdzzuoli, Gir. St. George kneeling
before the Virgin ......

M. Auber, Eng. (167.)

Holbein, H., the Younger. Portrait of

the goldsmith Morett

J. Folkema.*) (1810.)
da Conegliano, Cima. Christ, blessing.
Same Engraver. (215.)
Dossi, Dosso. The Four Latin Fathers.
P. A. Kilian, Eng. (135.)
Titian. The Virgin and Child, sur-
rounded by Saints

J. Folkema, Eng. (223.)

Cagliari, Paolo, named Veronese. The

Marriage at Cana

L. Jacob, Eng. (300.)

Same Artist. Portrait of Daniele Barbfiro.

J. Houbraken, Eng. (314.)

BoJmsti, Jacopo, named Tintoretto. The

Adulteress before Christ ....

P. A. Kilian, Eng. (293.)

Salviati, Givs. The Body of Christ

supported by Angels . . . . .

P. Tanj^, Eng. (326.)

da Ponte, Jacopo, named Bassano.

Christ driving the Money Changers

from the Temple

P. Chenu and Kilian, Eng. (276.)
Same Artist. The Adoration of the

Shepherds

P. Chenu, Eng. (277.)

Turchi, Aless. Venus mourning over

the dead Adonis

J. Beauvarlet, Eng. (336.)

Micdf Seb. The Ascension ....

J. Punt, Eng. (373.)

Tisio , Benvenuto, named Garofalo.

Neptune and Minerva

Jac. Folkema, Eng. (141.)

■SB

Price.

s. d.
2 —

w. —
ch.-
w. -—

6
9
4

w. — 4 —

w. — 4 —

w. — 6 —

w. —
ch. —

4
6

w. — 6 —

w. — 8 —

w. — 3 —

w. — 2 —

w. —
w. —

w. —

4 —
2 —

5 —

^) Engraved as L. da Vind,

J

361

*

No.
11. 18.

„ 19.

» 20.

» 21.

„ 22.

„ 23.

,, 24.

„ 25.

» 26.

„ 27.

i, 28.

11 29.

„ 30.

„ 31.

11 32.

11 33.

Procaccini, Gam, St. Roclius healing

people infected with the plague .

J. Camerata, Eng. (442.)

Carracci, An. The Genius of Fame .

C. D. Jardinier, Eng. (449.)

Benij Guido. Ninus and Semiramis .

J. M. Preisler, Eng. (472.)

Albano, Fr. Cupids around a statue

of Amor

P. Taiy^, Eng. (494.)

Barbieri, Fr, , named il Guercino.

Cephalus and Procris

L. Lempereur, Eng. (509.)

Same Artist. Venus and Adonis .

Same Engraver. (508.)

Lanfranco, Giov. The Penitent Peter.

J. DauUd. Eng. (182.)

Tiarini, Aless. Medor and Angelica .

Ant. Radigues, Eng. (489.)

Gantarini, Sim. da Pesaro. Joseph

fleeing from Potiphar's wife . .

J. Camerata, Eng. (525.)

ScarsellUy Hipp., named Scarsellino. St.

Borromaeus kneeling before the

Virgin

Et. Fessart, Eng. (172.)

Amerighi, named Mich. Angelo da Ga-

ravaggio. The Card Players . .

P. Tanj^, Eng. (176.)

Feti, Bom. The Parable of the lost

piece of money

J. Camerata, Eng. (97.)

Same Artist. The Parable of the la-
borers in the vineyard ....
Same Engraver. (100.)

Gasttglione, G. B. Noah taking the

animals into the Ark

P. Aveline, Eng. (560.)

Same Artist. Jacob and his family

journeying to Canaan

Same Engraver. (561.)

Biscaino^ B. The Adulteress beforeChrist

J. Camerata, Eng. (565.)

Price.

^8. d.

w. --

6 ~

w. ^
ch

6 —
9 —

w. —

4 —

w. —
ch. —

9 —
12 —

w. —

4 —

w. —

4 —

w. —

2 —

w. -

3

w.— 2 —

w.

w.
ch.

2 —

6
9

w. — 2 -

w. — 2

w. — 3

w.
w.

3
3

362

No.

1

II. 84.

1

„35.

„ 36.

/

.,37.

»38.

„ 39.

*

„ 40.

„41.

•t

«42.

•t

„43.

..44.

„45.

„46.

..47.

•t

.,48.

de iBibera, Jus., named lo Spagnoletto.

The Deliverance of Peter . . .

M. Pitteri, Kng. (609.)

Same Artist. The penance of St. Francis.

Same Engraver. (610.)

Vaccaro, Andr. Christ appearing to

the Virgin

J. Camerata, Eng. (563.)
GiordanOj Luc. Lot and his daughters.
J. Beauvarlet, Eng. (580.)
Same Artist. Susannah and the El-
ders

Same Engraver. (581.)

Same Artist. Perseus contending with

Phineus and his companions . .

Same Engraver. (569.)

Same Artist. The Rape of the Sabines .

D. l!=ornique and Gaillard, Eng. (573.)

SoUmena, Fr. The Virgin with the

Child and St. Vincent de Paula .

P. A. Kilian, Eng. (693.)

Pagani, P. The Penitent Magdalen.

N. Tardieu, Eng. (195.)

HolbeiUj II. the Younger. The Family

of Burgomaster Meyer, kneeling

before the Virgin

Ch. F. Boetius, Eng. (1809.)

Rubens, P. P. A hero crowned by

Victory

P. Tanj6, Eng. (829.}

Same Artist. Portraits of a lady and

a Spaniard

F. Zucchi, Eng. (850.;

Same Artist. Landscape with a tigress

suckling her young; before her

stands a lion

J. E. Ridinger, Eng. (834.)

Bembrandt. The Sacrifice of Manoah

and his wife

J. Houbraken, Eng. (1220.)

Same Artist. Portrait of an old man.

P. Tanj^, Eng. (1228.)

Price.

£ s. d.
2 —

w.

w. — 2 —

w.

2 —

3 —

w. — 3 —

w.

w.
ch.

3 —

6 —
9 —

w. — 2 —

w.
ch.

6
9

w. — 6

w. —

ch

3 —
6 —

w. —
ch. —

4 —
6 —

w.' —
ch.-

6
9 —

w. —

4 6

w. —
ch. —

4 —
6 —

"1

363

No.
II. 49.

„ 50.

*i

*i

*'t

III.

1.

•'t

»»

2.

>>

3.

•'t

yi

4.

»»

5.

*1

))

6.

•t

11

7.

7»

»>

H

11

8.

9.

10.

11.

Van Byck, Ant. St. Jerome . . .

N. de Beauyais, Eng. (982.)

Berghem, Nic. Landscape, with groups

of men and animals

J. Aliamet, Eng. (1407.)

Third Division.

Title Page:

Graff, Ant Half-length Portrait of

Frederick Augustus, the Just . .

J F. Bause, Eng. (1968.)

Baphael The Sixtine Madonna . .

C. G. Schulze, Eng. (67.)

Bembrandt. The Rape of Ganymede.

Same Eng. (1216.)

Licinio, da Pordenone, G. Ant. A

Portrait, supposed to be of Cornara,

Queeu of Cyprus

C. G. Schulze, Eng. (252.)

Beni, Guido. Ecce Homo, Half-length.

Same Engraver. (474.)

Carracci, An. Head of Christ . . .

Same Engraver. (454.)

Viani, Maria Venus reposing . . .

Same Engraver. (545 )

Kauffmann, Ang. Portrait of a young

lady as Vestal Virgin

Same Engraver (1979.)

Same Artist. Ariadne abandoned by

Theseus

E. G. Kruger, Eng. (1980.)

Bol, Ferd. Joseph presenting his father

to Pharaoh

Same Engraver. (1268.)

Netscher, G. A gentleman accom-
panying a lady singing ....
Same Engraver. (1580 )

Feme, A The Gypsy

C. F. StOlzel, Eng. (690.)

Price.
£ B. d.
w. — 4 —

w. — 3

w.—

3

ch

6

w. —

15

w. —

12

ch. -

15

w. —

3

ch. —

6

w. — -

6

ch. —

9

w. —

3

ch.-

6

w. —

3

w. —

2

ch.-

4

w. —

2

ch. -—

4

w. —

12

ch. —

15

w —

6

ch. —

9

w.—

3

ch. —

6

364

*2

*f

111.12.

»

14.

Van der Werff, Ad. The Penitent

Magdalen . . :

j C. F. StSlzel, Eng. (1640.)

„ 13 I Bubens, P. P. Portrait of Helene

Formans

Same Engraver. (863.)

Mengs, A. M, Cupid sharpening a dart.

J. F. Bause, Eng. (2086.)

Proof before lettering . . .

„ 15. I Van Dyck, Ant. Portrait of a man,

supposed to be of the Painter,

Ryc^aert

; C. S. Ra^pe, Eng. (990.)

„ 16. ' Same Artist. Portrait of a man in

I armour

! i Same Engraver. (992.)

** ,, 17. i Pesne, A. A girl with a couple of

' i doves

; Same Engraver. (689.)

„ 18. ^arbieri, Fr., named il Guercino. The

wounded Dorinda. A scene from

Guarini's "Pastor Fido" ....

C. F. T. Uhlemann, Eng. <512.)

Trevisani, Fr. The Holy Family . .

J. G. Schmidt, Eng. (365.)

Zeernan, E. Portrait of the Artist,

Enoch Seeman, or Zeeman . . .

Same Engraver. (1711.)

»»

»>

19.

20.

I

*H „ 21.

Berghem, N. Landscape with large
rocks
C. G. Geyser,' Eng.* * ' ' (1406.)
** ; „ 22. I Dietrich, C. W. E. Shepherd and

. Shepherdess

' I C. A. Giinther, Eng. (2262.)

Proof before lettering . .
Wouverman, Ph, Landscape with a

wooden bridge

Same Engraver. (1326.)

V. d. Velde, Adr. Cattle grazing

before a hut

H. F. Laurin, Eng. (1526.)

*'t „ 23.

*t

j»

24.

Price.

if 8. d.

w. —
ch. —

3 —
6 —

w. —
ch. —

4 —
6 —

w. —
ch.—

4 —
6 —

w. -—

9 —

w. —
ch.—

9 —
12 —

w. —
ch. —

4 —
6 —

w. —
ch. -

► 3 —
6 —

w. —

3 —

w. —

3 —

w. —
ch.-

4 —
6 —

w. — 3 —

w.

6

ch.

9

ch.

—

12

w. — 2 —

w.
ch.

3
6

365

*2

*I

*2

t

*1

No.
II 25.

» 26.

„ 27.

,. 28.

»»

»»

29.

30.

„ 31.

„32

n 33.

„ 34.

„ 35.

«2

„ 36.

*2

„ 37.

*1

,, 38.

Poelenburg, C.-j figures by Bout, F
Italian landscape with cattle .
J. a. A. Frenzel, Eng. (1118.;

Proof before lettering . .
JReni, Guido, Ecce Homo . . .
Ant. Kriiger, Eng. (479.;

Before lettering ....
Buysdael, Jac. and v. d. Velde, Adr

The stag chase

C A. Giinther, Eng. (1436.

Before lettering ... . .
F. da San Gimignano. The Virgin
with the Child and St. John .
E. G. Kruger, Eng. (77.

Before lettering ....
Titian. The Tribute Money. (Christo

della moneta.)

M. Steinla, Eng. (222.

Mengs, A. JR. Portrait of Ant. Raph

Mengs

L. Gruner, Eng. (2075.

Before lettering ....
Stanzioni, Mass. Natural Philosophy

(Fame), Allegory

J. Canale, Eng. (552.]

De Bihera, J., named lo Spagnoletto

A Philosopher

Same Engraver. (619.;

Albano, F. Adam and Eve . . .

Same Engraver. (500.

Van, Loo, Jac. Paris and Oenone

Same Engraver. (1304.

F. d. Werff, A. The Virgin . .

J. Canale, Eng. (1642.)

Kauffmann, Ang. Portrait of a young

lady as a sibyl

Same Engraver. (1978.)

Bvhens, P. P. The Judgment of Paris
P E. Moitte, Eng. (838.)

Titian. Portrait of Lavinia, Titian's

daughter

Syl. Pomarede, Eng. (226.)

£

Price.

s. d.

w. —
ch

6 —

7 6

w. —

9 —

w. —
ch.-

4 —
6 —

w. —

9 —

w. —

ch.-

w. —

9 —
12 —
15 —

w. —
ch

3
6 —

w. —

9 —

w. — 9 —

w.
ch.
w.

4
6
9

w. — S —

w.
w.
w.
w.

ch.
w.

3
3
2

4

3
6
3

w. — 2 —

366

No.

*2-|.

III. 39.

*t

» 40.

*t

„4I.

*1

„ 42.

♦£

»43.

*IJL

>i 44.

*'t

„45.

„46

♦24.

„ 47.

*2

,,48.

,, 49.

„50.

Buysdael, J. The so-called "Jewish

Cemetery"

L. Friedrich, Eng. (1437.)

Before lettering

Same Artist. Landscape, known as the

"Convent"

C. Kruger, Eng. (1443.)

Before lettering

Velasquez, Diego. Half-length portrait

of a man in black clothes . . .

E. Mohn,-Eng. (623.)

Before lettering

MwrUlOj B, E. St. Rodriguez recei-
ving the martyr's crown . .
Th. Langer, Eng. (633.)

Before lettering

KonincXy S. A hermit reading in a

book

G. Planer, Eng. (1319.)

Before lettering

Palma il Vecchio, J. The three sisters.
A. Semmler. Eng. (243.)

Before lettering

Barbarelli, Giorgio, named Giorgione.

Jacob saluting Eachel

Th. Langer, Eng. (218.)

Before lettering .....

School of da Vinci, Leonardo. Hero-

dias with the head of John . .

C. B. Petzsch, Eng. (31.)

Before lettering

Diirer, Albrecht. Christ on the Cross.
Theod. Langer. Eng. (1722 a.)

Before lettering

Franceschini , M. A. The Penitent

Magdalen

E. Buchel, Eng. (530.)

Before lettering

de Bibera, Jus., named To Spagnoletto.

St. Andreas

P. Campana, Eng. (614.)

Nogari, Cftus. A male and a female head.

J. C. Gudebom, Eng. (403. 405.)

Price.

£ 8. d.

w. —

ch. ~

w. —

w.

ch.

w.

w. —
ch. —
w. —

w.

ch.
w.

w.

ch.

w.

w.
ch.
w.

w.

ch.

w.

w.
ch
w.

w.
ch.
w.

w.
ch.
w.

w.
ch.

w.
ch.

L2 —
L5 —
L9 —

9 —

12 —

5 —

9 —

L2 —

L5 —

L2 —

15 —

19 —

9 —
L2 —
L2 —

2 —

L5 —
i9 —

L2 —

L5 —
L9 —

2 —

2 —

L5 —

6 -

7 —
9 —

12 —
15 —
18 —

6 —
9 —

8 —
12 —

367

No.

IV.

1.

»»

2

»»

3.

>»

4.

»»

5.

V. 1.

and 2.

»

3.

ij

4.

Ganaletto's Views in Saxony.

Belotto, Bern. J named Canaletto. View

of the ruins of the tower of the

Kreuzkirche, June 22, 1767 . . .

Engraved by the same. (2336.)

Same Artist View of the ruins of the

Pima suburb

Same Engraver
Same Artist. View of the town of Pirna,
with the Sonnenstein, from the

_ Oberthor

Same Engraver (2345 )

Same Artist. View of Pima, and the

Sonnenstein

Same Engraver. (2349.)

Same Artist View of the Fortress

E5nigstein

Same Engraver.

Several Groups, engraved for the
Royal Collection.

Corradini, Ant. Sculptor. The Centaur
Groups from the Royal Great Garden.

Ch. Ph. Lindemann, Eng.
Same Artist. Time discloses Truth .

Same Engraver.
Balestray P. Time fleeing with Beauty.

G. M. Preisler, Eng.

Price.

£ 8. d.

w. — 6 —

w. — 6

w. — 4 —

w. •— 4 —

w. — 4 —

w — 4 —

w. —

w. — *J —

4
2
2

F

RR ATA.

Page 2,

k.

7»

6,

Nr.

24

11

56,

11

367

11

129,

11

892

n

204,

11

1362

11

210,

11

1395

n

319,

11

2076

»

instead of ch. xv, read ch. v.

Bernardo „ Bernardino.

321,

»?

»'

11

Marotti

11

Maratti.
„ 3,25 w. „ 3,23 w.

„ Le Bias „ Le Bas.
„ M. Sorg. „ M. Sorgh.
2076 the reference, :}( (III. 30.) should be after
Nr. 2075.
„ 2091. This picture was purchased, Feb. 3. 1745,
from Liotard by Algarotti, for 120 Sequins.

0. p. & Q.

1

Modern Artists.

L

M

N

Plan of the B

A. Madonna di S. Sisto by Raphael. j

B. Roman School : Giulio Romano, Sassoferrato, Carlo \

Dolce, I

C. Tintoretto, Palma Giovine, Veronese, Feti. \ ,
D* Ferrarese and Lombard Schools: Signorelli, Francia, \

Dosso Dossi, GarofalOy Correggio, Buonvicino. I .

E. Venetian School: Tizian, Giorgione, Veronese, ^

Pordenone, Tintoretto. I

In the Cabinets from No

1. Lionardo da Vinci, Ubertini, Francia Bigio, s
Grandi, Lippi, Pinturicchio. \

2. The Magdalen, and the physician by Correggio, \
Turchi, Bronzino. j

3. Guido Beni, Alhano, Solimene, Gessi, Morales, \
Cignani. \ ,

4. The Tribute Money by Tizian, Palma Vecchio, s
Lanzani, Bordone. \

6. Varotari, Nogari, Botari, Guercino , Spada. I
6. Claude Lorrain, Potcssin, Subleyras, Dughet,

Watteau, Largilliere. >

47. Hut in, P. van Bloemen, Seghers. 48. Neyts, Art}

14 DAY USE

RFTURN TO DESK IROM WHICH BORROWED

LOAN DEPT.

lUs book it doe on the late date tcamped below,
or oo the date to wfaicfa renewed. Reaewalt 00I7:

TeL No. 642-3405
Renewab mar be aude 4 dayt orior to date due.
Renewed bookt are tabject to immfdiate recall.

jWbject to recall

i.rar —

KtKT

872 MS

OCT 9 1974 3 8

REC'D CIRC DEPT MAY 2 3 74 91

LDaiA-40iii-8.'72
(Q117SS10)476-A-82

General Libnir

Unirtnitf of CaUlbcal*

Berkeler

I

U. C. BERKELEY LIBRARIES

C0MSS037I0

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